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Archive for the ‘Union Transfer’ Category

[DID NOT ATTEND: May 2-3 2023] The Walkmen / Lilly

When the Walkmen announced this ten year reunion tour I must have missed it entirely, because by the time I heard of it, these first two shows were sold out and they had announced a third.

When I got a ticket to this show, I was swept up in the excitement of this reunion tour.  I didn’t really know The Walkmen, but I knew of them.  I mostly knew Hamilton Leithauser from his solo work.  But I was also very familiar with their hit “The Rat.”

The third night proved to be plenty of fun and I really enjoyed the opening band Lilly.

From what I can see, it looks like The Walkmen played an extra song on the second night.  But I think we got the best Lilly set.

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[ATTENDED: April 22, 2023] TWRP

Back in 2021, I saw an ad for TWRP playing at Underground Arts.  I didn’t know who they were, but I was immediately struck by their photo (see below).

I don’t know why I didn’t investigate them more, because when I saw that they were playing Union Transfer this time, I was all over finding out what the deal was.

TWRP were once known as Tupper Ware Remix Party (TWRP is much better).

They are from outer space (and Canada).  They are also from the 1980s (and the future).

They are a foursome. In order of the below photo they are guitarist Lord Phobos, bassist Commander Meouch, keyboardist and vocalist Doctor Sung and drummer Havve Hogan.

And yes, they look like this onstage.

They came out to rapturous applause.  The crowd was 100% into it.  Commander Meouch stood in front of us, lion hair blowing in the fan.  Lord Phobos was on the far side and Havve Hogan was in the back on the kit.

And then Doctor Sung came out and immediately got the crowd hyped.  He told us all about their high tech new stage manager, Grobb.  Grobb appeared on the side of the stage in a circle which previously said IBS (in the IBM logo style).  Grobb looked like a psychopathic Teletubby as he smiled and talked to us.

Grobb greeted us “Hello Tokyo” and then proceeded to count in the first song, the new “VHS” which had an appropriate chant along of V-H-S.

The thing about TWRP is that their music is really quite full of disco.  Some of the basslines that Meouch played were full on disco riffs (hard to play in a full costume, I’m sure).  There was lots of heavy snyth and Doctor Sung sang with a vocoder most of the time.  It was such a weird melange of music but it worked really well live.

I was concerned that my son wouldn’t like them musically, but I realized that the youth of today care not for genre, and it was all fun.  He even bought a TWRP shirt (bur not a Magic Sword shirt because they weren’t very interesting).

I didn’t know any of their songs, but they played a few from each of their releases.

Grobb told Doctor Sung that he was dehydrated and forced him to drink a brownish hydration liquid–an amusing recurring skit (HYDRATE!).

A really fun song was “Atomic Karate” in which Doctor Sung showed off his (very impressive) athletic skills and even wielded nunchaku.

Grobb apparently went a little crazy (instead of counting them in he played clips of “Enter Sandman”) and Doctor Sung had to go in and reprogram him (the 8 bit graphics were amazing).  It was dangerous work.

Lord Phobos had some serious shredding skills on the guitar as well.  And after the final song, when the band came out for an encore, Lord Phobos hijacked the show with his new band Phobos Nation!

Phobos Nation was Phobos himself with Magic Sword as his backing band.  But before they could play anything, Doctor Sung came out and they had a fight for control.

This led to them both bands playing the ripping instrumental “Terraform.”

They ended with “All Night Forever,” a song that everyone loved.

The show wasn’t that long (maybe 75 minutes) which is understandable given the costumes.  It’s funny that they played only 13 songs, but they did jam most of them out and there was a lot of entertaining banter between songs.

But honestly I was glad the show was short.  It let us wait on the long line for merch and still get home at a reasonable hour.

Long live TWRP and honestly there couldn’t have been a better opening band.

In a 2015 interview with Scope, their origin was revealed

Doctor Sung was born around the time of the Big Bang. His parents died of boredom when he was just a small child, leaving him orphaned in the first Ice Age. Billions of years later, upon earning the 69th degree of his black belt in keytar, he had an epiphany and discovered his life’s purpose: to release humanity from the clutches of boredom through epic rock music.

To achieve this purpose, Sung carefully selected his band-mates from various corners of the multiverse. He chose the name “Tupper Ware Remix Party” because he liked the sound of those noises which, at the time, held no meaning for him.

Sung discovered drummer Havve Hogan unconscious in a cave during the Mesozoic period. Sung sensed a powerful energy field around this sinister, Frankenstein-like creature with red LEDs for eyes and, after numerous botched attempts to resuscitate the brutish cyborg, he met with success when he installed an 808 drum machine where Hogan’s heart had been.

Conducting anthropological surveys in the Paleolithic period, Sung observed a troublesome tendency in Hogan – to maim and murder early Homo sapiens in the plains as they hunted antelope and buffalo. However, his ability to hold down perfect time had endeared him so profoundly to Sung that the doctor excused his murderous behaviour.

While Hogan was recruited from the past, slap-bassist Commander Meouch and shred-guitarist Lord Phobos were located in a distant and complicated future. Meouch – a space pirate with a humanoid body and the head of a lion – was born in the more provincial reaches of the galaxy and made his fortune smuggling funk (apparently a controlled quantity in the future) to star systems that had been historically square.

One such solar system was home to Lord Phobos, a philosophical rocketeer. Phobos’s people had evolved over many millennia, their culture reaching a universal high-water mark of scientific and intellectual discovery. When Meouch arrived on the scene with his smuggled funk, Phobos’s world collapsed into a flaming orgy of chaos.

Swearing revenge on Meouch, Phobos pursued his ship and was on the verge of destroying it when Sung sprang through a nearby wormhole and corralled them both. Having modified Meouch’s ship for time travel, the trio travelled backwards to retrieve Havve Hogan and then forward to Earth in the year 2007 (roughly one millennium before Meouch or Phobos were born), an era that Sung’s calculations had indicated would be ripe for TWRP to thrive.

 

  1. Birth of Grobb *
  2. VHS *
  3. Bright Blue Sky ♥
  4. Polygon ♥
  5. Only the Best
  6. Typhoon Turnpike / Hidden Potential
  7. Atomic Karate £
  8. Superior Moves ♥
  9. Summer Everyday *
  10. Have You Heard? ©
  11. Starlight Brigade
    Encore
  12. Terraform ♥ (with Magic Sword)
  13. All Night Forever


* new/unreleased.
© single (2023)
♥ New & Improved (2021)
∏ Over the Top (2020)

⇔ Return to Wherever (2019)
⊗ Together Through Time (2018)
£ Ladyworld (2017)

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[ATTENDED: April 22, 2023] Magic Sword

I saw Magic Sword open for Avatar back in 2021 and I knew I’d want to see them again.

What I wrote about them then stand up pretty well for this show:

There are three members: The Keeper (red, keyboard, audio-visual), The Seer (blue, guitar), and The Weaver (yellow, drums).  Oh yes, they are all masked (and not COVID masked, but like a fencing mask with a glowing light (in the above color) for the eyes).  All of their songs are pretty heavy with a main riff (and bass) coming from the keys and really heavy drums.  And then The Seer plays some extended impressive and super catchy guitar solos.

Every song feels like the exultant triumph of a cheesy 80s sci fi movie.  Which is not to say that their music is cheesy (it really rocks) but that it would be placed in a cheesy movie–and would sound great.

In fact, the band has written epic stories (and comic books) that go along with their music.  These songs are the soundtrack to those stories. So it all makes sense.

The set opened with a proclamation in a deep voice explaining that Magic Sword was here to defend all that good in the world.  And then the trio came out.

It’s all vaguely preposterous, but they are completely into it (The Weaver is excellent at getting the fans pumped up) and the music is so good, that it all works wonders.  A handful of people in the crowd had purchased Magic Sword swords (a tiny imitation of the real Magic Sword sword) and waved their blue glow around.

I felt like they played newer songs–songs that were a little more complicated with some excellent stops and starts in them.  But, since they are all instrumentals, it’s hard to know what songs they played.

But most importantly, mid way through the set The Keeper held aloft the blue glowing Magic Sword and all was well in Philadelphia.

I really thought my son would enjoy this show and he said he enjoyed Magic Sword a lot.  So that’s cool.

When the show was over we went to the merch table and I was pretty tickled to see that if you didn’t know what you wanted, you could roll a D20 and see if luck was on your side.  The guy in front of us rolled it and was granted the right to have his picture taken holding THE Magic Sword.

Cool.

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[DID NOT ATTEND: April 21, 2023] Andy Shauf / Marina Allen

After not seeing Andy Shauf a bunch of times the last few years, I also managed to not see him again this year.

There were three other shows happening this night, two of which I was really torn about.  So even though I would like to see Andy Shauf some day, the other shows were booked long before this was announced.

I am pleased to see that Andy does seem to come around quite a lot, so I’m sure he’ll be back next Spring.

Marina Allen is opening for him on this tour.  According to her label she is a

once-in-a-decade five-tool musician: She writes beautiful melodies and brilliant lyrics, expresses her ideas with an unusual voice of extraordinary depth and range, thinks in fanciful arrangements, and constantly navigates the knife-edge between too much and too little.

I don’t know if I’ve ever seen a blurb quite like that before.

I listened to her first song on Spotify “Falls on Me,” and I would have guessed that it was literally from the 1970s.  She has an absolute classic-sounding voice.  I can’t get over how much she sounds like a blast from the past. I can’t decide if I love it or hate it.

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[ATTENDED: March 31, 2023] Sunset Rubdown 

I really like Spencer Krug’s other (one of many) band Wolf Parade.  When the Sunset Rubdown album Dragonslayer came out, I really liked it as well. Krug is a weird songwriter with an unusual sense of what a song should be like.

Sunset Rubdown more or less broke up after Dragonslayer for reasons I’m unclear about.  They toured throughout 2009 and then disbanded.  Sometime in December 2022, Krug decided to get the band back together for a Tiny Tour.

As Krug puts it

“Fast forward twelve-and-a-half years” from their final show in Tokyo in late 2009 “to Krug whimsically sending the band a group email about a possible reunion, after having dreamt about it the night before. Each of the members replied with an enthusiastic “Yes” that same afternoon, and a dormant volcano began to rumble…”

I wasn’t sure how much I wanted to go to this show.

When it was first announced, on December 6, it was at PhilMOCA and it sold out almost instantly.

Then on

December 9,  (Three days later) there was a message

OK, let’s go. Due to popular demand, the Sunset Rubdown show has been MOVED from PhilaMOCA to the First Unitarian Church of Philadelphia! All previously purchased tickets will be honored at the new venue and additional tickets are ON SALE NOW! …but for how long?

Now I don’t go  to the Church, so I wasn’t going to go to this show.  But then later that day:

Damn, this sold out instantly. Should we move it to a bigger room or…

On January 5, the show was moved to Union Transfer and I bought my ticket the next day.

By the time the show came up, I wasn’t entirely sure I was going to go.   There were two other shows that night that I was vaguely interested in.  But I decided to take advantage of this reunion.  (more…)

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[ATTENDED: March 31, 2023] Nicholas Merz

I has listened to Nicholas Merz’ record before this show and hadn’t liked it very much.  Merz’ delivery is really slow and deep and is almost comical.  he’s also got this kind of cowboy vibe which is really kind of weird.  But the thing i disliked most about the record was the overuse of saxophone.

So I didn’t care if I arrived a few minutes late. But it turned out the traffic was really light that night and I wound up pretty early.

I talked to a couple of people who were discussing Godspeed You Black Emperor.  And then Merz came on.

With one spotlight shining down on him, he sauntered slowly to the center of the stage as swirls of music played on the speakers.  After an introduction, he began singing in that slow deliberate way of his.  It was terrible.  but it was also mesmerizing.  i couldn’t stop watching.  And soon enough, without him changing anything, I found myself enjoying it.

The swirling music made me a little light headed, perhaps.  And that spotlight pulsed like a strobe, lighting him up in various ways.  When that song wrapped up, he walked to a pedal steel guitar at the back of his setup and sat down.  He played a simple chord structure, manipulated the sound a bit and looped it.  It wound up having the same slow woozy feeling.  (more…)

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[DID NOT ATTEND: March 25, 2023] Ibeyi / Ojerime [rescheduled from October 4, 2022]

I first heard of Ibeyi quite some time ago. They are sisters Lisa-Kaindé and Naomi Diaz.  They were born in Cuba but moved to France as small kids.  Both of their parents are musicians, and the sisters have a great musical connection.

I had heard that their live show was amazing and I put them high on my list of bands to see.  They were supposed to play Union Transfer back in October and I was really looking forward to seeing them there.

The show was moved to World Cafe Live which wasn’t a super big deal, although I fins getting to World Cafe Live to be far more of a pain than getting to Union Transfer.  Then I listened to the newest album and it was okay.  I still think “Deathless” is a staggeringly wonderful song, and I sure it’s genius live, but I had kind of lost interest in Ibeyi in the last few months.  And when The Rural Alberta Advantage announced a show for the same night, they ultimately won out.

Sometimes if you are not sure how a band is going to be live, you might be able to get a sense based on their opening act.  Not a foolproof plan, but it can certainly be an indicator.  I hadn’t heard of Ojerime, but when I looked her up, I saw she was described as a “nostalgic R&B queen, [whose] debut mixtape ‘B4 I Breakdown’ tracks a difficult journey through depression and self-discovery.”

That had all the elements of someone I did not want to see.  Like, at all.  So, that helped to solidify my decision not to go.

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[ATTENDED: March 16, 2023] Unwound

This Unwound tour was announced with much fanfare.  It had been 20 years since the band had last toured.  And they didn’t think they’d reunite

“When we put Unwound on the shelf in 2002, we never thought we’d return to the project,” drummer Sara Lund said in a statement with today’s announcement. The band held its first reunion practice, secretly, in April 2022.

but

“Starting over again is a rebellious act against our failure,” guitarist/singer Justin Trosper added.

There was a compounded problem in that their bassist Vern Rumsey, died in 2020.  When introducing the last few songs of the night (the only time he spoke) Trosper dedicated the finals songs to Vern saying that he was the soul of the band.  Jared Warren filled in for Rumsey.  Scott Seckington has also joined on guitar–the band was (pretty much) always a three-piece, but I thought Seckington was an excellent addition to the overall sound.

But it turned out that the early 1990s band that I was familiar with was Unrest.  Indeed, I didn’t know Unwound at all.  But I had grabbed a ticket because the hype got the best of me.  I listened to their albums and really liked what I heard.  So I wasn’t disappointed that I got the ticket.

There was the usual pre-band music playing over the speakers, but about five minutes before the band went on, the sound was switched to a live broadcast of NOAA weather–a perfectly weird sounding recitation of ordinary weather information.  It worked perfectly.  The also played the NOAA weather when the band was over. (more…)

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[ATTENDED: March 16, 2023] Versus

Back in the 90s, I loved a whole bunch of band that I discovered from a compilation called Ear of the Dragon.  I had known some of the bands already (which is why I bought the compilation).  It featured bands like The Dambuilders, aMiniature, Seam and Versus.

I loved everything about Versus.  Their sound was interesting–catchy and dissonant alternately.  And I loved the vocals of Richard Baluyut and Fontaine Toups (who has the best name in music).  They put out a number of albums and EPs in the 1990s and t hen went dormant.

In 2010 they put out a new album that I missed entirely.  Same with their 2019 release (which is on a label I’ve never heard of).  I basically had assumed that they were broken up for good.

So imagine my surprise to see that they were opening for Unwound on the night that I happened to get a ticket.  (TEKE::TEKE from Montreal opened the first night–I hadn’t heard of them but they are a Japanese psych rock band, hmmm).

The band came out on stage and while I recognized Richard and Fontaine, I didn’t know the other two.  They weren’t introduced, but I think they were  the rest of the Baluyut family: James on guitar and Edward on drums.

They opened with Mummified, a track off their newest album that has a really long instrumental opening.  I didn’t know it, but the band sounded great.  And after two minutes when Richard started singing, he sounded great too.  But it was when Fontaine added her vocals that everything came flooding back why I loved this band so much. (more…)

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[ATTENDED: March 3, 2023] The Beths

I saw The Beths about a year ago at Underground Arts.  Since then they have now moved up from the 650 person venue to Union Transfer (1500) which they also sold out!  Great new for them!

The Beths are actually suddenly everywhere and had we played our cards right we could have seen them like four times this year (opening for The National and a couple of other places).  But this wound up being the only show we’ll see them at.  And that’s fine because it was great and certainly tides us over for a while.

The Beths are a four piece: Elizabeth Stokes, singer and guitarist.  Jonathan Pearce who plays lead guitar. Benjamin Sinclair on bass and Tristan Deck on drums.  When introducing each other, they told “fex” about each other.  The New Zealand accent is awesome–fex would be Facts.  Like the fact that Benjamin Sinclair has a blog and Instagram account with the awesome name of Breakfast and Travel Updates.  (more…)

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