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[ATTENDED: June 24, 2023] Illinois

I was looking forward to seeing this show, but I felt bad that I was going out two nights in a row so I asked my wife if she wanted to come along.  I never ask her along to show I know she’ll hate, and I know sometimes she’s iffy about going out at all, but she said yes, and that made it all the more fun.

The opening band was Illinois who I had never heard of, but whom the crowd absolutely had. The crowd sang along to almost every song and I’m guessing that if I knew the music a little better I would have had as much fun as everyone else.

As it was, it felt like a fantastic cover band playing covers that I’d never heard before.

Turns out Illinois is from Bucks County, PA, so they’re locals.  And the locals were really into seeing them.

The songs had a stomping kinda country feel and I was never exactly sure what vibe the band was going for. Continue Reading »

[ATTENDED: June 24, 2023] Spotlights

I saw Spotlights open for Deftones back in 2016.  I hadn’t heard of them before, but their live show left a lasting impression on me.  I had been trying to see them again since then, but it never worked out for one reason or another.

Finally, they were playing at Ortlieb’s, a bar I’d never been to. So it was cool to check out this venue and see  this band.

The openers started late for one reason or another and so Spotlights didn’t go on until after 10.  They were supposed to end at 11 (a dance party in the main part of the bar was scheduled for 11).  They said they were going to be quick, which I guess meant minimal banter because it didn’t see to shorten their set at all.

The one thing I had remembered from their show was how big and loud this trio sounded.  Originally, Spotlights was a duo–husband and wife Mario and Sarah Quintero–but they seemed to have taken drummer Chris Enriquez into their family and he is a beast.  Enriquez is a perfect compliment to their wall of sound.

And indeed, when Sarah plugged in her bass, the sound was so big my arm hairs vibrated. They played four songs from their new album.  One of which (“Algorithmic” I think) got a huge response from the crowd.

Speaking of the crowd, Ortlieb’s holds about 75 people.  So it was a close, tiny room.  A guy next to me even put his vinyl purchases on the stage (which was about six inches high).  Of course, mid-set, Mario asked him to move them so he (Mario) could stand there and interact with the crowd.  Mario eventually came onto the floor and gave that guy a hug.  Continue Reading »

[DID NOT ATTEND: June 24, 2023] The Cure / The Twilight Sad

I saw The Cure in 1989 and it was a great show.  For one reason or another I never saw them again live over the next thirty years.  Mostly because I didn’t love them as much as I did in 1989.

For some reason this tour was massively hyped.  (Probably because I see they haven’t played Philly since 2008 and hadn’t played NYC since 2016 and before that 2011, so I guess a Cure tour is an Event).

So I managed to get a pre-sale code, but I had so much trouble with the code and with logging in that by the time I finally got to the ticket page, the only thing left was nosebleeds and that wouldn’t have been very satisfying for me.

I also probably could have looked into one of the Madison Square Garden shows, but realistically I’m not going to MSG for another show again.

Now, it happens that every single review of these shows has been an unparalleled rave.  The setlists have been incredible and I feel like I’ve missed out on a massive cultural event (not as big as Taylor Swift, mind you, but, about the same level but for adults).   So that’s kind of a bummer.  Not the biggest bummer, because Wells Fargo Center kind of sucks as a venue.  But kind of sucky nonetheless.  I also can’t believe that they have been playing for nearly three hours every show.

Since I wasn’t going to this show I wound up getting tickets to see Mondo Cozmo at Underground Arts, which was 1,000 times easier to get to, significantly cheaper and lasted 80 minutes.  Mu show started at 9 and was over before The Cure’s show that technically started at 7:30.

Word has it that Robert Smith has promised he’d be back. so if it’s not too too long before the next tour, I may try to get to it.

I feel a little bad for The Twilight Sad who have opened every show and I haven’t heard a single thing about them from any review.   However, they have been getting a 45 minute show each night, so that’s some very good exposure.

They are a Scottish band with a distinctive keyboard/gothy 80s sound and the singer’s very heavy Scottish accent in his delivery.  Robert Smith loves this band as does Mogwai.  I’m going to have to given them a proper listen as my cursory listen thought they sounded just okay.

[ATTENDED: June 24, 2023] Heatmap

Heatmap is from Philly and should not be confused with Heatmaps.  They weren’t originally on this bill and I’m not sure when they got added.  But wow, what a great find.

The band is a trio and they have two EPs out.

I stood right in front of their bassist who played a 1974 Gibson (I only know this because someone asked him and I overheard the answer).  It had such a great sound and it worked perfectly with the way he plays.  The bass is almost a lead instrument.  Not like Primus (they sound absolutely nothing like Primus), but sort of like Primus in that the bass plays the main riff/melody line and the guitar mostly throws sounds and textures over the top of them.

Couple that with their drummer’s complex and amazing drum patterns (now two songs have the same beat and pretty much none of them are just bass/snare) and Heatmap proved to be the most exciting band to watch.

On record, the bass prominence is less notable–it’s still there, but the guitars are more prevalent.  But live, sometimes the singer/guitarist wasn’t playing anything as the bass played the cool post-punk lines and the drums thumped away with lots of floor toms. Continue Reading »

[ATTENDED: June 24, 2023] LaMacchia

LaMacchia is John LaMacchia.  John LaMacchia is the guitarist for Candiria, a metal band I don’t know who plays a kind of mathcore/prog something or other.

LaMacchia is his first solo album, and it’s a very different feel.  He and Sabrina Ellie are the main singers and the album has a much more mellow vibe.

For this show, he had a band and I really enjoyed their set a lot.  There was no female vocalist, but there were outstanding harmonies from his bassist (who had an excellent sound and was really fluid in the basslines) and his guitarist/keyboardist who seemed to be doing all kinds of things over there.

Their drummer was a guest drummer for the night and he was really good, too.

Overall, I was really impressed with how the band could maintain an overall heavy sound but still have excellent (at times) three part harmony.  There was also some diversity in sound up on stage too, with a couple of the songs being almost atmospheric.

“Disconnect” even had a sample from Casablanca (who samples Casablanca?). Continue Reading »

[DID NOT ATTEND: June 23, 2023] Mondo Cozmo / The Cobbs

WXPN has played a number of Mondo Cozmo songs over the year that I’ve really liked.  They’re kind of a psychedelic folk rock band.  I felt bad that I was going to be going to shows in a row and asked my wife wanted to come along.  When she said yes, I toyed with us going to see this show in Ardmore rather than in Underground Arts.  That would have meant blowing off Spotlights, who I really wanted to see (and I’m so glad I did).

So instead, I got her a ticket for the Saturday night show.  And I’m so glad I did.  For two main reasons.

  1. Mondo Cozmo played a song called “Your Motherfucker” which was hilarious and outstanding.  He didn’t play it in Ardmore because his mother was there.  So I’m glad we go to hear it.
  2. He told us that after about four songs in Ardmore, the fire alarm went off and everyone had to leave.  They didn’t go home, but I’m sure some people did.  Then the resumed, but that would have been really annoying.

I don’t know what else he played in Ardmore, but whatever it was, he played exactly what I wanted to hear in Underground Arts, so I ‘ll just be happy with the great show we had.

The Cobbs are another Philly band that I hadn’t heard of.  They have a more mellow folk road sound–lovely vocals, acoustic guitars and keys.

Part of deciding which night to go was deciding which opening band I liked more.  I came down on the side of Illinois (which is lucky since that’s the show I was going to).  But i can see The Cobbs having an even bigger fan base.

It also turns out that Archie from Illinois played drums for The Cobbs on this night for whatever reason.  Crazy.

 

 

SOUNDTRACK: hiatus.

[READ: June 2023] Dancing on the Volcano

I feel like I haven’t really enjoyed that many books from Oni Press lately.  Although this one was pretty great–welcome back!

In 2004. Floor de Groete started a site doyouknowflo.nl where he published a daily comic.  he wrote about himself and his boyfriend Bas.  He loved doing it but he wanted to talk about more than just his daily life. So in 2012 he wrote this full graphic novel.  And now it is getting translated into English by Laura Watkinson.

The first chapter shows Floor (I love that he makes himself so very tiny) with a very large man, Sander.  They are working together to write an article about a volcano.  Floor is supposed to take pictures, but he is also greatly missing Bas.  It’s the first time they’ve been apart.  Sander, loves this trip and doesn’t care about Floor’s feelings at all.  Floor is easily aggravated and not afraid to let Sander know it.  Flo keeps thinking about how there’s only a few days left of the trip but he keeps missing out on all of the amazing things that Sander is enjoying (which makes him even more angry). Continue Reading »

[ATTENDED: June 20, 2023] Idles

I didn’t known that Idles was going to play near me at all this year.  Turns out that Idles will be doing lots of Festivals this summer in the States, and they decided to throw in two headline shows in the middle.  And Philly was one of them.

I’ve seen them twice before–each time the venue getting larger (good for them).

This was at Franklin Music Hall and I don’t think it sold out, but it was close.  The crowd was crazy (although, I feel not quite as crazy as at previous shows).  The band has a newish album out which I haven’t listened to as much–it changes their formula somewhat.

But they still opened with “Colossus.”  A loud, slow, rumbling repeating bass note from Adam Devonshire shook the whole place.  And then Joe Talbot came out and started singing the slow, quiet introduction.  The lights flashed from red to white as the song built and when it hit the loud part–boom!

The Re:SET concerts have seen them playing roughly an hour, so I wasn’t sure how long they would play for us.  They did a solid hour and forty-five minutes, playing songs from all of their albums, and leaving out at least one classic.  I was genuinely surprised they didn’t play “I’m Scum” since they are still selling the T-shirt

Jon Beavis is a maniac on the drums–how did these drum head survive the pummeling?  Again, I could barely see him back there, but he was easily felt.

After the first song Joe left the stage for a minute and Mark Bowen said hiya Philly.  When Joe came back out he said, “is that your crowd talking dress you’re wearing?”  He said that Bowen has never addressed an audience before.  He amended that to, “and been understood.” Continue Reading »

[ATTENDED: June 20, 2023] Idles

I was pretty excited to see Idles, but I was even more excited when it was announced that Mannequin Pussy would be opening.

I wanted to get their plenty early.  This was a weird night because I-95 had collapsed and there was a detour in place.  I didn’t know how long it would take to get there.

I’m guessing most people stayed away from 95 altogether, and it was a Tuesday night, because the ride in was so smooth.  The detour that I took was only a few blocks and I was right back on the road with hardly any other traffic,  It was great.

I arrived in plenty of time, although it was already pretty crowded.

Then, at 8PM, Mannequin Pussy came out on stage.

I’ve seen them four times, although it had been almost two years since the last time.  Three of those four times, they were opening, so it’s not like I chose to see them. But I do love seeing them live.  And this show was no exception. Continue Reading »

[LISTENED TO: June 2023] All the Beautiful Lies

I loved Swanson’s Eight Perfect Murders.  I hated the characters in The Kind Worth Killing (but I loved the twists).  So I had this third book as a kind of final litmus test for if I would listen to anymore books by him.

And the answer is no.

Once again, Swanson’s twist and surprises (and the ending) are really good.  But if possible, he made main characters who are even more horrible and unlikable.  How was that possible?

There’s a few spoilers in this review, although none that reveal the twists or who the murderer(s) is/are.

I’m just going to get this over with, so yes, there’s a spoiler here.  One of the main characters is a pedophile.

It’s bad enough when, at some point in the middle of the book, we learn that he is happily going to essentially make a new life with the daughter of his second wife (step-daughter, so not incest, but Jesus Fucking Christ).  And then we find out that this guy was introduced to sex when he was a teenager by a bored housewife.  So he is basically “paying it forward.”

How did Swanson even write these words?   How did his moral compass allow these words to pass his fingers onto the page?

I mean, the blurb on Goodreads starts with this:

Harry Ackerson has always considered his stepmother Alice to be sexy and beautiful, in an “otherworldly” way. She has always been kind and attentive, if a little aloof in the last few years.

I mean, who reads that blurb and wants to read more (I go into my books totally blind, so I had no idea this was coming). Continue Reading »