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Archive for the ‘Archer Music Hall’ Category

[DID NOT ATTEND: November 28, 2025] Avatar / Alien Weaponry / SpiritWorld 

Avatar are a great live band. I’ve seen them three times and have been wanting to take my son to see them.  We did get to see them open for Pierce the Veil, but it was really hard to see what was going on.  I think I need one more show from them.  But this wasn’t it.  It was the weekend after Thanksgiving and we had company, so we did not go to this one.

Alien Weaponry are a power trio from New Zealand.   They play a mix of thrash and hardcore but with some really catchy parts as well.  The band currently consists of Lewis de Jong (guitar and vocals), Henry de Jong (drums), and Ethan Trembath (bass guitar). They are known for tackling sociopolitical issues particularly pertaining to New Zealand’s history and contemporary society. They often incorporate Te Rao Māori lyrics into their songs.  So that’s pretty cool.  Listening to Kai Tangata, it’s clearly not English.  Maybe their fans can learn a new language.

SpiritWorld are pretty fascinating.  They sound like Helmet but they dress like spangled cowboys.  They have an album called Deathwestern which is hilarious.   They play mostly thrash metal with elements of death metal (and chanted choruses), yet thematically it’s all about Westerns.  I hear elements of Slayer and Pantera in their songs too.

This whole evening would have been pretty intense.

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[ATTENDED: September 18, 2025] Deafheaven / I Promised the World

After having missed Deafheaven back in May for the stupidest reason ever (I wrote down the wrong date–the show was a day earlier), I thought this would be a great opportunity to see them.  Especially in a small club like The Arrow.

However, I had already been out three nights in a row and even I know my limits.  But Deafheaven seems to play a lot so I assume they’ll be back next year.

I Promised the World is an American metalcore band from Texas. Originally they were called Switch and then Sinema. In May 2025, the band changed their name to I Promised the World due to other acts sharing the name Sinema.

They have clean and unclean vocals, and the clean parts are quite catchy.  I’m intrigued that they have parts with really growly vocals while the music is gentle and almost jazzy. I like how these younger bands are genre bending so much.

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[DID NOT ATTEND: September 11, 2025] Phantogram / Open Mike Eagle

I have been intrigued by Phantogram fora while–I love a couple of their songs but don’t know all that much about them.  When I knew I wasn’t going to Supergrass tonight, and I found out that people might not be home tonight, I got excited at the thought of heading into Allentown spontaneously.

But my daughter kindly asked me to stay home, so I did.

I see that Phantogram played Philly back in February and that this seems to be a quicky short tour, so they probably won’t be around again for a while.

I was also pleased about this show because Open Mike Eagle was opening.  I had just seen him open for clipping., and he was great.  I would happily see him again and again.

Alas.  I’m sure I’ll get to see both of them again sometime.

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[DID NOT ATTEND: July 29, 2025] Guster / The Mountain Goats

When this Guster/The Mountain Goats tour was announced, I definitely wanted to see them in Allentown–a smallish venue that’s easy to get to.  But we had tickets to The Swell Season that evening and we didn’t want to give those up.

So we went to the Stone Pony Summer Stage instead (and that was awesome).

I have yet to go to Archer Music Hall, and I hope to before the end of the year.

 

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[ATTENDED: May 6, 2025] Kishi Bashi

This was our seventh time seeing Kishi Bashi.  We had seen him not too long ago in Philly for his Kantos tour.  But we knew that this was going to be different.  It was a RETROspect tour and I knew it would be a very different kind of show.  The previous show was a pretty big production with a full backing band (and costume changes).  This one was a trio.  K. on violin and guitar, Tall Tall Trees (Mike Sorvino) on his Banjotron and keyboards and cellist Emily Hope Price (all three of whom sing like angels).

The place was sold pretty well, but we were still able to get close.  It was bizarre that there were people there with little kids.  One of whom kept sneaking back and forth between their hangout spot–off to the side–to their guardian.  It was pretty distracting but I’ve seen things that were a lot worse.  And it was pretty clear all the adults were big fans.

To the side of the stage was a small easel.  And throughout the show, K. changed the image to reflect the cover album of the songs he was going to play.

The first image was the cover of his debut EP Room for Dream.  He played two songs from the EP (which both appeared on 151a). There was even an opportunity for him and Mike to have a little solo improv piece (and there’s always room for beatboxing).

Then when he switched the easel to 151a, he played a fairly deep cut Wonder Woman Wonder Me (it was really cool hearing this mellow song).

Then he jumped to the big ones: Atticus in the Desert and I am the Antichrist to You.  They were glorious.  And it was really fun seeing Mike use a violin bow on the Banjotron–meaning all three musicians were bowing their instruments.  But Mike’s the only one who busted out a drum mallet to whack on the banjo (so fun when he does this).

The fabulous Lighght came up next.  Up first was Philosophize with It, and the show just got better.  He told us that he had written the song for a commercial in Japan–it was only the chorus and people wondered where the rest of it was.  So he fleshed it out.  He followed this with a big surprise for me (although it probably shouldn’t have been).  This felt like a fairly small show, and when he started Mr Steak in a quiet, almost ballad style, I didn’t expect Mr Steak to come out.  But he did!  And we all danced along with the Grade A wonder.

I was a little surprised there were only two songs from Lighght, but he’s got a lot of music now, so we moved onto Sonderlust and the gorgeous m’lover.  It was followed by Can’t Let Go Juno, played in a different style from the record.  Rather than the intense dancey synth of the record, K. played acoustic guitar

Then it was on to Omioyari and the always amazing to see live Violin Tsunami.  That he could follow up the intensity of Tsunami with the beautiful and delicate Marigolds shows what a complex songwriter he is.  The three of them stood in front of a central old microphone and sang the gorgeous songs together.  This set up continued through the next album. (more…)

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[DID NOT ATTEND: May 5 & 6, 2025] Napalm Death / The Melvins / Weedeater / Dark Sky Burial / Titan to Tachyons

I saw Napalm Death in 2022 and enjoyed the hell out of them.  They were fast and furious and lead singer Barney Greenway was awesome.

I saw The Melvins in 2023 when they toured with Boris.  I didn’t think I would like them for some reason, but they were fantastic live.

Even though I don’t really want to do a full night of metal anymore, this would have been a cool show to go to.  However, the first night was right after I’d been out two nights already that week and the second night was the night we had tickets to see Kishi Bashi. Coincidentally, the second night was in the same venue!  This show was downstairs in the huge room and our show was upstairs in the tiny venue.

For the first night, Weedeater and Dark Sky Burial opened.

I like the stoner metal sound of Weedeater but I don’t like the singer’s voice.  He sounds like a demon in a movie.  Weedeater have an instrumental song Wizard Fight that is pretty great though. They are a sludge/doom metal band from Wilmington, North Carolina, formed in 1998!

Dark Sky Burial have a heavy sound that’s very atmospheric–like a scary noir movie.  They really surprised me by including a saxophone on the wonderfully named Decay is the Matric of Fertility.  And Beware Your Subconscious Destroyer has dance beats! I didn’t realize that this is a side project of Napalm Death bassist Shane Embury.  This is his outlet for experimental music and retro horror/sci fi Movie vibes.

This might have bee a really fun show actually.

Titan to Tachyons is also unknown to me.  Turns out they are an experimental jazz-metal group led by New Zealand composer and guitarist Sally Gates, backed by the powerhouse rhythm section of Trevor Dunn (Mr. Bungle), Matt Hollenberg (Cleric), and Kenny Grohowski (Imperial Triumphant). The quartet instrumentally depicts the realms of Surrealism and science-fiction through eclectic and improvisational passages, juxtaposed by fluid grooves and metallic flurries.

That sounds amazing, frankly.  Well, here’s a bunch of new bands to check out.

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