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Archive for the ‘The Foundry’ Category

[DID NOT ATTEND: January 24, 2025] Porridge Radio / Sluice

I heard about Porridge Radio from NPR back in 2020.  They are exactly the kind of weirdo post-punk British band that I love and would never hear anywhere on the radio.

Singer Dana Margolin is more of a talker than a singer.  Her accent is thick and her intensity is palpable.  The band mixes melody and noise in an unexpected way.  And of course there’s “the growing legend of their intense live shows.”

I wasn’t able to see them the last time they came to Philly.   And tonight’s show was the same night as the Guster show!  The worst part was that they were playing literally upstairs from where we were.   The same thing happened the last time we saw Guster at The Fillmore, when Dilly Dally played upstairs (but I was able to catch one song from them).

This is also apparently the last tour that Porridge Radio is going to do, so I’m especially bummed to have missed it (although Guster was awesome). (more…)

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[DID NOT ATTEND: June 14, 2024] English Teacher / Fernette

I’m writing this later in the year because I recently found out about English Teacher and wish that I had seen them when they came around this past summer.  It’s entirely possible that I didn’t know who they were when this show came around, AND I had a ticket to see Kim Gordon that night so I wasn’t going to make this show anyway.  But I always hate missing a band that I later discover would have been great to see in a small place.

I’m kind of surprised to discover that English Teacher was formed in 2020, as I just heard about them this year.  They released their debut album in April of this year, so that might explain why I didn’t know them.  I feel like I may have heard a song on Sirius XM, but I’m not sure.  However, I recently watches a video of them and they were terrific.

Pitchfork says the band

can’t leave a song alone: Not a track goes by without a twist or complication, whether a time-signature change, an instrumental flourish, or a sudden wall of sound.

Which is exactly what I liked about when I heard them. (more…)

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[ATTENDED: December 13, 2024] Karina Rykman 

Last year, my wife and I saw Karina Rykman twice.  First as an opening act and then for our final show of 2023, as a headliner.

The show was great–loud and dancing and fun and everything you’d want in a jamband adjacent musician who totally kicks ass.

When she announced another Philly show this year (my second to last show of the year, but my wife’s final show of the year once again), I snatched up tickets immediately.

Karina is such a joy to see live.  Her band rocks and her choice of songs (both her own and covers) are designed for maximum fun (and chops).  And of course, she has a perpetual smile on her face–no one enjoys playing music as much as she does. (more…)

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[ATTENDED: December 13, 2024] Muscle Tough

I had never heard of Muscle Tough and I admit I was a little concerned about a band with this name.  I mean, were they jock rock?

When we arrived, they had their name and two cutouts of muscular arms flanking the stage (pretty funny).

And it turns out I should have trusted Karina, because Muscle Tough were amazing.  They play rocking jamming instrumentals that are proggy and jazzy and show off the incredible chops of all three musicians, Ross Bellenoit (guitar), Jonathan Colman (bass) and Joe Baldacci (drums).

They have a pretty fascinating backstory.  Bellenoit was in a couple of different bands, but he wanted to start a band just for jamming and goofing around.  And Muscle Tough has been around longer and has had more success than any of his other more “Serious” projects.

Bellenoit is a phenomenal guitarist–he plays tasteful solos but also shreds like a fiend.  He also had a massive arrive of effects so he can create just about any sound.  Colman is an amazing bassist, playing really fast riffs and imrovs with ease. (more…)

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[DID NOT ATTEND: November 17, 2024] Vundabar / Courting

I saw Vundabar last summer with my daughter at All Things Go.  I really enjoyed their set and thought it would be fun to see them again.  This show wound up being on a Sunday night during a really busy week so we decided not to go.  I imagine they’ll be back again next year and we’ll check them out then.

Courting is a British band and their latest album is quite good.  They have a pretty varied style, although this review from Bring the Noise UK notes that their music was mostly

sardonic, post-punk festival bangers, which immediately got anybody between the ages of 16 and 24 within the nearby vicinity going feral in a mosh-pit.

although their new album changes things a but

Using glitching 808s, autotune as a design choice and an unending onslaught of pop culture references, Courting create catchy pop-punk-meets-hyperpop earworms

I imagine this would have been a really fun bill.  And I’d like to see them if they open for anyone else.

 

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[DID NOT ATTEND: November 2, 2024] The Go! Team / La Sécurité

I remember when The Go! Team came out with Thunder, Lightning, Strike and how the album was kind of revolutionary for its mix of sounds and for everything being louder than everything else.

It was kind of over whelming at the time and now it’s a blueprint for dozens of other bands.

I never liked the album enough to want to go to this show, plus we were going to see Touche Amore that night. (more…)

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[DID NOT ATTEND: October 22, 2024] Dehd / This is Lorelei

I saw Dehd open for Sylvan Esso last year.  I rather enjoyed them and concluded

I enjoyed their whole set–short, simple, dancey rock songs.  And as I was listening to them I realized that they were exactly the kind of band that I like live but would probably never listen to on record.  The songs are too simplistic for me to really enjoy unless they band is playing them in front of me.  Or something.

Since then they’ve had one or two more songs out that I’ve really enjoyed too.  But I didn’t get tickets as I was trying not to overload my calendar with shows this month.

This is Lorelei is just one band that features Nate Amos.  He is also in Water from Your Eyes who I don’t know and He’s one half of My Idea with Lily Konisberg from Palberta who I know. (more…)

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[DID NOT ATTENDED: July 21, 2024] Scary Kids Scaring Kids / Oxymorrons

I saw an announcement that Oxymorrons were playing The Foundry and I immediately went to get a ticket.  My son and I saw them there about a year and a half ago and it was a ton of fun.

Then I saw that Oxymorrons were OPENING for band that I’d never heard of.

What a bummer.  I certainly wasn’t going to do out of my way for this show.

I’m still not sure what to make of Scary Kids Scaring Kids.   Apparently they put out two albums then broke up.  They put out a new album in 2002 (which was generally regarded as terrible) and now they are playing their self-titled (second) album, which people seem to like.

The descriptions of the album that I’ve read haven’t given me any insight into t he music and I don’t care enough to find out.   But it sounds like their music isn’t scary and maybe they aren’t either.

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[ATTENDED: June 2, 2024] Sir Chloe 

My daughter was excite to see Sir Chloe.  We saw them back in April.  I wasn’t sure if we’d be able to go for various reasons, so I snagged a ticket to this leg of the tour just in case.

She actually didn’t love the April show as much as I did, and I wasn’t sure if she’d want to go, but she did.  And we’re both glad we went.

Because she was on crutches, and I had my cane, they put is in a handicapped spot which was next to the sound board and roped off from everyone else, but still plenty close to the action.

Last time, there were people talking a lot through the set.  This happened tonight as well–a group of guys mostly standing at the back (in front of our area) and just ignoring everything.  Fortunately, since they were in front of us, we couldn’t really hear them, they were just annoying.

I felt like Sir Chloe were more into this show than the Philly show.  Or maybe it was just easier to focus on this show (the Foundry show had a lot of distractions).  I swore that they played more songs for us than in Philly, but that was not true.  The one nice feature of  the show though was it was Asbury Park’s Pride Day, and the band made a special point of talking about it and how they were honored to be playing that evening.

So the setlist was the same, but perhaps it’s because I knew the show , that I enjoyed it more?

Like last time, when she came out, she had an oddly disaffected appearance.  She seemed quite aloof, but i am certain this time it was part of the act, because between songs she was very friendly.

I really enjoyed her new album quite a lot.  The songs are a bit more dramatic and push the envelope from the first album a little bit.  Songs like “Salivate” and “Hooves” are weird and intense, with loud guitars.

The earlier songs, though are also pretty cool.  “July” is a little more delicate on the edges, but with a nice fuzzy sound and Sir Chloe’s poppy vocal style.  “Animal” is a pretty dark song (her delivery is great) and it plays with the loud/soft vibe really well.

I realize that Sir Chloe is more or less a TikTok creation and so her audience is pretty young, but I think she could easily bust out of that pigeonhole.  In fact the audience was pretty varied.

The end of the set was when she played the big crowd pleasers.  I really really liked “Sedona.”  Her delivery is deadpan, but really catchy.  She followed that with “Michelle” the massive hit that was the only song I knew.  The crowd went nuts and the song was really fun (Michelle, you are a monster from hell).

Turs out that even though that is her big hit–the one that made her famous, I don’t like it nearly as much as her other songs.

I was surprised that that wasn’t the final song, but I guess it was more fun to end on the far more dancey “Feel Again.”

“Easy on You” was a fast tempo rocker from her first album.  Then she busted out an unreleased song (in the old days, I feel like the encore was meant for real crowd pleasers, but it seems like more and more it’s now the place to throw in one more brand new song).  It’s got a catchy, bratty “aha aha” that really sticks with you.

Then she ended with “Too Close.”  Which is her third biggest hit (according to Spotify) and the crowd was suitably excited to hear it.  Everyone enjoyed singing “I think it’s time for you to go.”

My daughter knew two people at the show (one she knew was there, the other was a surprise) so that was fun too.

And, like last time, the show was fairly short (75 minutes) which meant we got home fairly early, too!  I don’t know if I/we will see her again any time soon, but I’m very curious what the next record will be like.

 

Asbury Lanes, June 2024 The Foundry, April 2024
Should I Õ Should I Õ
Salivate Õ Salivate Õ
Center Õ Center Õ
Know Better Õ Know Better Õ
Mercy Mercy
July ¶ July ¶
Untie You ¶ Untie You ¶
Animal ¶ Animal ¶
Company Company
Hooves Õ Hooves Õ
Seventeen π Seventeen π
Obsession Õ Obsession Õ
Over Again π Over Again π
I Am the Dog Õ I Am the Dog Õ
Sedona ¶ Sedona ¶
Michelle ¶ Michelle ¶
Feel Again Õ Feel Again Õ
encore encore
Easy on You ¶ Easy on You ¶
Forgiving [new] Forgiving [new]
Too Close ¶ Too Close ¶

π Single (2024)
Õ I am the Dog (2023)

∇ Single (2022)
¶ Party Favors (2020)

 

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[ATTENDED: June 2, 2024] Deux Visages

I hadn’t heard of Deux Visages when they were scheduled to open for Sir Chloe.  They are from Miami and at the time of the show had only released three singles!

Since then they have released an EP from which most of the songs that night came. The band is a four piece fronted by Daphney Homono.  The rest of the band includes Antoine Lappin on drums, Jack Chiu on guitar, and Tony Jouvin on bass.

They play a really enjoyable mic of shoegaze, garage, and surf rock with a healthy dose of fuzz.  There’s some diversity within the style with Excuses being a bit heavier with chanted moments.  And Go Away has short verse lines that lead to a big fluid chorus.

Their first single Cheetah (the second song they played) is a killer tune–super catchy and fun. (more…)

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