Feeds:
Posts
Comments

Archive for the ‘The Foundry’ Category

[NOT ATTENDED: November 10, 2019] Mattiel/Temples [moved to January 24, 2020 at The Foundry]

I don’t know how often bands postpone their shows/tours.  I know sometimes visa problems keep bands out of the country.

Back in September I received this email about this show

Temples have postponed their fall tour and have moved their Philadelphia date to January 24th 2020. The show will no longer be taking place at Union Transfer but at The Foundry (29 E Allen St).

It seems really unusual that they would trade venues for a show. Especially since (I’ve learned a bit about venue politics) it is going from an independent venue to one owned by Live Nation. (more…)

Read Full Post »

[ATTENDED: October 29, 2019] Jay Som

A few years ago, I listened to a podcast on All Songs Considered, in which they talked about Jay Som, Japanese Breakfast and Mitski as being similarly-minded songwriters.

I made a point to try to see all three of them and Jay Som was my third.  I feel like her songs might be the most commercial-sounding (I mean, “Superbike” is awesome!) and yet she played in the smallest venue of the three.  But the fans were really into the show!

Jay Som is the creation of Melina Duterte.  She came out last after her band set up and checked out to make sure everything was cool.  When she came out on stage there was much applause and she thanked us for coming to her show while Sum 41 was playing downstairs.  he said that she and the band checked out a few songs before their set started.  Actually their set was so short, they could have easily gone down afterward and heard more.

Up on stage with her were Oliver Pinnell on guitar, Zachary Elsasser on drums and Dylan Allard on bass and keys.  There was also a fifth person on stage.  A woman.  And that’s all I really know about her.  I’m sure she was introduced, but I never caught her name.  And, because of the position of the keyboard rack, I literally never saw her face.  She played keys and bass.  When she stood in front of the keys, the upper keyboard blocked her face and when Dylan played keys, he totally blocked her.  So, apologies, unknown band member. (more…)

Read Full Post »

[ATTENDED: October 29, 2019] Boy Scouts

I had heard a song by Boy Scouts on NPR and I was pretty happy they were going to open for Jay Som.

Traffic was a little heavy and I feared that since another band [SUM 41!] were playing in the main part of the building, that it would be tough finding parking. But I got a spot and made it up to The Foundry with no problem. I wound up right behind a short person who was against the fence.

Boy Scouts is basically the creation of Oakland-based songwriter and multi-instrumentalist Taylor Vick.  She writes delicate, harmony-laced folk and sings in a gentle tone.

I really enjoyed that the songs were simple but not obvious.  There was usually something unexpected in the song that kept it from being monotonous.  Whether it was an unexpected pause before a beat or just the way she stretched out a chord at the end of a line.

She also played some unexpected chords–or at least unexpected high on the neck of the guitar. (more…)

Read Full Post »

[ATTENDED: October 15, 2019] Preoccupations

I saw Preoccupations open for Protomartyr about a year ago.  At the time I wrote:

Preoccupations is a band from Calgary Alberta Canada.  They were originally called Viet Cong. They put out a stunning album called Viet Cong and then met all kinds of grief for the name (shows cancelled, etc), so they changed it to Preoccupations.  It’s amazing that a band as minor and indie as them would get so much grief, but whatever.

I thought their show was fantastic.  I loved the sound of their music and the energy that the band brought.

This show was similarly good–although perhaps the smaller venue of the Foundry made the band seem more dynamic.

I see that the setlist was largely the same for both shows (they haven’t put out new material since New Material in 2018).  I find it fascinating that much of the setlist comes from their first album Viet Cong.  I wonder why that is.

I also feel like for this show the band was considerably quieter than last time.  I realize that at the last show I was in front of speakers, and this one I was a little further back and therefore muffled.  But it seems like the overall wall of sound was somewhat lessened. (more…)

Read Full Post »

[ATTENDED: June 26, 2019] Astronoid

I had not heard of Astronoid until I saw that Frost Giant was playing this show with them.  I actually had tickets to Bad Books this same evening and I posted a poll to see who I should check out live.  Of the 5 replies (including one from someone in Astronoid), 4 said Astronoid.  Sorry Bad Books.

Astronoid are from Boston and they play what has been described as “a buoyant mix of metal, thrash, punk, prog-rock and shoegaze.”  They cite as influences the Norwegian black metal band Emperor and the Danish band Mew (two very different bands indeed).

And all of that is evident in their music and their set.

They played every song from their new album (not in order) and a few from their debut from 2016.  The crowd around me was definitely more excited by the older stuff, but the guy next to me seemed to know every drum part to every song. (more…)

Read Full Post »

[ATTENDED: June 26, 2019] Infinity Shred

I had not heard of Infinity Shred before this show although it seemed like many people were very excited they were opening.

If you look up Infinity Shred you will find a few genres associated with them: electronic, dance, post-rock.  I saw synthwave and chiptune as describers as well.

I don’t know the last two, but I think they all do a good job of describing this band (although synthwave is pretty amorphous, honestly).

Basically the band is a trio from New York.  Clara Warnaar plays drums.  I was standing in front of guitarist Nathan Ritholz and on the other side of the stage was keyboardist Damon Hardjowirogo.

In addition to their instruments, they also had three bright LED panels.  These panels were synchronized to flash red white or blue.  They each lit up a member of the band (with the drummer’s inside her bass drum.  I assumed they were programmed along with some of the sounds?

Damon introduced the band but his mic wasn’t working so he just shouted.  The band began, the lights started flashing and off they went. (more…)

Read Full Post »

[ATTENDED: June 26, 2019] Frost Giant

Can you be epic in a tiny space?

If you are Philadelphia’s Frost Giant, the answer is hell yes!

I was supposed to see Frost Giant play with Arkona and Korpiklaani at the TLA, but the promoters put Frost Giant on before the start time of 8PM (!) and I missed their set entirely.

I have wanted to check them out, so when they were listed as playing the Foundry with Astronoid, I figured I’d go.  Even though I didn’t yet know Astronoid.

So I arrived early (just in case) and took my place in front of the stage when the band came out.

I was delighted by Armen Koroghlian’s intense drum kit and Matti Frost’s look.  And then I was impressed by their power.

The band played four songs, starting with the almost lead off track from their new album The Harlot Star. (more…)

Read Full Post »

[NOT ATTENDED: June 6, 2019] Emily Reo/Charly Bliss [moved to November 14th]

Just a few days ago the Distillers show was postponed because of an injury.   And now this Charly Bliss show was also postponed.  At least for this one we received notice ahead of time.

On May 23, we were sent this message

Due to scheduling conflict at The Foundry, Charly Bliss‘ 6/6 show at The Foundry has been postponed to November 14th.

I’m not sure what kind of scheduling conflict happens a few weeks before a concert that’s been scheduled since March, but whatever. (more…)

Read Full Post »

[ATTENDED: March 23, 2019] Dilly Dally

I can’t believe it was actually two and a half years since I last saw Dilly Dally.  I was rather looking forward to seeing them again–their new album is great–an evolution but not a reinvention.

Then our Guster show was cancelled and placed on  this very night.  Coincidentally, in the same building!  Guster was going to play the large venue of the Fillmore while Dilly Dally was scheduled to play upstairs in the Foundry.

The Guster show was great, but since Dilly Dally started an hour later, I thought I’d see if they were still playing as we walked out.  The bouncer guy was rather surprised that I had a ticket for both shows.  But I showed him my ticket and with S’s blessing, I went upstairs to see a song or two (I was bummed and a little surprised they wouldn’t let her up since the show was more or less over).  The bouncer guy said they had the room until 11:15.  It was barely after ten when I went upstairs (S. said she didn’t mind waiting for ten minutes, but understandably, not an hour).

There was no way to see opener Chastity:

Brandon Williams makes resonant songs that capture isolation and resilience. As the songwriter behind Chastity, the Whitby Ontario musician has made three unrelentingly perceptive albums

When I walked upstairs I could hear the unmistakable voice and guitar work of Dilly Dally. Dilly Dally are from Toronto and they were described to me as being like the Pixies meets Hole.  I can certainly hear that although they transcend their influences.  They play loud aggressive alternative rock that’s headed by Katie Monks’ snarling singing voice and Liz Bell’s sharp and catchy lead guitar work.  Bassist Jimmy Tony (in a striking silver sparkling short skirt) and drummer Benjamin Reinhartz lay down a low end that keeps the sound grounded. It was a drastic change from Guster.  As was the size of the crowd.  The Guster show was packed uncomfortably tight, but this show was more open and I was able to walk around.

They finished the excellent “Bad Biology” and I wondered how long I could push my luck–how many songs could I make S wait for.  And then Katie Monks told us that the next song was the last song.  Disappointing but very convenient. (more…)

Read Full Post »

[ATTENDED: November 30, 2018] Protomartyr

Protomartyr’s second album Under Color of Official Right was one of my favorite records of 2014.  I loved the noisy music that the band made while singer Joe Casey yelled his abrasive ideas at us.

They had an interesting look too, with the band looking like, as I heard described, three kids who called up their old hard-ass teacher to jam with them.

Casey looks not unlike some random drunk guy who felt compelled to get up on stage and just yell at people.  He always had a beer in his hand and had at least one in his coat pocket.  He stared us down, but also made a couple of funny jokes.

The crowd was absolutely devoted though and the slam dancing was fast and furious (despite the sign at the entrance which said there was to be none of that). (more…)

Read Full Post »

« Newer Posts - Older Posts »