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Archive for the ‘Radio’ Category

goof5SOUNDTRACK: THE HIPWADERS-Dewey Decimal System (2007).

hipwadersA bouncy bass line introduces this song about the Bookmobile crashing into your house.  The librarian gives him a card and teaches him how to use the library.  The bridge is very sweet, especially compared to the silly, bouncy “Dewey Dewey Dewey Dewey Dewey decimal system” part.

Then the clever song teaches you the basic categories of the Dewey Decimal System.    That section musically reminds me of School House Rock.  It’s kind of a harsh switch from the School House Rock section to the Dewey Dewey section, but that Dewey part is so catchy that it’s a fun change.

It’s an enjoyable song (and informative too).  This song appears on the WXPN Kids Corner CD.

[READ: October 23, 2013] Goofballs #5: The Ha-Ha-Haunting of Hyde House

Goofballs #5 continues this enjoyable series.  This one seemed to be even funnier than the others (more jokes per page!).  I enjoyed this joke which was if not laugh out loud funny is certainly smile-worthy: “The official Goofball definition of toddler is someone too short to reach a doorknob but not too short to reach a cupcake.”

What was also funny, but strange funny, was that lead Goofball Jeff Bunter started finding clues without evening having a case.  Jeff is heading to the library for Fun Day for the toddlers.  But when he sees a woman walking out of store with pink balloons, he deems it  a clue. How can that possibly be?  Well, he is the detective, after all.

It’s also nearly Halloween.  And of course the other Goofballs are there.  Brian is there in a tuxedo (which he imagines he can wear for Halloween.  He also has a top hat that is way too big for him (although he assumed that since he brain is so big it should have fit).  And the other Goofballs and Goofdog are there to help out, of course. (more…)

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gb4SOUNDTRACK: MOONA LUNA-“Vamos! Let’s Go!” (2012).

Moona_Vamos_cover-300x267This song opens with a surf guitar lick and then is dominated by keyboard chords.

The first verses are sung in Spanish (by a delicately voiced woman).  The chorus of “vamos, let’s go” is super fun and easy to sing along to.  But the second half of the song is sung in English (I assume it’s the same words–my Spanish is okay).

It’s a simple song, catchy as anything and you learn some Spanish too!  And check out how cute that cover is.

I also just learned that Moona Luna is a side project of the band Pistolera whom I’ve heard of but not heard.  This one came on the Kids Corner 25th Anniversary CD.

[READ: October 23, 2013] Goofballs #4: The Mysterious Talent Show Mystery

Goofballs #4 proved to be my favorite of all of the Goofballs because the main new character in the book is a redhead named T. (just like my daughter!)  [I secretly believe that Tony Abbott read our blog and saw a picture of T. and decided to name a character after her–even if it was C. who was the one who read all the Droon books with me].

Our four goofy sleuths Jeff Bunter, Mara Lubin, Kelly Smitts, and Brian Rooney are of course present and this time they are preparing for a talent show.  This year’s new director of the talent show is T. Rinkle, a genuine goofball in her own right.  For one thing, she has scheduled the Talent Show for Friturday!  And worse yet, no matter how good (or bad) someone’s talent is, Ms Rinkle tells them that they are great.

But then things get really weird–things start happening which seem like the Talent Show will never happen.  A giant tuba goes missing, the costumes come back in all the wrong sizes and the scripts are missing pages.  What is going on? (more…)

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gb3SOUNDTRACK: LUNCH MONEY-“Ate too Much of My Favorite Food” (2009).

lunchmoneySurely everyone has experienced this horrible feeling–you love some kind of food so much that you eat too much and get sick.  My example was peanut butter Rice Krispie treats, an invention that I assume was my mothers.  They were sooooo good.  But I have never eaten them since that day (over 30 years ago.  In fairness, no one has offered them to me either).

So this is a fun song–opening with snapped fingers and a solo female voice before the horn fueled simple melody comes in.  I enjoyed the way the “ba ba ba” section turned into baba ghanoush.

There’s a shout-out section about the foods that did you right and wrong.  My only quibble with the song is that the foods that they list are really strange–foods that no one thinks of as their favorite foods–zucchini??, creamed spinach??.  Even gummy bears?  Where’s the heavy foods that kids actually overeat?

Lunch Money has another song called “I Love My Library” that I may have to check out.  This one came on the Kids Corner 25th Anniversary CD.

[READ: October 25, 2013] Goofballs #3: Superhero Silliness

This book introduced me to a word that I evidently should have known for some time: derder.  A derder is the cardboard roll inside of toilet paper or paper towels.  You put your lips up to it and go “der der der” and it’s a musical instrument.  Seriously.

But what does that have to do with Superheroes?  Well, in this case, plenty.

The kids are on line at Pizza Palace, the site of their very first mystery (which we never saw).  Luigi, the owner, had named a pizza after them for their brave deeds–cheese, garlic, pineapple and peanut butter.  And now it was one year after that deed and he was adding a new mystery topping.  Everyone was waiting to see what it would be when a lino pulled up to the line and called the Goofballs over.  It is Randall Crandall’s driver and he says that Randall Crandall needs their help.

Randall has the world’s largest collection of derders and he is afraid that someone is planning to steal it.  He is having a superhero costume party and he fears that the thief will try to steal them during the party. Will the Goofballs come dressed in original superhero costumes and catch the thief?

Will they ever! (more…)

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underwSOUNDTRACK: OZOKIDZ-“Germs” (2013).

ozokidsThis song is also on the WXPN Kids Corner CD.  Ozokidz is related to the band Ozomatli, who I don’t know all that much about.

The music in this song is very upbeat reggae with the main melody done on kazoos (I suspect this is all one person, but i don’t know for sure).  There’s also some kids’ instruments playing along.  The beat is fast enough that I might consider this ska.

This song is a lesson about germs.  It begins by telling us how to prevent germs from causing us trouble (washing your hands, mostly).  The second half talks about how some germs—some bacteria—are good for us (bacteria is rhymed with healing ya).  But certainly the most memorable part of the song is when he rhymes food with poo (and the song stops so a tiny voice can say “ew, he said poo”).

The message is a good one, and the delivery method is more fun than anything else.  Although it seems a little half-baked of an idea to me.

[READ: August and September 2013] The Underworlds series

I was delighted when I saw that Tony Abbott had a new series and I couldn’t wait to start reading it to the kids.  T. has been asking me to read the Droon series to her like I did for C.  But it is such a long series that I was happy to find something shorter to start with.  It turns out that this Underworlds series is aimed a little older than Droon.  It gets pretty dark, and I was a little worried about some of the concepts in it (the Underworlds are the realm of death after all–and hmm, she has been talking a lot about death lately…).  But in pure Tony Abbott fashion, this was an exciting series where nothing less than the fate of the world is at stake.  And there’s humor as well (although somewhat less than in his other series).  But what really sold me on this series was the way he uses classical mythology (accurately) to generate the basis and conflict of this story.

And even better than using these mythologies, Abbot merges them so that the different cultural underworlds run into each other and even join forces.  It is a great way to learn some mythology if you don’t know it (there are handy maps of the Underworlds) or to gain a more in-depth understanding of the mythologies.  By the end of the series, the kids will have encountered the Greek, Norse, Egyptian and Babylonian gods of the Underworld as well as some of the major scary guys that come out of the Underworld. (more…)

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goof 2SOUNDTRACK: THE PLANTS-“Monster Under My Bed” (2013).

plantsI found this song on the WXPN Kids Corner 25th Anniversary CD (WXPN plays it a lot, and it’s a good Halloween song).

The song opens up with a lot of horns—a kind of horn solo section.  When the actual song melody starts it has a vaguely spy theme feel, although the main verse is a little sillier.

Lyrically, the song is all about the real concern that there is a Monster under the singer’s bed.  The song is fast and bouncy—especially the verses, so you know it’s not meant to be too scary.  But then the song slows down and we get the big surprise of what the monster actually is.

The song is pretty funny.  And the final verse—”monsters are nothing but make believe” is a very satisfying one.

[READ: October 12, 2013] Goofballs #2: The Startling Story of the Stolen Statue

I didn’t love the first Goofballs book, but I really enjoyed this one a lot.  It’s possible I was a sleepy dad while reading the first one or maybe it suffered from first book in a series stiffness.  But this new book hits its stride and doesn’t stop until the end.  What I especially liked about this book was that it knows its audience.  So it is a detective mystery, but the mystery isn’t too complicated, nor are there tons of impossible to figure out clues.  While I don’ think any kids would figure out who did it (I didn’t), the trial and error of figuring out the culprit is what’s fun.

It is Badger Point School’s 100th anniversary and there is going to be a huge party which includes the unveiling of a statue of the first principal.  Everyone is very excited.

Until the principal went to look at the statue and discovered that under the tarp that was covering the statue was not a statue at all—it was a stack of chairs.

Well, the Goofballs are on the case (without even the principal asking them).  They start finding clues—a broken pencil, a scrap of paper that say HEES GRATE (we had fun guessing what that could mean) and even a splash in the school’s pool. (more…)

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misswyomingSOUNDTRACK: THE TALLEST MAN ON EARTH-Live at KEXP (September 8, 2012).

tmoeThe Tallest Man on Earth is Kristian Matsson a Swedish singer songwriter.  His albums have a very full sound, but when he plays live, it’s just him and his guitar.  And man, is he a compelling performer.  His guitar playing (primarily classical-sounding but often heavy and mostly rocking) is gorgeous–fast and pretty.  And his voice is gravelly and powerful.  I’ve enjoyed the studio songs I’ve heard, but he is transcendent live.

This set opens with a buzzy guitar that sounds like the show is not recorded well.  But that quickly goes away and the songs shine.  Matsson is a charming and self depreciating performer and when he has a malfunction as in “Love is All”and at the end he says “that was kind of embarrassing.”  But he not bothered by it and plays on with a great, short set.

The set includes some (then) new songs and a few older ones as well: “A Field of Birds,” “King of Spain”, “Tangle in This Trampled Wheat,” “Thrown Right at Me,” “The Gardener” and “Like a Wheel.”  It’s a great introduction to the guy and his amazing voice. which you can enjoy at KEXP.

 [READ: August 20, 2013] Miss Wyoming

I first read the book during my trip to Vancouver on the eve of Y2K (the best flight I’ve ever had—mostly empty and we were given champagne).  I started reading it on the plane and then in the second chapter the heroine is in a plane crash.  So I stopped reading.  I’m sure I finished it later, although I didn’t remember much of anything about it.

I read it again now and I was a little disappointed when I started reading it.  The first few chapters are so full of similes it is insane.  The word “like” is tossed around at an incredulous pace.  Like:

  • John’s teeth were big and white, like pearls of baby corn
  • …his skin like brown leather.
  • His eyes looked like those of somebody who’s lost big.
  • They crossed San Vicente Blvd, passing buildings and roads that once held stories for each of them, but which now seemed transient and disconnected from their lives, like window displays.
  • Susan was wrapped in a pale light fabric, cool and comfortable, like a pageant winner’s sash.
  • John was sweating like a lemonade pitcher,
  • …his jeans, gingham shirt and black hair soaking up heat like desert stones.
  • John felt as close to Susan as paint is to a wall.
  • Staring at the pavement, like Prince William behind his mother’s coffin.
  • This man with sad pale yes, like snowy TV sets

That’s all in the first chapter!

Now, I have come to see that the story is cyclical and it’s about people looking for their real selves.  So it’s possible that the simile heavy beginning is meant to reflect the fact that the protagonists are looking for themselves—they have no substance so they can only be compared to other things.  But man, it is hard going with that many comparisons.

The other major problem I had with the story was the really aggressive use of coincidence.  Susan and John both end up eating out of fast food dumpsters; just as Susan’s mother wants to sell their house, a pile of garbage from an airplane falls on it.  Right after we learn of a guy hoarding gasoline, the house explodes.  Again there are arguments for why these things might happen in this story (numerology is an important aspect of the book), but it seems too…easy.

But once the story starts moving the actual plot is really interesting and compelling. (more…)

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catSOUNDTRACK: LORDE-“Royals” (Live on KCRW, August 2013).

lordeLorde is evidently a huge hit in her native New Zealand.  Not bad for a sixteen year old.  And, indeed, her voice is not bad at all for a sixteen year old–she sounds much older (and perhaps it’s not even worth mentioning her age, but KCRW did, so I will too).  She has a deep and sophisticated voice (in the way that young Fiona Apple blew me away with the intensity of her voice on her debut).

The song itself is quite plain (as are all of the songs on her entire KCRW performance).  There’s primarily percussion (some really interesting choices there), simple keyboard notes or washes and (quite often) multi-layered voices–all prerecorded).  And she sings over the sparseness with her powerful throaty voice.

Interestingly, for being a popular success, her songs aren’t all that poppy.  They are certainly not bubblegum and some of the tracks are quite dark.  (Although lines like, “let’s go down to the tennis court, talk it up like yeah” certainly don’t speak to any depth).  And yet the songs are “topical” according to Lorde herself.

“Royals” might be the least interesting of the tracks during the set, and while I like it, I’m not sure why it became so huge.  But fair play to her.

[READ: August 8, 2013] “Four O’Clock”

This book is a collection of H.P. Lovecraft works and items associated with him.  Like this story from his wife Sonia H. Greene.  In theory Lovecraft did not edit this piece (I venture no opinion) and so it stands as her own story.

It is a very simple story.  Indeed, there is hardly any plot and only one character.

In this story the narrator (never identified as man or woman) says that at about 2 in the morning she knew it was coming.  And it is coming at, yes, four o’clock.  The narrator is terrified of what is coming and for much of the story, we don’t learn a thing about what it is.  We just know through ever escalating fear, that it is coming.

At four o’clock. (more…)

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julySOUNDTRACK: BECK-“I Won’t Be Long” (2013).

beckSo Beck has a new song out, too (on NPR they’ve been saying this is the year of the cicadas–bands are resurfacing after years of dormancy).  I’ve actually heard this a few times on WXPN, but I never realized it was Beck and it has left no impression on me.

It’s tough to say it doesn’t sound like Beck since every album is different, but this song really doesn’t sound like him.  The drums are cheesy drum machine drums (like from the early 80s), the keyboards are cheesy keyboards (like from the early 80s), and the song is really really simple (with a strange instrumental break in the middle).  And its five minutes long.  It just doesn’t make a big splash like Beck usually does.

This is all leading me to say I don’t love it.  I usually really like Beck’s gamut of music, but this is a little too bland for me (the last minute or so adds some more details which are more interesting).  I suspect if it wasn’t Beck it wouldn’t get played at all.  I wonder if this is going to be a whole album of this style of music.

[READ: July 11, 2013] “Mini Ching”

This is an excerpt from “How to Be Good When You’re Lost.”  In it, Heti interprets six of the sixty-four hexagrams that comprise the I Ching.  I don’t know exactly what the I Ching is.  I mean, I know vaguely what it is but not exactly.  I assume that there is no real explanation for the hexagrams?

The four excerpted here are #53 Gradual progress; #24 Return  #49 Revolution #33 Retreat.

Again, I don’t know how many others have “interpreted” these mystical hexagrams.  But Heti creates are wise fortune cookie-sounding advice for each one. (more…)

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grantlandSOUNDTRACK: The xx–Live at KEXP (July 25, 2012).

I xxkexphave casually seen The xx on a few shows and I’m intrigued by them.  I’ve never really given their albums any time though, so I can’t say anything much about them.

However, I really enjoy the sound they get live (which is funny since in the article below they talk about how much of a perfectionist Jamie, the studio tech guy, is about the recordings).

This set from KEXP (KEXP always has great audio quality) contains four songs “Fiction” “Reunion” “Sunset” and “Angels.”  And I have to say the band sounds amazing.  So close, so clean, so intimate.  Oliver’s voice is right there, whispering in your ears, and Romy’s guitars sound gorgeous–gentle vibrato, chiming chords; her voice is also beautiful.

The thing that throws me about The xx is how spare their music is.  Sometimes it’s almost like there’s no music at all. And I keep thinking of reasons why I wouldn’t enjoy such simple music (it’s usually not my thing). Or that it should only be experienced in a dark room by yourself.  But the melodies are so beautiful that I think they’ve made a convert of me.  I really adore these songs.  And I must have heard “Angels” somewhere because it is completely familiar.

I wonder if they sound this good on record.  You can watch the show here:

[READ: July 9, 2013] Grantland #5

Grantland continues to impress me with articles about sports that I don’t care about.  They style that the writers have (and the humor they impart) is wonderful.  And it goes to show that if you are passionate about something you can make it interesting to anyone.  So, even if I don’t know who some of the people who they’re talking about are, I can still enjoy what they say about them.  Plus, their entertainment coverage is really fun, too.

BILL SIMMONS-“Battle of the Olympic Heavyweights”
I really enjoyed this article which compares Olympic swimming and gymnastics to see which one “wins” in this battle for TV coverage and the hearts of Olympic fans (hint: it’s gymnastics, but Simmon’s categories are very good).

BRIAN PHILLIPS-“The Death’s Head of Wimbledon”
Phillips tries to cover Wimbledon and finds it very difficult to manage because it is all designed for TV, not in person coverage.

REMBERT BROWNE-“I Feel Like a Free Man”
The amazing decision of Frank Ocean to come out and how little it impacted his career. (more…)

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220px-The_Invention_of_Morel_1940_Dust_JacketSOUNDTRACK: RODRIGUEZ-“Sugar Man” (1971).

RodriguezcoldfactThis song was played a lot on WXPN, and when I first heard it I couldn’t imagine what new artist was talking about “sweet Mary Jane.”  So it turned out that this song was over 40 years old but it had been resurrected for a movie called Searching for Sugar Man, which is a documentary about Sixto Rodriguez and how he released two albums and then disappeared.

There’s something extremely catchy about this song–the loud down strums that stand out over the quieter strumming, the crazy high frequency sound that sails throughout the song and that hint of horns that gives more depth to this simple folk song.   All of these elements make this song more complex than it might have been.  In fact, the song seems like it’s going to end after about two minutes but there’s the instrumental section full of crazy sounds and electronics.

And even though it seems over after that there’s one more verse and chorus to go.  And then the song just drifts away echoing into nothingness.  It’s quite a catchy little number.

[READ: June 4, 2013] The Invention of Morel and Other Stories

Roberto Bolaño recommended this main story (the other ones as well, I assume).  He’s a big fan of Bioy Casaraes.  But also, Jorge Luis Borges has a prologue to the story in which he states of “The Invention of Morel”

“I have discussed with the author the details of his plot.  I have reread it.  To classify it as perfect is neither an imprecision nor a hyperbole.”

Holy crap.

I can’t say exactly that it I perfect although it is quite fine.  It deals with all kinds of interesting issues and is inspired by (maybe that’s not exactly the right word) The Island of Dr Moreau.  The funny thing is that Morel is neither the main character, nor even a major character for half the book.

The story starts on an island with the narrator writing this book down to leave a  record of “the adverse miracle.”   We learn that the narrator is a fugitive and he was told by an Italian rug seller in Calcutta that the only possible place for a fugitive like him is an uninhabited island.  And on this particular island in 1924 a group of white men built a museum, a chapel and a swimming pool.  But no one dares to go there—not Chinese pirates, not even the Rockefeller Institute because there is a fatal disease located on the island—anyone who has visited there has been found later dessicated. (more…)

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