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Archive for the ‘Warehouse on Watts’ Category

[ATTENDED: December 9, 2025] Chokecherry

I was scheduled to have total hip replacement surgery on the day after this show.  I didn’t think I’d be able to go and then two things changed my mind.  The first is that I saw that the show was fairly short–Chokecherry was playing for about an hour.  The second was that my surgery wasn’t scheduled until the afternoon.  I had assumed it would be early in the morning, but a later appointment meant I could sleep in.  As it turned out my wife had a minor emergency after I got home that kept us up until 3AM, so it was all moot, but whatever, I’m thrilled that I got to go to this show.

I had seen Chokecherry open for Destroy Boys about a year ago and I loved them.  The band seems to consist of guitarist Izzie A. Clark and bassist E. Scarlett Levinson.  Their second guitarist and drummer were different from last time.

Warehouse on Watts is really small, so while Scarlett was setting up her gear (in a long faux fur coat), I chatted with her for a moment.  I told her how much I liked them when they opened.  And she told me that she had food poisoning that night.  I never would have guessed, although in retrospect, when she said she talked a lot less than usual, it was true given how much she talked tonight.

They opened with a favorite song from their previous EP, Afterglow–slow and moody opening with crashing choruses.  Scarlett commented that the new album is pretty sad, although the first song they played from it Major Threat is a blistering rocker with a catchy chorus.

I love that Izzie and Scarlett switch off on lead vocals for nearly every song.

Things quieted down a bit for Secrets, but this allowed them to really feature their harmonies.  I was more or less in front of Scarlett, so I could really hear her delicate higher voice.  I was a little bummed that I couldn’t see Izzie that well because I remembered that she shredded impressively.  She still sounded great even if on the other side of the stage.  Particularly on the delicate guitar intro of Goldmine.

I loved how much the crowd new the songs by name when they were introduced and Scarlett’s super high vocals on Pretty Things (which the crowd knew) were stellar.  Second guitarists was excellent, either making the sound fuller while Izzie soloed or adding some extra flourishes. (more…)

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[ATTENDED: December 9, 2025] The Sewing Club

The Sewing Club is from Nashville.  I hadn’t heard of them before this show.  When I walked in, their guitarist was at a merch table selling cute little hand sewed monsters.  He later told me he had been sewing since he was little and thought it would be fun merch given their band name. And it was!  I bought one.

The Sewing Club are a four piece of two guitars (Stephen Meaux and Justin McKinney), drummer Zach McCoy (who added great backing vocals) and singer/bassist/keyboardist Hannah McElroy.  I was in front of  McCoy and very close to their merch guitarist (I’m not sure who was who).  I could clearly see McElroy, but the other guitarist was on the far side of the stage and I never really saw him.

They opened up quietly with Sport Mode.  I enjoyed the shoegaze vibe of the song and the intensity of the guitars, but was blown away when the song started rocking out.  The loud part was simple but really catchy with the two guitars playing different parts (one lead).  Up next was Wyatt, a song that mixed the tempo up right from the start (and which had some soaring guitar lines).

I enjoyed watching the crowd around me get more and more into the set especially when Wait kicked in and ramped up the intensity.

For Bite, Hannah switched to keys.  This was a much slower and more mellow song, although the rest of the band joined in before the end.  After an unknown song (the most rocking of the set with lines something like I wish you’d die), they played a newer song that they were sure they’d screw up (they didn’t) with some fun headbanging from Hannah.

They ended their 30 minute set with Strange, a slower song that filled the room and had a killer guitar riff.  I really liked their set a lot and look forward to more music from them.

Sport Mode
Wyatt¢
Pocket
Wait
Bite $
(Unknown)
Alright Ok %
Strange ¢


% single (2026)
∼The Sewing Club EP (2025)
¢ Care EP (2024)
$ single (2024)

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[ATTENDED: November 7, 2025] Rocket

About a year ago I saw Rocket open for Ride and I loved their set. I wrote then

This band is from LA and holy cow, they scratched just about every musical itch I had.  Soft female vocals, shoegaze to heavy crunchy guitars.  It was all there.  I loved every second of their set.

I mentioned the L.A. part because there’s a few bands named Rocket and this was the easiest way to distinguish them.

Anyhow, I said that I would definitely see them again and here was a great opportunity.

There’s nothing fancy in Warehouse on Watts and that’s totally fine.  It’s all about the music.  And wow, did Rocket sound great.  Despite this being a tour for their new album, they opened with Take Your Aim from their previous album.  It’s got great guitar riffs and a classic 90s alt rock sound,   It wasn’t quite as immediate as Portrait Show (which won me instantly last time and which they didn’t even play this time (!). But it was still great.

I loved the vocal melody on the chorus of Sugarcoated.  Things got loud again with a great fuzzy bass intro and perfect guitar lines on “Act Like Your Title.”  “Crossing Fingers” continued with perfect quiet verses and soaring vocals and a great chord progression in the chorus.

For The choice she moved to the keys adding a droning high end with really no low end–a nice mix up in tone as the guitar played  a cool melody.  But SHE was back to the bass for Crazy with the nice low end kicking back in.  For Number One Fan, the guitarist moved to synth for this dreamy slow song.

The final three songs were three that they played last time, too.  They were unreleased at the time.  Pretending has another classic grungy riff–hits all the sweet spots.  Wide Awake is a solid rocker with guitar harmonics and a heavy riff.

And R is for Rocket is a fantastic set ender.  It rocks with a great riff and then has a lengthy jam in the middle of the song–not a wild soloing jam, just a nice noisy jam with the band enjoying the riffs that they made.

The set was about an hour and they played a great set,  I was pretty surprised that they didn’t play more of the songs they played last time.  But it was nice to hear the new ones.

 

2025 [W.O.W. headline] 2024 [open Ride]
Take Your Aim Portrait Show ∇
One Million ® Sugarcoated ∇
Sugarcoated Pretending ®
Act Like Your Title ® On Your Heels ∇
Crossing Fingers ® Normal to Me ∇
The Choice ® Pipe Dream ∇
Crazy ® Wide Awake ®
Number One Fan ® R is for Rocket ®
Another Second Chance ®
Pretending ®
Wide Awake®
R is for Rocket®

® R is for Rocket (2025)
∇ Versions of You (2023)

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[ATTENDED: November 7, 2025] Cashier

Cashier is a four piece from Louisiana.  Before this show I went to their bandcamp and found exactly five songs.  And I liked them all.  A grungy shoegaze vibe with female vocals and cool guitar sounds.

I stood in front of singer guitarist Kylie Gaspard who played intensely and sang with a similar intensity.  She was an early focus for me, but I soon realized  that the whole band was fun to watch.

They opened with Beginner, and like on the recorded version, it opens with feedback and two guitars playing one note over and over until one of the guitars turns it into a little riff and then the song slams out with the full force of the band.

Guitarist Joseph Perillo and bassist Austyn Wood were on the far side and I couldn’t really see them, but Perillo’s guitars were great–playing lead lines throughout the songs. (more…)

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[ATTENDED: November 7, 2025] Bleary Eyed

I was supposed to see Bleary Eyed with Hello Mary back in 2024.   But family things came up and I couldn’t go.  I don’t always try to see bands that I missed for one reason or another. And I certainly don’t with opening bands.  But it is fun to see a band that I was supposed to and check them off an imaginary list.

Bleary Eyed is from Philadelphia so I’m surprised I have seen them on more bills, but I consider myself lucky that there are so many good Philly bands that can get tossed onto a bill sometimes as the first or second opener.

Bleary Eyed is the brainchild of Nathaniel Salfi who sings and plays guitar.  He started the project in 2015 and has had a mostly revolving lineup.  Margot Whipps joined the band on vocals and guitar a couple of years ago (she’s also credited with bass).

Bleary Eyed turned out to be a classic-sounding shoegaze band with chorusing guitars and washes of sound.  There were also some keyboard flourishes and two singers.    Nathaniel has a somewhat deeper voice that flows perfectly with the sound.

I enjoyed the way they mixed up the sound with some really good loud/quiet shifts in Wreck.  There was also some good My Bloody Valentinesque soloing at the opening of 2 True.  And a great opening riff on Upset which was sung by Margot.  I felt like her vocals were not loud enough, although it may have been that I was on the other side and everyone on my side was loud. (more…)

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[ATTENDED: June 16, 2025] Lip Critic

I had not heard of Lip Critic and never imagined that they would be headlining this show.  But when they started I realized why they were better suited as the headliners–because they are crazy and would be very hard to follow.

I actually wondered if they were even playing songs or just improvising loudly on stage (they are playing songs and do have records out, so settle down).  It’s not just that it was loud (it was), it’s that it was chaotic in the extreme.

There were two drummers (yay), a guy who made all the sounds but who faced away from the audience the whole time (but did a lot of dancing)  and then the singer/screamer, who was fun and funny and brought a good time to all the chaos. (more…)

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[ATTENDED: June 16, 2025] Hello Mary

Iwas supposed to see Hello Mary about a half dozen times and it kept falling through for one reason or another.

So when they announced this show at Warehouse on Watts, where I had never been before, I grabbed a ticket quickly, having no idea how quickly it would sell out.  I loved that the venue was so small, and I had great access for seeing them for the first time.

They had a newish album out for this tour and I was ready for it.  I was closest to bassist Mikaela Oppenheimer who plays some awesome basslines.  On the far side was singer guitarist Helena Straight (who makes some gorgeous noise/feedback while not playing cool melodies), and and then at the kit was drummer Stella Wave.   Float started with washes of keys (from Mikaela) and guitar while Stella and Helena ooh’d the intro.  By the end, the song was a wall of noise and screamed vocals.  It was a great opening.

They followed it with a classic 90s-sounding rocker Stinge from their debut album–a great guitar riff and intermittent quiet parts.  Even their quieter songs like Courtesy have a good grunge tone. (more…)

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[ATTENDED: June 16, 2025] Halloween

I first heard about Warehouse on Watts back in 2021, when some kind of Yves Tumor Halloween show was being presented there.  I didn’t understand what was happening that night and really had no idea what to think of this venue.  I’ve only been interested in the venue one other time since then, but I didn’t go to it.  But here at last was someone (Hello Mary) that I really wanted to see and they were playing there.

Imagine my surprise to find out it’s a block away from The Met Philly.  It’s a cool, small club with a short stage and walls that you can lean against if need be.  I really liked it and would happily go back.

So I arrived really early and was able to check out the place a but before Halloween started.  I can’t believe that in 2025 a band can call themselves Halloween and there’s no real conflict.  Has no one ever called their band Halloween before?

Halloween is a Philly based band and they play an interesting mix of sounds.  They are probably based around shoegaze, with fuzzy swirling guitars.  The vocals are quiet ( I often couldn’t hear them, but I could tell there was singing).  Guitarist Sia Dokos (who also sang lead sometimes) played really cool interesting chords and noises and I wished that I was on their side of the stage to really see what was going on). (more…)

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[DID NOT ATTEND: June 2, 2023] Mike’s Dead / The Haunt / Crucial Device / Death Valley Dreams

The only reason I know about this show is because my friend Ryan Williams is in Death Valley Dreams.  He’s a great guitar player who has been bouncing around with bands for a while.  I’ve never actually seen him play live, and this was one where I thought I might be able to make the show.

But a Friday night show one very short notice (I found out two days ago) was really hard to secure.  So it didn’t happen.

I have never heard of Mike’s Dead.  His bio says:

Combining elements of legendary industrial/ hard rock groups such as Rammstein, Nine Inch Nails, & Limp Bizkit with modern trap/ electronic elements,  American rapper & producer, Mike’s Dead, has paved his own lane as a multifaceted artist.

Had I gone to this show, I probably would have left during this set.  Or, maybe he pulled it all together in a way I might have liked.

I have seen The Haunt open for The Hu and frankly I’m surprised that they weren’t the headliners.  But maybe they’re not that famous.  About that 2021 show,  I wrote

The Haunt, formerly known as AnastasiaMax are from South Florida. The band consists of siblings, Anastasia Grace Haunt (lead vocals), and Maxamillion Haunt (vocals, guitar and production).

Anastasia has an amazing voice–really power and diversity.  Max sang lead and harmony vocals and their voices sounded fantastic together.  The set was great and I felt like they really won over the audience.

Crucial Device is a ‘synth-punk’ band formed in 2022 by Steve Saputelli, leader of the 90’s industrial-cyberpunk originators Punch Drunk.  According to his bio, he is an active multi-instrumentalist and production enthusiast, he also built and performed with his own animatronic, signal controlled band members!

I’d totally want to see them if t here were animatronic players!

I only found out that Ryan was in Death Valley Dreams a few days ago.  I hadn’t even heard of the band before that.  Their bio (from before Ryan joined–I think he’s just a touring keyboard player at  the moemnt) says

Death Valley Dreams combines haunting guitar textures, infectious melodies, dark and thought-provoking lyrics, pulsing grooves, and almost nostalgic-sounding synth atmospheres. As one fan described, “It’s as if The Cars got David Bowie to sing and played something that could have been on The Lost Boys soundtrack.” The sound is familiar yet fresh and unique.

That Cars/Bowie thing is pretty accurate actually.

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[DID NOT ATTEND: October 29, 2021] Pure Halloween with Yves Tumor

Yves Tumor is a fascinating musician and I would really like to see them live.

I was really surprised when I saw this announcement that they’d be playing in Philly in a club I’d never heard of.

I already had tickets to see Mannequin Pussy for that night, but this show seemed to start after that one.  And yet, from this write up, I couldn’t tell what was going on or if Yves Tumor was even actually going to be there:

Making Time Pure Halloween™ Feat Yves Tumor
Warehouse on Watts
Fri 29 Oct 2021, 8:00 PM EDT

Dear Philadelphia….. I can fee THE THRILL of PURE HALLOWEEN PUMPING through my veins, Philadelphia !!! (more…)

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