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Archive for the ‘Union Transfer’ Category

[DID NOT ATTEND: March 22, 2024] Rx Bandits / Zeta

I was not familiar with Rx Bandits when they announced this show.  Indeed the only reason I was interested in this show at all was because Zeta was announced as the opener.

I had seen Zeta once and they blew me away. I would do just about anything to see them again.

But this show, which is right in the middle of a bunch of other shows that I’m going to, was just too much.

When I read about this tour, though it did make me think two or three times about whether I should go.  There’s only a handful of shows, and I always feel special when I am able t o go to a little tour like this. (more…)

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[DID NOT ATTEND: March 20, 2024] Bombay Bicycle Club

 

The show opened with bouncy horns and fanfare as they sang the song “Just a Little More Time.”  The live version was bigger and felt more fun than the record and I knew that this was going to be an enjoyable set.

This segued into the second song on the new album, which had lots of drums and a cool guitar riff and sound.  I really enjoyed watching guitarist Jamie MacColl, confidently playing these riff and getting such varied sounds.

The middle of the song has Jack Steadman whispering I want to let go and forget and he was indeed whispering it pretty quietly.  So much so that some jackass yelled “fix the mic” just before he started getting louder.  Duh. (more…)

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[ATTENDED: March 20, 2024] Mustard Service

Mustard Service is an indie rock band based in Miami, Florida, formed in 2015. Self-described as “zest pop”, the band’s music draws influences from rock, surf, jazz, funk, and bossa nova.

When they came out and started playing I thought they were joking.  They play with a total wedding band vibe.  There’s soft gently echoed guitars, wavery synths, and a kind of crooning vocal.

And yet, the lyrics are contemporary and funny.

The amusingly titled “Get Fucked” (which has no curses in the lyrics), features this gem:

So when I tell you, hun that I just need to go outside and smoke a blunt, the world seems like it’s spinning, I don’t wanna die, my skin might disagree, but then my heart, it flies, every single day I’m going down.

The songs are all mostly quite short, and yet there were solos galore.  Leo Cattani played a few great keyboard solos (with all kinds of settings on the machine).  And even Augusto “Tuto” Di Catarina had a brief bass solo in one of the songs.

Adam Perez on drums was always smiling and was quite amusing as he introduced “(Your Cat) Don’t Stand a Chance” by saying it was a song about their cat Smoky.  Amusingly it’s about cats fighting, but it’s smooth and discoey.

The band was a four piece for this show with Marco Rivero Ochoa on lead vocals and lead guitar.  Apparently the band has a lead guitarist guitar, Gabriel Marinuchi (or “Nuchi”) but he was not there.  Rivero Ochoa’s solos were good but not amazing or anything. (more…)

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[DID NOT ATTEND: March 9, 2024] Slide Away

When this day-long event was announced, I grabbed a ticket because I knew a couple of the bands.  Amazingly, perhaps, I didn’t know Nothing, the headliner.

I wasn’t entirely sure I wanted to spend an entire day at Union Transfer, but the lineup was pretty great.  The recently sent the proposed schedule

3:00pm Doors Open
4:00pm Glixen
5:00pm Astrobrite
6:00pm Knifeplay
7:00pm Mint Field
8:00pm TAGABOW
9:00pm Lovesliescrushing
10:15pm Swirlies
11:30 Nothing
w/ DJ set by Full Body 2Kip Berman and Vyva Melinkolya between bands

And it sounds like most of the sets were going to be about 30 minutes, at least until Loveliescrushing.

But then my son came home from college for Spring Break and I REALLY didn’t want to spend most of the day away.   I mostlu wanted to see Knifeplay and Mint Field, but as I listened to more of the bands, I realized I quite liked them all.

Glixen is from Phoenix.  Now, pretty much all of these bands are shoegaze, so the descriptions are going to be quite similar, but here we go

Glixen is a shoegaze band from Phoenix, Arizona whose sound consists of tender melodies encased inside chrome walls of grungy textures and heavy guitars. Founder and lead vocalist, Aislinn Ritchie, began the project in 2020 enlisting guitarist Esteban Santana, drummer Keire Johnson, and bassist Sonia Garcia.

I really liked the Glixen vibe–lots of soft guitars and thick cottony sounds.  Aislinn Ritchie has a beautiful soaring voice that suits the music really well. (more…)

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[DID NOT ATTEND: February 27, 2024] Twin Temple / Vowws

I saw Twin Temple two years ago when they opened for Ghost.  I said

I don’t really like the music as I don’t like doo-wop, but I was all in for the spectacle.  And wow, what a spectacle.

The band came out of stage: drums, bass, keys and a big old tenor sax.  After riffing for a bit, the two main persons in the band came out on stage in their full satanic regalia.

and concluded

It was an amazing visual experience and it was an a jam packed 25 minutes.  I even enjoyed the music by the end.

I was minorly intrigued to see what they would do as headliners, but not enough to actually go to the show.

I had heard of VOWWS but I guess I didn’t know them.  This review from Revolver says they

usually perform in near darkness, with the only light coming from a movie projector aimed at the stage. The Australian duo — singer-guitarist Matt James and singer-keyboardist Rizz — mostly play bent over their instruments in dark glasses and long black coats, crafting their brooding, deeply melodic “death pop” from the shadows.

Their music is nowhere near as dark as this makes it sound.  They remind me a lot of Black Celebration Depeche Mode.  Kind of cool and spooky synthy.

I guess maybe this would be a fun show.

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[DID NOT ATTEND: February 8, 2024] DJ Shadow / Holly

I really liked DJ Shadow’s debut album.  I also bought his remix album.  And then promptly assumed he stopped doing music (or something).  So, essentially I hadn’t thought about him in some 25 years.

He hasn’t released all that much over the years, but his previous album was well received.

I wasn’t sure if I necessarily wanted to see him live.  I mean a DJ… how interesting can that be.  But I was curious to see him do his thing and I’d heard that his live shows were good.

So I bought a ticket.

And then Band of Horses announced a show for the same night.  My wife and I love Band of Horses and there was no way I was passing them up to see a DJ that I wasn’t all that sure about.

So, no DJ Shadow for me.  Maybe I’d see him next time he comes around.  We’ll see. (more…)

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[ATTENDED: January 25, 2024] Torres 

This was my fifth time seeing Torres play.

Every time I see her, her set becomes more powerful and intense.  What was fun about this tour was that her new album, What an Enormous Room, was coming out the next day.

So we were able to hear most of these songs for the first time in a live setting, which was great.  Especially since she gave a little explanation of each song before playing them. I also love that she played a new song followed by an old song–a kind of mini greatest hits.

A lot of times when you hear a song for the first time, it may not land right away.  There were a couple of songs that are going to take a few listens to really get into, but for the most part, these songs were grabbers, doing what Torres does best–catchy powerful choruses with her great voice doing its thing.

I had wondered what the title of this album was supposed to mean, and she told us that life these days was overwhelmingly depressing.  And without trying to forget that, she felt that this album was a ray of hope–this is an enormous room, look what other things I can do in it.

She played a few songs from each of her recent albums (although only one from her lost-to-COVID album, Silver Tongue). (more…)

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[ATTENDED: January 25, 2024] Aisha Burns

I hadn’t heard of Aisha Burns before this show, although the way she talked about her career, it sounded like she’s been playing music for years and years.  She’s in her late 30s and has been playing violin for ages.   She has appeared on several records as a featured violinist, but she has only released two solo albums in the last ten years.

She actually didn’t play as much violin as I imagined.  The first song opened with some looped violin, but then she played the melodica or guitar for most of the songs.  She had a partner on lead guitar with her but she never introduced him.  He played mostly backing solos and noises. They made a solid wall of sound.

Her songs were a little too slow for me overall.  There wasn’t a ton of variety.  But what she played was great.  I think just not in this setting, maybe–a seated venue with a great sound system would be an amazing way to experience her. (more…)

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[DID NOT ATTEND: January 19, 2024] The Charlatans (UK) & Ride

I was rather looking forward to this show.

I was never a huge fan of either band, but it seemed like the perfect way to check off an old itch of bands that I enjoyed back in the day.

I have the first three Charlatans records (but actually didn’t even realize they had been making music since then).

Like with The Charlatans, I really enjoyed the first couple of Ride albums.  Unlike The Charlatans, Ride broke up for a long time and then reunited about a decade ago.

This was also going to be my first show of the new year (and then two other shows crept in front).

As it turned out, there was a snowstorm on this day.  I don’t think the snow was all that bad, but there was a lot of hand wringing and street clearing and it seemed like it just wasn’t a good idea to drive down to Philly and try to find parking.

It was also the night before my son was going back to college, so it was nice to be home for that.

I suspect that if I had really wanted to go to the show, the snow wouldn’t have kept me away, so overall it’s not a huge loss.  I’m a little bummed though that Ride didn’t play their Free at Noon earlier in the day, because at least I would have gotten a chance to hear some of the show.

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[DID NOT ATTEND: January 17, 2023] Wednesday / Hotline TNT / Echotracer

Back in June, Wednesday headlined Union Transfer.  I wrote:

Wednesday were supposed to open for Beach Bunny at The Fillmore last year.  They bailed on the show and I was a little bummed because I had heard good things about them.  When they announced this headlining tour (at Union Transfer?  They’re big enough for there already?) I was intrigued.  I’d heard a song or two that I liked, but there was something that held me back.

I really like the fuzzy guitars and largely grunge sound, but there’s a kind of alt-country vibe that underpins their sound that I just can’t get past.  They have a lap steel guitar (which I either love or hate depending on how it’s used) and are often described as merging shoegaze and country.  So I didn’t feel compelled to go to this show after all.  And it was nice to have a Saturday night at home.

They have only gotten more popular in the last six months and I was interested in going this time.  However, it was on the night of a very special date for me–so I had other plans.

Hotline TNT plays what I can only describe as classic shoegaze, which is definitely having a moment again.  Unlike a lot of their contemporaries, they don’t really mess with the classic shoegaze vibe all that much–not adding elements at all.  Their music warms my heart and I’d love to see them live.

Echotracer is a couple of DJs or something.  They are members of a couple of Philly bands who make a kind of noisy dance collage.  I listened to a few minutes and didn’t like them.

 

 

 

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