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Archive for the ‘Venues’ Category

[ATTENDED: October 13, 2021] Idles

I saw Idles two years ago and the show was amazing.  A raw, raucous punk show with all kinds of slam dancing, crowd surfing (including the band), and shouting.  But also an incredible feeling of warmth and love from the band.

I’m gathering that the band always opens with “Colossus.”  A loud, slow, rumbling repeating bass note from Adam Devonshire shook the whole place.  And then Joe Talbot came out and started singing the slow, quiet introduction.

But the band and the crowd were just waiting in anticipation for the BOOM, when the song took of and the pit started flailing around.

Since I saw them last, they put out a new album, with another one on the way.  The only played one song from the forthcoming album, but they did play a bunch from Ultra Mono.  They sprinkled the songs throughout the set, interspersing classic tracks with the new ones.

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[ATTENDED: October 13, 2021] Gustaf

I had not heard of Gustaf when this show was announced, but when I looked them up, they promised to put on a fun show.  And boy did they ever.

Gustaf is a five-piece from Brooklyn: Guitarist Vram Kherlopian, lead singer Lydia Gammill, bassist Tine Hill, vocalist/percussionist Tarra Thiessen and drummer Melissa Lucciola.  They are a classic old school art-punk band.

They make weird music and they have a lot of fun.  It was a terrific set.

The band was spread out across the stage with guitarist Kherlopian in front of us on the left.  It was fun watching him playing and not playing.  The kind of guitar work that is sparse and punchy.  The other side of the stage had the rhythm section.  Lucciola and Hill were the backbone of the band, keeping things grounded while the rest of the band did their weird things.  Thiessen might have been having the most fun as she played a Chock Full O Nuts Coffee can for percussion and often had her voice manipulated to sound deep and slow. (more…)

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[ATTENDED: October 11, 2021] St. Vincent

I have seen St. Vincent three times and each time was a totally different experience.

The first time was in 2015 at XPN Fest.  She was so good that I wanted to see her again on that tour (since her set was a little shorter due to the co-headline).  But she did not tour that album again.

In fact, when she toured again, it for Masseduction and that tour (in 2017) was radically different.

So here it is four years later and this tour was also radically different–and in no way even close to that first tour either.

I bought S. and I tickets but since I didn’t have a good handle on the seating areas of the Met, the seats sucked (practically the last row).  Luckily, the Met is pretty small, so even sucky seats aren’t bad.  The thing is though, that Annie Clark has so much going on, you want to be close to her when she does it.

For her new album, St. Vincent went away from the technology and sexiness of the previous two records and dove into a wholly retro experience.  It was quite a change (and, once again, really minimized her amazing guitar playing).

This concert was a theatrical spectacle.  The background was an excellent retro design of a city scape.  It didn’t change much, but dramatic lighting changed the look of the set in nearly every song–from day to night to midday to whatever else was going on. (more…)

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[ATTENDED: October 11, 2021] Ali Macofsky [Cassandra Jenkins]

I hadn’t heard that there was going to be an opening act for the St. Vincent tour.  In fact it wasn’t until the night of the show that I found out there would be one at all (although I see that the information was publicly available, I must have been searching the wrong way).

We were supposed to have Cassandra Jenkins as an opening act, but the St. Vincent team, decided to limit the number of people on the tour to prevent COVID infections, so Cassandra was removed.  I don’t know if Ali Macofsky did the entire tour but she was clearly slated to open the first few shows and she did our shows, so I’ll assume she was on board the whole time.

Ali Macofsky is a comedian whom I had never heard of.

She is young and, shall we say a kind of shock comic (she has a history of working with Joe Rogan I have just found out.  In 2021 that would have instantly made me hate her.  I don’t know if he was as much of a douchebag in 2019 when she worked with him (and maybe she still does, I’m not willing to find out). (more…)

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[CANCELLED: October 12, 2021] Dead Can Dance / Agnes Obel [rescheduled from April 17, 2020 and April 23, 2021]

On September 30, I received notice that show would be postponed once again.  Dead Can Dance cited reasonable concerns about COVID and travelling around the world.

Then on October 11, I received notice that the show was cancelled entirely.

There’s no word from the band on this except t o say that they are trying o reschedule shows for Fall of 2023.  Presumably the venue just didn’t want to wait that long.

So, while I was looking forward to this show, I can wait until 2023.

As April came closer and closer I was sure that Dead Can Dance was going to cancel this tour for good–so many other bands have done so.  But I’m happy they didn’t–even if I don’t have fantastic seats for this show.  This just feels like one of those shows that I’m going to be really happy to experience and I can wait a few more months.

I really enjoyed Dead Can Dance’s mix of cultural touchstones on their earlier albums. I have a bunch of their releases up until they broke up.

Somehow I missed their reunion entirely.  I also missed their subsequent reunion and new albums.

They haven’t played in this area for 8 years and I was pretty pleased to finally experience them live.  I bought a ticket for this show and then a few days later it was announced that they would be playing the State Theatre in New Brunswick.  Since that venue is about three times closer to me, I snatched up a great seat for that show and figured I could sell the Philly ticket.

Then a couple months ago the Theatre announced that the New Brunswick show was unexpectedly cancelled. No reason was given.  I don’t think it was sales as it looked like they sold well.  So that sucked, but I was glad I still had this ticket.

Agnes Obel is a Danish born singer who plays quirky atmospheric chamber pop.  I have heard great things about her for many years but never really investigated her music.  I was looking forward to learning about her in this setting.

She was actually scheduled to open for The The on their 2018 tour.  However, the three New York area shows had different openers, so I didn’t get to see her then.

I hope they all come back around together.

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[ATTENDED: October 9, 2021] The Menzingers

I saw The Menzingers open for Weezer back in 2016 and really enjoyed them.  I’d been wanting to see them again mostly because I was really far from the band when I saw them and couldn’t really get into it the way I might have liked.

So when they were listed as headlining two nights of Philly Music Fest I knew I had to see them.  Especially in a small place like Ardmore Music Hall.

I have only been to Ardmore a couple of times.  My favorite show there was Marco Benevento where the sound was outstanding.  Even right up against the stage.  Well, for this show I was right up against the stage (although as more and more people crowded into the place, I moved away from the band’s more devoted (and a little crazy) fans.  But apparently I never got far back enough because literally all I could hear the whole show was Tom May’s guitar.  And May tends to play lead licks and solos, so I never really got the backing chords of Greg Barnett unless May wasn’t playing anything (which happened from time to time).

Obviously it was more fun being able to see bassist Eric Keen and drummer Joe Godino (who I couldn’t see at all last time), but it was weird having the sound so disjointed.  Throughout the set I tries moving further and further away from the stage, but I was never able to get further to the middle. (more…)

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[ATTENDED: October 9, 2021] Control Top

I saw Control Top open for Ted Leo a couple of years ago and they were amazing.

I have been wanting to see them again live.  They’ve had a few shows cancelled and there was no real plan for them to play again in 2021, but then they were asked to play Philly Music Fest and I grabbed tickets right away.

Control Top is a trio of bassist/singer Ali Carter, guitarist Al Creedon and drummer Alex Lichtenauer.  They play a mix of raging screaming songs and somewhat more mellow raging songs.

Carter’s hair was dyed silver and looked pretty great.  She played a perfect combination of looking very nice and then raging really intensely.  It was great being up close and watching her expression change as she went from verse to angry chorus. (more…)

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[ATTENDED: October 9, 2021] highnoon

Philly Music Fest started in 2017.  I went to a show in 2019–a great line up!  Last year was online only, but this year it was back.  The lineup was different and wonderful.  And, thankfully, the two bands I wanted to see most were on the same bill.

I hadn’t heard of highnoon.  Artist Kennedy Freeman launched Highnoon in 2019.   Now Highnoon is led by Kennedy Freeman with longtime collaborator, Justin Roth on drums, Brendan Simpson on guitar, and Nathan Avila on bass.

I listened to their music and found it pretty and quiet.   Their new EP, Divers is their first body of work since their debut record, Semi Sweet.

I wasn’t expecting a pretty rocking set from this seemingly quiet foursome.  Actually, singer Freeman maintained a pretty quiet level throughout, but she was counterbalanced by some pretty wild guitar shredding from Simpson.  I took some really cool videos of Simpson’s playing, but at this time, Instagram decided that it would no longer allow me to move my video up or down to get the main part of the video into focus. (more…)

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[ATTENDED: October 6, 2021] John Mulaney

We don’t see comedians very often.  We do like to go to some of our favorites, but we’re unlikely to go to an unknown at a club or anything.

John Mulaney, on the other hand, is hilarious and has made S. and I laugh and quote and requote some of our favorites lines of his.  Recently our son made some kind of reference to one of Mulaney’s jokes and so I thought maybe we should go see him.  After all, he was doing an outrageously long run of shows at the Academy of Music in Philly–14 shows in 12 days!

Recently, Mulaney had made headlines for doing all kinds of questionable things.  He and his wife got divorced, he wound up going to rehab and then started dating someone else with whom he is now expecting a child.  Normally that kind of stuff doesn’t really interest me, but it proved to be a huge part of this routine (especially the rehab, which he entered in December 2020 and exited I guess in February).

We entered the venue which was a “no phones” place.  This was fine, except that our tickets were on the phone.  So I had to lock my phone in a bag.  I was worried that this would be a huge time suck on the way out, but I carried the bag with me and then on the way out they  demagnetized the bag and off I went. (more…)

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[DID NOT ATTEND: October 7, 8, 9, 2021Joe Russo’s Almost Dead [rescheduled from September 24, 2020]

I don’t actually know Joe Russo’s Almost Dead.  The only thing I really know about them is that Marco Benevento is the pianist for the band.  Honestly that’s good enough for me.

They are playing three nights in Montclair and two of them sold out almost immediately.

It didn’t actually occur to me that the Dead in the band name is a Grateful Dead reference.  But I see that JRAD is like a Grateful Dead cover band plus more.  They are known for their intermingling of the Grateful Dead’s recognizable folk-rock and Americana sound with more contemporary Progressive Rock and Jazz Fusion influences.

So I had a lot going on that week and decided I didn’t need to see a Grateful Dead band.  Especially since I don’t especially like the Dead (althouh it’s more their recording sound (too tinny) than their songs.  But according to GratefulWeb, the run was a hit. (more…)

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