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[READ: June 2022] Sea of Tranquility

S. brought this book home and said she thought I’d enjoy it.  She knows what she’s talking about, and I did enjoy it.

This is a time-travel/pandemic/end of the world novel.  And for all of the time jumps, it’s still pretty short (just over 250 pages).

The book opens in 1912.  We follow the story of Edwin St. John St. Andrew, and eighteen year old aristocrat who has been sent away from him home in England to the wilds of Canada.  I found his story to be quite interesting.  Being the youngest son, he stood to inherit nothing, so he had to make he way abroad anyhow.  But he also hated the way England had taken over India and colonialism in general.  But his parents were born in India raised by Indian nannies and had nothing but fond memories of the place.  So when he publicly stated his disgust with the system, he was told in no uncertain terms that it was time for him to go.

Edward eventually makes it to Victoria, BC.  He is miserable there, too and really doesn’t know what to do with himself.  He wanders into the forest.  He sees, inexplicably, a priest.  And then when he turns to a giant maple, he is struck by darkness, loud noises, music and chaos.  All for about one second.

The next section jumps to 2020 and follows Mirella and Vincent.

We open on Paul, a composer, who is showing off his latest work–a work that uses video footage that his sister filmed.  The footage looks a lot like what Edward saw in the forest.

Paul’s sister was named Vincent.  Mirella had been a friend of Vincent’s and hadn’t know she was dead.  In fact, she had come to Paul’s performance to try to get in touch with Vincent.  Their friendship ended when Vincent’s husband was involved in a Ponzi scheme that brought down a lot of people.

While she is trying to talk to Paul after the show, they are joined by another man, named Gaspery.  He winds up talking to her and she thinks she recognizes him.  But it’s impossible because she recognizes him as a man who was involved in a shooting in an alley when she was a little girl.

The next section is set in 2203 and is called The Last Book Tour in Earth.  Olive Llewellyn was born on the moon and has written a number of novels–novels that sold well on Earth as well.  She was happy to be on Earth because she could also visit her parents.  Her parents moved back to Earth after she had left for college.

This book, Marienbad, was being made into a film.  So even though it was a few years old, publicity was called for.  She enjoys the trip although she misses her family back on the moon.  Soon though, there is word of a pandemic stretching out across the Earth.  It had been a long time since the Earth had dealt with such a thing, and people didn’t know how to prepare for it anymore.  Emily had written a previous novel about a pandemic and knew, from her research, what she should be doing.  But no one else seemed to be paying any attention.

The last interview she has is with a man who prepares to ask her if she had experienced something strange at the Oklahoma City Airship Terminal.

The story jumps one more time to 2401.  A man named Gaspery.  Gaspery tells us about the first moon colony which was built in the Sea of Tranquility.  There was much interest in immigration and Soon they had moved on from Colony 1 to Colony 2.  The Colonies were meant to replicate Earth as much as possible–including artificial lights that mimicked the Earth cycle.  But when the lights failed and were deemed too expensive to repair, that set in motion the gradual abandonment of Colony 2.

Gaspery grew up living near the house where Olive Llewelyn lived.  It was now occupied by a family with a girl, Talia, who was about his age.  Talia seemed to always want to gaze out of the dome toward Colony 1.  Gaspery’s sister, Zoey, on the other hand, did not ever go near the dome (their mother didn’t like them going there).

When they grew up, Gaspery wound up getting a job at the Grand Luna Hotel in Colony One.  Coincidentally, that’s where Talia has moved and gotten a job (as head of HR).  Zoey, meanwhile had become a super smart scientist working at the Time Institute.  One night in a state of panic, she tells Gaspery that their work has uncovered something. It involves time travel.  It is dangerous.  Gaspery, hating his job and his life, volunteers.  Zoey won’t hear of it, but her coworker, Ephrem, agrees to let Gaspery try out for the job.

A few years later, Gaspery is ready and he is told about the video footage that Paul the composer showed in 2020.  Zoey fears that the glitch in the video, the glitch that Vincent film, the same glitch that Edward saw in 1912, the same glitch that Olive wrote about in Marienbad (which is why the reporter asked her about the airport).  If these glitches are connected…does that mean our world is a simulation (like the Matrix?).

Gaspery is to be dispatched to the above timelines to see what he can learn about this glitch.  The one caveat–the big thing that the Time Institute cares about, is that you don’t mess up the timeline.  Gaspery can’t imagine why anyone would do that.  Then he learns that Olive Llewelyn died on Earth on that book tour.  Because of the new pandemic she was not allowed to go back home to the Moon.  It wouldn’t hurt just to hint that she should end her tour early, would it?

The story unfurls quickly from there with Gaspery leaning a bit more with each time he jumps into.

I enjoyed this story a lot.

S. tells me that Emily St. John Mandel wrote a previous book about a pandemic (Station Eleven).  Interesting, no?

 

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[READ: March 24, 2021] This is Not the Real World

I really enjoyed the first book in this duology.

That book was about a girl who was forced to work on the set of the retro TV show Stuck in the ’90s (which reveled in 1990’s pop culture).

When I was reading it, I had no idea that Carey was planning to write a sequel.  The end of the book show sequel possibilities (and it sounds like there will be no part 3).

As the book opens, Jess and her fellow cast member Kipps have been free from their show for a few months.  But they are never really free.  Because the production company owns them until they turn 18, they have  to lay low.  Jess has turned 8 recently, but Kipps still has six months to go until he is an adult. Continue Reading »

[ATTENDED: June 20, 2022] Frank Turner / Kayleigh Goldsworthy

On September 15, Frank Turner announced that he would be playing Underground Arts on October 3.  At 2PM!

This year, after announcing his show in Philadelphia, he announced that the next night he would be playing Crossroads the following night–a solo show–AFTER playing a show in Queens earlier in the day.  Frank is a lunatic.

I wanted to see him, but the show started at 11 PM.  Which, let’s face it, is too late, even for me.  Plus, he was solo, and I want to see the band this time.

His opening act was announced as a special guest.  The guest turned out to be Philly singer-songwriter Kayleigh Goldsworthy.

I saw her open for Frank at that 2PM show and really enjoyed her.

Kayleigh commanded the afternoon crowd right off the bat. She sang slow ballads that were full of angst.  Her voice was really strong and she had the amazing confidence to have long (relatively) stretches of her song where very little happened.  And we were rapt by her.  Her voice sounded very familiar to me–like someone who I can’t place.

There are some videos available of the show 9which sounds like the audience was full of drunken men, perhaps no surprise there).

 

[DID NOT ATTEND: June 19, 2022] Frank Turner and the Sleeping Souls / Avail / The Bronx / Pet Needs

I had been wanting to see him for a long time because I’d heard his live shows were amazing.  I saw him last year in a solo (more or less) performance.  And it was great.  So next, I wanted to see him with his band because I’ve heard the band version is even wilder with a more punk aesthetic and I do love a fun punk show.

I grabbed a ticket to this immediately, not realizing that it was Father’s Day.  It’s not a very Fatherly way to spend the day by being away from your family for hours.  So I didn’t go.  I probably wouldn’t  have gone to all the bands (four is so many!), but still, it’s nice to be home with the family.

Avail is a melodic hardcore band that has been around since 1987.  There would be a LOT of slam dancing for this set.

The Bronx is a punk band from (amusingly) Los Angeles.  They’ve been around since 2022, but I’d never heard of them (clearly I’m not up on my punk bands).  Slam dancing here as well, although their newer stuff is less punk and a bit more metal.  Interestingly, the band also released several mariachi albums under the name Mariachi El Bronx.  I wonder if they play any of that in these shows.  Probably not.

Pet Needs is a punk band from England formed by brothers Johnny and George Marriott. Their debut album: ‘Fractured Party Music‘, was mixed and mastered by Frank Turner.  They have a good punk sound but they mix it up with slower parts in their songs, too.

 

[DID NOT ATTEND: June 18, 2022] tUnE-yArDs / Anjimile

I saw tUnE-yArDs in 2018 and enjoyed the show. There’s questions about her appropriation of African culture into her music which makes me think, rather than enjoy, her music.

So I wasn’t likely to go to this show even if it hadn’t been right up against Kraftwerk, which there was no way I was missing.

Anjimile Chithambo is a folk singer from Boston, Massachusetts.  Her music is pretty, but I don’t care for her singing style at all, which is kind of slow and deliberate and, to me, a little tedious.

[ATTENDED: June 18, 2022] Kraftwerk 3-D [rescheduled after July 30, 2020 cancellation]

Kraftwerk are one of the most influential bands of all time–and most people don’t know them.  They created electronic music and have been sampled hundreds of times.

I never even considered that I would see them live.  And then they announced this 3-D tour celebrating their 50th anniversary!

My understanding of their live shows was that the four members would stand on stage in front of these tint platforms and play their electronic music and that was pretty much it.  So the 3-D component sounded like an interesting addition.

Normally I wouldn’t want to see a band that wasn’t full of original members. Kraftwerk really only has one–Ralf Hütter is the only guy still in the band from the beginning.  Of the other three, Fritz Hilpert has been on board since 1987, Henning Schmitz since 1991 and Falk Grieffenhagen since 2012.  Florian Schneider another co-founder just died in 2020, but he had left the band twelve years ago.  So while they aren’t original guys, the four have been together long enough to count as Kraftwerk for sure.

I was bummed when the whole tour was cancelled for COVID.  But here it was, two years later (52nd anniversary) rescheduled and ready to go–no doubt unchanged in any way. Continue Reading »

[DID NOT ATTEND: June 17, 2022] Strand of Oaks / The Still Tide

I have seen Strand of Oaks a number of times–although mostly as a solo venture.

I kind of forget that he plays with a full band (and they rock).  This would have been a fun show to see, but it was scheduled for the same night as Belle and Sebastian which we’d already gotten tickets for.  Plus, the night turned out to be the same as my daughter’s graduation.  So, this one was never going to happen.  I hope that he comes back to Philly again soon.

The Still Tide are from Brooklyn but are now based in Colorado.

I’ve listened to a couple of songs and they remind me of Lone Justice–rock with a countryish kind of feel.  They actually seem like a good fit for Strand of Oaks.

[DID NOT ATTEND: June 17, 2022] Belle and Sebastian / Los Bitchos

This was a terrible week for concerts for my wife and I.

After missing out on Sigur Ros because of an awards ceremony at my daughter’s school, this evening was scheduled for her graduation as well.

Obviously, those events are very important and there was no question which we would go to.  It’s just maddening that these dates were announced so late that we had already gotten tickets to both events long before the conflict came up.

Oh well.

I’m sure we’ll be seeing Belle & Sebastian again.

Los Bitchos is a four piece from London.  The band consists of Serra Petale (guitar), Agustina Ruiz (keytar), Josefine Jonsson (bass), and Nic Crawshaw (drums; percussion).  They predominantly play instrumental music in the style of cumbia from the 70s and 80s.

And they are a lot of fun.  Sounds like a great opening act.

[POSTPONED: June 16, 2022] They Might Be Giants [rescheduled from March 13, 2020, September 8, 2020, April 15, 2021 and March 22, 2022 moved to January 12, 2023]

COVID is over, right?  Let’s rock, right?  What could go wrong?

Never, ever, tempt fate:

Hello –
We have some unfortunate news to share, John F from TMBG was in a serious car accident after their show last evening. The upcoming Philly show (and next two months of their tour) is now *postponed* to some time later in 2022.
Unreal, right?  Things were finally looking up for our intrepid warriors.  And then this.
Greetings from the hospital. I am writing to you with my glasses a crumpled memory, while under a thick cloud of pain medication. In spite of that, I wanted to write to all of you to explain what exactly happened to me.

Last night in a car service on the way my to my apartment after the magnificent Bowery Ballroom show, I was in a rather dramatic car accident. Crossing into an intersection, our car was t-boned by a vehicle going at a very fast speed. The force of the impact actually flipped our car over to its side. While the driver and I oriented ourselves to our new sideways, broken glass and airbag-filled reality, we sensed the ominous smell of motor oil and smoke. Remarkably, just a moment later it seemed, a dozen NYC firemen arrived and set their minds on finding a way to liberate us. To them and the fantastically efficient EMS who whisked us to a trauma center, I will be forever grateful.

While sitting in the CT scan machine, I was working out how much more time I would need to get to DC for the next show in my diminished state. When I explained my plan to the doctor, he explained I had broken seven ribs (a majority of the ribs on my right side) and some of them in multiple places, and I wasn’t going to be anywhere but in a bed for the foreseeable future.

While the pain in my side has only gotten worse since, it is my heart that is really breaking over these events. The entire band and crew have been working so hard to create a new show worthy of your interest and your endurance over these miserable COVID years. Last night was such a victory, and with unplayed new songs in the works and rearrangements of older material with the horn section, it was all feeling like a new beginning. But today I am in the hospital. I would understand anyone thinking we are just a band born under a bad sign and giving up hope, but I also know someday we will rock again —and for me, that day couldn’t come soon enough.

Until then I will be watching reruns of Sex in the City until I am strong enough to reach the remote. Wish me luck. I’m going to need it.

~~~~~~~~~~~~~

Fifth time’s the charm?

After what seemed like a wholly sensible rescheduled date of March 22, 2022, the virus reared its head again, and TMBG decided to push things back one more time.  This time they broke their tour into small chunks to avoid having to cancel a huge tour in the future.

Hello everyone. We have rescheduled all of our Spring 2022 shows. The new batch of shows begin in June and run all the way to May 2023 (proving that 2020 is the first year to last for three!).

And the venue has added

Hello! Thank you for purchasing tickets to see They Might Be Giants. We know that this has been a journey and after two+ years their long awaited tour will finally happen! The Philly show scheduled for March 10 has been moved to June 16 2022.

~~~~~~~~~~~~~~~~~~~~~

This show was originally scheduled for March 2020 and it now being rescheduled to March 2022.  It’s hard to believe that it will be two years.

So, with no opening date in sight, this is where we ask you for a big favor. Without a doubt our biggest expense has been refunding tickets for shows with new safe dates in 2021/2022.  The They Might Be Giants show has been officially moved to March 10 2022! With a date this far out, it ensures there will be no issues with TMBG touring and most important – we are near guaranteed to have a safe and normal show (finally!)

This was one of the first shows that was postponed because of the coronavirus.  The new date was scheduled very quickly and, as it turns out, too soon.

Now, like most shows, it is being pushed back about a year from its original date.  Boy I hope it holds out.

I am still very much looking forward to it.  Don’t give up on us yet, Johns!

March was going to be a very busy concert month for me.  This was to be the first of four shows in five nights.  This show was going to be for me and S.–a night of They Might Be Giants performing Flood!

It turned out to be the first of dozens of shows cancelled or postponed by the coronavirus.

Obviously, my main concern is for everyone’s safety, including the bands!

My selfish concern though is that once the shows are rescheduled that all of these shows will be scheduled on the same day!

Let’s hope the rescheduled dates also do some social distancing.

tmbg

[ATTENDED: June 11, 2022] Superchunk [moved from March 2, 2022]

I saw Superchunk four years ago.  It was my first time seeing a band that I have liked for decades.  They have put out a ton of music and I don’t know all of it, but I still enjoyed their set a lot.

Enough to see them again when they put out a new album this past year.

Last time, they played a ton of stuff from the then new album (8 new songs).  This time, for whatever reason, they played only five songs from the new album and the rest of the set was chock full of songs from throughout their career.

Indeed, they played 21 songs with only 7 duplicates (and I think we’d have been upset if they didn’t play those seven).

The band was, like last time the (nearly) original members: Mac McCaughan of course on vocals and guitar, Jim Wilbur on guitar (he joined after their first album) and Jon Wurster on drums (he joined after the third album)–they’re bonafides!  The only one missing was bassist Laura Ballance.  She plays on the albums but because of her hyperacusis, she no longer tours.  So, on bass we had Jason Narducy who has played with anybody who is anybody. Continue Reading »