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[ATTENDED: July 21, 2023] Blondshell

Blondshell is a new band created by Sabrina Teitelbaum.  She has recorded music under BAUM, but wanted to go in a different direction and so created Blondshell (great name).

I’d heard a couple of songs by her and she was generating a lot of buzz.  I bought a ticket to see her (and Hello, Mary, another young band I like a lot) at PhilaMOCA.  The show sold out soon after.

And then I got invited to a party for my friend’s son. I gladly blew of the show to go to the party.  But when it was announced that Blondshell would do the Free at Noon this week, I immediately grabbed a ticket.

The band played eight songs.  I really enjoyed their guitarist playing some really noisy guitar solos especially at the end of “Veronica Mars.”

The song I know and really like is “Joiner” which sounded great.

And I was impressed that Sabrina sings mostly in a kind of low dirgey style but  that she can really belt out when it’s time for it.  She has some really strong pipes. Continue Reading »

[ATTENDED: July 19, 2023] Mdou Moctar 

Mdou Moctar is one of four Tuareg musicians who I have wanted to see perform.  The others are Tinariwen, Imarhan and Bombino.

I have heard that Mdou Moctar puts on an amazing show so I pretty psyched to see him and his band at Ardmore Music Hall.

When I got to the Hall, it was pretty crowded, but I was able to get right up by the stage which was a great way to watch Mdou play (and smile).

Unfortunately, I was right in front of bassist Mikey Coltun.  I say unfortunately only because it meant the bass was too loud.  And in fact, when the show started it was WAY too loud.  It got turned down slowly over the next two or three songs, but honestly, we were all there to hear guitar, not bass. Now, the bass is absolutely essential to Mdou’s songs–the bass keeps the whole thing together, with a great pulsing rhythm and a cool melody as well.  But on record it sits there at the back guiding things along.  In this setting it was taking front and center.

This meant that I almost couldn’t hear Ahmoudou Madassane, who’s been Moctar’s rhythm guitarist since 2008.  It was only when things were quieter that Madassane’s guitar was audible to me.

But that’s also because drummer Souleymane Ibrahim was a freaking maniac!  He was so much fun to watch, playing incredibly fast fills seemingly out of nowhere and then settling back down to keep the beat steady.  Madassane and Ibrahim were both wearing traditional turbans that covered most of their face (Ibrahim took his off by the end).  Coltun and Moctar had their loosely draped around their necks. Continue Reading »

SOUNDTRACK: hiatus

[READ: July 15, 2023] Algorithmic Reality

I received this book at work with a bunch of other graphic novels from NBM.  I liked the stuff they sent out–anti-corporate and promoting the underground.  And this book fits in with that ethic.

I don’t know David Sánchez’s work, but his style in this book reminds me of Chris Ware and Ted Rall.  Ware in particular because the characters look vaguely the same in every panel (on purpose) with minimal changes between panels.  Damian Bradfield is a British businessman (that’s pretty much all it says about him on the book) and he has written four tales of dystopian technology takeover.

In the first, a man goes to a store to buy a pair of shoes.  He doesn’t buy any but the employee follows him seemingly everywhere to make sure he doesn’t want them.  On the street.  In the grocery store (where the employee has photos of the sneakers).  Then he sees the employee in different outfits everywhere until finally the employee is in his house. The employee is never aggressive, just always there–like your ads on your phone. Continue Reading »

[ATTENDED: July 19, 2023] Meg Baird

I grabbed a ticket for Mdou Moctar some time ago and was really looking forward to him and his band.  There was no opening act announced until recently.

I was really excited that Meg Baird would be opening.

I saw Meg Baird play with a band back in October.  But for this session she was solo.

Her music is gentle and ethereal and for the first song the audience was wonderfully respectful.  She played acoustic guitar and sang in her high soft voice (her voice doesn’t ever seem to stop or start, it just fades in and out in a magnificent way).

She played three songs on acoustic guitar.  Then she said people asked her where Charlie 9her partner) was.  He couldn’t make it, but she had his electric guitar.

She played three songs on electric guitar.

The first four songs were from her new album Furling. Continue Reading »

[DID NOT ATTEND: July 19, 2023] Barenaked Ladies / Five for Fighting / Del Amitri

We haven’t seen Barenaked Ladies since 2017 (2016 was the last time on one of these Last Summer on Earth tours).

They always put on a good show, although I feel like I’ve enjoyed the last few a little bit less than the previous ones.  Mostly because they play the same big hits all the time.  I mean, you can’t be BNL and not play those songs, but it would be fun if they didn’t.

I always consider going to their Last Summer on Earth tours, but I typically dislike the other bands that are playing with them–usually 90s bands that I assumed were broken up. Which doesn’t really speak all that well of BNL (unless it speaks well of them trying to boost old bands).  Their new setlist mixes in a few different songs, so maybe if next year’s co-headliners are good, I’ll grab tickets.

What was such a bummer for me this time is I actually want to see Semisonic (everybody knows that one song, but they have albums worth of great stuff).  But instead they were replaced on this leg of the tour by Five for Fighting.

I had heard of Five for Fighting and I know his song “Superman” although I’m getting it mixed up with another one I’m sure.  I had no idea that it was a one-person operation

Vladimir John Ondrasik III, also known as by his stage name Five for Fighting, is an American singer-songwriter and pianist. He is best known for his piano-based soft rock sentimental ballads.

I also didn’t know they were known for their soft rock ballads. Ew.

I had of course known of Del Amitri, their hit “Roll with Me” is still played from time to time.  Although I had no idea they were Scottish.  I would have told you they were broken up, but I see they reunited in 2013 and again in 2018.  They might have been interesting to see but not worth dragging out for this tour.

Next year guys, find bands that I actually want to see!

 

[READ: June 1, 2022] The New Manifesto

So I received this book at work and it was my job to catalog it (it has yet to be cataloged by anyone else).  But there was a problem.

The cover of the book says The New Manifesto a novel by Sam Ernst.  But you never trust the cover for the actual title of a book, you trust the title page.  And the title page says The New Manifesto or The Slow Eroding of Time Arthur B. Johnson edited by Sam Ernst.

Now the cover also has an about the author of Sam Ernst (with an author photo of the back of his head).  And the list of books by Arthur B. Johnson don’t seem to exist.  So, clearly, the author is Sam Ernest and Arthur B. Johnson is fictional,  But from a cataloging standpoint, Johnson needs to be acknowledged in some way.  Which is a pain.

Anyway, I decided to see if this book was worth all of the trouble.

I’m not quite sure.

It opens with a Foreword by Dr James L. Vanderworthy of Bradford College (also fictional).  He says that The New Manifesto is the novel that resonates with him more than any other.  The editors preface is from Ernst, he says he had a copy editing position at Smith Ralston Excelsior which led him to meet and befriend Arthur B. (“Artie”) Johnson.  It was this that inspired him to edit Artie’s words in the way we see here.  The Publisher says they didn’t really know what to do with the book, but they thank Ernst for his tireless work on it.

The book is presented in nine parts.  Many are short, but some (like part 2 An Assemblage) are nearly 100 pages.

Part 1 the Prelude is a series of 25 numbered paragraphs

1. He sat down to write
4. He was writing a book.  A book he never finished.  This is a story of failure.
18. Given the book’s title, he was finding it surprising how little manifesting was being done.

Part 2 is written in several much longer sections.  Each one is a hilarious account of the narrator’s life as he does remarkable things and then moves on.

He averts a war between two countries. He speaks neither language but found a letter from one kingdom to the other.  Had the message not gotten through, war was inevitable.  But he rowed for days across the sea to bring the message to the beacon he saw.  He walks to a war torn country and is taken for a doctor (he is not).  Because of a book he had just read, he is able to diagnose a seemingly dying patient, and as he leaves the area he inadvertently participates and wins the 1984 Sarajevo Ski Jump Competition.

After a few more adventures, including one aboard a ship, he gets a job at Brookhaven National Laboratory, where he uncovers a brilliant scientific schema because of the box elder bugs that swarm his office window. Continue Reading »

SOUNDTRACK: hiatus

[READ: May 20, 2023] Teen Titans: Raven

Kami Garcia has written (and Gabriel Picolo has illustrated) a trilogy of books about Raven and Beast Boy from the Teen Titans.

I only know about Teen Titans from teen Titans Go! which I think is hilarious and (which I realized years after watching it) has nothing really at all to do with the actual Teen Titans who are serious (and kind of dull in a DC comics way).

But these stories are interesting and seem to be breaking out of the darkness that DC is under with these lighter (but not nearly as light as Teen Titans Go!) origin stories.

As with all comic book characters, origin stories are canon.  Until they need to be modified for the new series. I don’t know what the actual origin stories of either of these characters are, but I enjoyed these quite a bit.  I also rather liked this book because on the cover Raven looks like Miss Calendar from Buffy the Vampire Slayer.

At the end of each of their books, they were heading to Nashville to meet Slade, a mysterious figure who says he has answers.  They are in the same cafe and when their orders get mixed up (Beast Boy is vegetarian), they wind up talking.  Beast Boy falls for her instantly, but she is very suspicious and blows him off. Continue Reading »

[ATTENDED: July 15, 2023] First Aid Kit 

My wife and I saw First Aid Kit twice in seven months.  First at Union Transfer and then, when they came back through Philly, at the much larger Fillmore.

Both shows were great and we were happy to see them twice so soon apart.

Especially since it took five years for them to come back to town!

The seven month separation between shows led me to observe:

In a nutshell, it felt like a very different show even though it was more or less the same show.

But five years is a long time.  They put out a new album (and reissued it with extra songs the other day).  So this promised to be a very different show.

Although the set up was similar, the backing band was different this time.  Last time: Steve Moore on keys and trombone, Scott Simpson on drums and Melvin Duffy on pedal steel.  This time: Freja “Freja the Dragon” Drakenberg on keyboards, Gabriel Runemark on drums and Johannes Runemark (a.k.a. Kasino) on guitar and mandolin.

Klara and Johanna came out a few moments later looking fabulous–they have really embraced their look with Klara in a hot pink pantsuit and Johanna in a short flowy one piece that was mesmerizing in its pattern.

The new album is great and it is doing well and they opened with two songs from it.

I knew they’d be playing a lot of new stuff, but they did a great job interweaving it since after the  two new tracks, including the first single “Angel,” they played previous big hit “It’s a Shame.”  There was no pedal steel guitar on this tour, although Johannes could play those pedal steel lines on his guitar quite easily.

And there was some delightful banter with the crowd  (Hello Philleeeeeee!). Continue Reading »

[ATTENDED: July 15, 2023] The Weather Station 

I saw The Weather Station open for Mitski last year.  Well, I saw a couple of songs from their set because we were on the merch line for most of their set.

After that set, I wrote

I’ve heard a few of their songs on record and thought they were okay–jazzy and a little slow.  But live their songs really came to life with an energy and vibrancy that I didn’t hear on record.

They ended the set with “The Robber” the one song I knew pretty well and it was great live.  I’m glad they ended with that one.

Well, the weather was crazy and the traffic was nuts so we walked in a few minutes before The Weather Station went on.  And of course, I was on the merch line for half of their set once again. Continue Reading »

[DID NOT ATTEND: July 14, 2023] Noel Gallagher’s High Flying Birds / Garbage / Metric

I was more than a little out of sorts that Noel Gallagher’s band had top billing on this tour.  I just now realized that it was a co-headlining tour.  Which is better, but still.

I was surprised (but not really) when Garbage opened for Blondie when we aw them a few years ago.  [I GET that one, Blondie is an icon after all].  But Noel Gallagher?  The dude from Oasis?  I didn’t realize that his band of birds had four albums out.  But I also see that half of the set is Oasis songs.

The co-headlining scam is a pretty good one for bands.  Play for an hour instead of 90 minutes and charge more because its two bands instead of one.  But whatever.

Had I known this was a co-headlining bill I might have looked into getting tickets (although really, the Mann center is such a pain, that I probably wouldn’t).  We also wound up coming home from vacation on this day so that pretty much nixed any evening plans anyhow.

I did like Oasis when they came out (although I was always more Blur than Oasis).  But I find that when he’s not taking liberally from The Beatles, Noel’s songs are kind of bland.

Now Garbage, I love.  They were one of my favorite bands of the 90s.  I’ve seen them four times and would happily see them more if they would just do another headline tour instead of always pairing with people i like less than them.

I saw Metric last year and they were wonderful.  I would of course be happy to see them again, although seeing them in a shortened set like this wouldn’t be ideal (they played nine songs–but nine is better than none).

If this had been at an easier to get to venue, I would probably have tried to go.  And, like a kindred spirit who has the same tastes as me said, I’d have gone for Metric and Garbage and maybe left after to Noel songs.