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Archive for the ‘YA Books’ Category

SOUNDTRACK: KISS-Attack of the Phantoms (1978).

Technically, not exactly a soundtrack, but I do talk about the music, so it counts.

I don’t think I was allowed to see Kiss Meets the Phantom of the Park movie when it came on TV in 1978.  I have seen it many times since then, and have enjoyed its cheesiness each time.  But it has been many years since I last watched it (it was on a recorded VHS tape, so it’s at least ten years).  Imagine my delight to see that it was included on the KISSOLOGY Vol 2 DVD.

Except, rather than the TV movie, what they have included is the “European theatrical” release (did this really get shown in theaters in Europe?  Judging by the poster that I placed here, yes.).

I can’t really compare the two as it has been so long, but I knew there were a few differences right off the bat.  The most obvious to me was the inclusion of Kiss solo songs over random (sort of appropriate) scenes.  The use of “Radioactive” when Gene is crushing things was inspired.  And “Fractured Mirror” works well anywhere in the movie.  The Peter songs seem out of place, and I’m not entirely sure about connecting Abner Devereaux to “Mr. Make Believe” but I guess that’s the least of the movie’s problems, right?

This version also has some lengthy concert scenes with the band rocking out in front of stock footage of fans.  I simply don’t reall if this was included in the original, but I think one of the sonsg actually sounded live (while the others were clearly mimed).  According to various internet sites, Attack also removes a lot of Ace’s dialogue.  This seems very likely, as I thought he had a lot more bad puns.  And I had to wonder if that’s why they included this version rather than the Phantom of the Park (since Gene seems to dislike Ace so much).

What really strikes me about the movie though is how much Kiss is NOT in it.  I mean, it’s at least 30 minutes before they show up at all (we get some delightful scenes with Chopper and his 30-year-old-teenage thugs).  They do some concerts but, since they are the crux of the plot, you’d think they’d have more than a few actual lines.  Of course, it’s not a very good movie, so what’s the point in nitpicking?

Like how all of a sudden, she’s hanging out with the band while they’re all sitting around.  And Paul is playing acoustic guitar and Peter crooning “Beth.”  I’d love to get a copy of the guitar version of “Beth,” though!  Or how the whole concept of the Kiss talismen is not even introduced until like the last 15 minutes of the movie.

It’s of course all worth it to hear the supremely awesome robot Kiss band’s song “Rip and Destroy” (to the tune of “Hotter Than Hell”) which the fans at first hate but quickly come around to.  And then decide that it would be a good idea to rip up the theme park (which we sadly do not get to see).

Of course, watching this version makes me want to see the original TV version just to see what the differences were, but it sounds like that DVD will never see the light of day.  I wonder if I still have that VHS tape anywhere?

[READ: January 15, 2010] North World Vol 2.

As Volume 2 of this saga opens, we see Conrad settling down.  He has retired his sword, moved home with his dad and begun working in his dad’s business as an accountant.

But he really can’t settle down.  The local thugs are still plotting revenge against him and his coworker, Kailee (a kick ass witch), shows up wondering why he hasn’t completed his assignment yet.  His assignment?  Conrad was tired of slaying evil giant animals, so he took a bigger assignment.  Go to Coeur de Lac to fight a demon summoner.  The problem is that Couer du Lac is where he’s from, and where he ran away from many many years ago.

He’s conflicted about going home, but when he gets back to Couer de Lac, he realizes that things seem not quite right. (more…)

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SOUNDTRACK: BRITISH SEA POWER-Do You Like Rock Music? (2008).

I’ve heard a lot about British Sea Power over the years, and I’ve enjoyed their smarty-pants attitudes.  I think that their first album is most highly recommended.  But I was able to get this disc with an autographed booklet from my favorite record store of all time, the long-missed (since they have no locations near me) Newbury Comics.  So I tried them out.

I can’t speak for their earlier discs, but I’m surprised by how much this disc reminds me of The Arcade Fire, which is odd given their Britrock pedigrees.  It opens with “All In It” which sounds like it could be an Arcade Fire outtake.  And as the rest of the disc continues, I found myself hearing bits and pieces of other bands.  I couldn’t put my finger on anything specific, but I kept thinking, ‘hey, that sounds like–.”

The biggest problem I had with the disc was that even after a few listens, most of it didn’t stick with me.  There were definitely moments where things really stood out (chanting choruses and whatnot), but overall, I kind of felt a lack of anything special.

The album closes with “We Close Our Eyes” which is a reprise of sorts of the awesome opening track.  Whereas the first track is 2 minutes, this one is 8, and it has lots of silences or quiet sound effects and it ultimately ends with a similar chant to the beginning.  But by the time that kicks back in, you’re just sort of annoyed by it.

I wish I could use that as a metaphor for the disc, but I can’t.  I enjoyed some of it, and didn’t dislike any of it really, but it doesn’t make me want to rush out and get their first album, even if it is supposed to be much better (and actually rather different).  I just wanted this disc to be better.

[READ: January 23, 2010] Love the Way You Love: Side B

I really enjoyed part A of this story.  And, at the end of that review, I had asked if Jamie S. Rich had recorded any of the Like a Dog songs.  Jamie wrote back to say that “Love the Way You Love” is available, on MySpace.  Now, I only wish he had included the wonderfully scalding punk B side, “Mighty Joe Marxism” that is featured in this second book.

But back to the story.

When we left off in Book A, Tristan has successfully wooed Isobel away from the evil record producer, Marcus King.  And he had successfully signed his band Like a Dog to a righteous indie label.

But all is now not well.  Marcus has pulled strings and caused a huge backlash on Like A Dog.  No clubs will book them and no distributors will carry their soon-to-be recorded first single.  And Isobel feels responsible for Tristan’s sadness.  This becomes even more apparent when Marcus basically says that he’ll lift the ban if Isobel goes back out with him. (more…)

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SOUNDTRACK: KATHLEEN EDWARDS-Live from the Bowery Ballroom (2003).

This is a live EP released just after Failer.  I assumed that the Bowery was the New York one, but I just leaned that it is a Ballroom in Vancouver.  The CD has three live tracks, two from Failer and a cover of an AC/DC song (!).

She sounds great, her band sounds great, and the quality of the recording is great.

Side two of the disc is a DVD.  It contains two videos: “Six O’Clock News” and “One More Song the Radio Won’t Like.”  Both videos are okay at best.  They are fairly pedestrian clips of her singing, close-ups of her face, shots of her singing standing in the street etc.  “Radio” is slightly more inventive in that there’s a vague sort of plot, but she gets to wear some wigs.  But the overlays of her in various wigs come about half way through and seem like an afterthought.  The songs are great, but the videos are just so so.

So, if you’re a fan, this might be worth finding.  But it’s not an essential addition by any means.

[READ: January 15, 2010] Maintenance Vol 3.

This is the latest (and possibly last?) volume in the Maintenance series.  Unlike the previous collections, this volume contains an entire story arc.  And it’s a good one.

The evil-looking creature from the final page of volume 2 has kidnapped the gorgeous TerrorMax secretary Mendy (just as Manny was about to ask her out!).  And Doug and Manny, janitors extraordinaire, are determined to get her back.  When they learn that a spacecraft will be required, they’re quite happy to know that a certain grumpy alien has one that he’s pretending not to remember how to start.  And the adventure begins. (more…)

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SOUNDTRACK: NO FORCEFIELD-God is an Excuse (2001).

I was looking up what Larry LaLonde, guitarist for Primus, had been up to while Primus seems to be on hiatus.  I hadn’t heard a word from him, so I was surprised to see that he had released two albums with a band called No Forcefield.

I looked for the discs, and found both of them used for $1.00 each.  So I ordered them without really knowing what they were about, except that they were described as “experimental.”

This is the second disc by the band which consists of Brain and Ler from Primus as well as assorted other fellows (Bob Cock) and guests.  And experimental is an okay word to describe the record.  But a better one is disappointing.

With the lineage that these guys bring to the band, it’s surprising how mundane the disc is. It opens with a phone message about Bin Laden and God which morphs into the hilarious Denis Leary bit about CDs and the silver dog bone thing.  It then becomes a fairly straightforward electronic track.  And this electronic stuff is kind of the purpose of the group, I think.  There are at least 3 long, simple instrumentals that are little more than a few notes repeated over a drum beat.

The other tracks are complete nonsense: a faux TV show with “products” for sale which is a teensey bit funny, but not really.  There’s also Billy Roz, whoever that may be, crooning “You Are My Sunshine” as well as some polkas over a drum machine (he sings like an old doddering man).  And finally a short drum solo.

It’s not even clear to me why Ler is in the band as it seems to be mostly drums and a simple keyboard chord.  The only interesting track on the disc is “How to Purify Street Heroin” which is an awesome scratchy workout which I assume is by DJ Disk from the Invisbl Skratch Piklz.  And that’s pretty much it.

I was really disappointed my first go around, as I was expecting something, anything, more than this.  On subsequent listens, I can appreciate the disc as background/comedy although really neither one is a reason to hunt this down.

[READ: January 21, 2010] Too Much Hopeless Savages

This third collection of the Hopeless Savages saga sees many new revelations.  Turns out that Nikki Savage’s mom has come under the influence of a preacher who is intent on praying at the Hopeless-Savage house trying to get them to react in some way.  (I’m a little unclear exactly what his goal is here).

At the same time, Arsenal and her boyfriend and Twitch and his boyfriend (the  boyfriends are brothers) are off to the boyfriends’ homeland of Hong Kong.  Arsenal is there for a martial arts competition and Twitch heads along so that the H-S siblings can meet their boyfriends’ great grandmother.

Hijinx naturally ensue.  In this case, Arsenal is slipped a very valuable package and she soon has numerous groups of men after her (it’s unclear if any of them are up to any good).  The rest of the family decamps for Hong Kong to escape from all the praying (and they bring grandma along to de-brainwash her).

What is surprising about the story is the emotional depth that comes out of an incident from Arsenal’s past.  (more…)

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SOUNDTRACKTOM WAITS-Glitter and Doom Live (2009).

Sarah bought me Tom Waits’s 3 disc collection for Christmas last year and I was sure it would be another Waits Xmas since this was nicely timed for an under the tree gift.  But no!  I had to buy this one myself (she says she forgot, but as punishment I may just make her listen to this one).

It’s a two disc set.  The first is a collection of live tracks from all over the world (well actually Birmingham, Edinburgh, Tulsa, Knoxville, Milan, Jacksonville, Paris, Dublin, Atlanta and Columbus–a strange Western Europe-Southern U.S. Tour, apparently).

I’ve never seen Tom live, although I have seen videos from Big Time.  And this is the first batch of live tracks I’ve heard in these latter days of his career.  And I have to say he sounds great.  The gravel in his throat is thick and gritty, yet he still hits all the notes.   And while his studio tracks are full of all kinds of cool instrumentation and embellishments, the spare live band (who sound fantastic) shows that his songs are great even without the bells and whistles.

The funny thing to me is how “Dirt in the Ground” an older song that I love sounds so very different, even though Tom’s voice isn’t all that different.  Of course, he plays some even older tracks that are totally reworked. And they sound great, too.  This all keeps the tracks fluid and seamless, and while the older tracks wouldn’t sound dated anyhow, it makes them all sound new.

Disc Two is a 35 minute track called “Tom’s Tales.”  It is a spliced together “story” of all the interstitial talking bits that Tom throws into his shows.  There’s jokes, there’s stories, there’s nonsense, and it’s all good fun.  For all his dour music, he;s quite a funny performer.  It’ll probably get one or two plays at most, but it’s certainly fun to listen to.

I just read a review of the disc that complains about the separation of music and talk.  And I see the critic’s point: cutting out the banter removes an essential part of Tom’s shows, while having all the talking bits together kind of dooms that disc to be listened to only once or twice.

While I agree with the sentiment, I’m not sure about the musical disc lacking something without the banter.  While it would be fun to have it in there, there is something nice about having just the music.  (And of course, there is one tale tacked on like an encore break (and one song at the end of the music disc, too).  It keeps the flow very solid and makes for an excellent song collection.

It’s a great place to find out what Tom has been up to on the last half dozen or so albums.

[READ: January 17, 2010] Ground Zero

Trade paperback #2 of Hopeless Savages collects the entire second series, with a few extras thrown in (and a very nice introduction).  And while I enjoyed the first series, Ground Zero is leaps and bounds more sophisticated and satisfying.  Even the title is a pun, what with Zero, the youngest Hopeless-Savage being grounded for most of the story.

The main focus is Zero’s burgeoning romance.  She is mostly off the boys at her school (typical comment: Your name is Skank, you must be easy), until she meets a boy in her science class who totally impresses her.  He’s named Ginger, after Ginger Baker, nice touch there.  And in a flashback we learn that although she hasn’t paid him any attention, he has loved her for years since their first accidental meeting.

I’m going to quote from Andrew Wheeler’s introduction because he sums up exactly what I think of the story: “It tells us that the most courageous thing of all is simply to fall in love.  The bravest thing to do is to place your heart in someone else’s hand.”  And that hits the nail on the head.  Pretty good for a comic book. (more…)

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SOUNDTRACK: SARAH HARMER-I’m a Mountain (2005).

I first heard Sarah Harmer in 2000, with her “Basement Apartment” single (which always made me think of my friend Ailish who, at the time, lived in a basement apartment in Brookline, Mass.)

My wife Sarah has this CD playing in the car and I’d forgotten how much I liked it.  Unlike the You Were Here, I’m a Mountain is much more country music sounding. I’m not much of a fan of country music as a rule, but there is something about country music from Canada that just sounds better to me.  It tends to have more of a crossover sound, and is lyrically more interesting to me.  Maybe it has something to do withe Calgary Stampede.

While two or three tracks on here could easily fit on a country station, the album still got nominated for a Juno for Best Adult Alternative album.

To me, the album really kicks into high gear with the title track, which is funny and catchy (the line about Wal Mart is a good one).  The cover of Dolly Parton’s “Will He Be Waiting for Me?” is beautiful.  And the French song “Salamandre” sounds gorgeous even if I have no idea what she’s on about.”  The disc closes with my favorite song: “Luther’s Got the Blues” a wonderfully funny country song written by Luther Wright.  And in Sarah’s hands, it turns into a yodeling masterpiece.

You might hear Sarah’s voice backing up all kinds of bands.  And her voice really is fantastic.  So, should you tend to shy from country music as I do, this may be an entry way for you.

[READ: January 15, 2010] Hopeless Savages

I read this comic years ago, and loved it quite a lot.  I found it right around when I found Blue Monday. I recently tacked down the third trade paperback, so I figured I’d read all three again.

The premise here is that Dirk Hopeless and Nikki Savage, two old school punk rockers fall in love and settle down.  They have four kids: Rat Bastard, Arsenal Fierce, Twitch Strummer & Skank Zero Hopeless-Savage.  Each kid is a traditional punk: bad assed, fierce and take no shit.  But they are also pacifist by trade (Ronald Reagan took on the world with force, so force is for fascists, too right!).  Self defense is okay, mind you.

In this first story (there’s three trade volumes published so far), there’s not too much punks-in-proper-society comedy, because it’s all action.  The kids’ mum and da have been kidnapped, and its up to the four of them to find them.  Well, actually it’s up to the three of them to find Rat and then find their parents. For you see, Rat Bastard has sold out and gone commercial. (more…)

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SOUNDTRACK: RHEOSTATICSStatic Journey Volume 3: Whale Music (2008).

Whale Music is a fantastic album by the Rheostatics, and this collection of live tracks, interviews and banter is certainly a high point in this box set.  The album itself is far more complex than anything they’d done before, and it’s great to hear them play these difficult songs live.

I also found the interviews (which explained the story behind “Queer” and “Dope Fiends and Boozehounds”) to be funny and enlightening.   A big highlight of the disc is the “RDA/Blitzkreig Bop” segue.  Even though there are many punk elements to the Rheos, one tends to forget that they have punk roots.  (A later banter about the Ramones is pretty cool).

I’m sure I’ll say this about the other volumes of this set too, but Volume 3 is completely worth the download!

[READ: December 28, 2009] Armageddon & Son

This is an older Oni comic that I recently picked up.  The premise is a pretty good one.  An orphaned boy (whose name is “Doonald”) discovers that his father is in fact a notorious evil villain intent on blowing up the world (and he also discovers why his name is Doonald).

Evil mastermind Feeney shows up at Doon’s door to enlist his son’s help for his most diabolical plan yet. Doon, whose credit card was denied and whose rent is overdue, is shocked to learn that his father is an evil genius (but is delighted to see the revenge done to the place that denied his credit card).  But Doon is not as shocked as his father is to learn just how useless Doon will be in the evil villain business.  What ensues is a black comedy of foolish villains and evil schemes.

For indeed, Feeney’s evil plan to destroy the world has been hijacked by his former evil villain team: C.L.A.W.  And, no evil villain wants to see the world blown up by someone else, so he makes it his mission to stop C.L.A.W. from proceeding with his plan to destroy the world.  Which makes him something of a good guy. (more…)

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SOUNDTRACK: RHEOSTATICS-Static Journey 1980-2007 (2008).

I just stumbled upon this awesome site for Rheostatics fans.  Although I’m unclear who exactly runs this awesome repository of Rheostatics wonderment (oh wait, according to the Rheostatics own page, his name is Darrin Cappe).

The Static Box is a FREE 9-volume downloadable collection of all manner of Rheostatics audio: early recordings, interviews, live recordings, studio recordings, demos, everything.  I downloaded the whole shebang and it fit onto 11 CDs.

The site also has a ton of videos (including a downloadable concert from Massey Hall.

I haven’t listened to the whole thing yet (I think it clocks in around 14 hours).  But what I’ve heard is great.  The sound quality is very good (even from the older cassette demos), and the comprehensiveness of the undertaking is amazing.  If you’re a longtime fan or even just a causal listener, the amount of stuff here will be more than enough to keep you busy.

As I go through the discs I’ll post some comments about them all.

[READ: December 22, 2009] Maintenance Volume 2

Volume 2 of the series is not very different from Volume 1, and that’s a good thing.  TerroMax, Inc is still the world biggest evil think tank!  The jokes are still pop culturey (and often quite gross).  The art is very fun and conveys the action perfectly.  And, there’s still a lot of mad scientists on the loose!

(more…)

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SOUNDTRACK: RHEOSTATICS-The Nightline Sessions (1998).

This is a fascinating document for any Rheostatics fan.  I wound up buying it at the same time as Double Live, even though I couldn’t tell exactly what it was because it was really cheap.

And what it is is a night of the Rheostatics playing on the final night of the CBC Radio show Nightlines.  The notes state that the host of the show had been a huge fan for years and had tried to get the band on a few times.  He ultimately decided that they would be the prefect guest for the final show of the series.

It opens fairly seriously with some very simply orchestrated (guitars, bass, drums) versions of Rheos songs: “The Junction Foil Ball” would be recorded officially on Night of the Shooting Stars.  And “Stolen Car” only otherwise available on Double Live, absolutely kicks in this version.

The bulk of the disc is the Rheos fooling around in the studio. There’s some improv, there’s some tape manipulation, there’s a lengthy rap (“Trans Jam”), there’s Bidini being silly on the mike (“This is Nightlines”) and even a quaint little ditty, “Henry’s Musical Beard.”

I’m not sure if an album has ever been released that was so specifically just for fans of a band.  And not even casual fans, but die-hards who would enjoy hearing the band goofing off.  The “proper” tracks are definitely enjoyable, but there’s a lot of nonsense here (okay, yes, some of it is quite funny).

[READ: December 24, 2009] Love the Way You Love: Side A

I’ve always liked Jamie Rich’s stories.  He’s written some full-on fiction in addition to his comics.  And they’re both solid, romantic works.  Ellerby’s drawing style is rather cartoony (big eyes and often outlandish hair, but it works in context).  This is especially so since this story is about teens/post-teens and rock bands.

This book collects the first three (of six) volumes of this series.

The plot is fairly straightforward: Tristan is lead singer of the band Like a Dog.  The band is on the verge of breaking big and the labels guys are on the prowl. One particular label guy is drooling to get his hands on Like a Dog.

At about the same time, Tristan saw the woman of his dreams at the airport. She then showed up at that evening’s Like a Dog gig.  Tristan is blissed until he learns that Isobel, for that is her name, is engaged to the same awful label guy.  Boo.  (more…)

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SOUNDTRACK: KISS-Dressed to Kill (1975).

I feel like I used to  give this disc short shrift because (horrors) its cover is in black and white.  But, unlike the first two discs which were heavy (poppy, but heavy), Dressed to Kill is very anthemic and, well, a little wimpy.  Despite these caveats, I still know every word to the disc, and I do rather enjoy it.

In fact, the first four songs on the disc are not featured on Alive!.  It starts out really poppy with “Room Service” which has a pretty wild guitar solo.  The next track, “Two Timer” is a Gene-sung slow track which even has Gene getting into a spoken word bit: “That’s the truth baby, you’re a two timer.”  “Ladies in Waiting” is one of those fun Kiss songs that starts out a little off-sounding but ends up being a really poppy singalong.  “Getaway” continues a trend of songs that Ace wrote but which Peter sings.  (Evidently Ace didn’t feel confident in his vocals yet).  The side ends with the cool “Rock Bottom,” a slow, pretty guitar intro opens into a rocking song.

This is the rare Kiss disc where Side Two has more hits than Side One.  “C’mon and Love Me” (an unusual request, frankly) is a fun rocker with a lot of baby baby’s.  “Anything for My Baby” is a really upbeat song which amuses me for all of the things that he swears he would do for her: steal, wheel and deal, crawl or kneel, etc.  Next is “She,” one of the all-time great Kiss songs.  It’s heavy, it’s menacing, it has an awesome guitar riff and a great guitar solo.  The fact that they tucked it away in the middle of side two is really weird.  “Love Her All I Can” is a fast rocker that’s followed by Kiss’ most popular song of all time, “Rock And Roll All Nite.”  At this point in my Kiss listening career I’m a little tired of this song.  It’s a very catchy anthem, no doubt, but it’s really not a very good song as far as Kiss songs go.

The recordings for the Kiss Alive! disc were taken on the Dressed to Kill tour and yet the live album has the fewest songs taken from this album.  It’s kind of funny that their most popular song comes at the end of this disc.

[READ: December 22, 2009] Wet Moon

This is a fantastic goth-inspired graphic novel with the absolutely worst title ever.  Wet Moon is the name of the town the book is set in, but it is never mentioned beyond the welcome sign, and I just can’t imagine what inspired the name.

Okay, actually, I just looked up wet moon on Wikipedia, and found out that it is an astronomical term for when the “horns” of a crescent moon point up, away from the earth (like devil horns).  And so I completely take back my complaint, as I now think the term is pretty cool and very appropriate.

And that is the only thing that I find disagreeable about this book.  (Well, actually I don’t like the lettering either, but more on that on a moment).

The town of Wet Moon is a college town where goths live and thrive (and no doubt many fans of the book wish the could live there).  Our heroine is Cleo, a young, slightly overweight goth with a pierced nose and bottom lip.  She has just moved out of her parents house and is living on campus.  (There is an implication that her house is a dorm, but if so, it is the single most beautiful dorm ever, anywhere, so I’ll pretend it’s an apartment–I mean, there’s a walk-out balcony for cripes sake). (more…)

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