Feeds:
Posts
Comments

Archive for the ‘Union Transfer’ Category

[ATTENDED: March 22, 2025] Wishy

I Was happy that Wishy opened for Momma.  I knew one or two songs by them and really liked them.

The band came out–a five piece, with the two singer/guitarists Kevin Krauter and Nina Pitchkites.  They harmonize perfectly with each other–both vocally and on guitar.  There’s something very appealing about the two singers going Ah ah ah in harmony on Planet Popstar.  There’s a few different parts in this song so I actually wasn’t sure if they were playing different songs or one long one (it’s only 4 minutes, but is pretty complicated)

Wishy released an EP this year and they played half of it.  That left five songs from last year’s Triple Seven, which is the album t hat I first heard them from.  The (very simple ) guitar riff in Persuasion is wonderful–and when the harmony guitar came in–fantastic.

Love on the Outside is mostly Kevin on guitar, but after a verse, the band kicks in and the harmonies are terrific.  The rest of the band is guitarist Dimitri Morris , bassist Mitch Collins, and drummer Conner Host.  It almost seems like overkill to have three guitarists in the band, but all three do different things to make the sound enormous. (more…)

Read Full Post »

[ATTENDED: May 22, 2025] Lucius

I saw Lucius last year when they played the anniversary of their debut album.  I enjoyed the show and their performance so much that I knew I’d want to see them again.  And I knew my wife would really enjoy it as well.

But I had no idea she’s enjoy it as much as she did.  She said it was her favorite concert of the year [UPDATE: at year’s end she maintains that belief].

The stage was set up with two large cacti flanking the keyboard set up of Jess Wolfe and Holly Laessig.  I love that they dress alike (down to the wigs they are wearing).  They wore red, beautifully decorated ponchos, and it’s amazing that they face each other and more or less mimic each others movements–they’re not a tightly choreographed ship, which is good.  They are more like a loose duo who can allow the moment to overtake perfect choreography.  And they’re all the better for it,

But mostly, Lucius are instantly recognizable because of the gorgeous vocals of Wolfe and Laessig,  And it gives you goosebumps to see them perform live.

There’s a several Lucius songs that I absolutely love.  There’s also some that I’m iffy about (but the hits greatly outweigh the misses for me).  And I really like the vibe of the new album a lot.  I’m sure that has a lot to do with Adam Granduciel of The War on Drugs who produced the album (his fingerprints are all over it).  The opening song Final Days doesn’t sound like The War on Drugs, but it does sound like Lucius covering a War on Drugs song.

They followed up with Gold Rush, which I was surprised to hear so early as its the big hit from the album.  They wound up playing five new songs in a row.  Trespassers Will Be Shot uploaded several songs from our show (see below).  Things had mellowed, but when Stranger Danger came on and the guitars went crazy and Jess and Holly came to the front of the stage–it was electrifying.

The band had a simple set up.  Jess and Holly in the center.  On our right side was drummer Dan Molad and on our left was multi-instrumentalist (but mostly, an amazing guitarist–the sounds he generates are amazing) Peter Lalish.

They played the quieter 24 and then moved to Wildewoman for the amazing Tempest.  Since they had just toured the album last year I didn’t think they’d play too much from it, so it was cool to hear this one.

Then for the really fun Joy Ride, they put on matching hats and sat stage right in a couple of folding chairs.  We got a kick out of them snapping their heads left and right to the beat.

They jumped back to Wildewoman again for the awesome (and even more awesome live Nothing Ordinary) and the fantastic Genevieve, which was delightfully percussion heavy (Jess and Holly playing cowbells) and full of cool lighting. (more…)

Read Full Post »

[ATTENDED: May 22, 2025] Victoria Canal

I had not heard of Victoria Canal before this show.

She has a fascinating backstory.  She was born in Germany but is of Spanish American heritage and was raised mostly in Spain.  And yet when she spoke she had no trace of an accent.

Canal was born without her right forearm.  What’s fascinating is that although she does not try to hide it at all, we didn’t notice for the first couple of songs.

Victoria played acoustic guitar and keyboards.  She also had really nice boots on.  Between songs she told delightful stories that really fleshed out songs like the new (and wonderful) Pseudo Zen Buddhist: A Screenplay.  Which she introduced by saying the song was about her ex boyfriend’s next girlfriend murdering him (she works in movies, hence the screenplay part).  It was great.

There was also a really funny intro to Yes Man, a song she write when on a songwriting retreat with Chris Martin of Coldplay.

Canal’s voice is soft and gentle with a really nice timbre.  And she can mix in some falsettos on a song like Totally Fucking Fine. (more…)

Read Full Post »

[ATTENDED: May 3, 2025] The Damned

I saw the Damned at Coney Isalnd High with my friend Garry on Feb 6 1998

The BellRays are a band from California that describes itself as an original punk, rock and soul band.  I had never heard of them and assumed they were a young band.  But they have been together since 1990.  I guess if I hadn’t heard of them in 35 years, they weren’t really on my radar.

So they came out and demanded quite a lot from the audience.  Again, I thought they were a new band, so this surprised (and annoyed) me.  Knowing that they’ve been doing this for so long, I get where the on stage banter and attitude comes from.

They rocked pretty well, but it really wasn’t my thing.  Actually, that’s not true.  If they had opened for someone else–someone soulful and almost bluesy, I would have enjoyed them more. But there’s really nothing punk about them (except their attitude, I guess).

The songs were basic, good rockers, but lyrically, they were pretty meh.

Having said that, singer Lisa Kekaula has a fantastic voice–soulful and powerful–and she and guitarist Robert Vennum, the founders of the band) have great chemistry.  I was thinking that a comparison of her voice to Tina Turner’s was lazy; however, in their blurb they say they have been described as ‘Tina Turner fronting AC/DC.”  I wouldn’t go as heavy as AC/DC for the band, but the description works.  Actually, they sound a lot more like an L.A. metal band circa late 80’s.  Although their cover of Ball of Confusion was pretty great.

If I was in the right mood for them I probably would have loved them, but I found them just okay.

The Damned toured around here in 2023 and I couldn’t go.  But Fucked Up opened for them and I sure as hell would have enjoyed THAT double bill.

  1. On Top £
  2. I Fall Down ♠
  3. Hard Drive ♠
  4. Wolf’s Sun ♠
  5. Changing Colors ‰
  6. Living a Lie £
  7. Down On My Knees ♠
  8. One More Night ♠
  9. Voodoo Train €
  10. Black Lightning £
  11. Startime €

♠ Heavy Steady Go
£ Black Lightning
€ Red White and Black
‰ Let It Blast

Read Full Post »

[ATTENDED: May 3, 2025] The Damned

I saw the Damned at Coney Island High with my friend Garry on Feb 6, 1998.  I don’t really remember all that much about it.  I wasn’t a huge fan at the time, but I do think it’s cool I got to see them.

I hadn’t really considered seeing them again, but when they toured in 2023 I came around to wanting to see them.  I missed that tour (which was for a then new album), and in retrospect I’m glad I did.  That tour was predominantly that new album (and of course a while bunch of older songs too), but this tour was more of a complete retrospective (including some of the new songs too).

And, it featured three of the four original members: singer Dave Vanian, guitarist Captain Sensible and drummer Rat Scabies.  [There’s no point in trying to talk about when who was or wasn’t in the band as it was a revolving door for a while].  But Paul Gray on bass has been with them since 1980 and Monty Oxymoron has played keyboards with them since 1996 so he’s not exactly a newbie.

So I don’t know a ton of songs by The Damned.  I have a few of their albums but the people around me knew everything they played.

Nevertheless, they played a fantastic selection of songs and it was so much fun to see Captain Sensible in his striped sweater and the ageless Dave Vanian looking great in his coat and puffy shirt.  And, most impressively–his voice sounded great. (more…)

Read Full Post »

[ATTENDED: March 5, 2025] The Spirit of the Beehive [rescheduled from November 9, 2024]

I saw The Spirit of the Beehive seven years ago and they were outstanding live.  Here it was all this time later and I was able to see them again.

I enjoyed them–they were weird and fun to watch.  I wasn’t sure I ever needed to see the again, but I figured I’d see what they’d been up to for the last 7 years.

Their set was wild and chaotic.  Again, I was right at the barrier, so I’m sure I missed a lot.  Like last time, I couldn’t tell if the songs were really short or much longer.  The first song I thought might have been three different ones.  It was made even mor confusing because the musicians would switch instruments in the middle.  Their third guitarist Phil Warner, switched from electric to acoustic and back again in one song.

I also really enjoyed watching drummer Sean Hallock keep time to all of the different changes and styles of music (often in one song).

Zack Schwartz was on the far side from me and I felt like I heard his vocals the least, although his guitar was clear.  Bassist (mostly) Rivka Ravede has a fantastic bass sound–I loved when you could hear it over the rest of the music. She also sings on nearly every song, which is great–it adds so much dimension to the songs to have two (or three) lead vocalists in one song.

I was right in front of Corey Wichlin who sang a lot of lead parts in very different vocal styles–it was often hard to know who was singing.  He also played guitars and keys and the occasional triangle. (more…)

Read Full Post »

[ATTENDED: March 5, 2025] Kassie Krut [rescheduled from November 9, 2024]

I saw The Spirit of the Beehive seven years ago and they were outstanding live.  Here it was all this time later and I was able to see them again.  The opening band was Kassie Krut who I’d never heard of. I looked them up and found out that Kassie Krut was formed from Palm!

The band was formed by Kasra Kurt, guitarist, who wanted to explore more electronic music and Eve Alpert (both of who are phenomenal guitarists but who play no guitars on the album).  They were joined by Matt Anderegg on drums.

Their EP is loud and dancey and fun, but very noisy.  And live they were noisy, noisy and more noisy.  As with Polo Perks, this may have been because I was so close to the stage.  But I believe that all of the sounds were coming from the overhead speakers (there were no guitar amps to have sound coming from the stage).  Whatever the case I absolutely could not hear Eve singing (except the quieter bits of Reckless) and I couldn’t hear Kasra at all when he took to the mic.

Matt was on my right playing an electronic drum kit,  It was fun to watch because the bass pedal was literally a pedal hitting a small pad, slightly larger than the pedal itself, but it was cavernously loud.  The rest of the pads that he played generated all kinds of percussive sounds. (more…)

Read Full Post »

[ATTENDED: March 5, 2025] Polo Perks ❤ ❤ ❤ [rescheduled from November 9, 2024]

I saw The Spirit of the Beehive seven years ago and they were outstanding live.  Here it was all this time later and I was able to see them again.

Originally, the opening band was Kassie Krut, but sometime more recently they added Polo Perks ❤ ❤ ❤ to the roster.

I’d never heard of him and didn’t know if the ❤ was part of his name (it is) or if it’s supposed to be three asses or what (I still don’t).  Apparently, he is a NYC drill pioneer.

His DJ came out first, set up a folding table, laid down a laptop and a mic and started a beat.  Then Polo Perks came out on stage.  His DJ tried to get everyone really hyped up.  I was at the barrier and couldn’t see who was behind me.  But the guy next to me knew a lot of the words. (more…)

Read Full Post »

[ATTENDED: February 20, 2025] Alcest 

I hadn’t heard of Alcest before this tour.  I was mostly excited when I saw that Mono was playing Union Transfer.  But when I listened to Alcest, I rather liked them.  Especially their latest album Les Chants de l’aurore, which is the album they were touring.

So Alcest has been around for almost 20 years, although their first album came out in 2007.  After some lineup changes, the band was solely the work of Stéphane “Neige” Paut who played everything.  In 2009, drummer Winterhalter from Les Discrets joined Alcest, after eight years with Neige as its sole full-time member.  Neige still plays everything except drums on the records.

Since 2010, the live shows include Pierre “Zero” Corson on second guitar and backing vocals and Indria Saray on bass.

I was really pleased with my spot near the stage when, with moments to go before the band came out, two women pushed their way up next to me taking up more room than there was between us.  And when the band started she proceeded to either really get into it or was just messing with me as she kept putting her hands through her hair and then raising her arms high and wide for minutes at a time.  I’ve literally never had one person ruin a show as much as this sociopath did.

Fortunately she (presumably) got sick after four songs.  She was clearly very drunk, and then after a couple of songs she seemed to just stop and stare straight ahead of her and then after the fourth song she bolted for the back of the room (to which a guy behind me said, thank god).  Her friend (who was very short) then proceeded to take up enough space for both of them, headbanging in a way that ensured you didn’t want to stand behind her.  A song or two later, she received a text and then headed to the back of the room.  In my mind, the tall one got drunk and nauseous and them ruined the second half of the show for herself and her friend after she ruined the first part of the show for me and everyone around me. (more…)

Read Full Post »

[ATTENDED: February 20, 2025] Mono

I saw Mono back in 2019 and I was blown away by their show.  I haven’t been able to see them since, and I was mildly bummed that they were opening instead of headlining this show.  But any chance to see them is a good one.  And, it introduced me to Alcest!

The crowd was really really into Mono.  In fact a couple of people up front left after their set.

They played mostly new songs.  All of their songs are instrumental and sound vaguely similar, so I can’t tell them apart.  That’s not an insult, they play seven to ten minute epic tracks that build to varying degrees of intensity and I could listen to them all night.

I was in front of guitarist Hideki “Yoda” Suematsu who is described as a rhythm guitarist but who does a lot more than that.   Bassist Tamaki Kunishi was in the middle (except for the one song she played keys on).   And Takaakira “Taka” Goto was on the far side of the stage (and hard to see on the mostly dark atmosphere).

Their drummer Dahm Majuri Cipolla was tucked in behind a rack of amps, and it was hard to see him.  He also had a gong!  And I was a little bummed that I could only see a part of it, but it was cool to see him smack it on two different songs. (more…)

Read Full Post »

« Newer Posts - Older Posts »