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Archive for the ‘Warehouse on Watts’ Category

[ATTENDED: December 9, 2025] Chokecherry

I was scheduled to have total hip replacement surgery on the day after this show.  I didn’t think I’d be able to go and then two things changed my mind.  The first is that I saw that the show was fairly short–Chokecherry was playing for about an hour.  The second was that my surgery wasn’t scheduled until the afternoon.  I had assumed it would be early in the morning, but a later appointment meant I could sleep in.  As it turned out my wife had a minor emergency after I got home that kept us up until 3AM, so it was all moot, but whatever, I’m thrilled that I got to go to this show.

I had seen Chokecherry open for Destroy Boys about a year ago and I loved them.  The band seems to consist of guitarist Izzie A. Clark and bassist E. Scarlett Levinson.  Their second guitarist and drummer were different from last time.

Warehouse on Watts is really small, so while Scarlett was setting up her gear (in a long faux fur coat), I chatted with her for a moment.  I told her how much I liked them when they opened.  And she told me that she had food poisoning that night.  I never would have guessed, although in retrospect, when she said she talked a lot less than usual, it was true given how much she talked tonight.

They opened with a favorite song from their previous EP, Afterglow–slow and moody opening with crashing choruses.  Scarlett commented that the new album is pretty sad, although the first song they played from it Major Threat is a blistering rocker with a catchy chorus.

I love that Izzie and Scarlett switch off on lead vocals for nearly every song.

Things quieted down a bit for Secrets, but this allowed them to really feature their harmonies.  I was more or less in front of Scarlett, so I could really hear her delicate higher voice.  I was a little bummed that I couldn’t see Izzie that well because I remembered that she shredded impressively.  She still sounded great even if on the other side of the stage.  Particularly on the delicate guitar intro of Goldmine.

I loved how much the crowd new the songs by name when they were introduced and Scarlett’s super high vocals on Pretty Things (which the crowd knew) were stellar.  Second guitarists was excellent, either making the sound fuller while Izzie soloed or adding some extra flourishes. (more…)

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[ATTENDED: December 9, 2025] The Sewing Club

The Sewing Club is from Nashville.  I hadn’t heard of them before this show.  When I walked in, their guitarist was at a merch table selling cute little hand sewed monsters.  He later told me he had been sewing since he was little and thought it would be fun merch given their band name. And it was!  I bought one.

The Sewing Club are a four piece of two guitars (Stephen Meaux and Justin McKinney), drummer Zach McCoy (who added great backing vocals) and singer/bassist/keyboardist Hannah McElroy.  I was in front of  McCoy and very close to their merch guitarist (I’m not sure who was who).  I could clearly see McElroy, but the other guitarist was on the far side of the stage and I never really saw him.

They opened up quietly with Sport Mode.  I enjoyed the shoegaze vibe of the song and the intensity of the guitars, but was blown away when the song started rocking out.  The loud part was simple but really catchy with the two guitars playing different parts (one lead).  Up next was Wyatt, a song that mixed the tempo up right from the start (and which had some soaring guitar lines).

I enjoyed watching the crowd around me get more and more into the set especially when Wait kicked in and ramped up the intensity.

For Bite, Hannah switched to keys.  This was a much slower and more mellow song, although the rest of the band joined in before the end.  After an unknown song (the most rocking of the set with lines something like I wish you’d die), they played a newer song that they were sure they’d screw up (they didn’t) with some fun headbanging from Hannah.

They ended their 30 minute set with Strange, a slower song that filled the room and had a killer guitar riff.  I really liked their set a lot and look forward to more music from them.

Sport Mode
Wyatt¢
Pocket
Wait
Bite $
(Unknown)
Alright Ok %
Strange ¢


% single (2026)
∼The Sewing Club EP (2025)
¢ Care EP (2024)
$ single (2024)

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[ATTENDED: June 16, 2025] Halloween

I first heard about Warehouse on Watts back in 2021, when some kind of Yves Tumor Halloween show was being presented there.  I didn’t understand what was happening that night and really had no idea what to think of this venue.  I’ve only been interested in the venue one other time since then, but I didn’t go to it.  But here at last was someone (Hello Mary) that I really wanted to see and they were playing there.

Imagine my surprise to find out it’s a block away from The Met Philly.  It’s a cool, small club with a short stage and walls that you can lean against if need be.  I really liked it and would happily go back.

So I arrived really early and was able to check out the place a but before Halloween started.  I can’t believe that in 2025 a band can call themselves Halloween and there’s no real conflict.  Has no one ever called their band Halloween before?

Halloween is a Philly based band and they play an interesting mix of sounds.  They are probably based around shoegaze, with fuzzy swirling guitars.  The vocals are quiet ( I often couldn’t hear them, but I could tell there was singing).  Guitarist Sia Dokos (who also sang lead sometimes) played really cool interesting chords and noises and I wished that I was on their side of the stage to really see what was going on). (more…)

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[DID NOT ATTEND: June 2, 2023] Mike’s Dead / The Haunt / Crucial Device / Death Valley Dreams

The only reason I know about this show is because my friend Ryan Williams is in Death Valley Dreams.  He’s a great guitar player who has been bouncing around with bands for a while.  I’ve never actually seen him play live, and this was one where I thought I might be able to make the show.

But a Friday night show one very short notice (I found out two days ago) was really hard to secure.  So it didn’t happen.

I have never heard of Mike’s Dead.  His bio says:

Combining elements of legendary industrial/ hard rock groups such as Rammstein, Nine Inch Nails, & Limp Bizkit with modern trap/ electronic elements,  American rapper & producer, Mike’s Dead, has paved his own lane as a multifaceted artist.

Had I gone to this show, I probably would have left during this set.  Or, maybe he pulled it all together in a way I might have liked.

I have seen The Haunt open for The Hu and frankly I’m surprised that they weren’t the headliners.  But maybe they’re not that famous.  About that 2021 show,  I wrote

The Haunt, formerly known as AnastasiaMax are from South Florida. The band consists of siblings, Anastasia Grace Haunt (lead vocals), and Maxamillion Haunt (vocals, guitar and production).

Anastasia has an amazing voice–really power and diversity.  Max sang lead and harmony vocals and their voices sounded fantastic together.  The set was great and I felt like they really won over the audience.

Crucial Device is a ‘synth-punk’ band formed in 2022 by Steve Saputelli, leader of the 90’s industrial-cyberpunk originators Punch Drunk.  According to his bio, he is an active multi-instrumentalist and production enthusiast, he also built and performed with his own animatronic, signal controlled band members!

I’d totally want to see them if t here were animatronic players!

I only found out that Ryan was in Death Valley Dreams a few days ago.  I hadn’t even heard of the band before that.  Their bio (from before Ryan joined–I think he’s just a touring keyboard player at  the moemnt) says

Death Valley Dreams combines haunting guitar textures, infectious melodies, dark and thought-provoking lyrics, pulsing grooves, and almost nostalgic-sounding synth atmospheres. As one fan described, “It’s as if The Cars got David Bowie to sing and played something that could have been on The Lost Boys soundtrack.” The sound is familiar yet fresh and unique.

That Cars/Bowie thing is pretty accurate actually.

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[DID NOT ATTEND: October 29, 2021] Pure Halloween with Yves Tumor

Yves Tumor is a fascinating musician and I would really like to see them live.

I was really surprised when I saw this announcement that they’d be playing in Philly in a club I’d never heard of.

I already had tickets to see Mannequin Pussy for that night, but this show seemed to start after that one.  And yet, from this write up, I couldn’t tell what was going on or if Yves Tumor was even actually going to be there:

Making Time Pure Halloween™ Feat Yves Tumor
Warehouse on Watts
Fri 29 Oct 2021, 8:00 PM EDT

Dear Philadelphia….. I can fee THE THRILL of PURE HALLOWEEN PUMPING through my veins, Philadelphia !!! (more…)

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