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9 to 5 (Bart Luedeke Center Theater: Rider University, May 3, 2026)

May 3, 2026 by Paul Debraski

[ATTENDED: May 3, 2026] 9 to 5

This was our third musical performance at Rider University (exactly one year since the previous one).  Their theater program is fantastic and this entire performance was great.

The singers have great voices.  The actors have excellent timing.

Many of these performers have gone onto Broadway in varying roles.  And it really shows.

We have said of these shows that I’m sure there would be a difference between seeing this show on Broadway as opposed to a college.  Bigger budget, bigger stars, for instance.  But it would be hard to improve on the quality of the performances.

9 to 5 The Musical, with music and lyrics by Dolly Parton and book by Patricia Resnick, is based on the seminal 1980 hit movie. Set in the late 1970s. this hilarious story of friendship and revenge in the Rolodex era is outrageous, thought-provoking and even a little romantic.

Pushed to the boiling point, three female coworkers concoct a plan to get even with the sexist, egotistical, lying, hypocritical bigot they call their boss. In a hilarious turn of events, Violet, Judy and Doralee live out their wildest fantasy – giving their boss the boot! While Hart remains “otherwise engaged,” the women give their workplace a dream makeover, taking control of the company that had always kept them down. Hey, a girl can scheme, can’t she?

The show was really funny.  Based on the movie but with extra songs.  A few parts dragged a bit, but I blame that on the book, not the performers.  In fact, everyone was great.  I felt bad for the boy playing Mr. Hart because he’s really a terrible person.  The biggest surprise for me (but clearly not for those in the know) is that a video clip of Dolly herself opened and closed the show.  It was a fun way to bring us into and out of the make believe world.

I wanted to include the cast here in case we wind up seeing anyone on Broadway some day Continue Reading »

Posted in 9 to 5, Bart Luedeke Center Theater, Dolly Parton, Musicals | Leave a Comment »

Foo Fighters (Starland Ballroom, Sayreville, NJ, May 2, 2026) [DID NOT ATTEND]

May 2, 2026 by Paul Debraski

[DID NOT ATTEND: May 2, 2026] Foo Fighters

In February of this year, Mitski announced a surprise intimate show at Starland Ballroom.  We went and it was terrific.  Now, two months later, the Foo Fighters did the same thing!

But this time, the tickets were for sale old schoool–at the venue, and that just wasn’t possible for me.  Correct, I didn’t want it bad enough.  People got there at 5AM.  The only thing worse than waiting for hours on line would be waiting for hours online and finding out the last ticket was just sold.

Foo Fighters announced this past Wednesday that the enormously popular rock band would perform two intimate club shows in the New York City area. On Thursday the band would perform at the 1200-capacity Irving Plaza in New York City. On Saturday, the band would perform at the 2500-capacity Starland Ballroom in Sayreville, New Jersey.

The club shows were two rare opportunities to see Foo Fighters up close. The last time Foo Fighters played New York City was in 2024, before 42,000 fans at Citi Field. That open-air stadium performance was abruptly abbreviated due to a torrential downpour and lightning. The band last performed in New Jersey in 2023, headlining the final day of the Sea.Hear.Now festival on the beach in Asbury Park, before an audience of 35,000 fans.

Old school style, the tickets announced on Wednesday afternoon would go on sale at the two clubs’ box offices the following morning. Early arrivals would receive a wristband that guaranteed the later purchase of tickets. Fans wearing wristbands would be allowed to purchase two tickets for $30 apiece. The fans turned out at both locations and, once the box offices opened on Thursday at 10 a.m., the electronic tickets sold out within an hour.

But DannyPaps94 was there and recorded the whole thing.

Posted in Foo Fighters, Sayreville, NJ, Starland Ballroom | Leave a Comment »

The Afghan Whigs (Union Transfer, Philadelphia PA, May 1, 2026)

May 2, 2026 by Paul Debraski

[ATTENDED: May 1, 2026] The Afghan Whigs

I hadn’t really thought about seeing The Afghan Whigs.  I liked a few of their early albums, but hadn’t really thought about them much at all once they got back together in 2011.  Two of my friends had raved about the band live, though, so when they announced this show and that it was a 40th anniversary tour (instead of a new album tour) I grabbed a ticket right away.

Upon entering the venue, a sign said that the Whigs and Mercury Rev would like us to enjoy the show with out eyes, not with our phones.  Now, I like to take some pictures and I like to grab clips of songs here and there, but I try to be very considerate in my camera usage.  I never hold mine above my head.  So I was on board with this request–it didn’t forbid some photos but it didn’t want a lot.  And for the most part the audience around me was good–but it seemed like Greg Dulli was getting annoyed by some of the people up front who were filming a lot of the show.

I didn’t really know what to expect from the show.  I didn’t think they’d do anything fancy, and they didn’t.  I also had the idea that Greg Dulli had a devoted fanbase of women of a certain age.  He does and they were there in force and they were loud!  And it was a great show.  Sure the ladies screamed a lot but it was in good fun and Dulli seemed to enjoy it.  At one point he winked at someone in the front row and tossed her a pick.

I had listened to some of the newer albums, and, basically, they all have the same tone and vibe, which I like and that meant that any song they played would sound good.  And they did.  I didn’t know most of the songs in the set very well, but the band was great, Dulli sounded great and I have a really good time.  They only played one song from their most recent album (which they toured not too long ago, so that makes sense.  They played the most songs from their previous two albums, but touched on their entire catalog. Continue Reading »

Posted in Mercury Rev, Philadelphia, PA, The Afghan Whigs, Union Transfer | Leave a Comment »

Mercury Rev (Union Transfer, Philadelphia PA, May 1, 2026) [THE AFGHAN WHIGS]

May 1, 2026 by Paul Debraski

[ATTENDED: May 1, 2026] Mercury Rev

I hadn’t really thought about seeing The Afghan Whigs.  I liked a few of their early albums, but hadn’t really thought about them much at all once they got back together in 2011.  Two of my friends had raved about the band live, though, so when they announced this show and that it was a 40th anniversary tour (instead of a new album tour) I grabbed a ticket right away.

And I was even more excited that the opener was Mercury Rev.  I really liked their weird first albums but I really loved Deserter’s Songs (from 1998).  Their newer stuff (alright, everything since Deserter’s Songs, I’ve found kind of boring (I admit I haven’t listened to all of it but what I have has been pretty bland).  So I haven’t wanted to see them headline a show.  But seeing them as an opener sounded grand, because surely they’d play at least a few of the songs I loved.

So it’s pretty odd that I literally just realized that I saw them 26 years ago.  I guess the show wasn’t that memorable (although 26 years is  a long time).  I really wish I had a better memory of it because it’s a setlist I would kill for (even if they didn’t play anything from their then two middle albums).

But here they were (I was much closer for this show, to be sure), 26 years later with Jonathan Donohue singing and Grasshopper on guitar as the only continuous members.

What struck me immediately is that in front of the drums which were on the side of the stage, there was a small step and Jonathan climbed up it, creating quite the striking figure as he conducted the drummer.  Donohue was wearing a big hat (that reminded me of the Waterboys for some reason) and a tightly buttoned peacoat with white sleeves (unbuttoned, sticking out of the sleeves of the coat).  It was quite the look and immediately told us that he was an artist.

Now, I haven’t paid much attention to Donohue in the last 25 years, so I was really surprised when he sang… differently. Continue Reading »

Posted in Mercury Rev, Philadelphia, PA, The Afghan Whigs, Union Transfer | Leave a Comment »

Stick Men (Ardmore Music Hall, Ardmore, PA, April 29, 2026)

April 30, 2026 by Paul Debraski

[ATTENDED: August 2, 2024] Stick Men 

About a year and a half ago I saw Stick Men for the first time and it was fantastic.

I was able to get up close to the stage to see Tony Levin (the main reason I wanted to go) play the Chapman Stick up close.  I have seen him play with King Crimson but have never been THIS close.  I didn’t know much about Markus Reuter, who also plays a kind of Stick–his own U8 Touch guitar.  But wow, he was amazing.  And he made playing these crazy complicated song so easy.  And I can’t forget Pat Mastoletto, who I’ve seen several times playing drums with King Crimson.  He’s amazing to watch, but I laughed to myself at what an amazing show this was if he was the least interesting thing on stage.

I enjoyed the show so much last time and I was really looking forward to this show as well.  The lineup was the same as last time.  And I was able to get nice and close.

I don’t know many of their actual songs.  And it doesn’t matter.  They mostly play instrumentals that are complicated and fantastic to watch.  Much like saying you could listen to a favorite singer sing the phone book–whatever the instrumental equivalent is, I was happy to watch it.

In fact, they opened this show with a relatively brief impov–almost a warm up–and it was fun to see them noodling on their instruments.  But it tunrs out that they played ten of the same songs as last time (in a different order) and that actually worked out really well, because  recognized them from last time, so it was even more fun knowing what was coming next.

They started with Cusp.  Reuter’s guitar is so fascinating because he holds it upright like a cello and both hands are just moving all over the fretboard.  Like a Chapman Stick but shaped like a guitar.  For this song, he was playing most of the bass line while Tony played lead on the Stick.

They followed it with the title track from their new EP Brutal–it was great–very heavy and rocking and featuring Tony going “uh!” Continue Reading »

Posted in Ardmore Music Hall, Ardmore, PA, Pat Mastelotto, Stick Men, Tim Motzer, Tony Levin | Leave a Comment »

Tim Motzer (Ardmore Music Hall, Ardmore, PA, April 29, 2026) [STICK MEN]

April 29, 2026 by Paul Debraski

[ATTENDED: April 29, 2026] Tim Motzer 

About a year and a half ago I saw the exact same lineup in the exact same place.  Tim Motzer opened for Stick Men.  Last year I hadn’t heard of Tim, but this year I had a much better idea of what to expect.  Last year I wrote

Tim Motzer is a Philly-based guitarist.  For his live show, he plays acoustic guitar, 12-string acoustic guitar, and electric guitar.  He loops his melodies and creates percussion by tapping on the hollow bodied acoustic (and gets a lot of different sounds from it).

Last time he played four songs.  This time it was five.  But the show started the same way (actually this time, someone in the front row said, “Take us on a journey, Tim.”

The first song was on the acoustic guitar.  It was fun to watch him build and then deconstruct the melodies and work within the drum beat that he created.

This year he said he had some new pedals.  One of the seemed to make his acoustic guitar sound like a glitchy electronic concoction. It was pretty neat.  Last time eh didn’t say the names of any songs.  But his year he told us he was working on an album and he was going to play songs that he was working on.  The first was Chaos Resolution.   He didn’t name the next one. Continue Reading »

Posted in Ardmore Music Hall, Ardmore, PA, Pat Mastelotto, Stick Men, Tim Motzer, Tony Levin | Leave a Comment »

Fishbone (Crossroads, Garwood, NJ, April 23, 2026)

April 24, 2026 by Paul Debraski

[ATTENDED: April 23, 2026] Fishbone

A little over two years ago I saw Fishbone open for Parliament.  I had been a big fan of their earlier stuff but hadn’t paid much attention since the mid 90s.  They have gone through an astonishing amount of line up changes.

Back in 2023, the lineup was pretty close to the original with

  • Angelo Moore – vocals, saxophones, theremin, percussion (1979–present)
  • John Norwood Fisher – bass, vocals (1979–present)
  • “Dirty” Walter A. Kibby II – trumpet, vocals (1979–2003, 2010–present)
  • Christopher Dowd – keyboards, trombone, vocals (1979–1994, 2018–present)

The other two guys on stage were

  • John Steward – drums (1999–2016, 2021–present)
  • Mark Phillips – guitar (2019–present)

But evidently last year nearly the entire lineup left for one reason or another and so the only two original guys are Angelo and Christopher:

  • Angelo Moore – vocals, saxophones, theremin, percussion (1979-present)
  • Christopher Dowd – keyboards, trombone, vocals (1979–1994, 2018–present)
  • Tracey “Spacey T” Singleton – guitar (1997–2003, 2024–present)
  • Hassan Hurd – drums (2024–present)
  • JS Williams – trumpet, vocals (2024–present)
  • James Jones – bass (2025–present)

I hadn’t realized this upheaval before this show, but I am glad that I got to see the previous lineup at least once.  Now in fairness, Angelo Moore pretty much IS Fishbone, so he’s the guy that you really want to focus on.  But having said that, the rest of the band was great.  First, it was funny that Hassan’s drumset faced the wall (as if he were in a timeout).  I’m pretty sure this was because of the size of the stage.  But he was a beast on double bass drums (and I could see that he was barefoot).  I loved James Jones’ five strig bass sound.  Fishbone has always had great bass and his was perfect.

Spacey T was on the far side of the stage so I couldn’t really see him all that well, but he played killer riffs and solos. JS Williams was a fine replacement for Walter Kibby–his trumpet was great and he was a perfect hype man. Continue Reading »

Posted in Crossroads, Fishbone, Garwood, NJ | Leave a Comment »

Fishbone / Planta Industrial (Brooklyn Bowl, Philadelphia, PA, April 24, 2026) [DID NOT ATTEND]

April 24, 2026 by Paul Debraski

[DID NOT ATTEND: April 24, 2026] Fishbone / Planta Industrial

I heard about this Fishbone tour and I was really excited to go.  I had two choices, Garwood or Philly.  I don’t love he Garwood venue, it’s a little weird, but it’s impossible to beat it for proximity.

And, honestly, Garwood is so small compared to Brooklyn Bowl, that I was practically on the stage.  They may have had more fun at Brooklyn Bowl because they would have had more room to move around, but I think they liked the intimacy of Garwood.  I know I did.

We had Catbite open the show and they were a lot of fun.  I didn’t know Planta Industrial.  They are two Dominican artists (Saso and akathedarknight) from the Bronx.  They have a punk attitude (and sound) with lyrics sung (and rapped) largely in Spanish.  I’d like to see them in the future–I’ll bet their live show is a ton of fun.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

2024 Brooklyn Bowl 2022 The Foundry 2019 Union Transfer
Violin Akai € Intro / Pathos, Pathos ∇ Marigolds Ø
Chiba Funk € Manchester ∇ F Delano Ø
Late Night Comic € Bright Whites ∇ Hey Big Star $
It All Began With a Burst ∇ It All Began With a Burst ∇ Say Yeah $
Can’t Let Go, Juno $ Wonder Woman, Wonder Me ∇ Carry on Phenomenon ∠
Marigolds Ø Atticus, in the Desert ∇ Honeybody $
Colorful State € I Am the Antichrist to You ∇ Honeybody Remix $
solo improv Beat the Bright Out of Me ∇ Can’t Let Go, Juno $
I Am the Antichrist to You (solo) ∇ This Must Be the Place (Naive Melody) (Talking Heads cover) Theme From Jerome (Forgotten Words) Ø
Summer of ’42 (solo) Ø Q&A ∠ I Am the Antichrist to You (solo) ∇
Violin Tsunami Ø Penny Rabbit and Summer Bear Ø This Must Be the Place (Naive Melody) (Talking Heads cover) (solo)
This Must Be the Place (Naive Melody) (Talking Heads cover) (solo) Marigolds Ø Violin/Banjo improv
Escape from Knossos € I’d Do Anything for Love (But I Won’t Do That) (Meat Loaf cover) Bright Whites ∇
Icarus IV € The Ballad of Mr. Steak ∠ Q&A ∠
Hahaha Pt. 2 ∠ Honeybody (began with studio arrangement which bled into performing in the style of the Mattsoro remix) $ Penny Rabbit and Summer Bear Ø
Lilliputian Chop € encore Angeline Ø
The Ballad of Mr. Steak ∠ Violin Tsunami Ø Violin Tsunami Ø
Philosophize in It! Chemicalize with It! ∠ Philosophize in It! Chemicalize with It! ∠ Ode to My Next Life $
Honeybody $ Philosophize in It! Chemicalize with It! ∠
encore Atticus, in the Desert ∇
Penny Rabbit and Summer Bear (acoustic, in crowd) Ø (I’ve Had) The Time of My Life (Bill Medley & Jennifer Warnes cover)
Manchester (acoustic, in crowd) ∇ The Ballad of Mr. Steak ∠
Ooh La La (Rod Stewart cover) (acoustic, in crowd) It All Began With a Burst ∇
encore
Annie, Heart Thief of the Sea (acoustic, in crowd) Ø
Manchester (acoustic, in crowd) ∇
Summer of ’42 (acoustic, in crowd) Ø

 

 

 

2016 Union Transfer 2015 TLA (opening for Guster) 2014 New Brunswick (opening for Rod y Gab)
Stranger Things Theme [recordong] violin improv violin improv
Statues in a Gallery $ Atticus, in the Desert ∇     It All Began With a Burst ∇
Hey Big Star $ Bright Whites ∇ Bittersweet Genesis for Him AND Her ∠
m’lover $ Bittersweet Genesis for Him AND Her ∠ Atticus, in the Desert ∇ 
Atticus, in the Desert (featuring extended banjo percussion solo) ∇     The Ballad of Mr. Steak ∠ Bright Whites ∇
Bright Whites (with improv interlude featuring flute solo) ∇ Q&A ∠ Philosophize in It! Chemicalize with It! ∠
Carry on Phenomenon ∠ Philosophize in It! Chemicalize with It! ∠ Manchester ∇
Who’d You Kill $ Manchester ∇
Can’t Let Go, Juno $
Say Yeah $
Ode to My Next Life $
I Am the Antichrist to You ∇ (solo)
The Ballad of Mr. Steak (featuring Mr. Steak) ∠
Philosophize in It! Chemicalize with It! ∠
It All Began With a Burst (with “Don’t vote for Trump” vocal loop) ∇
encore
Honeybody $
Q&A ∠
Manchester ∇
€ Kantos (2024)
Ø Omoiyari (2019)
$ Sonderlust (2016)
∠ Lighght (2014)
∇ 151a (2012)

Posted in Brooklyn Bowl, Catbite, Fishbone, Philadelphia, PA, Planta Industrial | Leave a Comment »

Sir Chloe: Forgiving Tour continued (Brooklyn Bowl, Philadelphia, PA, April 22, 2026)

April 23, 2026 by Paul Debraski

[ATTENDED: April 22, 2026] Sir Chloe [rescheduled from December 7, 2025]

This show was initially scheduled for December, but Dana had appendicitis and had to postpone the east coast shows.  This worked out for me because I couldn’t get to the December show.

I was pretty pleased when I arrived that the people in front of me were (possibly) older than me.  They had gray hair but she was wearing a Sir Chloe shirt.  Sir Chloe is pretty much a TikTok sensation so her crowds tend to be young (my daughter introduced me to her–in fact I think I liked her shows more than she did so I went to this one without her).

I enjoyed being behind the older folks because she was very short.  But she left (bathroom?) at the end of Suzy Clue and a young woman pushed her way into he spot, followed by a much taller woman.  So, my view was blocked, and to make it worse, the first woman was an arm raiser–the worst affliction after loud talkers.  Luckily I was able to schooch over away from them–but I missed seeing how the older woman enjoyed the show.

Sir Chloe’s band came out on stage and by the end of the set I was blown away by them.  Alina Sloan was on bass.  She was the furthest from me, but–especially toward the end–her bass was great–exciting and rumbly.  I was in front of guitarist Soph Shreds and does she ever.  It was really fun watching her rock out and play some great loud chords.  She also had a few tricks up her sleeve which I enjoyed quite a bit.  But mostly I was blown away by drummer Maya Sepansky.  Holy shit, she was fantastic–she played all kinds of fills, played different rhythmic patterns and generally blew me away.

But as they started Squaring Up, Dana was singing from behind the curtain.  She came out on stage midsong wearing a Mannequin Pussy T-shirt and cargo pants.  A very different look from her red suit from the previous tour.  Like last time, she was deadpan and understated.  Unlike last time, she seemed to walked around a lot more, getting close to us on the edges of the stage.  Her on stage persona is so fascinating because unlike say Suzy Clue, she is not doing anything on stage.  No dancing, no writhing, just singing.  And I love that she has the confidence in herself and her music to just sing her songs.  And yet, despite not doing a lot, she is totally engaging–charismatic and weirdly engaging.

This tour was for her relatively new album Swallow the Knife. She played 8 of 11 songs from it (skipping The Hole (the opening song!), Complicated and Too Much).  And the fans were just as into the new stuff–it’s super catchy, like the ahha ahha of Forgiving.

She didn’t speak very much between songs–she’s very hard to figure out.  Although she did ask “who likes to Kiss” as an intro to Kiss (the woman next to me shouted “I volunteer!”)  The catchy “right-ee-ight-ee-ight” is fun as is the end, “I don’t want love, I want revenge.”

She only played 4 songs from her previous album.  But she chose good ones and played three in a row.  I love the noisy squealing of Salivate and that she followed it with the quieter Obsession.  I was really happy that she played Hooves (I don’t wanna hold hands)–one of my favorite songs that seemed well used near the end of the set to get everyone really pumped.

One of my favorite songs is Sedona, which has two catchy parts, the nicotine/amphetamine part and the Sedona/Arizona part gives you two sing alongs in one song.

She played 7 of 9 songs from her first album (Skipping Easy on You and Wrath), which still gets the biggest applause, I think.  People went nuts for July. She ended the set with two songs from the album.  I enjoyed the loud/quiet mix of Untie Me and Animal.  And then she told us she had time for one more song and everyone got excited when the dude who wanted Michelle so badly shouted Michelle!  But she messed with everyone by playing the very mellow Candy

The encore break was short and she came back out for Michelle which made everyone go crazy.  It’s not my favorite of her songs to be sure, although it’s what all the kids like.  I was happy that she ended the show with the ass kickng Too Close which features two great sing along moments, “I think it’s time for you to go ” and the stellar: “Don’t tell me to listen when you’ve got nothing to say.”

Sir Chloe songs feel kind of understated on record, like Passenger, but live, the band really rocks out.  The guitars are loud, the drums rumble and the bass throbs.  And the songs are fairly short so a 21 song set can run about 75 minutes and it feels like a much longer show.  I’m so glad I went and it was even fun to get home early.

Brooklyn Bowl 2026 Asbury Lanes, June 2024 The Foundry, April 2024
Squaring Up ¶ Should I Õ Should I Õ
July ¶ Salivate Õ Salivate Õ
Take It ⊗ Center Õ Center Õ
Passenger ⊗ Know Better Õ Know Better Õ
Kiss ⊗ Mercy ∇ Mercy ∇
Salivate Õ July ¶ July ¶
Obsession Õ Untie You ¶ Untie You ¶
I Am the Dog Õ Animal ¶ Animal ¶
Sedona ¶ Company ∇ Company ∇
Eyes ⊗ Hooves Õ Hooves Õ
Forgiving ⊗ Seventeen π Seventeen π
Forget It ⊗ Obsession Õ Obsession Õ
Company ∇ Over Again π Over Again π
Hooves Õ I Am the Dog Õ I Am the Dog Õ
Holy ⊗ Sedona ¶ Sedona ¶
Mercy ∇ Michelle ¶ Michelle ¶
Untie You ¶ Feel Again Õ Feel Again Õ
Animal ¶ encore encore
Candy ⊗ Easy on You ¶ Easy on You ¶
encore Forgiving ⊗ Forgiving  ⊗
Michelle ¶ Too Close ¶ Too Close ¶
Too Close ¶

⊗ Swallow the Knife (2025)
π Single (2024)
Õ I am the Dog (2023)
∇ Single (2022)
¶ Party Favors (2020)

Posted in Brooklyn Bowl, Philadelphia, PA, Sir Chloe, Suzy Clue | Leave a Comment »

Catbite (Crossroads, Garwood, NJ, April 23, 2026) [FISHBONE]

April 23, 2026 by Paul Debraski

[ATTENDED: April 23, 2026] Catbite

I have known about Catbite for a while–WXPN plays them a lot.  They’re part of, I guess, a fourth wave of ska bands.  Although they might be the only one at the moment.

I was a big fan of the third wave of ska, so this is a welcome comeback.  While Catbite is a bit more No Doubt than Mighty Mighty Bosstones, they do embrace everything about ska (except the clothes).

I never wanted to see them as a headliner, but I had always hoped they’d open for someone.  And what better band to open for than Fishbone?

Catbite took the stage and jumped right into some bouncy ska with Not Ur Baby.  It was fun being up front with a band dancing around on stage–there wasn’t much dancing on the floor, though which kind of stunk.  I was intrigued that their drummer Chris Pires was facing the wall.  This was because Fishbone is huge and that was the best way to fit everyone.  How strange it must be to not be facing the rest of the band.

I didn’t realize they had 3 albums out, but they played a song from their debut–which was a little more ska.  I also realized that they didn’t have horns.  I don’t know if they normally do. I didn’t really miss them, but ska is definitely horn-friendly. Continue Reading »

Posted in Catbite, Crossroads, Fishbone, Garwood, NJ | Leave a Comment »

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