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Archive for the ‘Underground Arts’ Category

[ATTENDED: June 24, 2023] Mondo Cozmo

We had enjoyed Illinois, but as my wife said, when Mondo Cozmo started playing it was like, “ah yes, this is a professional band.”  And I know what she meant, somehow Mondo Cozmo stepped up the quality of the performance.  Everything felt a little bigger, a little more polished.

So we had known some Mondo Cozmo songs from hearing them on WXPN.  As of a few days ago I could say I didn’t really remember the songs I knew, although when I played the albums on Spotify they came flooding back.   Suffice it to say we didn’t know most of the songs.

But as soon as Joshua Keith Ostrander started playing (acoustic guitar for the first song) and singing “Meant for Livin'” it was clear why they were the headliners (even if Illinois helped him out when he was first starting).  And by the chorus, we knew that we had picked a perfect show to see.

The band sounded great, Josh’s voice was fantastic and the songs were all catchy as hell.  Even if you didn’t feel comfortable singing along yet, you could easily clap along.

“Meant for Livin'” has a kind of Dylanesque feel of folk rap and and a big ripping chorus.  And I could see from the way that she was smiling  that my wife was happy she came along.

“Black Cadillac” was even bigger, with a fun bass line and another sing along chorus and  fun ending “Give me some sugar.” (more…)

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[ATTENDED: June 24, 2023] Illinois

I was looking forward to seeing this show, but I felt bad that I was going out two nights in a row so I asked my wife if she wanted to come along.  I never ask her along to show I know she’ll hate, and I know sometimes she’s iffy about going out at all, but she said yes, and that made it all the more fun.

The opening band was Illinois who I had never heard of, but whom the crowd absolutely had. The crowd sang along to almost every song and I’m guessing that if I knew the music a little better I would have had as much fun as everyone else.

As it was, it felt like a fantastic cover band playing covers that I’d never heard before.

Turns out Illinois is from Bucks County, PA, so they’re locals.  And the locals were really into seeing them.

The songs had a stomping kinda country feel and I was never exactly sure what vibe the band was going for. (more…)

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[ATTENDED: June 7, 2023] Temples

I saw Temples about a year and a half ago and the show was terrific.  The songs sounded like the albums without sounding exactly like the albums.  They were fun and funny and, without doing anything fancy, put on a heck of a show (probably because their songs are so good).

I wasn’t sure if I was going to go to this show because a literal cloud of smoke had fallen over the entire area.  Wildfires in Canada had sent plumes of really dangerous smoke over the entire Northeastern U.S.  Air quality was so bad that we were wearing masks again.  I wasn’t sure if it was safe to go out in it.  Technically it wasn’t, but it was okay with a mask.  I drove to Philly with my windows closed and a mask on the whole way.  It was weird to take the mask off inside, but I did because the place had a filtration system in place.

I hadn’t listened to the new record a much as I should have, but I do like the overall feel of the album.  So, having new songs sprinkled throughout the set was a nice way to get to really enjoy them.

Lead singer/guitarist James Bagshaw is a great presence up there under his curly hair.  His voice sounded great and it was cool watching him play the catchy riffs that the band has created.  He messed up the opening of one song and chastised himself.  But other than that his playing was spot on.

I really enjoyed their previous album Hot Motion a lot and would have loved to hear more songs from it.  But I understand you have a new album to promote.  Honestly they could have played for thirty more minutes and maybe played all of their songs that I like. But I have no complaints about the setlist.

Because “Certainty” from Volcano sounded amazing.  And Holy Horses from Hot Motion is one of my favorite songs of theirs. (more…)

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[ATTENDED: June 7, 2023] Post Animal

I hadn’t heard of Post Animal, but when I read about them, I was really interested in checking them out.

They came out on stage–all five of them–and proceeded to blow me away with a fusion of what I heard as Rush meets King Gizzard.

The Rush component came in some of their extended, prog-like songs that ended in chord patterns that were very much Rush adjacent.  The King Gizzard part came from some of the frenetic guitar soloing.  And what was really really fun about them was that every song was really different.

Some were straight up riff rockers.   Some had multiple parts.  Indeed, I didn’t actually know how many songs they played before they spoke.  I thought it might be one fifteen minute song, but i believe it was actually three shorter songs.

They had four different vocalists (some who switched off during one song, I believe). (more…)

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[DID NOT ATTEND: May 11, 2023] Voivod / Imperial Triumphant

I saw Voivod play back in 2019.

I’ve been a fan of Voivod for decades.  But I never saw them live when I was most into them (late 80’s).  Then after Denis “Piggy” D’Amour’s death in 2005 I assumed I never would.  But amazingly they found a guy who plays guitar very much like Piggy did–a bizarre hybrid of prog, metal, dissonance and eerie harmony.  That man is Daniel “Chewy” Mongrain.  Chewy is able to play Piggy’s parts.  And his new parts are very much in the style of old Voivod, but are certainly his own.

I was pretty excited to go to this show.  I wanted to see them again (although Underground Arts seemed rather small for them).  But for one reason or another I never got a ticket.  And the show cam and went and I missed it.

I was actually more interested in seeing the opening act, Imperial Triumphant, an American experimental metal band formed in 2005 in New York City.  I’m intrigued, especially, because they wear these wild costumes on stage.  Their sound is abrasive and weird.

I do hope to see them at some time.

And Voivod again too.

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[DID NOT ATTEND: April 27, 2023] Fucked Up / Gnawing / Restraining Order

I saw Fucked Up back in July of last year and never thought they’d be back again so soon.  Of course they are super prolific, so why shouldn’t their touring schedule be, too.

I was really excited to see them again because the last show was intense and a ton of fun.

But I wound up doing a ton of yard work during the day (I had taken the day off from work).  And by the time it was time to go out, I was exhausted.  I even felt asleep during the show hours, so it’s probably best I wasn’t driving.  But it sounds like they’ll be back soon enough.

Gnawing describes themselves as a loud rock and roll band that wishes they were a country band.  They come across as more of a sloppy indie rock band from the 90s and there’s nothing wrong with that.

Restraining Order is pretty much straight up hardcore punk.  They would have been a fun opener.

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[ATTENDED: April 11, 2023] Sleaford Mods

I’ve been aware of Sleaford Mods for a few years.  I enjoy them a little more in theory than in reality.  It’s a little aggressive for me and Jason Williamson is a little too angry for my tastes these days.  But I still thought they would be fun to see live.

When Sheer Mag was done, the roadies cleared out everything from the stage–amps, gear, banner.  Everything stripped out.

There was nothing on the stage when Andrew Fearn came up with a table and a laptop.   Then they brought up a microphone.

And that was that.

So what the heck is this band all about?

Sleaford Mods have described their work as “electronic munt minimalist punk-hop rants for the working class.” Williamson is responsible for the words, Fearn for the music. Sleaford Mods songs have been described as embittered rants about such topics as unemployment, modern working life, celebrities and pop culture, capitalism and society in general. The lyrics usually contain profanity, which is, according to Williamson, the way in which he speaks and “not just fucking swearing.” Fearn’s music has been described as “purgatorial loop[s]” of “pugilistic post-punk-style bass; functional but unprepossessing beats; occasional cheap keyboard riffs and listless wafts of guitar.” Williamson’s voice on Sleaford Mods songs is sprechgesang, rapped with an East Midlands dialect.

So they don’t really do rap.  But they kind of do.  (more…)

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[ATTENDED: April 11, 2023] Sheer Mag

I saw Sheer Mag about ten months ago. So this was my third time seeing them.  It’s always funny to me how I see some bands a lot without really trying to, but bands that I really want to see I hardly get the chance.

There are bands that I love that I have now seen as many times as Sheer Mag, a band that I enjoy, but don’t need to see again.

The first time I saw them, I said

They play a terrific swagger-filled hard rock (comparisons to many riff rock bands of the 70s abound).  And they are fronted by bad-ass singer Tina Halladay whose gritty voice sounds quite a bit like some of high-pitched male singers of the era.

They have a new album coming out soon.  And they may have played some songs from it–there were a few that sounded different from the ones they usually play.

They are certainly an odd opening band for Sleaford Mods.  Tina joked that the pairing made sense because Sleaford Mods are British and Sheer Mag are a bunch of cunts.  So there ya go. (more…)

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[DID NOT ATTEND: April 5, 2023] Deerhoof / Hello Mary / Scarlet

Deerhoof is one of the weirder indie bands out there.  Their songs have no real sense of standard structure or melody.  They jump from notion to notion, seemingly on a whim.

I haven’t listened to them a lot, although I always like to know they’re still making weird music.

They’re the kind of band that would be really interesting to see live.  One reviewer on Soundkick puts it much better than I could

There sound is also so fascinating because they love playing around with polar opposite musical elements, testing how they clash and complement each other. Singer Satomi Matsuzaki’s voice has a characteristic sweet and child like innocence to it; however it is often bizarrely paired with abrasive (sometimes borderline frighting) musical accompaniments. Deerhoof is also a band that has a rich understanding of pop music; however they will take it into their own territory: perverting it, capitalizing on its charm, and most importantly using it as a way to mess with the listeners anticipations.

Deerhoof is one of the most unique bands around and it is a wonderful experience to see them perform live. Their music is simply incomparable. In a way it is a mystery how they get such interesting sounds when using very conventional instrumentation. When I saw them live for their “Breakup Song” tour they performed their entire set using only a guitar, bass, drum set and microphone. I was mesmerized throughout the performance. It was one of the few shows I have attended in which I was absolutely absorbed in the music. They switched from songs like “Apple Bomb” which was a more contemplative track featuring fantastically odd chord changes to newer songs like “There’s That Grin”. “There’s that Grin” has to be the catchiest Deerhoof track written. I couldn’t believe how perfect they performed it live either. This is a song that features extensive use of synthesizers and yet it sounded just as good performed on the guitar and bass. Their drummer Greg Saunier also has one of the greatest improvisational styles I have seen in a long time.

I wasn’t really intending to go to this show until I saw that Hello Mary was opening.

The New York trio’s self-titled full-length debut, out March 3, is a blast of distorted chords, sunny harmonies, and all-consuming angst that will renew your faith in the hopelessly dated and/or timelessly classic sounds of alternative rock. Hello Mary is an instant contender for 2023’s most bracing entrance to the stage, sharp and self-assured. Oh yeah, and the band’s two founders — singer-guitarist Helena Straight and bass player Mikaela Oppenheimer, both 18 — just graduated from high school this summer.

I have since listened to the album and I love it.  I sure hope they tour soon, maybe as a headliner.

Scarlet is a terrible name for a band.  While looking this band up, I found at least three possibilities because there are at least three bands with this name.  One is a hair metal band, the other is a grunge goth band and then there’s this one, which I assume is the right one (there’s no way to tell really).

The band that I think this is–they make the most sense–is the band from Brooklyn (this one) who I rather like.  There’s droning guitars and feedback–grunge guitars and soft vocals (a la 90s indie rock).   Probabaly because I just saw Versus, tis band reminds me of them somewhat in style. It’s pretty great.  I hope this is the Scarlet that was at this show.

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[DID NOT ATTEND: March 18, 2023] White Reaper / Soul Blind / Mamalarky

I was intrigued by this show because I’d heard some good things about White Reaper.  But when I listened to them I wasn’t all that impressed.  But then WXPN started playing their single “Pages” and I really like it.

At some point I realized that I wasn’t going  to be able to make this show, so I haven’t listened to anything else by them so I didn’t know if I was missing out on something I really wanted to see.  Now that the show’s over I’ll give them a more proper listen.

Soul Blind was originally listed as on this bill, but it appears that they didn’t play.

A review describes them as:

Soul Blind is a four-piece group from the Hudson Valley, creating a fuzzy blend of shoegaze and alternative that takes inspiration from bands like The Smashing Pumpkins, Alice in Chains, Third Eye Blind, and Deftones.

Aside from Third Eye Blind, I think I’d enjoy their set.

I had heard of Mamalarky on NPR Music.  Their single was a boppy weird thing that I kind of liked.  But I knew that the rest of their sound could have gone in many different directions.  The singer is from Cherry Glazerr.  According to the program they said they wanted to make a psych pop record but not from “60’s dude band.”

I feel like this whole show would have been really fun.  Probably best I didn’t find out until after it was done.

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