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Archive for the ‘Union Transfer’ Category

[DID NOT ATTEND: June 28, 2024] Mdou Moctar / J.R.C.G.

I saw Mdou Moctar at Ardmore Music Hall and it was pretty fantastic.  I wasn’t sure if I needed to see him again at a bigger venue, but this show was on my radar.

I didn’t buy a ticket because I assumed it wouldn’t sell out.  It was also squeezed right in between a few other shows I was going to and I am trying to limit the amount of shows I see in a week (honestly).  I was also assuming  that since I’d seen him fairly recently I wasn’t sure if I needed to see him again so soon.  Although it turns out he just announced an intimate semi-acoustic show in early July that I’m going to go to.

There are four Tuareg musicians who I’m interested in seeing.
Bombino, Imarhan, Mdou Moctar and Tinariwen.

I have seen Mdou Moctar.  I’ll be seeing Tinarwen in a few weeks.  We’ll see if the other two come my way. (more…)

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[ATTENDED: June 21, 2024] Ted Leo + Pharmacists / Ekko Astral

I saw Ted Leo + Pharmacists back in 2019 and really enjoyed the show.  At the time IW rote

Even though I like Ted Leo I really don’t know a lot of his songs–I’ve been more of a casual fan.  So I was delighted by the variety of sounds and styles he played from throughout his career.

Over the last five years I’ve wanted to see him again but for one reason or another I didn’t.  So when he announced a show at Union Transfer I grabbed a ticket.  I didn’t really give much thought to the fact that he was playing Shake the Sheets because I don’t really know any of his albums per se.  So I didn’t really care about that (It turns out when I saw him last time he played a bunch of songs from that album).

When the Isiliel show was announced for the same night I was quite torn.  I thought that the Ted Leo show would be more fun, but I didn’t know if Isiliel would ever come back, so I opted for that one. It ended at 10:30 and I had seen that most of the Ted Leo shows were ending around 11:30.  Since Union Transfer is about four block from PhilMOCA I decided to pop in and catch the end of Ted Leo and I’m really glad that I did.

So I missed the entire set from openers Ekko Astral (whom Ted praised very very highly and made me wish I had seen them–if I could have seen them in stead of Isenmor, that would have been amazing).  I’s like to make sure I see them again someday.

Luckily for me (but I would have hated this is I was there), Ted and the band didn’t go on until 9:40.  I just found out though that there were actually TWO opening bands, which explains the delay for Ted.

The middle opening act was (more…)

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[ATTENDED: June 17. 2024] Los Campesinos!

I have been a fan of Los Campesinos! (who are actually Welsh) since their debut album.  But I have never seen them live.  I missed the 2022 show because our postponed Ben Folds concert was rescheduled to this evening.  Bummer.

I didn’t really follow them much after their first couple of albums, but their overall vibe hasn’t changed dramatically over the years.  They write funny, literate songs about loss disguised as really catchy scream along type anthems.

Singer Gareth David Paisey has a yelling kind of voice that is really fun to get behind.  (Util this year all of the band members used Campesinos as their last name, but now they acknowledge their actual names.

I had always thought they were a totally under the radar band.  But I was shocked to see how many people were at this show, in particular how many younger people were at this show. I mean, where do you hear about Los Campesinos! in 2024?  But everyone there knew all the words and shouted along.  It’s also fun to realize that most of the band has been with them since the beginning and the newer people are all in the band over ten years by this point.  Pitchfork describes their fan base

emo-curious indie adults, indie-curious emo kids, DIY scenesters and Genius annotators, avid consumers of hard cider and hard-left politics, obsessives of European football and American Football alike.

The new album All Hell is just as good if not better than their others.  The lyrics are still wordy and verbose with words like selenograph and phrases like “a cavalcade through antemortem, terminal suburban boredom.”  If these words appeal and you can imagine more or less screaming them over catchy melodies, then this is the band for you. (more…)

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[ATTENDED: June 17. 2024] Short Fictions

I didn’t know Short Fictions before this show.

They have a similar vibe to Los Campesinos!  A kind of delightful chaos that resolves into really catchy songs.  With a trombone!  Anda  xylophone!

The band rocked in a kind of bouncy ramshackle way, singing songs with titles like “Living in Places Like These Can Be Bad for Your Health (Can’t Live Here Anymore)”

They were fun and funny, introducing “I’m Going to Kill Myself with a Gun” by saying that the singer’s mom begged them not  to play that horrible song. But what she doesn’t realize is that it’s about unfair wages and economic inequality!

Some of the songs, like “Wasting” rocked a little harder than other, but other songs are twitchy and weird but also somehow sing-along worthy.  And then a song like “Self Betterment in a Time of Loneliness” had a middle section where the band just went crazy with super fast drums and cymbals.  Jittery and punky and a lot of fun. (more…)

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[ATTENDED: June 14, 2024] Kim Gordon 

I could have seen Kim Gordon a couple of years ago but didn’t get a ticket (and then we went out to something else that night anyway),

I’m not sure what that show was like and I wasn’t entirely sure what to expect for this show either.

I hadn’t really listened to her new album and I’m not entirely sure that I needed to, because I feel like her live band transcended the beats-n-effects of the album.

Kim’s band was fantastic.  They all looked like they could have been teenagers (they’re not) and they made an exquisite noise that was not like Sonic Youth in any way but spirit.  And yet, it was noisy and delicious, with guitars that didn’t sound like guitars, snyths that spanned the gamut of sounds and a drummer who bashed and bashed.

I loved watching guitarist Sarah Register (who was in my sight line while I looked at Kim) play…everything.  She played chords of course, but also played shapes and sounds and scrapes and everything.  It wasn’t like watching Thurston and Lee, it was far more controlled.  But it was awesome.

Bassist Camilla Charlesworth doubled occasionally on electronics (apparently, she was responsible for the the nagging John Carpenter-like synth stabs on “Bye Bye”, although it was impossible to know who was playing what half of the time.  She played a great fuzzy almost electronic sounding low end, both on the bass and on the synths

And drummer Madi Vogt , whom I was closest to, was a machine, pummeling the drums and then pulling back when the songs got quiet.

I’m focusing on the band because I went there to see Kim and was amazed at how much I was impressed by the band.  Kim herself was pure Kim–very cool, very much in control.

She played occasional guitar and mostly recited lyrics (that I think she had written on the book in front of her).  It’s a testament to Kim that she was the least interested person on stage and yet I couldn’t take my eyes off of her, she has that much charisma.

Given Kim’s diverse recording history and tendency towards out-there avant garde, I wasn’t really sure what I’d be getting at this show.  This set was nothing that I was expecting and was far better than anything I had hoped for.  And I have since followed everyone of her backing band to see what else they get up to.

  1. BYE BYE ©
  2. The Candy House ©
  3. I Don’t Miss My Mind ©
  4. I’m a Man ©
  5. Trophies ©
  6. It’s Dark Inside ©
  7. Psychedelic Orgasm ©
  8. Tree House ©
  9. Shelf Warmer ©
  10. The Believers ©
  11. Dream Dollar ©
    Encore:
  12. Air BnB Ø
  13. Paprika Pony Ø
  14. Cookie Butter Ø
  15. Hungry Baby Ø
  16. Grass Jeans §
  17. BYE BYE ©

© The Collective (2024)
Ø No Home Record (2019)
§ Single (2021)

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[ATTENDED: June 14, 2024] Bill Nace

Kim and Bill Nace toured in 2022.  Bill was also in the band Body/Head with Kim.  I saw him play in a jam session with Chris Forsyth in which he played the Suzuki Ran–an Electric Taishogoto.  When he played with Forsyth I worte

It sounded like a bunch of noise, honestly—there were some loud and wild effects on it.  It also drowned out Forsyth’s guitar.

For this show, Nace came out with this same instrument.  It has keys that you press and strings that you strum or bow.  Nace used a bow and turned the distortion and effects up to max and then played noise for about fifteen minutes.  Then he put the bow down, turned the Ran so it was more like a piano and played the same note–tapping the same key–for about 8 minutes.

I did not enjoy the set at all.  Which is a little odd since I do enjoy experimental music.  But this seemed to be more of a joke or a punishment than anything else.

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[DID NOT ATTEND: May 29, 2024] Camera Obscura

When it was announced that Camera Obscura had released their first album in 11 years and were touring for the U.S. for the first time in longer, I got caught up in the hype.  I didn’t really know them, but felt like I sort of did.  But it turns out I didn’t know them at all.  Then I thought, ooh, their Scottish, I wonder if they are interesting and unusual.

I listened to the new album a few ties and I like it, just not enough to go out a second night in a row.  The same thing happened when they played a song on the radio this morning,  I thought it was pleasant, but when they said it was Camera Obscura, I didn’t think it was anything more than pleasant.

They more or less broke up in 2015 following the death of their keyboardist but reunited to play at a festival headed by Belle & Sebastian.

I really wanted to like them, but nothing i listened to really stuck. (more…)

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[ATTENDED: May 23, 2024] Mannequin Pussy

I wasn’t sure if I needed to see Mannequin Pussy again–but when they announced a tour of their new (excellent) album and that they were ending it in Philly and that Soul Glo was opening, I knew I had to go.

This was the fifth time I’ve seen Mannequin Pussy, which is a little crazy since it’s more than band that I have liked for a lot longer.

But they put on a great show (and they play Philly a lot).

I enjoy them as a headliner because Marisa Dabice can really stretch out and encourage the audience t o let themselves go.  She also told us that this tour was all about playing the new album.  Which they did.  All but the last song.  And this album kicks ass so it was great to hear all of these new songs.

The show started quietly with their surprisingly mellow first single, “I Don’t Know You,” and it built with the second single “Sometimes.”  If anyone came just for the new singles, that was the end right there. (more…)

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[ATTENDED: May 23, 2024] Soul Glo

I wasn’t sure if I needed to see Mannequin Pussy again–but when they announced a tour of their new (excellent) album and that they were ending it in Philly and that Soul Glo was opening, I knew I had to go.

I had heard lots of buzz about Soul Glo and all of the videos I’d seen had shown a frenzied band and a frenzied audience.  I was intrigued but decided that ultimately the show would be too intense for me.

But having them as an opening act made it a little safer–especially since I got to stand on the side of the pit and just watch it.  But a home town crowd knew how to get into their scorching punk.

Soul Glo came out to much applause.  Allen Nunez on bass was closest to me.  Singer Pierce Jordan was playing with some electronic sounds while the rest of band got set up.  TJ Stevenson was on the drum kit and GG Guerra strapped on his guitar and started making noises on his own electronic equipment.

And then they turned to us and were off. (more…)

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[DID NOT ATTEND: May 22, 2024] Mannequin Pussy / Soul Glo

I’ve seen Mannequin Pussy three times.  The first time they were opening for Japandroids and Boot & Saddle.  And now they have three sold out shows at Union Transfer!

I immediately grabbed tickets for the first night–a hometown show would be amazing.

When I saw that Gustaf was playing on Wednesday and they had added a Thursday show, I sold the Wednesday show and grabbed a Thursday one.  I assume they will be in full force on Thursday.

And I was especially excited that Soul Glo was opening for them. (more…)

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