SOUNDTRACK–SIRIUS RADIO
We bought Sirius Radio for my mother-in-law a couple years ago. One day we found the radio safely unplugged and tucked away in the closet, so we took it home with us. We tune it in from time to time, and in general have found it to be quite enjoyable. I’ve made some very specific observations though:
1) Narrowcasting can REALLY limit your selection. Man, some of those stations you can hear the same artist 3 times in two hours. Not the same song, which is nice, but quite often the same artist. And, you can usually tell which artists were doing the ads for it way back when…hi David Bowie, I’m looking at you.
2) Sometimes the channels try to be so unique, that they’re actually just irritating. The Coffeehouse channel, which is overall pretty good, is constantly playing rare live versions or, worse yet, cover versions of the songs that you actually want to hear.
3) The Canadian channels are quite fun, especially The Iceberg. Its a good way to get exposure to bands that you don’t hear very often down here.
4) As with cable TV, there are hundreds of channels but almost none that I will listen to. There’s 10 program channels you can set, and we filled 9 of them. And yet, despite all the variety, there’s no prog rock channel! I put in a request for one, so we’ll see.
5) DJs on Sirius are just as irritating as on commercial radio. I’m glad they’re there, but why must they all be so vacuous? I mean, the cool alternative channel, which plays great music, actually gives us updates that it calls the “Daily DL.” Come on!
6) Overall, it’s a pretty good idea. But we listen to CDs and NPR (NPR on Sirius is just not the same) more often than not.
[READ: June 8, 2008] Lost at Sea
I received a shipment of comics from Oni Press. I don’t get to see many of their books at the store, so I have to order them online. Anyway, I was somewhat taken aback by how this shipment was filled with books that were so similar in style. I realized that I don’t typically judge a graphic story by the content but more by the art style…which may not be such a bad thing really. (more…)
SOUNDTRACK: STEELY DAN-Can’t Buy a Thrill (1972) & Countdown to Ecstasy (1973) & Pretzel Logic (1974) & Katy Lied (1975) & The Royal Scam (1976) & Aja (1977) & Gaucho (1980).
My theory about Steely Dan is that they are the definition of Adult music. No one under the age of 25 should listen to them. I hated Steely Dan all through high school and college, and then sometime around the age of 30, I suddenly liked them. So, it’s something about the style, and the sound, and Donald Fagan’s voice, and Walter Becker’s whatever, that should be utterly anathema to anyone under 25. 
SOUNDTRACK: GUSTER-Parachute (1995) & Goldfly (1997).
Parachute: A really great debut, that, in retrospect, sounds almost nothing like the Guster we know and love. This sounds a bit more like the Indigo Boys. Solid harmonies over a very acoustic sounding record. Over the years, Guster have written fantastic melodies and lyrics. And this album is no exception. It’s really the production that sounds so unusual here. Very sparse and almost cool, as opposed to the warmth that they bring to their later albums. The songs are top notch, though.
Goldfly: “Airport Song” is such a fantastic single, and such a great precursor of what’s to come from Guster, that it tends to overshadow the rest of the album. Goldfly starts Guster down the road of what we’ve come to 
I Just Read About That... 