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Archive for the ‘Underground Arts’ Category

[DID NOT ATTEND: October 26, 2025] Osees / DMBQ

Four years ago I saw Osees and really enjoyed the chaotic energy of the show.  Since then they have returned every year in mid October.  I get a ticket every year and then something comes up–usually involving a birthday party.

This year it happened during a lengthy run of shows that I was seeing and something had to give,

Even though this looked like an especially fun show (if Union Transfer was crazy I can’t imagine how insane they would be at Underground Arts).  A couple of days before the show my brother-in-law out in Denver said he saw the set and that it was awesome and he really liked DMBQ as well.

It made me even more bummed that I missed it.

DMBQ is from Tokyo.  The name stands for Dynamite Masters Blues Quartet.  I love a good rocking Japanese band and this was even more incentive to get to this show.  But I just couldn’t do it.

Watching a video of their live set and they are not quite as unhinged as some Japanese bands, but they are sure wild.  They’re  athree piece and they seem to defy conventional song structure.  Lots of solos, and a wild fuzzy insanity around the whole thing.  I can’t tell if the singer is singing in English, Japanese or just some made up sounds.  It’s amazing.  And the guitar player (the singer) is all over the guitar–clearly very proficient at the instrument.

I hope the come back next year.

 

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[DID NOT ATTEND: October 12, 2025] Destroyer / Jennifer Castle

I had tickets to see Destroyer here in 2022, but other things got in the way.  After seeing Destroyer open for Father John Misty, I was curious to see how he would tour for this new album (a huge band or a small band?)

Well, we had tickets for My Morning Jacket the two nights before this show and even though I wanted to go to this one, there was just know way I could do it.  So I missed out on Dan and his band again,  But I’m sure he’ll be back again.

Incidentally, here’s a review of his show (well, actually, more of him than of the show) in San Francisco

He’s a notoriously shy performer—Early reviews of Destroyer all recall him coming on stage already drunk, if not drink-in-hand prepared for it.  English major dropout, lover of French New Wave films and 40s era jazz. The Vancouver-based artist stands aloof on stage, staring at seemingly nobody in particular, in what seems like an attempt to pretend the crowd isn’t there. He sips his beer in between songs and crouches down, closing his eyes while his bandmates do the rest. Something tells me that this is his most comfortable and preferred way of performing.

And it answered my question about his live band

Joined by the two guitarists, the bassist and drummer were feverish and impossible to take your eyes off of. The keys player and trumpeter (with his own pedal board, mind you!) took the edges of the stage, with Bejar in the center.

So I know what I missed.  And I’d like to see it again.

Jennifer Castle is a Toronto based singer songwriter.  She released two albums under the name Castlemusic.  She has played with everyone from U.S. Girls to Fucked Up.  Her 2014 album has chamber folk and psychedelic components an her previous album had psychedelic folk elements.

She sounds interesting, although the few songs I’ve listened to are far more folk than psychedelic.  And she’s a little too slow for my tastes.

 

 

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[DID NOT ATTEND: October 2, 2025] Tropical Fuck Storm / Eraser

I love Tropical Fuck Storm and I want to see them every time they come to the area.  I was pretty psyched when they announced this show at Underground Arts.

And then I realized it was the same day as the Stardew Valley concert that I had bought tickets for like 8 months ago.  My wife loves the game and the music and there’s no way I wasn’t going to go to it.  So, I had to blow off TFS.  Which is a bummer.  But Stardew was wonderful, so it’s all good.

Eraser is a noisy Philly band.  I don’t know if you’d call it No Wave or just good old fashioned noise rock, but that’s what it was.  They play simple melodies and then go nuts making wild sounds and playing bizarre chords.  The keyboard is pitched to what was almost a toy keyboard sound–tinny and noisy, playing usually one or two note melodies like early new wave bands.

They make a good opener for TFS, but they’re pretty out there.

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[ATTENDED: October 1, 2025] TWRP


My son and I saw TWRP open for Magic Sword back in 2023 and we loved them.  We saw them again when they headlined.  And they’re the reason I went to Ninja Sex Party (they opened the show and were NSP’s backing band).

And here they were playing Underground Arts!  They were originally supposed to play World Cafe Live but because of a shakeup at the venue, TWRP and several other bands abandoned WCL for other venues.  I love Underground Arts but I think WCL would have suited my purposes better (much better sight lines).

I arrived later than I intended and the place was packed.  So instead of being on the barrier, I was back a ways behind a whole bunch of tall people.  After the first two songs I moved back and off to the side.  Not the best view but better than what I had and I could see most of the band just fine.

The previous times that I’ve seen them, they were on pretty big stages, so it was interesting to see them crammed into the small UA stage.  But they did fine with it and I was pleased that Phobos the guitarist was always near the front of the stage so he wasn’t hidden by the big pole.

All of the fun aspects of TWRP were in place.  Dr Sung on his hoverboard, Dr Sung bragging about his awesomeness and the rest of the band keeping him in check.

This tour’s theme was a weekend camping trip.  There were leaves and things around the stage and the whole conceit that they were camping was on full display.

They opened with a new song (and a new chant: party party party party).  I haven’t listened to much of the new album.  They played 4 songs from it but they did not get rid of crowd faves like Bright Blue Sky (so much fun to sing along to) and of course Atomic Karate (even in this small area he was able to do his high kicks (baby) and use the nunchaku.

The segues into each song are always fun, like when he talks about all of the potential in the room as a warm up to Human Potential. (more…)

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[ATTENDED: October 1, 2025] LAPD 

I was super excited for this show.  I wanted to get there early and get right up front for TWRP.  But I guess everyone else did too.  So I didn’t get a close spot at all.  I was annoyed by the people in front of me since they cut in at the least second and blocked about six shorter people.

The only consolation is that they were playing Weird Al as house music–which is a little weird since TWRP are funny, but aren’t comedy music.  But whatever, we all enjoyed it.

I’d never heard of Los Angeles Power Disco before this show.  The name was pretty funny (especially abbreviated LAPD).

The band came out on the tint stage and the trio crowded right up front.  There was a guitarist and a keyboard/bass/guitar player, and there was singer/guitarist Sarah Rayne.

Rayne had been in the band Cobra Man which played what they called Los Angeles Power Disco.  Then Cobra Man broke up very acrimoniously and Sarah took the name LAPD.

There was no drummer and honestly I don’t even know if the two guys on stage are part of LAPD or are touring musicians (LAPD has five songs out on Bandcamp, all released in 2025).

Sarah was dressed in a sequined unitard and was super interactive with the crowd.  I didn’t love the spot where I was (or the three tall people who jumped in front of us at the last second), so I couldn’t fully see what she was doing, but I know at one point she climbed on the barrier (holding hands with someone up front) and proceeded to high five and have people sing along to “Your. Time. To. Burn.” (more…)

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[DID NOT ATTEND: September 26, 2025] Lambrini Girls / Edging

As seems to happen a lot, I heard about Lambrini Girls and how their shows were amazing.  And then I saw that they were playing Underground Arts.

Their bio says “Imagine your nan is in the boot of your car with a croissant in her mouth and hears bikini kill for the first time. That could be you. It will never be us as we are not bikini kill and we are not your nan. We are Lambrini Girls. Bon appetite xoxox.”  The band currently consists of Phoebe Lunny and Selin Macieira-Boşgelmez (bass).  Lunny has a kind of shouting/speaking style (not all that unusual) and her accent remains very strong (also not very unusual among British bands).

Their name comes from Lambrini, a brand pear-based alcohol “aimed at the undiscriminating female drinker.”  And they have a song called Cuntology 1010, which is pretty funny while also being very pointed.   They seem like they would be a ton of fun live.

But my daughter an I had left for All Things Go earlier in the day, so I couldn’t go to this one.  I hope they come back next year.

I hadn’t heard of Edging, who describe themselves as “landscaper punks from Chicago” because their three founding members connected through landscaping jobs.  They play noisy punk and singer Faith Callaway has a great raw singing style.  But what makes them stand out is that their punk is accompanied by a saxophone (like X-Ray Spex).  Or, as I saw: “70s-style punk splattered with technicolor saxophone.” They seem like they’re a lot of fun.

This would have been a great show.

 

 

 

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[DID NOT ATTEND: March 24, 2022] Fu Manchu / Heavy Temple

Fu Manchu is one of the great stoner rock bands.  They have been around for thirty years with a similar fuzzy, grungey sound.  I missed them the first time around but became more keenly aware of them when their 2018 album Clone of the Universe featured not only an 18 minute song, but also a guitar solo from Alex Lifeson of Rush.

Their early stuff is really catchy and I wish I had known about them for longer.  They seem like they’d be a really fun live band.

They had announced a 30th anniversary tour in 2020, which was rescheduled twice until ultimately getting cancelled.  I was really excited to see they were coming back, but pretty bummed that it was the same night as Pup.

Heavy Temple has been on my radar since probably 2021 when they were going to open for Monster Magnet (show also cancelled).  So Heavy Temple is a band that consists of High Priestess Nighthawk (low end and vocal power), Siren Tempest (rhythm) and Thunderhorse (6 string axe slinger).  I’ve been following them on Instagram since the and they seem like their live show would be really fun.

Actually it looks like the band is laregly new members except got High Priestess Nighthawk who is the main force of the band.

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[DID NOT ATTEND: September 16, 2025] múm / Vorhees

I remembered when múm came out back in 1999.  I wanted to love them because they were an interesting band from Iceland with six members.  I was ultimately surpirsed and how mellow the music is.  It also sounds like it could be made by one or two people, so I’m not sure what all six members are up to.

They had just released their first album and tour in 12 years.  I was interested but there were four shows I wanted to go tonight and one of them was Garbage who I was not passing up.

When I looked up Vorhees, the first thing that came up was a hardcore band from England.  I didn’t think that could be right. And indeed it’s not.  This Vorhees is the nom de guerre of Dana Wachs, an audio engineer, musician, and sound designer based in New York City.

She releases a film score in 2026 which she recorded during the pandemic and she describes:

The pandemic forced a home recording set up, and contributed a foreboding tone to some of the heavier material here. It was an insular, and sometimes claustrophobic time … I lean into a range of texture and saturation, with the occasional melodic theme reappearing in a plethora of sonic guises.

Sounds moody and intense.   Not usually what I go for at a standing event, but I’ll bet it was very cool.

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[DID NOT ATTEND: September 12, 2025] Black Moth Super Rainbow / Ricky Eat Acid / Huron

I’d heard of Black Moth Super Rainbow and knew they were pretty weird (duh) but I didn’t know much about them.  I assumed I’d like them given that they are a psychedelic electronic indie rock project.  They are a solo project created by Thomas Fec.  Their visuals are startling and crazy.  But musically it’s very slow and I wasn’t that excited by it.  So I never hot tickets.

Ricky Eat Acid is the electronic project of Samuel Joseph Ray. He’s from Baltimore and is in the band Teen Suicide.  His music seems to be trippy and weird (as befits the name) and is mellow with samples and possibly no vocals.  Might be fun for a short set.

Huron is an electronic musician from Pennsylvania.  He is very hard to find online mostly because of Lord Huron but also because Huron is a very popular word in the United States.  He has a bandcamp site.  He makes very slow trippy music that I would hate to stand around listening to, but which I would definitely enjoy falling asleep to.

 

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[DID NOT ATTEND: July 19, 2025] Pelican / Porcelain / My Wife’s An Angel

Pelican is an American post-metal band from Chicago known for their heavy, atmospheric and almost entirely instrumental style.

I’ve been vaguely aware of Pelican for a while, and when this show was announced, I listened to a bunch more and was really excited to see them.  But it was the same night as Weird Al, which was a family event.  So, no Pelican for me.  I hope they come back next year.

Porcelain played with Wax Jaw in March of last year.   But I didn’t go to that show.

They are from Austin.  Post-Trash says

The quartet of Ryan Fitzgibbon (US Weekly), Eli Deitz (Dregs, Votive), Steve Pike (Exhalants, CSSS), and Jordan Emmert (Super Thief, Pleasure Venom) bring a great deal of experience together from different pockets of the city’s noise rock and punk scene, the pieces coming together to create something better than the sum of it’s parts.

I’ve never heard of any of those bands.  I like the sound of their music but I don’t really like the singer.  I bet they crush it live though, their drummer sounds like a maniac.

My Wife’s An Angel is from Philly.  A review on Ghettoblaster of their most recent album was simply

Philadelphia noise rock enigma My Wife’s An Angel releases its Yeah, I Bet, an album that is equal parts thrilling and terrifying

They make a lot of noise with a screaming psycho as the vocalist.  No doubt terrifying live.

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