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Archive for the ‘Underground Arts’ Category

Tinariwen (Underground Arts, Philadelphia, PA, July 24, 2024)

Posted in Basic, Chris Forsyth, Philadelphia, PA, Tinariwen, Underground Arts on July 25, 2024| Leave a Comment »

[DID NOT ATTEND: July 24, 2024] Tinariwen

Tinariwen is a pretty legendary band.  They play a guitar driven “desert blues” in which the guitar is played pretty much non-stop.   It’s unique and original to American ears but is apparently part of a Mali musical sound that combines traditional Tuareg and African music with Western rock.

I’ve been trying to see them for a number of years and things never seemed to pan out, until this year.

The night was a challenge as parking was limited and I wound up coming in later than I intended.  It was also much more crowded (so early) than I anticipated.  So I had  to stand off to the side.

About half way through the show, I had to get out of the crowd and Underground Arts was super nice in that someone got me a chair (I’m using a cane at the moment).  I actually felt obliged to stay in the chair which meant I was in kind of a crappy location visually for most of the show.   But it was so crowded that I wasn’t going to see much anyhow, so I’m grateful for the seat. (more…)

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Basic (Underground Arts, Philadelphia, PA, July 24, 2024) [TINARIWEN]

Posted in Basic, Chris Forsyth, Philadelphia, PA, Tinariwen, Underground Arts on July 24, 2024| Leave a Comment »

[ATTENDED: July 24, 2024] Basic

Philadelphia’s own BASIC, Chris Forsyth on guitar, Nick Millevoi on baritone guitar and drum machine, and Patrick Avery on percussion and electronics.  I saw them open for Tortoise back in 2023 and really enjoyed their rocking, possibly improvised set.

The venue was super packed.  I started in the center but couldn’t see anything so I moved to the Nick Millevoi’s side, but was still blocked by a pole.  Eventually I sidled up and managed to see all three of them.

Last time, I felt Christ Forsyth’s guitar was a little quiet, but this time the sound was great.

Like last time, Avery had a tiny bass drum that he hit with a mallet.  On it was a kind of woodblock, which he hit with a plastic mallet.  That’s all he had.  Millevoi often started a drum machine as he started playing so technically Avery didn’t have a lot to do, but seeing and hearing him add bass drum was a nice touch.  Avery also played with some electronics on a table near him–I think he was doing a lot more than I realized (since I couldn’t see him very well, it’s hard to know).

They played for about 40 minutes and it was a great rocking set.  Nick and Chris both played great solos from time to time and Mikel held it all together.

I do hope to see them one more time, hopefully from the front where I can really see what’s going on.

And what was fun was that Chris and his family (I assume) stood next to me at the end of Tinariwen, and then he was super friendly after the show where we chatted about the upcoming Basic album.

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Pallbearer / REZN / The Keening (Underground Arts, Philadelphia, PA, June 16, 2024) [DID NOT ATTEND]

Posted in Pallbearer, Philadelphia, PA, REZN, The Keening, Underground Arts on June 16, 2024| Leave a Comment »

[DID NOT ATTEND: June 16, 2024] Pallbearer / REZN / The Keening

I’m more or less done with going  to heavy metal shows.  There are still a few bands I’ll go to see, but overall, there’s not much left that I’m curious about.

Pallbearer are a doom metal band (a subgenre I find myself drawn to more than other subgenres), but they mix in elements of prog metal as well, which is a major draw for me.  I’ve never seen them, but I would very much like to.

I dithered about this show because I had a few other shows around it and wasn’t sure if I wanted to go out on a Sunday night.   Then about two weeks before the show I realized that this was Father’s Day, and I certainly wasn’t going to go to a metal show by myself on Father’s Day.

REZN is a band I didn’t know, but when I checked out a few songs I really liked them.  Angry Metal Guy describes

 an esoteric brand of psychedelic doom that finds unique ways to incorporate each member’s talents. Synth maestro Spencer Oulette boasts credits for piano, sax, and flute, and bassist Phil Cangelosi even busts out a rainstick to set the mood.

(more…)

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Man Man (Underground Arts, Philadelphia, PA, June 15, 2024) [TOUR CANCELLED]

Posted in Cancelled, Man Man, Philadelphia, PA, Underground Arts on June 15, 2024| Leave a Comment »

[CANCELLED: June 15, 2024] Man Man

I was pretty thrilled to hear that Man Man had a new album out and that  they were touring it–June 15 at Underground Arts!

And then one day the show wasn’t listed anymore.  And when I went to Underground Arts for a different show, they told me it was cancelled.

It took a few days, but on May 23, they finally posted

Sorry to everyone who was looking forward to our upcoming US @manmanbandband tour. We’re gutted by the postponement. unforeseen circumstances took control of the wheel. Hopefully we’ll wrestle it back in the future. Our album still drops on June 7 & and we are so goddamn proud of it.”

So no explanation for the cancellation, but at least  thy acknowledged it and (one hopes) they will reschedule for next year.

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Melt-Banana (Underground Arts, Philadelphia, PA, June 6, 2024)

Posted in babybaby_explores, Melt-Banana, Philadelphia, PA, The Flying Luttenbachers, Tomato Flower, Underground Arts on June 9, 2024| Leave a Comment »

[ATTENDED: June 6, 2024] Melt-Banana

I’ve known about Melt-Banana for years.  I knew they were loud and fast and were from Japan.  But I didn’t know much beyond that.  Turns out they’ve never had a permanent drummer.  They like the freedom of a drum machine.  For over twenty years they had a bass player (Rika Hamamoto) but when they decided to tour again recently, they decided to go just as as duo Yasuko Onuki – vocals and Ichiro Agata – guitars, effects.

I saw them nine months ago when they opened for Igorrr.  I knew they toured a lot but I didn’t think they’d be back again as a headline act.

This show was really really packed and I was on the side of the stage so I didn’t really see all that much, but since there’s only two of them, it was actually not a bad place to stand.

The set wasn’t radically different from the last time I saw them.  I wrote:

After getting all of their gear set up, Yasuko calmly stood with a colorful videogame controller looking device in her hand.  A wall of amps and a laptop behind her.  Off to her left a few feet was Ichiro, with a guitar, a huge array of pedals and his own wall of amps.

He played fast and he looped his sounds and did a million things most of which I can’t even fathom.  Yasuko had her device and from time to time, she would wave her hand and presumably push a button on the gadget and the drums and bass blasted out of the speakers.  And these drums sounded great–they sounded real and not like a preprogrammed device.  I actually wondered if they were somehow triggering the drumset that was set up behind them (they weren’t).

Yasuko sings very high, very fast and sounds kind of angry.  But she never looked angry.  And she never broke a sweat (while Ichiro was a sweaty mess).

They played a whole bunch of songs, I can’t even imagine how anyone could tell them apart.  But someone did, as the setlist below is from the NY show but I believe it is the same (or roughly so) of ours–comparing my clips to what the songs are, it seems like the setlist was the same each night.

(more…)

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The Flying Luttenbachers (Underground Arts, Philadelphia, PA, June 6, 2024) [MELT-BANANA]

Posted in babybaby_explores, Melt-Banana, Philadelphia, PA, The Flying Luttenbachers, Tomato Flower, Underground Arts on June 8, 2024| Leave a Comment »

[ATTENDED: June 6, 2024] The Flying Luttenbachers

The Flying Luttenbachers are an American instrumental unit led by multi-instrumentalist, composer, improviser and producer Weasel Walter. They focus on noise and dissonance, but surprisingly composed and controlled, almost like jazz punk.   And I see that they have been around since 1992!

I wish I was in a better place for this band–I was too far off to the side to see Weasel Walter doing his thing and drummer was obscured from time to time.  But I had a great view of bassist who was a maniac seemingly doing his own thing but always perfectly n synch with the other when needed.

They opened the show with a wall of noise.  Thunderous drumming from James Paul Nadien, rumbling bass from Luke Polipnick and screaming guitars. (more…)

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babybaby_explores (Underground Arts, Philadelphia, PA, June 6, 2024) [MELT-BANANA]

Posted in babybaby_explores, Melt-Banana, Philadelphia, PA, The Flying Luttenbachers, Tomato Flower, Underground Arts on June 7, 2024| Leave a Comment »

[ATTENDED: June 6, 2024] babybaby_explores

TI moved to the other side of the stage which might have been a mistake as I had something of a worse view for the next three bands.

Up next was babybaby_explores a trio from Providence, RI.  The band members are Lids B-day: effected vox & sampler, sam m-h: electric guitar, and Ramona Cano-Daly: drum machines.

So, basically there was a guitar on stage and two people playing with effects boxes.  Experimental barely covers what’s going on here.

Lids B-day was a weird and funny front person, with a kind of I don’t give a shit attitude.  They were just kind of stomping around and flailing and recite/singing the lyrics.  They projected a great fun attitude. (more…)

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Tomato Flower (Underground Arts, Philadelphia, PA, June 6, 2024) [MELT-BANANA]

Posted in babybaby_explores, Melt-Banana, Philadelphia, PA, The Flying Luttenbachers, Tomato Flower, Underground Arts on June 6, 2024| Leave a Comment »

[ATTENDED: June 6, 2024] Tomato Flower

I was really excited to see Melt-Banana and I had to assume that any bands that opened for them would be interesting.  I had listened to a little bit of Tomato Flower before the show and I was really interested in them.

And they proved to be utterly fantastic.  I loved everything about them.

Their songs were jagged and indie, weird and delightful.  They reminded me of Palm (one of my favorite weirdo bands) for the unexpected shifts in tempo and direction.  They had two singers Jamison Murphy and Austyn Wohlers (who is also a novelist).

I was in front of these two so couldn’t really see bassist Ruby Mars.  And I couldn’t see drummer Mike Alfieri at all.

Austyn sang most of the lead vocals with Jamison adding a lot of second vocals (not really backing vocals but unique melody lines).  Although the opening song “Destroyer” has Jamison screaming the title word between two quiet guitar lines.  It’s catchy but decidedly weird. (more…)

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Psychedelic Porn Crumpets / Spoon Benders (Underground Arts, Philadelphia, PA, May 11, 2024) [DID NOT ATTEND]

Posted in Philadelphia, PA, Psychedelic Porn Crumpets, Spoon Benders, Underground Arts on May 11, 2024| Leave a Comment »

[DID NOT ATTEND: May 11, 2024] Psychedelic Porn Crumpets

Of all the shows I was sure I wouldn’t miss, it was this one.  I love Psychedelic Porn Crumpets and when I saw them two years ago the show blew me away.  I genuinely couldn’t wait to see them again.

So what happened?  Well, we had a house emergency and I spent most of the evening repairing a toilet.  And I had zero interest in doing anything after that.  I was also having terrible leg pain and couldn’t imagine standing for three hours–or getting in an inevitable mosh pit.

Plus, we were heading to the dreaded Freedom Mortgage Pavilion for Neil Young and Crazy Horse the next night and I didn’t want to be wiped out from this show for that one.

Sigh.  I need that crazy stamina back!

Spoon Benders are a progressive psych-rock powerhouse that has been relentlessly crisscrossing the United States, leaving a trail of newly acquired fans in their wake. Spoon Benders have become synonymous with an electrifying stage presence that can only be described as loud, controlled chaos.

When I first listened to some of their songs I wasn’t that excited, but I feel like I must not have been paying attention because their sound is very cool with lots of echoing guitars and a much-needed female voice on lead and backing vocals.

This really would have been a great show to see.  I hope PPC comes back soon.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

2024 2022
2024 Tally-Ho ¿
2024 Lava Lamp Pisco ♠
2024 Bill’s Mandolin &
2024 Mundungus ¿
2024 Found God in a Tomato
2024 November
2024 Mr. Prism ¿
2024 Hymn for a Droid &
2024 Acid Dent ♠
2024 Marmalade March
2024 Cubensis Lenses
2024 encore
2024 Cornflake


♠ Night Gnomes (2022)
¿ SHYGA! The Sunlight Mound (2021)
& And Now for the Whatchamacallit (2019)
¶¶ High Visceral (Part 2) (2017)
¶ High Visceral (Part 1) (2016)

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METZ / Gouge Away / Rid of Me (Underground Arts, Philadelphia, PA, April 20, 2024) [DID NOT ATTEND]

Posted in Gouge Away, Metz, Philadelphia, PA, Rid of Me, Underground Arts on April 20, 2024| Leave a Comment »

[DID NOT ATTEND: April 20, 2024] METZ / Gouge Away / Rid of Me

I saw METZ open for Modest Mouse four years ago and my ears might still be ringing.  I knew of Metz from their noise filled chaotic but amazing albums.

Their live show was less about the abrasiveness and more about their intense stage presence.  I knew I wanted to see them headline a show.

I was really looking forward to going to this show and then the night of, I was just too exhausted to head out.  A lame excuse, but there it is.

They seem to be regularly playing though so I’m hopeful that I’ll get to see them next year.

The two bands that opened for them sound like a Pixies cover band and a PJ Harvey cover band.  I hadn’t looked them up before hand to see if either band sounded like the band they referenced.

Gouge Away is from Florida and are a perfect fit for METZ.  They are loud and abrasive with a female vocalist who can do quiet and screaming with equal fury.  I really like them and I’m even more bummed that I didn’t go now.

Rid of Me is from Philly and are described as “heavy melodic noise punk” which seems impossible.  They are definitely heavy.  Kind of slow heavy with lots of screamed vocals (lead and backing).  Lots of guitar riffs and a special Philly edge.

This would have been a great show.  Stupid lameness.

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