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[DID NOT ATTEND: July 5, 2026] Paul Simon: A Quiet Celebration

Last year, my wife and I had tickets to see Paul Simon at The Academy of Music–a small space and we had very good, close seats.  We have seen just about everyone that we really want to (I have a list of bands that I still want to see but it gets shorter all the time).  But one person on her bucket list was Paul Simon.

So when he announced this Quiet Celebration tour, I grabbed tickets immediately.  Then two days before our show, Paul announced that he would have to cancel the shows because of terrible back pain.  He was going to have surgery and hoped to get back on tour.

As it turns out, he was able to make the next night of his tour (which was about a week later).  So he only missed two shows and ours was one of them.  He never rescheduled that location, but instead, did another round of the tour.  The Philly show was at the Mann Center (a very different venue from The Academy of Music (and it turned out a rainy night).

But we didn’t get tickets for the Mann in part because I didn’t think it would be easy, but mainly because it was my son’s birthday.  So instead, we got tickets to the show in Bethel Woods, a 2 and a half hour drive away.

And it was worth the drive.  It turned out to be the same show and we turned it into a mini vacation, including a stop at the original site of Woodstock!

[CANCELLED: June 29, 2025] Paul Simon: A Quiet Celebration

Last year, my wife and I had tickets to see Paul Simon at The Academy of Music–a small space and we had very good, close seats (I could have gotten closer tickets, but we weren’t sure we wanted to get TOO close).  We have seen just about everyone that we really want to (I have a list of bands that I still want to see but it gets shorter all the time).  But one person on her bucket list was Paul Simon.

So when he announced this Quiet Celebration tour, I grabbed tickets immediately.  Then two days before our show, Paul announced that he would have to cancel the shows because of terrible back pain.  He was going to have surgery and hoped to get back on tour.

As it turns out, he was able to make the next night of his tour (which was about a week later).  So he only missed two shows and ours was one of them.  He never rescheduled that location, but instead, did another round of the tour.  The Philly show was at the Mann Center (a very different venue from The Academy of Music (and it turned out a rainy night).

But we didn’t get tickets for the Mann in part because I didn’t think it would be easy, but mainly because it was my son’s birthday.  So instead, we got tickets to the show in Bethel Woods, a 2 and a half hour drive away.

We got a room for the night and were excited to check out the area.  Especially when I learned that the venue was on the site of Woodstock.  And there’s a museum dedicated to the 1969 event.  I was three months old when Woodstock happened and my parents were as far from hippies as you could get, so there was no love for this event in my house growing up.

However, I understand its cultural significance as well as the musical significance.  And while I’m not someone who thinks it was the most amazing thing to ever happen, I still like the music and thought the museum would be cool.  The museum is pretty cool.  I enjoyed the memorabilia, in particular the woman who wrote down the music she saw and her thoughts about them–I’d love to see everything she wrote.  It was also fascinating to see that no one really had an idea of what each band played–they had to look at various documents to ensure the playlists.  But there’s even discrepancies in the museum itself.  One sign says The Who played 24 songs, but the other sign lists 21 songs.

So the museum was a little underwhelming, but because we were there when we were, we were able to buy one of these limited edition posters, which is pretty cool.

So the weather that morning was unreasonably hot (day 3 of a 5 day heat wave).  But on the way to the venue it started raining (and thundering).  I was first concerned that they might cancel the show from the heat (Paul Simon is old, after all) and then I was worried that they would cancel it because of lightning.  Either way would have been too much for us to bear, I fear.  But the rain stopped and the temperature dropped about 20 degrees and it was quite lovely.

But they delayed the opening of the gates for some 20 minutes and the line was INSANE, so we hung out in the (air conditioned) museum until just before 8.

The walk from the entrance to the venue is REALLY long.  Like, holy cow you have to walk a long way–easily ten minutes with the crowds.  But Paul didn’t go on until 8 and we found our seats and waited.   One complaint is that we brought refillable water bottles but there were no places to fill them.  I suppose if we were earlier, we could have spotted them, but they assured us that the show would start at exactly 8 and it was like 5 of as we got near our seats.

But soon enough, the lights dimmed and the band came out. Continue Reading »

[DID NOT ATTEND: July 2, 2026] Goose

Goose has been around for a while, but they started to really get buzzy last year.  I was lucky enough to get tickets to their Free at Noon show, which was a lot of fun.  It also made me think I didn’t need to see them in a big venue (like this one).

So when this show was announced I didn’t consider getting tickets.  It also coincided with my wife and I going to Bethel NY to see Paul Simon, so let’s face it, the last thing I needed to do was go out the night before, too.

Turns out my friend Jonathan went and said it was a great time.  But wow, was it ever hot!

I don’t know if Goose fans say that Goose are like or are not like Phish.  But I hear a lot of Phish in their jamming style.  Although their actual songs are pretty different from Phish’s main style.

Goose releases all of their shows on bandcamp.  So here’s tonight’s 3 hour spectacle

 

[DID NOT ATTEND: June 28, 2026] The Struts

The Struts opened for Foo Fighters when my wife and I saw them.  Sadly, we missed their entire set.

They have a retro look and feel and I like the way Louder Than War describes their:

knack for writing and performing unapologetically direct, catchy, feel-good original songs that somehow sound like long-lost rock classics. It also shows the singer’s ability to connect with crowds.

I knew that I’d want to see  them again, because their live show (even just those couple of songs) was great.  But in the 8 years since that show, I have more or less completely lost touch with them.

I totally missed it when they came around last year for their huge 10 year anniversary tour.  I was mostly interested in this one for the chance to go to Archer Music Hall.  But I listened to some of their new stuff and I didn’t really like it.  So I couldn’t be bothered to try to get to this show.  And that’s okay with me.

I never saw any indication that there was an opening band, so I’m going to assume there wasn’t.

[ATTENDED: June 26, 2026] Weird Nightmare

I first heard about Weird Nightmare on the radio.  WXPN played one of their songs, saying the guy behind the band, Alex Edkins, was the former lead singer in Metz. I really enjoyed Metz and was bummed that I only had one chance to see them before they went on hiatus.  Metz is super noisy, so I was really curious what this new “radio friendly” song would sound like.  And it was great–super catchy with a cool fuzzy guitar solo and a Dinosaur Jr sound.

It became one of my favorite songs of the year so far.  And when this show was announced I grabbed a ticket immediately.  Later on, I had the choice between this show and The Breeders (who I loved in the 90s) and I chose  this one.  I don’t know how the Breedersd were (probably pretty good), but I really loved being in this small venue right up against the stage.

I assumed that Weird Nightmare had one album out and they would play the whole album.  Turns out this is their second album and they played songs from both releases.

They opened with Headful of Rain a bouncy, catchy song that totally belied the background of Metz!  I’m not sure who the live band was, although on record Loel Campbell is on drums and Roddy Kuester is on bass.  I have no reason to think anyone else is playing with him.  Campbell sang great backing vocals on the first song and then his unnamed rhythm guitarist sang fantastic harmonies with Campbell on most of the rest of the set. Continue Reading »

[DID NOT ATTEND: June 26, 2026] The Breeders / Sean Solomon

This was a show I was interested in as soon as it was announced.  I really liked The Breeders when they came out–Last Splash was lie a revelation to me.  But over the years I lost interest in them for one reason or another.  However, I had just seen Belly for the first time and while I liked Belly, I’m pretty sure I enjoyed The Breeders more.  But there was something about this show that I just couldn’t commit to.  Was it because they were playing The Fillmore (Belly was at Underground Arts)? Maybe.  Was it because I hadn’t listened to any of their new music?  I don’t know.

I mean, I love Kim Deal, and I’m bummed I didn’t get to see her with the reunited Pixies, but still…

I think it was because I was really invested in seeing Weird Nightmare that evening.  And that show was weird and fun, so I don’t really feel like I missed out all that much.

Turns out they play most of Last Splash and half of Pod, so they knew what people wanted.

How does one get to be the opener for a classic alt rock band?  No idea.  Who the heck is Sean Solomon?  How did the Breeders find him?

Solomon is a musician and animator from the San Fernando Valley.  His music moves seamlessly moves from bare-bones acoustic guitar to a Neutral Milk Hotel-esque cacophony of marching drums and horn blasts.  Solomon was in a band called Moaning who put out two albums on Sub Pop, so he’s not an unknown newbie (except to me).  I found his stuff kind of interesting, but it didn’t make me want to see this show instead of Weird Nightmare.

 

[ATTENDED: June 26, 2026] Golden Apples

I had not heard of Golden Apples before this show and yet I recognized one of the songs on new the album when I listened to it.

Golden Apples is the output of Russell Edling.  The blurb on bandcamp says his partner Mimi Gallagher is a bandmate (I’m amusing she played guitar and sang as well).  There was also a bassist, keyboardist and a drummer who I know I’ve seen with another band, but I never got her name.

I got to Northern Liberties 30 minutes early but didn’t find parking until 5 of.  I speed walked to the venue and walked in just as the band hit their first note.  Ortlieb’s can hold about 75 people, and it wasn’t crowded when I first walked in, so I had a great view of the band.

The songs were simple and catchy with the two guitars playing off of each other.  The bass sounded great in the room, by the way.

I enjoyed the simple but catchy guitar riff of followed by the totally rocking High School. During this song, Russell stepped off the stage (it’s about 6 inches high) and played his solo among the crowd (which was empty up front). Continue Reading »

[ATTENDED: June 24, 2026] Spoon 

This was my fourth time seeing Spoon, a band I’ve never been a huge fan of.  That sounds worse than I mean.  I’ve liked them for years and I like many many of their songs, they were just not one of the bands that I got really into.  And yet, I will see them all the time when they play because their live show is so good.

I can’t believe it’s been four years since they last came to Philly.  That time, they cancelled and rescheduled a concert in 19 days (and even had new T-shirts printed with the new dates!).

My wife came along with me for The Beths (which she loved) and was indifferent to Spoon.  She had seen them with me at the PNC Bank Center in Holmdel when they opened for Beck seven years ago.  I told her that they would be better and more fun in this setting and she agreed they were (at PNC they played when it was still light out).

Spoon was headlining, but they still played a shortened set.

I assumed that this tour was an opportunity to play the two new songs that they’d released not too long ago (and which WXPN loves).  But amazingly, they didn’t play either one!

Chateau Blues and Guess I’m Fallin In Love are great songs and would have been so much fun to hear live.  But instead, they opened with a song from their debut album, one I hadn’t heard yet.  If I thought The Beths’ crowd was excited, they had nothing on the Spoon fans, who went crazy for this old song.

We were nearest to Alex Fischel, who is so much fun to watch.  So much so, that singer Britt Daniel spends a lot of time watching him too.  It’s odd that Britt introduced Alex and drummer Jim Eno but not bassist Ben Trokan or multi-player Gerardo Larios.

I told my wife that she’d know a few of the songs because they do get a bit of airplay.  She knew (and really enjoyed) The Hardest Cut.

Spoon songs soun distinctly Spoon so even if you don’t know a song you’ll feel comfortable with it.   But my wife recognized I Turn My Camera On.  And I was psyched to hear My Mathematical Mind and The Way We Get By (the woman behind me–who screamed a lot–was also happy to hear that one and sang along for a bit, but not too much, thankfully).

Then they played two songs I hadn’t seen them play before–2 deep cuts from their second album.  They followed that with the amazing The Underdog.  Such a fun song.  It’s got horns on the record but the live version doesn’t miss them.

Britt is a really fun frontman–he points and smiles at people, he really engages with the audience.  I’ve no idea if he’s a nice guy or a cocky jerk, but he definitely enjoys himself on stage.  It’s pretty amazing that this is my fourth time seeing them and they played five (older) songs that I hadn’t seen them play before. And one brand new song Lose Control that hasn’t been released as a single yet. Continue Reading »

[ATTENDED: June 25, 2026] Comedy Bang! Bang!

I enjoyed Comedy Bang! Bang! when it was on TV (2012-2016).  I know I didn’t see all of the episodes.  I mostly saw the ones with Reggie Watts (and a few with Weird Al).  I didn’t know it was a podcast because I don’t really listen to podcasts.  But I was shocked to find out that it had been a podcast since 2009–I didn’t even think podcasts existed for that long.

Since I didn’t know this had been a podcast, I genuinely didn’t know what to expect at this show.  I knew Paul F. Tompkins would be there (which is 90% of why I wanted to go).  And when we were talking to someone before the show, he told us it was a live taping of the podcast with special guests.  I assumed that the special guests would be local comedians–completely forgetting that the show is a parody of talk shows.

And so, we were given a sibling, a theater critic and a foreign exchange student as the guests.

But first was the balcony report.  (which had the audience going crazy chanting TBR!  It was then that we realized that people there knew this show way better than we did.

So I had gotten us seats in the middle.  But they were tight and crowded, so we snuck to the back where there were comfy open seats–note to self if you eve go back to the Miller, unless you need a close up of the stage, choose the back couple of rows.  And this way we kind of felt like the outsiders we were. Continue Reading »

[DID NOT ATTEND: June 24, 2026] Lip Critic / Flatwounds / Bejalvin

I saw Lip Critic last year and the blew me away.  I’d never want to listen to their records, but live, they were incredible.  Noisy and chaotic with two drummers and a guy who plays keys/samples/something.  And a singer who commands the room.  I definitely wanted to see them again, but I put off getting tickets to this show for a while. I jad so much going on this week that something had to give and this was it.  It eventually sold out, so at least I didn’t have to feel like I should have tried to go.   Plus they were opening for Mannequin Pussy in a few months, so I’d get to see them again, at least.

Flatwounds are from Albany.  They combine a kind of hardcore vibe with some 90s grunge sounds.   New York hardcore bounce[like Helmet] with a dark, grunge-flavoured vibe [like Alice in Chains–the vocals are similar with a touch of Stone Temple Pilots].  Their sound has morphed over a few EPs–never going too far from what they do, but exploring different nooks of the stuff they reference.  I dig it.

Bejalvinare a weird hyperpop band (like 1000 Gecs, I suppose) who describe themselves as straightedge electronic fight music.  The vocals are largely growled and the music is mostly glitchy chiptune. It’s the kind of “music” that annoys a lot of people, but which I find intriguing and would enjoy seeing how they do it live.  They seem like a perfect fit for Lip Critic, tbh.

I suspect that this show was a wild night of chaos.