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Archive for the ‘Johnny Brenda’s’ Category

[DID NOT ATTEND: September 12, 2023] Palm /Body Heat

Palm is a band I discovered by accident (they were opening for someone) and who I really bonded with.  Their music is weird–catchy (sometimes) obnoxious (sometimes) and always challenging (and yet somehow addictive).

They are ending their life as a band and they announced a show in Philly, which I quickly grabbed a ticket for.  It sold out and they added a second show two days earlier.

Since I had a ticket to the Thursday show, I didn’t feel the need to see the Tuesday show as well.  There are different opening acts for this show.  (more…)

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[DID NOT ATTEND: September 12, 2023] The Spirit of the Beehive / Mary Jane Dunphe

I saw The Spirit of the Beehive six years ago and they were outstanding live.  I’d never heard of them before that show but they blew me away with their set which was a great mix of shoegaze and noise.  I said then that I’d like to see them headline a show.

Well, here they are.  But it’s the same night that we have tickets to see Beck and Phoenix.  So, sorry SOTB.

It turns out that the show has sold out, so they didn’t me anyway.

Mary Jane Dunphe is a poet and musician who tells stories–not through direct narrative but through embodied presence and performance, through cinematic and fragmented memory, the wild transmission of feeling. Her versatile songwriting has garnered critical acclaim in past projects such as the visceral punk of Vexx and Gen Pop, the minimal dream pop of CCFX and CC Dust, and the lonesome country-rock of The County Liners–and now Dunphe’s debut solo album, Stage of Love, is the start of a captivating new chapter.

I listened to a couple of her songs and I like the big fat synth sounds she uses but I don’t really like her voice.  I feel like I wouldn’t enjoy her set.

 

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[ATTENDED: September 5, 2023] Speedy Ortiz

I saw Speedy Ortiz back in 2018 at a sold out PhilaMOCA show )I was right in front of Sadie Dupuis).  Their show was great–a fan-favorite selection of songs from throughout their career.

It had been five years since they released a new album and they were celebrating by playing the entire album at our show (the only show they were likely to do so).  [I didn’t know that until she told us].

I had heard a few of the new songs at the Free at Noon show, but this one promised to be so much better.

And so, they played Rabbit Rabbit start to finish.  There were a few moments where she joked about what a pain it was to tune between songs (which is why most bands don’t play the album straight through–they group songs with similar tuning together to minimize drag.

I had listened to the album about three times, so it wasn’t familiar but I recognized many moments.

The band is mostly the same.  Of course, Sadie Dupuis is the main force–her guitar playing is excellent and complex and her voice sounds amazing.  Andy Molholt is still with them playing lead guitar and more.  I especially enjoyed Audrey Zee Whitesides (now a full time member of the band) absolutely screaming backing vocals on a couple of songs.

What was great about seeing the album live like this is that songs that hadn’t quite grabbed me yet on a listen were really powerful live.  Sadie said “Cry Cry Cry” was her favorite song on the record, and after she said that I paid more attention to it and it was great.

Speedy Ortiz doesn’t do encores, so instead they played three older songs to wrap up the night–one from each of the the previous full lengths.

I like Twerp Verse the best so I liked hearing “Buck Me Off”  And “Raising the Skate” is a great song off off Foil Deer.

The final song of the night was “Plough” a great song from their debut–the only bummer about that is that’s what they ended their Free at Noon set with as well.  But that’s a very minor complaint because it’s a killer song.

They have gotten a new drummer since five years ago Joey Doubek has replaced Mike Falcone and unless I am very much mistaken, Doubek hits the drums a whole lot harder.  I feel like he adds a very heavy element to these songs.

Hearing the album like this was really great and I’ve enjoyed it even more after seeing it live.  There are of course other songs I would have loved to hear (made a super long encore?), but I enjoyed this set a lot.  And when I see that in other cities they play maybe 7 or 8 songs (out of 13) off of Rabbit, I feel especially lucky.

 

Johnny Brenda’s 2023 Free at Noon 2023 PhilaMOCA 2018
Kim Cattrall ¥ The Graduates Buck Me Off
You S02 ¥ Scabs ¥ Lean In When I Suffer
Scabs ¥ Ghostwriter ¥ Lucky 88
Plus One ¥ Silver Spring Raising The Skate
Cry Cry Cry ¥ Plus One ¥ The Graduates
Ballad of Y & S ¥ Lucky 88 Silver Spring
Kitty ¥ You S02 ¥ Plough
Who’s Afraid of the Bath ¥ Plough Alone With Girls
Ranch vs. Ranch¥ I’m Blessed
Emergency & Me ¥ Taylor Swift [single]
The Sunday ¥ You Hate The Title
Brace Thee ¥ Moving In
Ghostwriter ¥ Villain
Raising The Skate €            * Swell Content
Buck Me Off * “Silver Spring” was Dvrk Wvrld
Plough on setlist

 

¥ Rabbit, Rabbit (2023)
⇓ Twerp Verse (2018)

€ from Foil Deer (2015)
♠ from Major Arcana (2013)
⊗ from Sports EP (2012)
[single] from (2012)

 

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[ATTENDED: September 5, 2023] Washer

I hadn’t heard of Washer before this show.  Turns out they are a duo–another duo who can make a good holy racket with just guitar (or bass) and drums.  Washer is Mike Quigley: guitar, vocals and bass and Kieran McShane: drums.

Quigley setup right in front of me (off to the side of the stage a bit), so I couldn’t really see McShane all that well.  Of course, the lighting was super dark so I couldn’t see him much anyway.

They started with a slow song, “King Insignificant” with Quigley playing guitar quietly and McShane keeping time.  It sounded good, and not at all like it was missing anything.  But then about 90 seconds into the song, McShane went bonkers on the drums and the song ended in a furious punk rock screamfest and they sounded massive.

Washer clearly don’t have time for things like solos.  Some songs barely have time for a chorus.  They played the first four songs of their newest album–two of which are 90 seconds long and two of which are just over two minutes.  And I liked each one better than the next,

They dipped into a couple of other new songs, but  they also played some older ones as well. (more…)

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[ATTENDED: September 5, 2023] Hurry

I was supposed to see Hurry open for two previous shows.  A Restorations show that was cancelled because of COIVD and a Nada Surf show that I didn’t go to because it was the same night as something else.

I was positive about them, but a little dismissive as well.  Perhaps it took them to release their newest album Don’t Look Back for them to perfect their blend of perfect Nada Surf/Teenage Fanclub pop songcraft.  Indeed, their album is named after a Teenage Fanclub song.

Originally, the project was a solo venture for Matt Scottoline who played bass in another band.  Scottoline has a knack for simple pop hooks and songs that you can’t help but tap your toes to.  The rest of the band is Rob DeCarolis: Drums; Joe DeCarolis: Bass; Justin Fox: Lead Guitar and , a fifth member who (amusingly) sang occasional backing vocals and banged a tambourine but mostly just seemed to hold a drink in his hand.  Turns out this guy was Ian Farmer of Modern Baseball (and owner of their record label) who sat in for this whole set.

I was sucked into their music right from the get go.  The melodies and harmonies were wonderful.  All of the songs were from this new album (which came out last month).  The only exceptions were “When I’m with You” (which is their biggest hit and was features in two TV shows a few years ago) and “Don’t Look Back” the Teenage Fanclub song that they got their album name from. (more…)

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[DID NOT ATTEND: July 25, 2023] Remember Sports / 2nd Grade

Remember Sports is a Philly band who I instinctively didn;t like because of their name.  Then I heard them and fell in love with them.  Their off-kilter indie rock and wild vocals are just so much fun.

I really wanted to see them live.

And then Phish announced that their summer shows would be that night and the following night.  When I actually wound up with a seat for the first Phish night (instead of lawn) which was the 25th, well, it was hard to pass that up.

I hope they do another tour before too long.

I saw 2nd Grade open for Charly Bliss back in April and really enjoyed their set a lot.

They are a gentle boppy indie pop band.  Super catchy and poppy with delightful harmonies and a childlike quality (as befits their name).  Most of the songs are around two minutes.

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[ATTENDED: June 28, 2023] Sloan

This is my fifth time seeing Sloan (and S’s third time).  And while I know that they have a new record out (and they played every song from it), I am so impressed by the number of new songs they played at this show.

Every time I’ve seen Sloan, they’ve done “An Evening with” which I love.  I do enjoy an opening act most of the time, but it’s so great getting two sets–two and a half hours–of music from the band you really like.

I’m always a little bummed that Sloan aren’t bigger here–they play such huge places in Canada.  But here they wind up in 250 person capacity venues.  Of course, everyone there is a huge fan, so that’s gotta feel pretty good.  Plus, I don’t want to see them in an arena.

Their new album Steady is really good and they started off the show with three new songs, one from each vocalist.  I love that they started out with a song from Patrick–his songs are so catchy.  They followed it with a Jay song–so distinctive.  And ended the trilogy with a Chris song–poppy and catchy with great harmonies from Patrick.

They jumped back to Twice Removed with a classic song I can’t believe I haven’t heard them play before, “I Can Feel It.”

Jay doesn’t have as many songs as the other guys so we tend to hear a few of the same songs from him when he sings.  But Between the Bridges is my favorite album of theirs so I’m always happy to hear a song from it.

After the new “Human Nature” with a killer melody, Andrew, the drummer, came out from behind the kit.  This is always fun, because Jay switches to bass and Chris switches to drums while Andrew sings and plays guitar. (more…)

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[CANCELLED: June 27, 2023] Feeble Little Horse / Full Body 2

I heard about Feeble Little Horse from All Songs Considered.  They had an interesting sound and I was intrigued when I heard they were playing Johnny Brenda’s.  It turned out that this show was the same night my son was flying out to Denver.  So I just figured I wouldn’t be going out that night anyhow.

I didn’t buy tickets, so I didn’t hear that their whole tour had been cancelled.  Just a few days before they were supposed to tour (on the 23rd), they announced:

Feeble Little Horse have canceled their upcoming tour of North America, which was set to begin in Washington, D.C., on June 25. “[W]e were so excited and this tour meant the world to us,” the band wrote in a statement, “we have been blown away by all the recent support we have received but for now we have to take a step back and reassess our little world for our continued health.” Read the rest of the message below.

The Pittsburgh-based band issued its second album, Girl With Fish, in mid-June after announcing it with the summer tour in February. Feeble Little Horse reissued their debut, Hayday, last year. Feeble Little Horse have not yet indicated whether the 12-date tour will be rescheduled.

I don’t know what’s up with their health, but I did have to laugh that a 12 date tour seemed too much for them.  Their post actually sounded like they were breaking up, so we’ll see.

Full Body 2 is (according to WKNC)

an explorative band from Rochester, N.Y. [who] have found their niche tapping into a bold blend of digital rock, shoegaze, and curated electronic chaos. Composed of Cassidy Rose Hammond, Dylan Vaisey, and Jack Chaffer, this trio created Full Body 2 in 2020 as a one-off project from their former indie-rock band Full Body. Full Body 2 provides us with music that encourages creativity. It is motivating and refreshing. They are defined by their unique use of sound collage and abstract vocal work. Full Body 2 is positive, energetic, and undeniably loud. Upon the release of “Demo 01” in 2020, their explosive, curated sound took root and the band quickly shifted gears from Full Body into Full Body 2– the once ephemeral project taking ownership of its permanence.

I hadn’t heard of either band, but I really like the shoegaze feel (one of the rare recent bands who are shoegaze without being really heavy).  It’s a wall of ethereal electronic sound and is really good.

 

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[DID NOT ATTEND: June 18, 2023] Protomartyr / Ian Sweet

I saw Protomartyr back in 2018.  I loved their album Under Color of Official Right but I haven’t enjoyed their other albums nearly as much.  I’m not sure what it is, but the newer records don’t do the same for me.

In particular, the music has gotten softer and smoother, whereas on Right it was more abrasive.  Singer/talker Joe Casey doesn’t seem as strangely out of place on these latter songs–a deep-voiced, spoken word seems quite apt for these jazzy melodies.

So I really had no interest in seeing this show.  Although I am curious if they have the same fan base as they did in 2018 when the mosh pit was ceaseless and I had to move away from the front to stop getting elbowed.  Songs like “Make Way” just don’t lend themselves to slam dancing.

The first night sold out crazily fast and they added a second night with Philly band Golden Apples opening.

Golden Apples are another gentle pop band with feelings of jangle pop, grunge, and dream pop.  I listened to one of their songs “Under the Sun” and it sounded instantly familiar, but I had never heard them before.

Maybe these mellow opening acts signal their intention to move away from their more slam-dancing sound.

The song “High School” is a bit dirtier sounding and comes from the first album when Golden Apples are a full band.  I enjoyed it just as much if not more.

I’m immediately hooked and will definitely be listening to them more.

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[DID NOT ATTEND: June 17, 2023] Protomartyr / Ian Sweet

I saw Protomartyr back in 2018.  I loved their album Under Color of Official Right but I haven’t enjoyed their other albums nearly as much.  I’m not sure what it is, but the newer records don’t do the same for me.

In particular, the music has gotten softer and smoother, whereas on Right it was more abrasive.  Singer/talker Joe Casey doesn’t seem as strangely out of place on these latter songs–a deep-voiced, spoken word seems quite apt for these jazzy melodies.

So I really had no interest in seeing this show.  Although I am curious if they have the same fan base as they did in 2018 when the mosh pit was ceaseless and I had to move away from the front to stop getting elbowed.  Songs like “Make Way” just don’t lend themselves to slam dancing.

But whoever their fanbase is, they are legion because this show sold out immediately and they had to add another show the next night.

Ian Sweet is the band/stage name of Jilian Medford from Los Angeles.

I can’t quite imagine a band that is further away from Protomartyr’s sound than Ian Sweet.  The music is predominantly synth and dancey–bright and shiny (words that have never been used to describe Protomartyr).  Some of the songs do get loud, but in a very synth way.

Given that when I saw Protomartyr, the fans couldn’t wait for a mosh pit to break out, this seems like an odd choice of opening band.  And yet, I think it makes a really nice counterpoint.

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