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Archive for the ‘Wells Fargo Center’ Category

[DID NOT ATTEND: June 24, 2023] The Cure / The Twilight Sad

I saw The Cure in 1989 and it was a great show.  For one reason or another I never saw them again live over the next thirty years.  Mostly because I didn’t love them as much as I did in 1989.

For some reason this tour was massively hyped.  (Probably because I see they haven’t played Philly since 2008 and hadn’t played NYC since 2016 and before that 2011, so I guess a Cure tour is an Event).

So I managed to get a pre-sale code, but I had so much trouble with the code and with logging in that by the time I finally got to the ticket page, the only thing left was nosebleeds and that wouldn’t have been very satisfying for me.

I also probably could have looked into one of the Madison Square Garden shows, but realistically I’m not going to MSG for another show again.

Now, it happens that every single review of these shows has been an unparalleled rave.  The setlists have been incredible and I feel like I’ve missed out on a massive cultural event (not as big as Taylor Swift, mind you, but, about the same level but for adults).   So that’s kind of a bummer.  Not the biggest bummer, because Wells Fargo Center kind of sucks as a venue.  But kind of sucky nonetheless.  I also can’t believe that they have been playing for nearly three hours every show.

Since I wasn’t going to this show I wound up getting tickets to see Mondo Cozmo at Underground Arts, which was 1,000 times easier to get to, significantly cheaper and lasted 80 minutes.  Mu show started at 9 and was over before The Cure’s show that technically started at 7:30.

Word has it that Robert Smith has promised he’d be back. so if it’s not too too long before the next tour, I may try to get to it.

I feel a little bad for The Twilight Sad who have opened every show and I haven’t heard a single thing about them from any review.   However, they have been getting a 45 minute show each night, so that’s some very good exposure.

They are a Scottish band with a distinctive keyboard/gothy 80s sound and the singer’s very heavy Scottish accent in his delivery.  Robert Smith loves this band as does Mogwai.  I’m going to have to given them a proper listen as my cursory listen thought they sounded just okay.

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[DID NOT ATTEND: March 19, 2023] Muse / Evanescence / One OK Rock

I’ve seen Muse twice at Wells Fargo and I promised myself I’d never miss a show.

But this year when tickets were announced  they were SO EXPENSIVE that I balked at getting one.  I realize that Muse puts on a stellar show that is better than anything I’ve ever seen, but I couldn’t see spending so much on a ticket for the floor. And I didn’t want to be back in the cheap seats.  So I blew it off.

I also don’t really like their new album as much as their older music, so it didn’t seem like I’d be missing that much.  The album is stripped down, I assumed the show would be too.  But I guess I was wrong.

And yet, reviews tell me this was their biggest show yet.  The Brooklyn Vegan review (from Madison Square Garden) says

a number of elaborate, expensive-looking cut scenes (one with parkour!) that allow for major set changes, it all makes sense in the context of Muse’s current, totally bananas live show. Songs like “Hysteria,” “Madness,” “Bliss” and “Uprising” were custom made for arenas, as streamers and confetti rain down over the audience who are singing along the whole time.  A runway connected the main stage and smaller stage in the middle of the floor, allowing for a lot of running around and kooky spotlight moments like when frontman Matt Bellamy played a glowing keyboard that was stitched into the sleeve of his jacket.  There were also six massive mirrors, rimmed with LEDs that floated and moved above the stage that helped reflect all those lasers into the crowd, and were really effective, visually. Less effective, but still fun, were the giant (inflatable) figures that loomed behind them for most of the show, first a hooded figure with a mirrored mask (the band opened the show wearing these masks, too) and then later a demonic centaur. Bellamy played a guitar solo on the shoulder of the former at one point. Streamers shot out over the whole room early in the show, and then confetti a few songs later. There was never a lack of things to look at.

Sometimes being cheap isn’t worth it. (more…)

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[DID NOT ATTEND: March 19, 2022] Tame Impala / Junglepussy

I saw Tame Impala back in 2019. The crowd annoyed me–the band is huge in circles of people I don’t like to be at shows with–but the band sounded amazing.  And the visuals were spectacular.

When they announced a new tour (I had forgotten that they had put out a new album–I guess I haven’t listened to The Slow Rush at all), I was definitely interested.  But when they announced that it was at the Wells Fargo Center, I lost interest.

The Wells Fargo Center is huge (19,000 capacity).  There’s very few bands that I would be willing to go there to see and Tame Impala isn’t one of them.

I have seen pictures and reviews that make the show seem huge and the lights look amazing.  I’m sure it will be a great show, but I wasn’t willing to go to the trouble for it.

Junglepussy is a rapper.  She has a new album out that blends elements of nu-metal, alt rock and funk.  Seems like an odd opener, but it’s a great way for her to get some extra exposure.

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[ATTENDED: April 7, 2019] Muse

Three years ago (I can’t believe it was that long), I saw Muse at this very arena.

It was an incredible spectacle.  And I knew that I would see them again if they came back.

And here they were.

The last tour was in support of their Drones album and it was a marvel of technological excess–drones floating all over the place and marvels of wirelessness.

They had said that this album and tour was meant to more humanizing.  But that did not mean less spectacle! (more…)

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[ATTENDED: April 7, 2019] SWMRS

I was unfamiliar with SWMRS when I heard they were announced as Muse’s support act.

They formed in 2011 as Emily’s Army.  They recorded two albums under that name, then changed it  to SWMRS.  The band features brothers Cole and Max Becker (They are both singers and guitarists, with Cole taking more lead vocals (and hypeman) and Max playing more lead guitar).  The drummer is Joey Armstorng (obligatory mention that he is Green Day’s Billie Joe Armstrong’s son).  They also have had Joey’s brother Jakob on rhythm guitar.  Brother-to-no-one Seb Mueller is the bassist.

But it was their politics that made me excited to see them.  From a bit in Rolling Stone:

the subversion of patriarchy is part of what drives the band. They are a product of their respectively progressive upbringings in Oakland, where the young band members grew up loving riot grrrl and entrenched in feminist teachings. “I became aware at a pretty young age that I was benefiting too much from the patriarchy,” Becker, a current Berkeley student, explains. “It’s one of those things where you don’t think about it until you play a hundred shows and only see aggressive, hyper-masculine dudes crowd surfing on top of 14-year-old girls. We feel like it’s our duty to uplift the voices that aren’t as easily heard as ours.”

That’s pretty awesome.  And an encouraging sign for the youth of tomorrow. (more…)

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[ATTENDED: August 1, 2018] Radiohead

I have never really seen a band two times close together.  Sometimes with smaller bands if they are playing two clubs, but never a stadium show.

But I had already gotten my Radiohead ticket for WellsFargo, so I was sure as heck not giving it up.

I saw Phish twice on the Baker’s Dozen run–two shows 16 days apart.  Now here was Radiohead 21 days apart.  For some reason their tour didn’t go NY to Philly, it went NY to Canada, to Ohio to Boston and then to Philly.  This was a cool way to see the band twice with some decompression time in between gigs.

Strangely enough, these tickets which were literally at the side of the stage–I was parallel with the gap between the stage and the crowd and 23 rows back–and they actually cost more than the General Admission floor seats at Madison Square Garden (although the fees at MSG were more, so these tickets were technically cheaper when all was said and done).

Since I had trouble getting to the arena for Pearl Jam, I decided to leave work a bit early, drive in and beat the inevitable traffic.  Which meant I arrived 45 minutes before the gates opened.  Duh.  So I sat in the car and continued my book.

Then I went in and got some merch that hadn’t been available at MSG and found my seat.  As with the MSG show I was surprised at how uncrowded it was.  I guess many people didn’t care about Junun.  But when the lights went down for Radiohead, my section (and everywhere else) seemed full.

I had a pretty great view of the stage (except for one lighting pole which was directly in my view of whomever was up front (usually Thom).  I also couldn’t really see the screen in the back (which was ok) and the lights are obviously very different from off to the side instead of head on.

But what was most important was the music.  And despite what I thought was a terrible sound for Junun, Radiohead sounded amazing once more   The music was crystal clear and powerful without being too loud. (more…)

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[ATTENDED: August 7, 2016] Pearl Jam

2016-08-07 18.26.10After the excitement of seeing Pearl Jam at the Wells Fargo Center, we were psyched out of our minds to go to Fenway.  I didn’t realize that Fenway has a regular concert series.  I’d assumed that Pearl Jam were the first band to play there–they weren’t–but that didn’t detract in any way from the coolness of the venue.

Neither of us are baseball fans, although when I lived in Boston two decades ago, I did attend a couple of games at Fenway because it is a landmark (and when I was a kid I loved baseball, so duh).  But we knew that the venue would make the show even more special.

We’d have loved to have gone to both shows, but unlike some people, we couldn’t get tickets for both nights.  However, through a small piece of luck, I won tickets to a screening of Friday night’s show on Saturday night.  What?  Well, each night is filmed.  So the film crew filmed Friday night, then edited the footage together and had it ready on the next night as a really nicely edited package at the House of Blues (across the street from Fenway) on Saturday night.

It seemed kind of dumb to go to a music venue to watch a movie.  And Sarah and I were skeptical about going.  But we did and we had a  great time.  I’ve watched live DVDs and it’s always an okay thing to do–fun, but never like you were really there. But this was different. Having a group of some 600 people in a club–with bars and good lighting and excellent sound–it made it feel (almost) like a real concert.  And even though we laughed at the people who were clapping and cheering (as if the band were actually there), and taking videos of the screen (my battery died or I would have grabbed a few screen shots too), we were caught up in the excitement on several occasions as well. (more…)

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[ATTENDED: April 28, 2016] Pearl Jam

pjphilyWells Fargo Center is becoming one of my favorite venues.  Not because the acoustics are so good (although they are pretty good), but because now I’ve seen three of my favorite concerts there: Rush, Muse and now Pearl Jam.

I’ve been a fan of Pearl Jam for nearly their entire 25 years of existence.  I loved their first few albums, lost my way a bit in the late 1990s and then came back big time in 2001 when I enjoyed listening to their Live bootleg series.   Their live shows sounded amazing–super long, playing different songs every night–and making all of their songs sound more alive than on record.  They just sounded amazing.

And yet I had never seen them.  I should probably have gone on the 2003 tour but didn’t.  And then I met Sarah and Pearl Jam was one of her favorite bands, but she’d never seen them either.  Since we’ve been married they’ve toured near us 6 times.  We had some excuses of little babies for a couple of those tours, but we should have certainly gone in 2013.

Well, here it is, their 25th anniversary tour and Sarah and I finally got to see them.  And, although I do wish we’d gone before, was it ever worth the wait. (more…)

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[ATTENDED: January 31, 2016] Muse

2016-01-31 19.03.02I have liked Muse since their debut album, although I really got into them with Origin of Symmetry.  Given their over the top sound and Radiohead meets Queen meets really heavy metal I am astonished that they are as popular as they are.

I wished that I had seen their previous tour because I really liked their last album, and while I enjoyed Drones, it was a bit more basic than the over the top sound of The 2nd Law.  Nevertheless, I was pretty excited to see them live, especially when my friend Joe said they were the best show he has ever seen.

And I have to concur with him.  This show was outstanding.  There was nothing disappointing about this show at all.  Even before the show started, they had a Drone Processing Entrance for anyone with general admission seats (I didn’t know there was such a thing, but they all got to stand on the floor inches from the band, which is pretty cool).  2016-01-31 19.23.49The stage setup itself was spectacular–a circular stage with two catwalks extending out to either side–like a bow tie–which guitarist/singer/superathlete Matthew Bellamy and bassist (and growler) Chris Wolstenholme ran to throughout the show.

2016-01-31 20.15.57Just before the band came out, a dozen stormtrooper-looking guys with batons and blue glowing lights came out to “patrol” the perimeter while they played “Straight Outta Compton.”  And then the lights went out.

The giant orbs lit and up descended from the rafters while the prerecorded “Drones” played.  These drone balloons had lights on the bottom which scoped out the audience.

And then the band came out and launched into “Dead Inside” while the drones floated around above them.  It was cool to see Wolstenholme’s bass with the led lights on the fretboard.  And before I forget, drummer Dominic Howard is a monster.  His set was right in the center of the stage anchoring the whole business. And his drums were loud and impressive and super fast when needed.  I also liked that at the end of the show, he ran to both sides of the bow tie stage to wave to fans. (more…)

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[ATTENDED: January 31, 2016] X Ambassadors

2016-01-31 19.33.02I have had a great string of luck with opening acts in the last year.  But that more or less came to an end with X Ambassadors (the first half of the tour had Phantogram as the opening act, whom I would have been pretty psyched to see).  I didn’t know X Ambassadors at all before seeing this show (although I understand that they have a number of singles out).

It’s not that X Ambassadors were bad, because they weren’t.  It’s not even that they didn’t fit with Muse, although really they don’t.  There was just something flat about them.  And that is really surprising because they sure looked and acted like they were ready to be huge.

They played the center circular stage.  Noah Feldshuh on guitar was at 9:00 as I looked at the stage.  Keyboardist Casey Harris was at 6:00 and drummer Adam Levin was at 3:00.  Lead singer Sam Harris was all over the place.  He ran around, jumped and bounced and really got the crowd into it.  I assume they were into it.

Sam Harris has a great voice–he can wail, he can hit high notes, he can croon, he can do it all.  He might as well be a star on a TV music show.  And I think that’s where the problem with the band is for me. They are playing a show with Muse and they have a sound that is kind of heavy.  But I think they’d be better suited with a less “alternative” rock sound.  I think an RnB vibe would suit his voice better. (more…)

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