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Archive for the ‘Johnny Brenda’s’ Category

[DID NOT ATTEND: January 12, 2024] The Teeth / Brad Howe

I had never heard of The Teeth before I saw that they had sold out three nights at Johnny Brenda’s months and months before these shows happened.

So who were they?

The Teeth was an indie rock band from Philadelphia consisting of twin brothers Aaron MoDavis on rhythm guitar and Peter MoDavis

After abruptly breaking up 15 years ago The Teeth are reuniting for a pair of special shows at Johnny Brenda’s in Philadelphia. Twin brothers Peter MoDavis (Bass) and Aaron MoDavis (guitar) will reassemble with Jonas Oesterle (drums) and Brian Ashby (guitar) on their favorite stage in the City of Brotherly Love.

Opening for this show was comedian Brad Howe.  I watched a clip of his stuff from 2017 and rather liked him.

Here’s some more about The Teeth: (more…)

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[DID NOT ATTEND: December 18, 2023] Wax Jaw / Trash Boy / Jim E. Brown

I was pretty excited to go to this show.  I had seen Wax Jaw a few months ago and they were outstanding.  This was to be their last show of the year and it was back on home turf.  It was also going to be my last show of the year and it seemed like a great one to go out on.

Then it rained.  And rained.  And rained.  Our area was flooded like crazy–schools closed, rivers overflowing, the works.  I probably could have still gone to the show.  It looked like Philly wasn’t as badly affected as my area was, but when I looked on the map, it did suggest that  there were flooding issues along the way and around the venue.  It just didn;t seem like it was worth going to the hassle.

So I stayed home.

Bummer.

I’ve seen a couple of videos and the show looks insane.  I hope someone has recorded the whole show. (more…)

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[DID NOT ATTEND: December 15 & 16, 2023] Strand of Oaks / Pat Finnerty

I had every intention of going to this Winter Classic.  I even had a ticket to night one.  Which I bought very specifically because I had a ticket to another show on Saturday night.  Then at about 3PM on Friday the 15th, I realized that my other show was actually tonight!

And my wife and I were going to that show together.

And the Saturday night show sold out a long time ago.  Sigh.

By my calculations, this should be Winter Classic XIII, but the poster says IX, so I’ll trust he’s right.  And I’ll make sure I’m there for Number 10.

~~~~~~~~

In 2015, Timothy Showalter played his first Strand of Oaks Winter Classic at Boot and Saddle.

Every year since then he has played two to four shows around Christmas time to a small but rabid fan base.  Obviously he didn’t pay one in 2020.  And now Boot & Saddle is closed

I have been to three of these fun winter events.

When he announced December shows at Johnny Brenda’s, it just didn’t occur to me that these would be Winter Classic shows.  I’m not sure why it would have made a difference, but had I realized, I would have gotten a ticket before they sold out.  Even S said, you love those, I can’t believe you didn’t go.

When I’m looking for it now I see that it was clearly stated that this was a Winter Classic, but I guess I was looking in the wrong places. (more…)

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[DID NOT ATTEND: November 17, 2023] Bit Brigade/ Triforce Quartet 

I have only seen Bit Brigade once and it was amazing.

The premise behind a Bit Brigade show is that the band plays the soundtrack to a video game while their resident gamer plays the game.  The band is heavy and the sound is amazing.

I don’t know why exactly I didn’t get a ticket for this show.  They are playing one game I’ve never heard of, and one that I haven’t played in 30 years, but that shouldn’t make any difference.

Maybe when they come by next year.

Although if Mc Lars was opening I definitely would have gone.

Which is not a dis of Triforce Quartet who play string versions of video game themes.

Triforce Quartet  began innocently as a short Zelda medley for an encore of a recital in early 2007, but the video of using traditional string quartet instruments to play music of classic games gained viral popularity later that summer. Thanks to this, cellist Chad Schwartz was able to combine his love for video games, along with years of classical training, to arrange a variety of video game themes that even non-gamers can enjoy. The four members of the Triforce Quartet take audience members on an unforgettable musical journey.

Their music is beautiful.

If I wasn’t going  to see Mass of Fermenting Dregs, I would sneak across town to see this too.

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[DID NOT ATTEND: November 16, 2023] Pansy Division / The Ritchie White Orchestra / UgLi

I heard about The Last Dinner Party a few weeks ago.  Right around when I found out they were doing a very short US Tour and Philly was one of the places.

When Pansy Division first appeared in the late 1990s, I was hugely supportive.  I loved that they were out and proud.  They introduced me to a whole subculture that I wasn’t aware of and which I am still really supportive of.  It almost seemed like it wasn’t much of a subculture anymore until Florida got their hands on it. But whatever.  Evidently the world still needs Pansy Division.

There have been gay musicians hidden throughout rock music history, but when Pansy Division began in 1991 in San Francisco, they were the first to be so boldly open about it.  Founded by guitarist/singer Jon Ginoli and soon joined by bassist/singer Chris Freeman, with the intent of forming a gay rock band, Pansy Division blew the closet doors open. Raised on a diet of 60s pop and 70s punk, their sound was suitably crunchy and catchy as hell. They wrote in-your-face lyrics, but did it with a sense of humor. Not only did their music and stance defy stereotypic norms of rock musicians being openly gay, they also broke gay cultural stereotypes that rock wouldn’t interest gay people.

I imagine that this show is going to be very very fun.

I don’t know the other two bands for the night.  But I love the blurb of The Ritchie White Orchestra

The Ritchie White Orchestra is a hard rocking poppy psychedelic trip to Detention Hall. Music for bad boys and girls and those in between.

They are a pretty raw band, though.

UgLi are from Philadelphia, PA.  They play cool indie grungy rock with lots of fuzz. They are probably my favorite of the three bands playing.  (Pansy Division’s music is a little too simple compared to UgLi).

 

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[CANCELLED: November 7, 2023] Fievel is Glauque

I saw Fievel is Glauque open for Stereolab and really enjoyed them.

Fievel is Glaque is the duo of American keyboardist Zach Phillips and Belgian singer Ma Clément.  They played a weird jazzy alt rock.  The songs were mostly just over a minute long.  And Clément sang in a French-inflected English that was really quite lovely.  They were practically like the anti-Stereolab.  Like if Stereolab had a younger, brattier cousin.

The audience during their set was terrible, so it might have ben fun to see them.

I hadn’t gotten a ticket, but when I went to check on the show a few weeks ago, I saw that the whole tour (which was like four shows) was cancelled.

There was no explanation.  And, in fact their socials had been quiet until very recently.

Weird.

 

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[DID NOT ATTEND: November 4, 2023] The Last Dinner Party / Mothermary

I heard about The Last Dinner Party a few weeks ago.  Right around when I found out they were doing a very short US Tour and Philly was one of the places.

I was intrigued by their gimmick, but also by their music.  And I snagged a ticket even though I knew we had tickets to see The Head and the Heart. I figured this would sell out and I’d rather not be able to go because I had something else to do than not be able to go because it was sold out.

So what is this band about?  Well, they dress as you see here, and they play a kind of “art-rock bombast” with a “distinctive baroque-pop sound and look.”  Lead singer Abigail Morris sings in a very aristocratic way with very long vowels.

And they dress up.  Often in corsetry and baroque outfits.

Because, yes, they are all university students.  And there are few things more fun than British University students starting a band. (more…)

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[DID NOT ATTEND: October 26, 2023] Spencer Krug / Greg Mendez

I was excited to see Sunset Rubdown last year.  I wound up talking to this guy who was a MASSIVE fan of Spencer Krug–seen him many many times.  He also insisted that I had to see Spencer solo.  That his solo shows were the best in business.

But I prefer spencer for all of his sounds and instrumental noises.  I feel like I would not enjoy the solo show all that much.  So I’m not going to this one.

As the Canadian musician behind Sunset Rubdown and Moonface, co-frontman of Wolf Parade, songwriting member of Swan Lake, and keyboardist for Frog Eyes and Fifths of Seven, Spencer Krug has been a major player on over twenty-five releases within the past two decades. He currently writes and releases music under his own name, and performs a mix of new and old material on stage.

I had not heard of Greg Mendez until two weeks ago when I could have seen him open for Tigers Jaw.  It always amazes me how certain people make the rounds as an opening act with entirely different bands.

Here’s a crazy blurb from the artist

For Greg Mendez, reflection doesn’t mean a static image in a mirror, or even a face he recognizes. It’s more a kaleidoscopic mirage, where paths taken shapeshift with the prospect of paths untread, and the subconscious merges with the intentional. On his self-titled new album, the Philadelphia-based songwriter and multi-instrumentalist investigates the shaky camera of memory, striving to carve out a collage that points to a truth. But there isn’t a regimented actuality here; instead, Mendez highlights the merit in many truths, and many lives, and how even the hardest truths can still contain some humor.

I had written Greg Mendez plays mellow folk music with a gentle voice.  According to Bandcamp Daily, he is

one of the Philly DIY scene’s best-kept-secrets, the soft-spoken songwriter with a preternatural ability to craft brief yet powerful songs is enjoying a raised profile with the release of his self-titled full-length. On the strength of a few early singles, the initial run of vinyl sold out within a month of the album’s announcement, but with releases and demos dating back to 2006, Mendez is hardly an overnight success.

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[DID NOT ATTEND: October 25, 2023] L’Rain / Flanafi

I saw L’Rain open for Animal Collective and loved her whole set.  She was charismatic and her band was incredible.

I would have liked to see her headline a show, but I already had tickets to see Les Claypool.

Her blurb says

L’Rain is the musical project of multi-instrumentalist, composer, performer, and curator, Taja Cheek. Alongside Andrew Lappin and Ben Chapoteau-Katz, she has developed L’Rain into a shape-shifting entity that blurs the distinction between band and individual. At once personal and collaborative, it mirrors the journey that brought L’Rain into being to begin with.
L’Rain’s sonic explorations interrogate instead how multiplicities of emotion and experience intersect with identity. The experimental and the hyper-commercial; the expectation and the reality; the hope and the despair. L’Rain is searching for balance in the obliteration of binary logic.

I had never heard of.  The blurb says

Flanafi is the musical nom de plume of songwriter and guitarist Simon Martinez. As a guitarist, Martinez has played with everyone from Jazmine Sullivan and Marsha Ambrosius to Derrick Hodge and Salami Rose Joe Louis. 3 years ago, Martinez debuted the Flanafi moniker with a barrage of releases that combined beautifully written indie-soul songs with intriguing electronic production.

Listening to a couple of songs, they are pleasant enough, soft and delicate.

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[DID NOT ATTEND: October 13, 2023] This is the Kit / Gruff Rhys

This is the Kit is a band I know from NPR Music.  I haven’t thought of them in a while.  I recall liking their music but that there was something unusual about it.

I enjoyed this blurb about them from bandcamp:

This Is The Kit is the musical project of Kate Stables and whoever joins her. You thought you didn’t like the banjo but you were wrong pal. Listen as Kate rips forward with her hypnotic twang pattern and a voice of rare, unaffected beauty.

Kate has a very British delivery.  Reading my review of their Tiny Desk Concert, I really liked them more than I remembered.

I do rather wish I was going to this show, but with a show tomorrow night I needed to cut back something.

The reason I was interested in this show in the first place was because Gruff Rhys from Super Furry Animals was opening.  I saw him headline here a few years ago and I would have loved to see him again.

Well, maybe someday I’ll see both of them again.

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