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Archive for the ‘Want To Read The Next One’ Category

SOUNDTRACK: MANIC STREET PREACHERS-“Die in the Summertime” (1994).

I really liked the Manic Street Preachers in the late 90s.  Perhaps ironically, I learned about them after the strange disappearance of lyricist and guitarist Richey Edwards, and really liked the first few albums that they put out without him.  I went back and listened to their older stuff later, but I still prefer Everything Must Go.

Nevertheless, The Holy Bible (where this song comes from) is a pretty great album.  And “Die in the Summertime” is really cool.  It opens with tribal drums and a nifty almost Middle Eastern sounding guitar riff.  When it kicks in after a brief intro, it’s more raw and heavy than their later stuff–was that Edwards’ influence?

I listened to this song a few times and will clearly have to dig out The Holy Bible for another listen.

Obviously Edwards looms over the band and clearly looms over this story.

The guitarist vanished on 1 February 1995 and is widely presumed to have taken his own life, but a body was never found and there is no definitive proof that he died by suicide.

[READ: May 31, 2021] The Forevers

This was a fairly simple (and familiar) story, but it was told in a very interesting way.

Ten years ago seven friends (or maybe not friends exactly) made a pact. They performed a ritual asking for fame and fortune.  And it worked.  They have all become very successful.

Each chapter has a title from a song.  The first is “Die in the Summertime” (3:07) [by Manic Street Preachers].

Ten years later we cut to Jamie Ashby–a strung out superstar singer (who looks an awful lot like the Irish guy from Lost, who was also a strung out rock star).  He is in a bad way.

Then we meet Daisy Cates.  She is a successful model,  But the person who takes her home does not have good intentions for her.

I liked the way their two stories paralleled on the same page with a different background wash of color.

Jamie does a show and when an old geezer says he’s washed up, he punches the guy and makes tabloid headlines,  We find out in the next chapter that the geezer was Robert Plant–ha!

Chapter 2 is “The Drugs Don’t Work”  (5:05) [by The Verve]. (more…)

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SOUNDTRACK: LAKE STREET DIVE-Tiny Desk (Home) Concert #199 (April 27, 2021)

I feel like I was meant to like Lake Street Dive.  They seemed to get heavily promoted in the same breath as bands that I like.  And yet I really don’t like them.  I particularly don’t like this deep dive into “blue-eyed soul” as they call it.

Having said that, though the first song, “Hypothetically” is a very catchy song.  The blurb mentions the addition of the new keyboardist and I was going go say that his keyboard solo is the one thing I don’t like in the song.

Lake Street Dive filmed its Tiny Desk (home) concert where the band is most at home: on stage at the “biggest little venue in NYC,” Pete’s Candy Store. All five band members managed to squeeze onto a stage no larger than the actual Tiny Desk to shine a spotlight on the Save Our Stages Act. Congress passed the $15 billion grant program last December as part of the $900 billion coronavirus relief bill.

I was starting to like “Same Old News” until the new guy started singing.  So that’s two strikes against keyboard and vocalist Akie Bermiss.   Although the keyboard sound he picked for the solo in this song is much better–and his backing vocals are a nice addition.

In the middle of the home concert, bassist Bridget Kearney recalls driving to the Williamsburg neighborhood of Brooklyn for a gig at Pete’s, then driving back to Boston the very same night, long before they ever sold out Radio City Music Hall on the other side of the East River.

I don’t really care for Rachel Price’s voice either, but I really like Kearney’s speaking voice.  She plays a great upright bass, but I think I might like them if she sang instead.

“Anymore” is slow just keys and rim shots from Mike Calabrese to open.  I’m quite intrigued by guitarist Mike “McDuck” Olson who stands there quietly playing and looking at his guitar neck the whole show.

“Making Do” ends the set and I found that I liked it best.  It’s a little faster, more upbeat and while I don’t like the verses that much I like the way the song bounces into the chorus melody which is pretty tasty,

So I guess there will be a few songs from them that I like.  And that’s okay.

[READ: February 15, 2021] Rickety Stitch and the Gelatinous Goo

I didn’t love Book 1 of this series, but I had Book 2 already.  And when I heard it’s supposed to be a trilogy, I figured, oh why not finish it.

The first book doesn’t really come into play so much–mostly via some amusing cameos.  Rather, our heroes are on the road, continuing their quest for Epoli and Rickety’s identity.  But as it starts out we see them caught in a tree trap, hanging upside down. How does a goo get caught in a rope trap?  No idea.

They fail to escape and then the Bogril junkman from book one happens upon them.  Rickety is excited, but the Bogril doesn’t remember them at all.  Nonetheless he is wiling to trade for their freedom.  They try to follow him, but he is too fast and soon Rickety is captured by The Kobold Witch of Murbletoad Marsh.

She wants to use parts of him to bring her beloved pet back to life.  But Shnookles comes back as a much bigger and scarier creature than she intended.  And now he speaks for the Gloom King, telling Rickety that the Gloom King will come for him soon enough.

Since Rickety was taken apart, he attached other bones that were lying around to himself.  Turns out the arm he attached is a master digger. This comes in handy in a few places later. (more…)

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SOUNDTRACK: ChocoQuibTown-Tiny Desk Meets AFROPUNK: #204/196 (May 2, 2021).

Tiny Desk Meets AFROPUNK was the opening event of AFROPUNK’s “Black Spring” festival. The virtual celebration, hosted by Jorge “Gitoo” Wright, highlighted outstanding talent in Afro-Latin and Afro-Caribbean music across the globe. Our showcase featured four artists who honored their homes and celebrated the art their heritage has inspired.

 ChocQuibTown–named after the coastal area the trio hails from–is a family affair comprised of siblings Miguel “Slow” Martinez and Gloria “Goyo” Martinez, the latter of which is married to Carlos “Tostao” Valencia. In 2000, the trio formed to promote their neglected corner of Colombia’s culture; today, ChocQuibTown’s music blends the traditionality of Afro-Latin jazz with the modernity of hip-hop to create a singular, yet versatile sound.

They play what I assume is a medley of six songs in fifteen minutes.

“Somos Pacífico” has grooving bass from Braulio Fernández and little horn blasts from José González.

“De Donde Vengo Yo” shifts gears when Tostao starts singing lead the repeated “ah has” from Eignar Renteria and Yaima Saurez are very fun.  Goyo raps and then Slow raps.  Rapping in Spanish has a really nice flow.

“¡Tú sabes!” Carlos “Tostao” Valencia exclaims after Colombian hip-hop trio ChocQuibTown performs its second song, the energetic “De Donde Vengo Yo.” “ChocQuibTown, straight from Colombia, from the Pacific coast,” he says. “We call it Africa inside Colombia, we got the flavor, we got the flow.”

The rest of the songs are much quieter.  “Pa Olvidarte” has soft acoustic guitar from Alejandro García and keys from Daniel Rodríguez “Noize.”  They sing softly in nice harmony.

“Qué Lástima” is another slow ballad, this one sung by Slow, with gentle percussion from Carlos Palm.  “Lo Que Quieras Tú” segues smoothly into “Cuando Te Veo” which is a little bouncier and fun to start but it slows down for Goyo’s vocals.  As the send the song out, Tostao does some sound effects scratching and singing Tiny Desk and blapping.

[READ May 30, 2021] Red Sonja and Vampirella Meet Betty and Veronica

I don’t understand crossovers.  Well, I understand some, when they make sense.  It’s ones like this that I don’t understand.  Did someone just say, Wouldn’t it be cool if Red Sonja and Vampirella teamed up and went to Riverdale?  I guess so.  And sometimes the most ridiculous crossovers make the best stories.

Amy Chu wrote this story with Alexander Chang’s assistance on book 5.

Now, I don’t watch Riverdale, but I know the show.  So obviously this isn’t old school Betty and Veronica.  But neither, I don’t think, is it Riverdale-based either (or maybe it is).  I’ve also never read Red Sonja or Vampirella books.  So really this crossover event is not for me.

And yet, I did enjoy it.

The book opens with a teacher getting killed and then a shot of Red Sonja and Vampirella in the woods.  Now, I realize that these two characters were created by men, and that’s why they are dressed as they are.   Red Sonja could not be dressed more impractically for fighting as she is wearing a hooded cape and a chain mail bikini.  I mean, the absurdity of dressing like that for combat is monumental.  The cape alone would cause her no end of grief.  Vampirella is at least wearing clothes–a cleavage enhancing skin tight tank top and super low cut off jeans.  But hey, she’s a seductress, right?

I guess I was surprised that Amy and artist Maria Laura Sanapo would keep these costumes. But they do need to establish the characters traditionally first, right?  It was a nice surprise when a few pages later, Betty & Veronica (who aren’t at all disturbed by a woman in a chain mail bikini with a large sword) invite them over and dress them in regular clothes (still sexy) so they blend in. (more…)

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SOUNDTRACK: JAERV-Vol 2 (2014).

Jaerv is a folk group from Sweden who I happened to see live at a Scandinavian Festival several years ago.  I’m impressed that ScanFest was able to get a band to come over from Sweden (unless they were doing a tour in the area anyway).

Their folk music is very traditional, meaning, to me it sounds like folk music from a lot of other countries as well (Ireland, for instance).  But there are some distinctions.  In particular the use of the nyckelharpa, an instrument that I’d never heard of but which is very cool.

The band consists of five musicians Joel Hagen: flute (flöjt), whistles, soprano saxophone (sopransaxofon) and ewi an electronic musical instrument); Anders Bergsten: double bass (kontrabass) and nyckelharpa; Harald Nilsson: guitars (gitarrer); Markus Gustavsson: fiddle (fiol) and lead vocals (sång); Tobias Hedlund: drums (trummer), percussion (slagverk), pedal organ (tramporgel), vibraphone (vibrafon).  They all sing harmony vocals (kör).

There’s eleven songs on the album, most of them around five minutes long.  It’s hard to distinguish them (which isn’t a criticism, it’s just the nature of the music).

“Vårfloden” (5:01) is an instrumental with lots of violin and flute.  “Två Rörospolser” (4:13) is very traditional sounding with lots of flute and whistle.  “Dansen Ungdom” (5:30) has lyrics.  Gustavsson sings in a deeper voice.  The song has a nice, lengthy flute instrumental jam at the end with an excellent four (or five) part harmony that sounds amazing.

“Av Himlens Höjd” (4:13) has nice vocals and harmonies,  The song is quite grooving and there’s some amazing a capella vocals at the end–the bass voice is particularly noteworthy.  “Johannas Brudmarsch” (4:46) is a slow fiddle tune.

“S:T Örjan & Draken” pushes the length to 8:04.  There’s a slow opening with bells chiming.  There’s complex, quiet singing and guitar.  The tempo picks up but retreats until half way through when it changes into a stomping, intense song with a wild flute solo.

“E4:An” (3:46) seems like it will be kind of heavy with the opening chords, but they just work as a low bass for the lovely fiddling and then some lovely whistle.  I like the time change mis song.  “Rosa-Lill” is another short one at 2:56.  It’s a bouncy folk song with flute melodies and nyckelharpa throughout.  “Rocken Snurrar” (3:21) starts a capella with the harmonies creating the music while the lead vocal sings.  Then they harmonize in the chorus.  This one is super catchy with great vocal harmonizing and surprising glockenspiel solo.

“Slängpolska” (4:56) is an instrumental jam with lots of fiddle and flute.  I like the percussion throughout.  “Tre Engelskor” (5:02) ends the album very traditionally with some ripping violins.

I met the guys after the show and they were all very nice.  They signed my CD which is always a nice thing to do.

You can hear the whole album here.

[READ: May 29, 2021] Gung-Ho

This is one of a few books by Ablaze Publishing that I read recently.

I really enjoyed Thomas von Kummant’s art style.  The pages looked very painterly, with cool washes of colors and juxtapositions of colors rather than shading.  The characters were also almost entirely distinctive *there are a lot of characters).  There were one or two who looked a little to alike, but for the most part this heavily populated story was very easy to follow who was who.

Set somewhere in Europe (I wondered if this was written in German–I don’t see a translator, but he does live in Munich [UPDATE: according to a catalog record, the book was translated from the French by Ivanka Hahnenberger]), we come upon an outpost.  It is heavily guarded.  The people are heavily armed and they all kook pretty dirty.

Cut to a train hauling cargo and two teenage boys, Archie and Zack on top wearing prison orange.  They were kicked out of their orphanage and sent here.  If they can’t make it here, they are on their own.

The town has a strict hierarchy and strict rules for safety. All provisions are divvied out based on need and on who kills the most (we don’t know what they’re hunting, yet).  We also see that the guy who divvies out the provisions isn’t above getting himself some teenage girl action for extra supplies (ew).

Indeed, many people in town have a problem with him, but he was sent by the military and is above questioning.

There are 400 people living here including many teenagers.  The boys almost all follow this one leader who is a jerk.  There are a few who don’t follow him and one in particular befriends Zack.  There’s also a bunch of girls who seem to hang out together and maybe or maybe not fool around with the bad boys. (more…)

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