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[ATTENDED: July 6, 2025] Tyler, the Creator

Lil I didn’t know all that much about Tyler, the Creator before this show.  All that I knew about him was from when he first came on the scene with odd Future and he wrote horrorcore raps that were pretty graphic and nasty.

I knew that his albums were well regarded, but I had no idea that he had changed his style and that he was massively popular!

My daughter has a few of his songs on her playlists.  He’s still pretty vulgar, but in much smaller doses.

I had no idea what to expect from this show.  So I was blown away when the show started and Tyler came out, by himself, on the massive stage that was full of green lights.

Then we realized the problem.  The seats that we had were pretty great–straight back from the stage and in rather comfy chairs.  But there was this massive piece of rigging in the rafters that literally blocked all of the giant screens behind him and almost cut off him from view.  It turns out that this rigging was all part of his stage show, so I can’t blame Wells Fargo Center.

Tyle came out and started dancing and rapping on the stage.  He was completely engaging and commanded the entire room.  He wore a mask with a wig (as on the album) for this part of the show.  Although really I couldn’t tell at all that he was wearing the mask–couldn’t see the screens and he was too far away to see his face.

He played six songs from the new album (I don’t know if they were played all the way through or were just snippets).  Which I only mention because in the middle of the set he played nothing but shortened versions of his songs.

After Judge Judy, the rigging moved down and then Tyler was on the catwalk in between the main stage and the B stage.  He marched around and danced and was a fun spectacle to watch while he was up there.

And then the B stage rose high in the air to connect to the catwalk and as it lowered back down, a series of panels surrounded the stage and made it look like a small house.  We couldn’t really see him inside and I thought, wow, we’ll never see this guy.  But after the first song, the walls lifted and the B stage was there for all to see–a couch, a few other things and in the center was a turntable.  For in one corner, he had a whole bunch of albums that he flipped through.

The camera was on him the whole time and while we still couldn’t see the screens, we could see him pretty well.  But we needed the screens to see that he was digging through his records and ultimately pulled out IGOR (and the crowd went nuts).  He brought the record to the turntable and put it on.  I’m very curious to know if IGOR’s THEME was playing from the record he put on or not.

Then he proceeded to play three songs from Igor, including a snippet of Are We Still Friends, which everyone went nuts about.  Continue Reading »

[ATTENDED: July 6, 2025] Lil Yachty

Lil Yachty followed about 15 minutes after Paris, Texas.  He was also on the small stage in the middle of the floor. When he came running out, the noise was loud, the lights were bright and the fog was thick.

I had listened to Lil Yachty before the show and I really liked his style.  I was intrigued by the Wikipedia blurb:

Lil Yachty has called his style “bubblegum trap.” His songs have sampled sounds from Mario Bros., Charlie Brown, the theme from Rugrats, the startup sound of a GameCube console.  Themes in his works include clouds, cotton candy, the Super Nintendo, and scenes from Pixar films. Rolling Stone described his music as “catchy, intentionally dinky-sounding tunes packed with off-color boasts delivered in a proudly amateurish singsong.”

It was exactly the kind of alternative hip hop that I like.

But his sound was overwhelmed by the venue.  Any subtlety in his music was lost and mostly it just felt like the bass was going to knock the building down.  The girls in the seats next to us were thrilled with Yachty and they screamed and sang along.  But I couldn’t hear the words and the music kind of just got melded together.  He also didn’t do very much on stage, just wandering around the stage and mostly engaging with the folks in the GA Pit, with his back to us at least 90% of the time.

He was very gracious about us being there to watch him (and not getting a hot dog or some shit).  I’m fascinated that he played 22 songs in 45 minutes.  I think this show made me realize that rappers don’t necessarily play their whole song–sometimes snippets or even a verse will suffice.  Although many of Yachty’s songs are short (many under 3 minutes, he still had to cut some parts to squeeze all of this in.

So even though I couldn’t really hear anything that was going on, his set moved pretty quickly and I enjoyed watching everyone really getting into him.

 

  1. the BLACK seminole [TAPE]
  2. Gimme da Lite (Southside & Lil Yachty song) §
  3. pRETTy
  4. SOLO STEPPIN CRETE BOY
  5. Split / Whole Time ¾
  6. Pardon Me ¾
  7. Hate Me (ian cover)
  8. Ron Artest (Babyface Ray cover) (with Babyface Ray) §
  9. Yacht Club
  10. NBAYOUNGBOAT ½
  11. Flex Up ¾
  12. Coffin ¾
  13. From the D to the A (Tee Grizzley cover) >
  14. Minnesota
  15. Broccoli (DRAM cover) ¥
  16. iSpy (KYLE cover)
  17. One Night
  18. TESLA
  19. Poland
  20. Strike (Holster)
  21. drive ME crazy!
  22. WE SAW THE SUN!
  23. A Cold Sunday π
π Something Ether EP (2024)
⇓ Let’s Start Here (2023)
⊥ TESLA EP (2023)
¶ single (2022)
¾ Lil Boat 3 (2020)
½ Lil Boat 2 (2018)
∼ Lil Boat (2016)
⊗ Nuthin’ 2 Prove (2018)
Others
¥ DRAM-Big Baby Dram (2016)
∝ KYLE-Light of Mine (2016)
> single (2017)
§ single (2023)
‰ single 2024
 

[ATTENDED: July 6, 2025] Paris, Texas

My daughter really wanted to see Tyler, the Creator, so I grabbed us tickets.  I knew him a little (from what she had played me), but I didn’t know the other two opening bands at all.

When I read about Paris, Texas I was intrigued.  The group is a duo, featuring Louie Pastel and Felix and what I was most interested in was their description: an eclectic mix of rap & hip-hop, fused with the guitar-driven elements of alternative rock, including grunge, punk, metal, emo and new-wave.

When we arrived, we could see that the main stage was bathed in green.  But when the lights dimmed, the tiny stage in the middle of the pit suddenly lit up and Paris, Texas ran up to the small stage to perform their set.  They had a DJ with them and the three guys prowled the stage.

They also set the basic tone that everyone would have their back to us when at the center stage.  It was clear that the performers were gearing their set to the GA Pit area.   I realized pretty quickly that the people who rushed to be first at the stage were actually pretty far from the action once the band started.  Continue Reading »

[CANCELLED: June 29, 2025] Paul Simon: A Quiet Celebration

My wife and I have seen just about everyone that we really want to (I have a list of bands that i still want to seem but it gets shorter all the time).  But one person on her bucket list was Paul Simon.

So when he announced this Quiet Celebration tour, I grabbed tickets immediately.  In fact, I joined the Academy of Music to make sure I could get us tickets for this show.

Then two days before our show, Paul announced that he would have to cancel the shows because of terrible back pain.  He was going to have surgery and hoped to get back on tour.

As it turns out, he was able to make the next night of his tour (which was about a week later).  So he only missed two shows and ours was one of them.

There were no plans to reschedule the show, although he did talk about trying to make up the shows.  He did play one night in Philly, but surely he can’t leave us hanging like that?

He’s on the West Coast until the end of the tour in early August.  Fingers crossed he squeezes us in.

[ATTENDED: June 28, 2025] Black Veil Brides

I was really bummed that Jinjer was opening half of these shows and that our show was so close to the Jinjer dates.

I had seen Black Veil Brides open for Ice Nine Kills and my first thought when I saw them was:

“these guys have gotta be from L.A.”  Why?  Because the drummer was swinging his head around and spinning and throwing sticks and the guitarists were really flashy, doing solos up front and standing back to back while they soloed together.  None of it was especially crazy, but it just screamed L.A. metal band to me.  And indeed, I found out after that they are from Holly wood.  Turns out the rhythm guitarist is named Jinxx!

I enjoyed their set well enough then and it was fine for this show.  We had moved to the ADA section, which meant comfy chairs, so we sat through their set.  Couldn’t see them all that well, but they didn’t do anything visual, so it was no big deal.  I had mentioned my L.A. comment to my wife and she agreed.

Many people at the show were REALLY into BVB.  The person in front of us in particular was crazy for  them.

Their set was entirely fine.  I was chickling about he lead singer who sounds like a TV presenter when he talks but who started every single song with a guttural scream.  This of course made all of the songs blend together to me.

There was nothing that we didn’t like about their set, but we both agreed afterwards that there was simply nothing memorable about it.  It turned out, though, that we liked the final two songs the most.

Those songs were from 2011 and 2013, so I’m guessing I like their older stuff better.

2025 2022
Toccata and Fugue in D Minor (Johann Sebastian Bach song)
(Intro theme, transitions into “Knives and Pens”)
The Phantom Tomorrow [tape intro]
Knives and Pens Faithless ∇
Bleeders ♦ Coffin ®
Faithless Crimson Skies ¶
Coffin ® Shadows Die ϖ
Devil ♠ Wake Up √
Perfect Weapon Scarlet Cross ¶
The Legacy § Knives and Pens ⊗
In the End ϖ The Legacy §
Fallen Angels §
In the End ϖ

♦ Bleeders EP (2024)
♠ The Mourning EP (2022)
¶ The Phantom Tomorrow (2021)
√ Vale (2018)
∇ Black Veil Brides (2014)
ϖ Wretched and Divine (2013)
® Rebels EP (2011)
§ Set the World on Fire (2011)
⊗ We Stitch These Wounds (2010)

[DID NOT ATTEND: June 28, 2025] Strand of Oaks / Stella Ruze

I have seen Strand of Oaks five times.  I always think I’ve seen them more because I had planned to go to all of the Winter Specials that he played in Philly.  But I haven’t gone to that many, although the last one was great.

When he announced this Concert Under the Stars, I immediately penciled it in.  And then about a week later I saw that Babymetal was playing the same night in a venue that would allow us to see them pretty well.  So I grabbed two tickets for Babymetal and knew I’d have to wait to see Strand of Oaks again–maybe this winter?

I assumed that Stella Ruze was a folk singer.  Turns out they are a roots rock band from Philly.  “They blend four-part vocal harmonies and horn arrangements into a new, genre-bending sound.”  I’m not sure how genre-bending their sound actually is.  It’s kind of folky and sounds like it woul dbe great to hear at an open air show.

 

[ATTENDED: June 28, 2025] Bloodywood

I hadn’t heard of Bloodywood before this tour, but when I looked them up, I was totally intrigued.

They are a folk metal band from New Delhi, which I found interesting enough.  And their backstory is fascinating.

Prior to forming the band, Karan Katiyar regularly uploaded parody metal covers of popular Bollywood songs on YouTube.  In 2016, Katiyar quit his job as a corporate lawyer and together with Jayant Bhadula formed a two-piece band with the intention of “destroying pop songs”.

Live, the band is a six-piece.  Katiyar plays guitars and flute!  Bhadula sings and growls.  Raoul Kerr officially joined in 2019 and does rap vocals.  The touring band since 2019 includes Vishesh Singh on drums, Roshan Roy on bass and Sarthak Pahwa plays the dhol (an Indian drum that sounds amazing).

The band was loud as anything and they got the crowd going in a second.  They even had the crowd form a circle pit which is very impressive as an opening act and in such a small pit area. Continue Reading »

[ATTENDED: June 20, 2025] Demetri Martin

I realized recently that when I think of comedians that I want to see, nearly all of them are British (or from Australia or New Zealand).  This is the Taskmaster effect.  In fact w saw English comedian Sarah Millican just two days before this.

There really aren’t that many American comedians who I want to see.  But Demetri Martin is one of them.

I love his deadpan style and the fact that he includes drawings (and songs) in his act.

He has played the Wellmont before (we couldn’t go in 2022) so I was happy he came back.

The premise of this show was that he wouldn’t have the drawings prepared ahead of time as he usually does.  Rather, he would draw them and talk about them while he drew (and drew quickly, you see).

There were so many drawings and jokes, it’s impossible to remember most of them because we were laughing so hard.  It’s also foolish to try to describe the drawings because they are quick, funny sketches.

There was one bit of improv that we enjoyed quite a lot.  He made a joke about Taylor Ham and it turned into a Taylor Ham vs Pork Roll argument that he wasn’t prepared for (If you’re going to bring up pork roll, be sure you have material about it!). Continue Reading »

[ATTENDED: June 18, 2025] Sarah Millican

I knew (and loved) Sarah Millican from Taskmaster.  I was so excited when she announced her tour and I was excited for her that it sold out and she had to add a second date!

When show time arrived, she came out on stage and gave us a little warm up.  And then she introduced her opening comedian!   I’ve never seen the headliner come out before the support act, but it was fun and classy.

After Matt Kirshen finished his set, Sarah came out and began her own.  I knew that Sarah Millican told adult jokes, and boy does she ever.  I love how demure she looks and yet how unafraid she is to talk about everything.

She had a whole book cataloging what a Late Bloomer is compared to an Eager Beaver.  Each one funnier than the next.  And on the way out she had free buttons an Eager Beaver and a Late Bloomer one.  Continue Reading »

[ATTENDED: June 18, 2025] Matt Kirshen

I knew (and loved) Sarah Millican from Taskmaster.  I was so excited when she announced her tour and I was excited for her that it sold out and she had to add a second date!

When show time arrived, she came out on stage and gave us a little warm up.  And then she introduced her opening comedian!   I’ve never seen the headliner come out before the support act, but it was fun and classy.

Her opening act was Matt Kirshen.  Kirshen is a British comedian who has recently become an American citizen.  We all had a good laugh at his terrible timing of becoming an citizen.  He said that he liked being part of something in its final act.

His routine was really funny–it must be quite challenging to be a less well-known comedian.  But he was great and had us laughing quite hard.

He had his own show at Helium the following month and I’m sure it was really good.

I’m writing this three months after the show and can’t remember his jokes, but I know he had us laughing quite a bit.

If I think of any jokes or see any videos, I’ll add them here.  But I would 100% see him again.  He was great.