Feeds:
Posts
Comments

Archive for the ‘The Met Philadelphia’ Category

Lower Dens (The Met Philadelphia, Philadelphia, PA, September 10, 2019) [OF MONSTERS AND MEN]

Posted in Lower Dens, Of Monsters and Men, Philadelphia, PA, The Met Philadelphia on September 10, 2019| Leave a Comment »

[ATTENDED: September 10, 2019] Lower Dens

Back in 2010, Lower Dens did a Tiny Desk Concert.  I watched it in 2015 and really liked them.  Everything that I liked about them involved the interplay of singer Jana Hunter’s guitar with either the vocals or the bass.   So I was pretty happy to see that they were going to open for Of Monsters and Men.

A few days ago I listened to the new Lower Dens album and really didn’t like it all that much.  It’s more synthy, but that’s not why I didn’t like it.  I certainly liked the lyrics, but I just didn’t like the whole delivery.

I didn’t really know what to expect when the band came on stage.

Front and center was Jana Hunter.  Hunter looked very masculine (I loved the shirt Hunter was wearing), but that was rather puzzling because I thought the singer was a woman.  Plus the whole set was very synthy and didn’t sound like those early songs at all.  I genuinely wondered if I had the wrong band in my head.

I have since read that Hunter is gender fluid, so that’s cool.  Hunter’s voice really does run the gamut from low to high, so Hunter’s gender doesn’t make any difference to the voice.

But that still doesn’t change the fact that I was really bored by the set. (more…)

Read Full Post »

Nick Mason’s Saucerful of Secrets (The Met Philadelphia, Philadelphia, PA, April 20, 2019)

Posted in David Gilmour, Geddy Lee, Guy Pratt, Nick Mason, Nick Mason's Saucerful of Secrets, Philadelphia, PA, Pink Floyd, Richard Wright, Spandau Ballet, The Claypool Lennon Delirium, The Met Philadelphia, Voivod on April 20, 2019| Leave a Comment »

[ATTENDED: April 20, 2019] Nick Mason’s Saucerful of Secrets

While I, like many people my age, love Pink Floyd, (I mean Dark Side of the Moon is the most popular album in history or whatever), I have always really enjoyed their early stuff.  Not the Syd Barrett stuff, exactly, but the stuff from that era: Ummagumma, Meddle, Atom Heart Mother.

When I saw that Nick Mason was touring with some non-Pink Floyd guys, I was intrigued.  I’ve always thought that Mason was an underrated dude (when the rest of the band has huge personalities it’s easy to get overlooked).  He also seems like just a nice fella.

Then I read that this tour, dubbed Nick Mason’s Saucerful of Secrets, would focus on the pre-Dark Side of the Moon era of psychedelia and experimentation. Mason says he wished to revisit songs that were staples of early Pink Floyd shows from 1969–1972, as well as other songs that were never performed live by Pink Floyd during this era. Mason said the group was not a tribute band, but that they wanted to “capture the spirit” of the era.  And they were going to play some of “Atom Heart Mother,” my personal favorite.

The band would consist of Dom Beken on keys, Lee Harris and Gary Kemp on guitars and vocals, and long time Pink Floyd collaborator Guy Pratt (man, he has played with EVERYBODY) on bass and vocals. (more…)

Read Full Post »

Get Cape. Wear Cape. Fly. (The Met Philadelphia, Philadelphia, PA, April 20, 2019) [NICK MASON’S SAUCERFUL OF SECRETS]

Posted in Get Cape. Wear Cape. Fly., Philadelphia, PA, Sam Duckworth, The Met Philadelphia on April 20, 2019| Leave a Comment »

[ATTENDED: April 20, 2019] Get Cape. Wear Cape. Fly. 

This was my first show at the relatively recently opened Met Philly.  I was quite pleased with its location and ease of access.  It’s a few blocks from Union Transfer and, for the time being, anyway, there was ample free on street parking a few blocks away.

I was quite unhappy with a couple of things, though.  The seating was good–I was near the back of the lower section, behind the soundboard.  That was fine (although the bright computer screen of the soundboard did kind of suck (and the engineers could have crouched more when the moved.  The biggest problem with where I was sitting though was the exits.  Like most sections of seats, this was a basic U shape.  You enter in the right upright of the U and then go down to the bottom of the U and then back up the left upright to get to your seats.  The problem is that at the top of the left upright, it is a total dead end.  You can’t go out, but neither can you cut across.  Through almost all of the show, I saw people on my side of the aisle get out of their seat, walk up and then a few seconds later walk back down and then cut in front of everyone in our section.  What kind of crappy layout is that?

This being a mostly middle aged show, the number of people cutting in front of us was staggering.

I imagine other sections do not have this problem, but who knows.

The other problem was with the announcement of the show.

It stated: Doors 6:30 Show: 8:00.  I arrived a few minutes before 8, looking forward to seeing this musician with the great name Get Cape. Wear Cape. Fly.  As I walked in, he was already playing, so I assumed it took me longer to get in than I realized.  Then he told us thanks and this was his last song.

He clearly went on at 7:30 (usually doors at 6:30 indicates a 7:30 show, but it clearly said 8PM on all materials.  So I got to hear one and a half songs by this musician, which is a real bummer. (more…)

Read Full Post »

« Newer Posts