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Archive for the ‘The Fillmore Philadelphia’ Category

[ATTENDED: November 5, 2025] The Mars Volta

My son and I saw The Mars Volta open for Deftones in an arena and the sound was terrible.  They played an unreleased album so it was really hard to know what was going on in a cavernous place where all subtlety was lost.

So when they announced a headlining tour I grabbed tickets for my son and I.  And what a treat to get there early and be right up front for the show.

Visually there wasn’t a lot going on–the band is largely dressed in black and white and there was only a black curtain behind them.  The lights tended toward the dark and the blue so you couldn’t see super clearly.  But this was really all about the music.

This show was for them to play their new album, Lucro sucio straight through, just like they did opening for the Deftones.  That set was 40 minutes (like the album) but this show was about twice as long with lots of trippy jamming sections.

The set opens quietly with Fin wherein Cedric Bixler-Zavala sings to a synth opening–his voice soaring to great heights–as it did all night, his voice is incredible. (more…)

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[ATTENDED: November 5, 2025] Kianí Medina

After Feliz y Dada, I wasn’t really sure what to expect next.  The change was pretty dramatic.

Out came two normal-looking people.  They stood in the same place as Feliz y Dada but could not have been more different.

Kianî Medina is from Puerto Rico and she sang soaring vocal lines over a pre-programmed backing track and live guitars from her brother Jerry.  The songs were kind of dancey but the live guitar added so much texture and, at times, rocking out.

She sang in Spanish and has a gorgeous voice.  I liked how the songs were mostly synthy (sometimes synth sounds triggered by the guitar) and dancey and then the guitar sound would come in an play some ripping solos.

Kianî had some smooth dance moves especially when Jerry soloed.  And on one of her middle songs (I don’t have a setlist or know any song titles), things slowed down for a lovely sounding ballad.

It was followed by a staccato dance song with some cool guitar–Jerry’s guitar playing sounds like Omar’s on this one.  (more…)

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[ATTENDED: November 5, 2025] Feliz y Dada

My son and I saw The Mars Volta open for Deftones in an arena and the sound was terrible.  They played an unreleased album so it was really hard to know what was going on in a cavernous place where all subtlety was lost.  But my son was intrigued and I told him we could see them again.

So when they announced a headlining tour I grabbed tickets for my son and I.  And what a treat to get there early and be right up front for the show.

The opening band was Feliz y Dada, whom I had no heard of.  When I looked  them up it was unclear if they were a real band, a novelty band or possibly even members of The Mars Volta.  Many speculated that the lead singer was Teri Gender Bender.  I never found out, but I didn’t care because their set was bizarre and wonderful.

The stage was curtained off to give them a small area up front.  A massive stack of (fake) speakers was behind them and they were given a black curtain to hide the rest of the stage.

Feliz y Dada is a trio.  All three members wear masks with a kind of horn on top and four eyes.  They also wear robes and dance around slowly–waving their bodies back and forth–a perfect encapsulation of “alien life.”

There is literally nothing like them.  The guy on the left had a large pyramid that he kept tapping as if he was playing bass notes or something (it clearly didn’t make any sound, but it did light up). I assume the guy on the right was playing all of the sounds–although it’s also possible he simply started the song and then pretended to play things like the guy on the left.

The singer was singing live but her voice was so distorted and auto-tuned as to be unrecognizable and completely un-understandable.  But she danced around slowly and approached everyone in the front in a slow and methodical way–waving and seeming to suss out what the vibe was.  She also sang into a telephone at one point for what I think was Well Hello.

They sang four short songs and that was that. (more…)

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[ATTENDED: September 17, 2025] PUP

My son and I have seen Pup twice and have enjoyed both shows immensely.  I assume I’ll want to see them whenever they come around because they are so much fun.

This was the first time we were fairly close to the stage (we were one person from the barricade at the beginning of the night, although by the end we had been pushed around a bit.  And indeed, my son jumped in the pity later in the night.

This was a busy bill–3 bands, with Jeff Rosenstock playing an hour.  I was really impressed with the efficiency of the night (are you listening Wet Leg?).  15 minutes between Jeff Rosenstock leaving the stage and Pup taking over.

I realized that I hadn’t listened all that much to their new album, which was not a great plan going into a tour for the new album.  All Pup songs are catchy and fun, so it doesn’t really matter if you don’t know them–except that when you know them you can sing/scream at the top of your voice.

But it wasn’t all new songs at all.  They opened with a new song (the opening song of the album). (more…)

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[ATTENDED: September 17, 2025] Jeff Rosenstock

So I didn’t really know Jeff Rosenstock. I’d heard of him and I knew t hat he had done a lot of work with PUP AND I knew that people loved him, but he had completely slipped my radar.

But when he and his band came out, they were a ton of fun right from the get go.  And the crowd went bananas for them.

And he was very funny too.  Wearing orange shorts with a pink dye job on his hair (he said he had done it just before the show and it was still dripping down his neck).

They came out to the Friends theme and Jeff immediately told us to get to know the people around us.  But if we saw some fucking moron grope someone or get in someone’s face, get some other nice person and get that moron outta here.

And as one blurb says, the set was filled with fan favorites, singalongs, and chaos. (more…)

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[ATTENDED: September 17, 2025] Ekko Astral

We arrived at the venue plenty early and were right up near the barrier.  There was a giant “american” flag on stage, except the stripes were rainbow colored, the stars were pot leaves and the middle of the blue field said 666.  Amazing.

I had wanted to see Ekko Atral open for Ted Leo but I was late for that show.  So I was really psyched to be able to see them so soon.  And they were very clear about the rules: no bigotry of any kind would be tolerated.

And wow, what an opening.  We were right in front of bassist and singer Jael Holzman.  She was amazing and intense. Across the stage was guitarist Liam Hughes and he played the kind of noise guitar that I had to wonder how one even thinks of making sounds like that–and how he knew they would work so well.

On drums was Miri Tyler, playing loud and fast and acting almost like a distortion pedal for the overall sound. (more…)

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[ATTENDED: July 23, 2025] Pixies

I have seen Pixies four times in the last eight years.  I didn’t really know if I wanted to see them again–indeed when these two shows were announced I was iffy about the whole thing.  I did want to go to the first of two nights–where they were playing Bossanova and Trompe Le Monde (since they don’t play very much from either of those albums in their sets–I’ve only seen 2 songs from Bossanova and only 4 from Trompe).  But that turned out to be the night of The Decemberists concert, and I wasn’t going to pass up The Decemberists.

A couple of days before this, I asked my wife if she’d like to go to this show–mostly because Kurt Vile was opening.  She loves Kurt and, as she says, doesn’t know anything by Pixies (except, it turns out Here Comes Your Man).  She agreed and we wound up buying tickets at the box office day of (the first night sold out this one did not).

The Kurt show was great and I told my wife that Pixies are interesting because they do not talk between songs–indeed, they don’t talk at all.  And they will play like 30 songs in 90 minutes.

She felt bad that she didn’t know anything going into the show, but I told her afterwards that they played nearly ten (out of about 30) that I had never heard before.  But it was the 2o songs in between that I was really psyched about.

I was unsure who their new bass player was–it’s Emma Richardson of Band of Skulls.  The biggest difference between her and Paz (who I really liked) is that Emma has blonde hair.  Otherwise, she is an excellent addition to the band.

She sang the first song (and what I assumed was the final song).  The first song was a David Lynch cover “In Heaven (Lady in the Radiator Song)” that apparently Pixies released a long long time ago on a B-sides record.  She also sang Into the White.  Interestingly (or not) they did not play Gigantic (the most famous Kim Deal sung song).

Heaven is a slow, meandering song, something unlike most Pixies songs, so it felt like it was building to something.  Which turned out to be a song from their 2019 album that I didn’t know.  So, yes, I’m an old school Pixies fan and haven’t listened to much of anything they ‘ve released since they reunited. (more…)

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[ATTENDED: July 23, 2025] Kurt Vile & The Violators

I had seen Kurt Vile in 2018, but since then, my wife has become a huge fan.  We saw him and the Violators at Union Transfer in 2022.

I know we enjoyed the UT show, but somehow, this opening set was a lot better.  We both felt that way.  Not that we had bad feelings about the UT show, but this just felt bigger, like he was just having a ton of fun.

But it is weird to have him opening since he is a pretty big deal (especially in Philly).  I don’t know if he could sell out the Fillmore on his own, but maybe…  Anyway, he strolled out said he was Kurt from Philly and these were his boys around him.

He started with a song from his new(ish) EP, the only song that we hadn’t heard him play before.

Like last time, he switched guitars pretty much every song and the Violators switched instruments from time to time. (more…)

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[ATTENDED: April 3, 2025] Poppy

A few years ago Poppy was supposed to open for Deftones.  The show was postponed and on the new dates, Poppy was no longer available.  I wound up not going to the show anyhow.  She has played Philly once before as a headliner in 2022, but I had plans that night.  So I decided, why not check her out this time around, now that she has fully embraced her heavy metal persona.

I didn’t know how crowded it would be (somewhat), nor how enthusiastic the crowd would be (very).  I casually know Poppy’s music and assumed she’d put on a good show  But people there knew every song.

With five minutes to go before showtime, a countdown clock appeared on the curtain (this was a great idea I thought).  And when it reached zero, a voice read out a whole bunch of thingsas the words were projected onto the screen  I don’t know if this is part of a song or what.  But when it was done, the band emerged.

Her stage was set up with soft fabrics, including a keyhole entryway with soft curtains that she went through a number of times.  Her band was on the left on a large platform.  She was on the right on a large platform.  The view would have been spectacular except the guy who was earlier next to me was now in front of me and he swayed and pogoed in my face for about half the show.  Sigh.

So Poppy has a great stage presence.  She was dressed in what I can only imagine was a fairy wedding dress without the train, which was replaced by short shorts.  Poppy is, of course, an internet creation, so she is well versed in her image.  She also know how to play against type, being cute and bashful in between songs while screaming her head off during them. (more…)

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[ATTENDED: April 3, 2025] House of Protection

A few years ago Poppy was supposed to open for Deftones.  The show was postponed and on the new dates, Poppy was no longer available.  I wound up not going to the show anyhow.  She has played Philly once before as a headliner in 2022, but I had plans that night.  So I decided, why not check her out this time around, now that she has fully embraced her heavy metal persona.

I didn’t know who would be opening and when she announced it would be House of Protection, I assumed they would be a metal band that was super heavy.

I wasn’t expecting a duo.  Aric Improta ran out and sat at the drumset which was sideways and sitting at the front of the stage.  Seconds later Stephen Harrison also ran out.  He sang and played guitar.  But mostly he incited the crowd.

Improta sang the first song while drumming in a very elaborate (and yes, I’ll say it, a very California) style with lots of arms flailing around.  He was exceptionally theatrical, standing on his drum stool and waving a cymbal around, and really trying to get the crowd into it.

Harrison was equally as theatrical.  He literally ran all over the stage (his guitar was remote, so no cables held him in place).  He spun around, he punched the air, he swung his guitar around his neck.  He was exhausting to watch.

He also commanded the crowd in a way that an opening band very rarely does.  But it turns out that both guys were in Fever 333 (who I don’t know, but who sound pretty cool) and are veterans of the stage. (more…)

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