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Archive for the ‘Spider-Man’ Category

  SOUNDTRACK: L.A. SALAMI-Tiny Desk Concert #649 (September 13, 2017).

I know about L.A. Salami exclusively from NPR.  They played “Day to Day (For 6 Days a Week),” a while back and I really liked it.  Then L.A. Salami performed an SXSW Lullaby for them.  And now he;s back for a Tiny Desk Concert.

Bob says that Salami is a bit like Dylan.  It’s a fair comparison in one way–particularly Salami’s lengthy narrative style.  But Salami is British and is delivery is radically different–alert and agitated instead of slow and almost disaffected like Dylan.

But here’s the blurb:

Lookman Adekunle Salami, who writes and records as L.A. Salami, is a storyteller and a poet. His songs are deliberate meanderings on the mundane and the poignancy in everyday life. And in the way Bob Dylan took his guitar and harmonica to accompany his rarely repeating ramblings, L.A Salami embraces a similar aesthetic, albeit as a black Englishman instead of a white Minnesotan.

His opening song at the Tiny Desk, “Day to Day (For 6 Days a Week),” runs about six minutes, with over 600 words. He seems to rattle them all off effortlessly, with compelling, complicated rhymes that never repeat and phrases such as:

“Went to work for the NHS –
Mental health, people depressed.
Met Joanne – Scared of living,
Afraid of dying, terrified of being.
Then met Paul, a schizophrenic,
Shaking limbs, paranoid fanatic –
Unwashed 10 days in a row –
So afraid almost paralytic.”

And the blurb is right–he is effortless in the way he sings-speaks these complicated ideas.  The words are sophisticated and the ideas are powerful.  He plays this song on acoustic guitar, a simple, sweet melody that supports the multifaceted words.  When it’s over he says, “that song was dedicated to anyone who has a job, or doesn’t have a job, or anyone who needs a job.”

For the second song, “Terrorism (The ISIS Crisis),” he switches to electric guitar.  He says, “I’m guessing you guys have heard of the terrorist attack in Westminster.  This next song “Terrorism (The ISIS Crisis)” is about this.”  This song has a pretty radically different sound.  Especially in the chorus (the other two songs don’t even have one) which features a loud, ringing, sharp guitar lick and Salami screaming (mostly) “the ISIS crisis.”   It’s effective the first time through but it seems kind of limited after a number of verses.  The verses are, once again very powerful, especially the quiet middle section:

“This song is called ‘My Thoughts, They Too Will Tire open brackets, sigh, close brackets.'”  This song has a lovely melody (the acoustic guitar is on capo 8 so it’s mostly high notes).  It’s another lengthy pointed but meandering song, a style that Salami does very well.

[READ: April 28, 2017] Ms Marvel: Civil War II

I was puzzled as to why this was called Civil War II.  I actually thought that it was a sequel to a book I hadn’t read yet as it seemed to come out of nowhere.  But I don’t think I missed anything in the Ms Marvel universe.

What I did miss out on was an overarching storyline called Civil War II about which Gizmodo has a lot of very negative things to say.  So I gather this series is part of a bigger thing which I don’t care about.  Sigh.  According to Wikipedia:

Functioning as an allegory about the nature of determinism versus free will the story sees opposing factions of superheroes led by Captain Marvel and Iron Man come into conflict when a new Inhuman named Ulysses emerges with the ability to predict the future. The debut of the series was scheduled to capitalize on the release of the 2016 Marvel Studios film Captain America: Civil War.

As the book opens, Kamala and her friends are involved in the Tri State Ultra Mega Science Fair.  They are squaring off against NY and CT nerds.

Jersey starts with Skyshark (a shark in a floating bubble of water) which Connecticut says is cruelty to animals (because CT is full of lawyers, ha).

NY makes the Re-aktron which is able to absorb all of the static electricity in the air and use it to power electrical grids.  No contest.

But for round 2, Jersey brings put the Fusion Master2000 a pocket-sized nuclear generator.  (What could go wrong?)

Well, when it does go wrong, it turns out that Spiderman (in the black outfit–no idea what that means) is already on the scene–we see hes actually one of the kids in the fair) and then superhero Nova arrives–all three there to help out. (more…)

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 SOUNDTRACK: FRANCES CONE-Tiny Desk Concert #647 (September 8, 2017).

Frances Cone is a relatively new band (their second album is due out soon).

There’s keys, drums guitars and lots of harmonies.

Christina Cone sings primary vocals but Adam Melchor sings lovely hrmony vocals  The keys dominate on the first song “Unraveling” until the gentle acoustic guitarists add a nice texture.  What’s interesting is that once the acoustic guitars kick in, Andrew Doherty, on bass, gets to play a more prominent lead riff and also takes over on lead vocals while keys and guitar do the oohs an harmonies.  It really changes the texture of the song and when Christina takes leads back again, it’s really something else,

The song is simple but really catchy with a powerful chorus. and Christina’s occasional high notes are a very nice accent.

I really enjoy when a band gushes to be on Tiny Desk, and Christina seems really overcome with joy (so does Adam later).

I love the keyboard sound she chooses for “Arizona”–an old fashioned organ sound. She sings lead but he guys are right behind her with low harmonies and oohs as needed.  Andrew switches to lead guitar (with the keys handling the low end) which adds a whole new sound to their repertoire, and the chorus is really catchy with Christina’s soaring vocals.

before the final song, Adam says, “I was watching that Shia LaBeouf “Just Do It” video–don’t let your dreams be dreams–and that what this feel’s like.
Bob: “I wondered where you were going with that.”
Christina: “Are you referencing Shia LaBeouf right now?”

Adam switches from acoustic to electric and there’s some great buzzy bass sounds out of the keys.  The guys sings some gorgeous harmony vocals on this song.  I love that the spare use of guitars comes in with some neat harmony melody lines mid-verse.

There’s also a drummer who I haven’t mentioned–he did a lot of interesting sounds–sometimes using mallets but playing a rim shot with each stick, or using the mallets properly.

Christina Cone (keys, vocals); Andrew Doherty (electric bass, electric guitar, vocals); Adam Melchor (electric guitar, acoustic guitar, vocals); Alex Baron (drums).

[READ: October 1, 2016] Ms Marvel: Last Days

This book collects books 16-19 of the Ms. Marvel series and kind of wraps up the story (sort of, there’s another series that has come out and starts with issue #1–so confusing!).  This book also includes a 2 issue crossover with Amazing Spider Man-7 & 8.

This book opens with yet another amazing crossover–Kamala gets to meet the original Ms Marvel, Carol Danvers (who is now Captain Marvel and, confusingly to me, is dressed in a strange suit with what looks like a mohawk).  Kamala is worried thay Carol will be mad that she copped the Ms Marvel name, but Carol is cool with it–Kamala has earned the title. (more…)

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spidermanSOUNDTRACK: THE FLAMING LIPS-The Fearless Freaks 1986-2006 (2006).

freakThis is an assemblage of ten recordings from twenty years of The Flaming Lips.  It’s something of a soundtrack to the movie of the same name, but it’s more of a collection of rare and unavailable tracks.  Most of the tracks are live, and, since I’m not a big collector of unreleased works, they were all new to me.

Except of course that track 2 is “Free Radicals” which is from the then-soon-to-be-released At War with the Mystics.  The opening track, “Wayne’s Intro…Smoking a J with the Fearless Freaks” is a pretty instrumental with an introduction to the album by Wayne himself.  I’ve since found the instrumental online and it’s a really good listen (with the intro, it’s not something you’d want to listen to all that often, frankly).

The next track is “Enthusiasm for Life Defeats Existential Fear.”  According to Wayne’s intro it’s a very rare track and it fits quite nicely into the time period of its recording (2005).  It’s a bit more acoustic sounding than most of their work at this time, but it’s still really good.

The rest of the disc is live tracks from various shows throughout their career.  And the thing that is somewhat amazing is how noisy/sloppy/untechnical the band sounds compared to their post Zaireeka explorations of sonic landscapes. “With You…” dates back to 1986, when the Lips were a noisy bunch of punks.  “Whole Lotta Love/You Can’t Stop the Spring” comes from 1988 and is a ramshackle mess–well the Led Zep cover is a mess– intentionally so. In fact all of the songs from this era have a feeling of what Wayne desribeds as “Our playing is on the verge of overtaking itself.”  It’s sloppy, noisy, fast and pretty wonderful.

The disc also contains a cover of “Space Age Love Song” by A Flock of Seagulls.  It’s from that same time period and is hard to determine if it’s reverent or not.

“When You Smile” clocks in at 12 minutes, although really the song itself is about 5, with a 7 minute noise-fest afterward.  Meanwhile, “Sleeping on the Roof” comes from the Parking Lot Experiment in which about 50 people all play a tape from simultaneously.  This version is considerably longer than the version from The Soft Bulletin and it is far more profane.  The last several minutes consist of several people telling each other to Fuck Off.  It’s not really worth repeated listenings but it’s interesting for curiosity seekers.

The last track, from 2003, is “The Observer” also from Bulletin.  It’s quite a change from the rest of the disc, as the playing is crisp and the recording is quite clean.

The disc is meant for diehard fans of the band.  Casual listeners probably won’t enjoy this as much, and should just seek out the original albums.

[READ: April 8, 2009] Spider-Man Loves Mary Jane

Even though I’m a fan of comics, I’ve never really enjoyed the superhero vein of them.  But every once in a while a writer I like will jump into the fray and I will follow.

Kevin Smith did Green Arrow, a superhero I’d not even heard of, but I read his run of that one.  And now Terry Moore has done a limited run of the series Spider-Man Loves Mary Jane.  I didn’t know anything about this series when I first heard he would be writing it.  I have since learned that there were 20 issues published in 2004-2005.  And this 5 issue mini-series may or may not have anything to do with the previous series (I’ll probably never investigate that).

But after that big super-hero welcome, this series has very little to do with suprheroes.  It’s more of a love story, or at least a frustrated love story. (more…)

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