SOUNDTRACK: RHEOSTATICS-The Horseshoe Tavern, Record Body Rheos Day#6, Toronto, ON (November 12, 2001).
Sometimes you would go see Rheos and they would play a show packed with rarely played songs. This is one of those shows – The Woods Are Full Of Cuckoos, SRBM, Onilley’s, Jesus Was Once A Teenager Too, Public Square, Halloween Eyes, Satan Is The Whistler, PROD, Martin’s First Day Of School, Home Again…a treasure trove for hardcore fans. This was night 6 of Winter Nationals 2001 aka Record Body Rheos.
This is the only show remaining in 2001. It is also only the second show of this run available on RheostaticsLive.
The recording of this show is spectacular—loud and very clear soundboard recording. It features Michael Phillip Wojewoda on drums–the band’s final drummer before their dissolution in 2007.
Dave as always is very chatty: “Is it the first night for a lot of you folks here? Oh you’ve been here before? Cool. We mixed it up for you tonight. We got a lot of stuff we haven’t played over the last 4 or 5 nights.
Mike says, “A lot of stuff I haven’t played.” Apropos of nothing Martin says, “We’re going to play a new song called ‘Couscous.'” [They don’t].
The show starts with “The Midnight Ride Of Red Dog Ray.” I’d always assumed this song was by Stompin’ Tom, but in fact it was by Washboard Hank Fisher. The songs sounds sounds big and full–much louder than other versions of this song. Tim has lots of backing vocals: “riiiiide” “Raaaaaay.” Dave rolls his rs in the last chorus. It ends and Dave asks “That wasn’t too hard was it, Mike?”
Dave says, “we’ll stay in Ontario for this next number.” It’s a nice, spare version of “Christopher.” I like when Martin is singing “we used to take trips,” he plays the melody on the guitar the same notes. And when he “setters” ‘trips’ a second time he plays the guitar note as well. They have a really hard time with “The Woods Are Full Of Cuckoos.” They play it twice way too fast for Tim to sing. The guitar in the beginning feels way too fast even if you don’t know the song. Tim says, “Hey this is way too fast.” Martin agrees: “Bit of a wrist twister.” Tim: “I only go so fat.” They try again, Martin slows down but the drums are the problem. It’s pretty much the same tempo. Then MPW gets it right and Tim does a good job—it’s still a pretty fast song. During the end part they mess up that final riff, but they do manage it after another try.
Martin jokes: “The woods are full of caca” (chukcle).
Tim says, “Speaking of that band, Gordon Cummings’ new band Precious Little is playing with us this week.” He asks when and Dave says “It’s in the paper, Tim.” Tim: “‘I don’t subscribe to such things.”
A fan says something and Dave replies, “I’m not smoking. My playing is pretty hot, but I’m not smoking, sir.” He then tells a story about playing hockey at 2PM at the Annual Green Sprouts Game. He says he normally wears full pads, but this time he wore pants and water got all over him–it looked like I peed myself. Tim: “remember that gig in Victoria when you actually peed yourself?” Dave says something about a toilet and then says “And you were drawing it in your sketchbook.”
Martin has his new robotic voice synthesizer and speaks “SUPERdifficult.” It’s fun to hear this song after so much time in the mid-1990s.
Dave: “I sense that you are a loud crowd. Sometimes smaller bodies of people should be louder”
Martin: “The example of the Belizian howler monkey–small body, loud sound.”
Dave: “Any howler monkeys here tonight?”
They thank the opening acts: Some Guy with a Guitar (is that the guy’s name or are they joking about who it is? I can’t find anyone with that name). And The Keep On Keepin’ Ons they should lose that Dave Love guy he’s gonna destroy them if he doesn’t destroy himself. [Can’t find anything out about him either].
Martin introduces “PIN”: “This is a song about stuff that goes like this.” But for “Sweet Rich Beautiful Mine” Dave says, it’s a song from The Blue Hysteria which we recorded in 1996.”
Martin: “Really eh? This is song about probiscis monkeys and how good they are at sweeming…swimming.”
When they start there’s a terrible flat note on bass.
Martin says, “No, no, its not gong to be that interesting.”
Dave: “I mean how many fucking songs do we have to have about proboscis monkeys who swim? Shit.”
Tim: “Martin, can you stretch a little?”
Martin: “All my songs are about apes.” Fan: “What about ‘That’s How They Do It in Warsaw’?” Martin: “Polish apes. It’s about a zoo I visited there in the elate 60s. Zoos at the at the time, ooh la la.
Before this gets out of han Dave says “Let’s go capo monkey.”
When Martin gets to the “sweetest ass” part he chimes in: “all red and blue and such.”
When the song ends, Martin says “Archie” in Edith’s voice (why he is talking about All in the Family I have no idea). Dave says, “All I could think of the tragedy in the towers. (this show is just a couple months after 9/11) Archie Bunker lived in Queens and when they showed the footage of the plane wreckage all the houses looked like Archie Bunker’s house.” Martin: “704 Hauser Street.” Dave: “Alright Tim [Mech], atta boy. Pretty good to have a guy feeding you lines in the wings.”
Tim: “No more monkey jokes, Tim.”
Martin: “Yeah, cool it on the ape shit.”
While they’re bantering, someone says, “That last song was really fucking good. Dave: “Thank you, sir.”
This next song [“Mumbletypeg”] is dedicated to Tim’s tie. Dave says that Night of the Shooting Stars is out in a couple weeks. The album cover is a cross between Spinal Tap, Charlie’s Angel’s and Metallica’s black album. And it sounds like a cross between those three things.
Martin: “Precisely. With nothing else.”
Mike: “As a total marketing move the last night of our run here is the night of the shooting stars. So everyone should go up north and watch the Leonids
Martin: “When does the meteor shower start, Mike?”
Mike: “Well 4 in the morning. Until the 18th”
Dave: “We should probably end the night with a processional chant of LEE-OH-NiD.”
Mike: “With flutes and a bus.”
Martin: “The flute bus!”
Dave: “The flute bus, I think The Medieval Babes have it. They did beautiful older music but they added a sexy edge to it.”
They play another song from NotSS called “Reward”: “We’re gonna do a song we did last night but it didn’t turn out to good, so we’re going to try it again for you. No, No, for us. For the greater good. We are true artists.”
“Oneilly’s Strange Dream” sounds so much like “Saskatchewan” in parts. Those three harmonica notes before the solo are just like in “Claire.” Dave seems to fill in on some of the words if Martin forgets them. The end of the song has a really noisy section of chaotic chords and drums. Martin ends the song with the lyrics from the first verse instead of the final verse. Dave rescues the song and Martin finishes it.
Tim: All we did was smoke pot in the Bahamas when we recorded that album. Sorry about that.
Dave tells a very long story about he Bahamas that is very funny (drinking, missing planes, throwing up).
This leads to a mellow, almost acoustic “Jesus.” Martin messes up a lyric and Dave feeds him a line, so he continues.
Dave: “Pretty great fun for a Monday night for us. We’re usually at home watching Golden Girls by this time.
They go all the way back to their debut album for “Public Square,” a song they didn’t even play that much back then.
Someone shouts “Halloween Eyes.” Dave: Halloween has passed, ma’am.” But they play it anyhow. Really goofy. They don’t play it much at all: “Don’t look at me with your Halloween eyes. Don’t hit me with your pumpkin pies. Devils got horns devils got a tail. 666 gonna fuck you up. Some even say that he’s got scales. 666 you’re a sitting duck.” Dave: “They actually really were stones when they wrote that.”
This next song [Bad Time to be Poor] is dedicated to the retirement of Mike Harris [Harris was the 22nd Premier of Ontario from June 26, 1995 to April 14, 2002. He is most noted for the “Common Sense Revolution”, his Progressive Conservative government’s program of deficit reduction in combination with lower taxes and cuts to government spending].
“Satan is the Whistler” is sloppy but rocking with more of that robotic voice “he is the whistler.”
There’s an interesting surf guitar like opening to “Four Little Songs.” The whole thing is crazy fun. For Tim’s: “Lets go to France, beautiful France.”
I’m not sure who is singing Don’s part, but they stop “we should get these guy to sing that one.”
Huge creatures prowl the streets tonight
Moon and antlers set the sky alight
Martin: “These beast have antlers, perhaps they’re just moose.” After the first attempt, Dave chides, “Wait that’s really terrible, hold on.” They resume the middle part and then the audience sings along pretty well. During the Neil Young part there’s some gentle jamming with funky bass from Tim. Whoever sings it has a crazy voice. They slow things down at the end for “and my brain goes….” The sound goes slow and woozy.
When they stop that, Martin says, “This is the morning after” and they resume properly, except Dave sings “We drank all our beer and ate all our pizza.” at the end. And then he introduces, “Drunk guy. Drunk guy. Thanks, Justin.” Mike says, “Dave, I love it we your son gets up to sing with us.”
On his way out Martin says, “Rush never sleeps.”
Thanks to The Keep on Keepin’ Ons and the Poppy Salesman (this makes me think the guy with a guitar was Martin).
The encore starts with “CCYPA.” Dave says this is the lead off track or the emphasis track about Canadian politics. As the song ends, Martin says, “Pleased to meet ya. Dave Love of Love Your Stuff Records.”
It’s followed by a wild “PROD.” Dave: “Tim’s got the urge, we got the urge” ….Tim gets a small bass solo. Then “Let’s give the drums some space.” (a small solo). And then they say goodbye.
They come back and Tim asks Martin for a few bars of “Martin’s First Day of School.” “I’ve always liked that song.” Martin: “The last time we played that was in 1992.” Dave: “Not even.”
Martin: “Before the world changed. Before the horrible events of Dave’s birthday.” Dave’s birthday is September 11. He said people were calling him up saying, “Dave, happy birthday. What a tragic day, terrible day, your birthday.”
They end with “Home Again” from Harmelodia and then “Song of the Garden” which they re-recorded fro NotSS.
As they head out, Dave reminds everyone: Tomorrow’s free, so you got no excuse. Tomorrow night: Precious Little at 9:30. John Ford at 10: 25 and Rheostatics later on.
[READ: June 30, 2016] The Instructions
I put off reading this book for six years. And I see that I started to write about this over a year ago.
The book is massive! (Category Thirteen even created a web page comparing the size of the book to other things).
It has been a major conversation piece. I was reading it at the mechanics and an elderly lady and I wound up talking about books for 20 minutes because of it (she was reading Michael Chabon).
I had heard that even though it was big, it was not particularly challenging to read. So while it is physically bigger than Infinite Jest (see the link above), it has about 40 fewer pages (and while it does have footnotes, there are not very many).
This story is all about Guiron ben-Jusah Maccabee, a ten-year old Israelite who may just be the next Messiah.
The book itself looks like a Bible (from the sheer size) and, indeed, as it opened we see that The Instructions were written by Guiron and translated and re-translated from the Hebrew and the English by Eliyahu of Brooklyn and Emmanuel Liebman.
Then there is a note from the publisher in 2013 (the book came out in 2010) saying that Guiron received no fanciable remuneration for his work, but money will go to the Scholars Fund. Whether the U.S. Government “convicts, acquits, or fails to prosecute him for crimes relating to “The Damage Proper,” “the 11/17 Miracle,”: or any other event pertaining to “The Guironic War,” note that the Scholars Fund “in neither a terrorist organization nor a sponsor of terrorist organizations.”
That’s a pretty intense introduction.
The whole 1000 page book takes place in just a few days Starting November 14, 2006 (between second and third period).
Although the book is about Guiron, there are dozens of characters in the book–those who are “faithful” to Guiron and those who are not.
Benji Nakamook and Vincie Portite are his two closest allies. They go to school with him at Aptakisic Junior High. And they are all in The Cage. The Cage is sort of a detention class–a high-security education experiment–the kids have all of their classes in this one room that has more security than any other room.
Guiron has been expelled from two other Jewish day schools. In both instances he was considered brilliant and a genuine scholar but he was removed from both because of his violent tendencies. And those violent tendencies are right up front. As the book opens, Benji, Vince and Guiron are trying to waterboard each other. (more…)
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SOUNDTRACK: SILK ROAD ENSEMBLE–“Briel” (Field Recordings, March 26, 2014).
There have been many fun Field Recordings, but this one [Welcome to Yo-Yo’s Playhouse] is surely the most fun. The countless members of Silk Road Ensemble were taken to ACME Studio, a theatrical props warehouse in Brooklyn. They were given pretty much free reign to put on costumes, to bring out mannequins, to do whatever they wanted and that makes this session seem even bigger than it already is (and it’s already pretty big).
I Just Read About That... 