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Archive for the ‘Publishers’ Category

Aimee Bender–The Third Elevator (2010) [Madras Press: Series One, Book One]

Posted in Aimee Bender, Canadian Music, Dave Bidini music, Madras Press, Rheostatics, Short Story, Small Books, Surreal, tagged on February 12, 2014| 2 Comments »

13_Bender_TTE_Cover-300x300SOUNDTRACK: RHEOSTATICS-Live at Barrymore’s, Ottawa, ON, (February 2, 1996 & May 23, 1996).

barryThere are many many Rheostatics shows recorded at Barrymore’s in Ottawa.  These two are the earliest and, strangely perhaps, are only a few months apart.

The first show is over two hours long with a great set list.  The problem is the audio.  It was recorded from the floor and, like any bootleg quality show, you can hear more audience than band.  That’s not entirely true, but you can’t hear the band talk at all and during songs you hear clinking glasses and conversations.  It’s kind of a shame, because they cover Blondie’s “Heart of Glass” but you can barely tell what it is.  So, it’s not a great show except for diehards.

The May 23 show, on the other hand, sounds great.  The notes say it was also recorded from the audience, and yet it is crystal clear.  And the set list doesn’t differ too too much from the Feb 2 show.  The opening of the set sounds a little funny–the microphones are too loud or the guitars are too quiet, so “Claire” sounds off, but the rest of the show is very good.  And as it does not feature Dave Clark, but rather Don Kerr on drums, the zaniness that Clark brought is gone, although the band is still quite funny.

There’s a very funny story about chickadees being quite the bad ass in terms of birds, and Tielli drew a great banner featuring a bad ass chickadee (see bottom of post).  Tielli also mentions Nick Buzz, his side project which had an album out at this time.  Bidini tells a great story about meeting and interviewing Joey Ramone (and getting his glasses fixed).

There’s talk of “Four Little Songs” have multiple sections so you never know what they’ll play, but I don’t think that every happened.  And, finally, Tielli evidently had green hair that night (which leads to an impromptu version of “Heat Miser” (and his explanation of where the song came from).

This is a great show and a great introduction to an early Rheostatics setlist.

[READ: January 8, 2014] The Third Elevator

I don’t usually mention the book publisher when I post about books, but I’m quite taken with Madras Press.  From their website:

Madras Press publishes limited-edition short stories and novella-length booklets and distributes the proceeds to a growing list of non-profit organizations chosen by our authors.  The format of our books provides readers with the opportunity to experience stories on their own, with no advertisements or miscellaneous stuff surrounding them.

The format is a 5″ x 5″ square books that easily fit into a pocket.  At present there are four series with four books in each series.

Proceeds from Bender’s book go to InsideOutWriters.org.

For a first book from a new publisher, this is certainly a peculiar story.  It begins with a swan and a queen. The swan is the queen’s pet and never leaves her side.  She wants the swan happily paired off with another beautiful swan, but he is quite picky.  Until he meets a bluebird. The swan falls for the bluebird and they pair off.  Soon the bluebird is sitting on an egg.  But when it opens, it is not a bird at all, but a cloud, which hangs around and which the swan tries to protect.  So far, so allegorical.

Then the story shifts two miles away to a glassed in lobby of a building that has three elevators.  One goes into the ground where miners work.  The miners are not allowed to leave the mine.  They simply fill up the elevator with gold and send it up to the surface.  A second eevator opens into the forest.  The third elevator goes up into the sky.

Then we meet a logger.  The logger is amazing at cutting things down.  But whenever he so much as harms a tree it makes his insides burst. So he cuts down telephone poles and other man-made objects.  And he is soon asked to leave the logging community, despite his family ties to it. (more…)

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Brendan Connell–Lives of Notorious Cooks (2012)

Posted in Advice, Brendan Connell, Chômu Press, Cook Book, Decadence, Food, Phish, Roberto Bolaño, Short Books on November 6, 2013| 5 Comments »

cooksSOUNDTRACK: PHISH-The Story of the Ghost (1998).

storyghostThe Story of the Ghost is one of the first Phish albums that I was aware of when it came out.  I remember buying it and liking it, especially the first few songs.  This is not surprising as the first few songs are much more electric and funky.  By the end of the album there’s a lot of mid tempo songs that feel like they’re somewhat incomplete—good ideas but the songs feel…unfinished?

“Ghost” has a funky guitar and drum section, it’s a song I’ve liked from the day I bought the disc.  But the real hit was “Birds of a Feather,” which has an amazingly catchy chorus.  This version (as opposed to the live one) is weird in that Trey is kind of whispering the vocals, but the guitar is ferocious.

“Meat” is a weird skittery song that sounds cavernous here.  The weird processed vocals are certainly something that keeps this song like more of an oddity.  “Guyute” sounds an awful lot like early Phish—like it has come from Gamehendge, it’s a nice return to old form.  It’s a great song with a really lengthy instrumental section.  This features one of Trey’s great extended pretty solos.

“Fikus” is a strange little song (2 minutes), with lots of percussion and a quiet bass line.  “Shafty” has got  some cool wah wah guitars, and is also only 2 minutes long, but it shows that there is a bunch of funk on the disc.  “Limb by Limb” is a fun if simple song that seems sparse until the chorus kicks in.  “Frankie Says” is a kind of circular song that is interesting but doesn’t really go anywhere.  “Water in the Sky” is a short piece but it is full of ideas—percussion, slide guitar, and nice harmonies.  “Roggae” is a fun little song with some fugue like vocals.

“Wading in the Velvet Sea’ is a very pretty song with very nice harmonies.  “The Moma Dance” is a funky wah wah guitared track which really comes to life live, although I like the way they reprise “Ghost” at the end.  The final track is called “End of Session,” it’s a very mellow little number (also less than 2 minutes) with organ and gentle guitars.  There’s a small verse of harmonies as the albums drifts off.

This album is one of the band’s less popular recordings, but i think it’s quite good.

[READ: October 30, 2013] Lives of Notorious Cooks

Brendan Connell is back with a book which demonstrates that whatever subject he writes about, he delves in deeply and with great relish.

Connell’s new book is, as the title says, a series of brief lives of fictional cooks.  There are 51 biographies in this book.  From Connell’s previous works and from the title, I expected that these cooks might be somewhat less than savory characters.  But Connell makes these chefs genuinely impressive—making delicious meals from both the finest ingredients or the lowest of items.

As with previous stories by Connell, the depth of his knowledge is impressive—he includes not only recipes but complete menus of feasts.  And as usual, his word choices are wonderful—exuberant when necessary, obscure if useful and always spot on.

Although I am normally inclined to make a comment about each “story “ in a  collection, this one really resists that.  There are not enough distinguishing characteristics between cooks for me to write enough about each one (without rewriting the book).  This is not in any way to say that each is not unique, but that they are all cooks, each specializing in a different food or style.  But rather than from saying “Agis cooks fish” it’s better to take this book as a whole rather than in pieces. (more…)

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Ransom Riggs–Miss Peregrine’s Home for Peculiar Children (2011) [prepub]

Posted in All Songs Considered, Anachronisms, Culture Shock, Death, Demons, Dreams, Fears, Fleet Foxes, Ghosts, History, Mental Floss, Nazis, Oddities, Photo Essays, Quirk Books, Ransom Riggs, Supernatural, Time Travel on April 5, 2011| Leave a Comment »

SOUNDTRACK: FLEET FOXES-Live at The Black Cat, Washington, DC, July 7, 2008 (2008).

I still love the Fleet Foxes debut album, and I listen to it quite often.  One of the most impressive aspects of the band is their amazing harmonies.  So how does a band that is so vocal-centric perform live?

In an interview included with the concert, Bob Boilen asks that question.  They explain that the bigger venues are a bit harder because they have to crank up their monitors.  They also try to stay close to each other to be able to hear the harmonies clearly.  Well, they did something right because the harmonies sound very impressive here.

The main problem comes because lead singer Robin Pecknold is sick.  As in, just getting over a major cold, sick. As in, he admits that their last few shows were something of a rip off for the attendees.  Tonight’s show, he says is half a ripoff.  And that is most evident in my favorite Fleet Foxes song, “Mykonos” in which Pecknold’s voice cracks with abandon.  I would feel bad for the audience if the band wasn’t so personable and friendly and generally cool.  They make the best of a rough situation, and again, the backing vocals sound fantastic.

There are also a ton of delays in this show.  Most of them seem technical, although there seems to be a lot of tending to Pecknold’s voice, too.  But as I said, the band is engaged with the audience, telling stories (someone in the band is from DC and he asks if anyone went to high school there), and generally keeping everyone entertained.  It’s probably not their best show ever, but it still sounds great.  You can listen and download at NPR.

[READ: March 27, 2011] Miss Peregrine’s Home for Peculiar Children

Quirk Books, publishers of mash-ups like Pride & Prejudice & Zombies (as well as many other, well, quirky, titles) has published this fantastically exciting novel.

The cover depicts a creepy girl who is hovering off the ground.  But the girl herself is SO creepy that I didn’t even notice the hovering part.  She is just one of the peculiar children within the book.  And this picture is one of 50 included within the book (I’m only bummed that two pictures were not available in my copy).

So the story opens with Jacob Portman talking about his grandfather.  His grandfather (Abe) was a young boy in Poland during the 1940s.  When the Nazi’s invaded, his family was killed and he was sent to Wales, to the titular Miss Peregrine’s Orphanage (not widely known as a home for peculiar children).  But as details emerge from his grandfather’s version of the tale, things seem not right.

Abe talks about the monsters that chased him out of Poland–but he wasn’t describing Nazis, he was describing actual monsters, with multiple tongues and horrifying faces.  They followed him to Wales and were actually chasing him to that very day, in America.  And when he talked about Miss Peregrine’s house, he talked about the special kids who live there: the girl who could call forth fire out of thin air, the girl who could levitate, and the boy who had bees living inside of him.

Of course, that was all nonsense, just post traumatic stress from being attacked by Nazis, right?

That explanation works until the night that Abe is murdered.  He calls Jacob for help (they think he is going senile).  When Jacob gets to his house, he finds the screen door torn open and Abe missing.  The follow a trail and find Abe, bleeding in the woods.  Jacob thinks he can see the same kind of monster that Abe had always described lurking right nearby in the woods.  Although Jacob’s friend (who drove them to Abe’s house), didn’t see anything.

And now, Jacob’s dreams are plagued by scary monsters.  And he can’t get his grandfather’s cryptic last words out of his head.  Time to see a therapist, obviously. (more…)

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Brendan Connell–The Life of Polycrates and Other Stories for Antiquated Children (2011)

Posted in Black Flag, Brendan Connell, Chômu Press, Daredevils, Death, Decadence, Demons, Drinking, Drugs, Fantasy, Food, Funny (strange), Gold Diggers of 1935, H.P. Lovecraft, History, McSweeney's, Oddities, Religion, Short Story, Top Hat, Unlikable main character, Yuck! on March 29, 2011| 3 Comments »

SOUNDTRACK: BLACK FLAG-Damaged (1981).

I’ve liked Black Flag since I bought Loose Nut on vinyl way back when (1985, the year punk broke for me).  And those four bars were iconic to me even before I had heard a note (although I just learned they are supposed to represent a flag waving).

And this is where their legend really took off.  So a few things I never knew about this album until I looked them up recently.  1) That’s Rollins on the cover punching the mirror.  2) He didn’t really punch the mirror (it was smashed prior and the blood is fake).  3) I knew that Black Flag existed for a while before Rollins’ arrival and that they’d had a series of singers before him.  But I didn’t realize what a their first EP (Nervous Breakdown–Keith Morris on vocals) came out in 1978, their second EP (Jealous Again–Ron Reyes on vocals–credited as Chavo Pederast (he left the band in the middle of a live show, so they changed his name to that rather offensive one)) came out in 1980.  Their third EP (Six Pack –Dez Cadena on vocals) came out in 1981.  Rollins joined a few months after that and Damaged–their first full length–came out in December 1981.

“Rise Above” is a wonderfully angry song.  The gang vocals of pure empowerment work so well with the chords.  It’s still effective thirty years later.  “Spray Paint” goes in the other direction: rather than an uplifting, catchy chorus, it’s a deliberately angular chorus that’s hard to sing along to (even for Rollins).

“Six Pack” represents the more “popular” side of the band.  And it is a wonderfully funny single.  I just can’t decide if it’s serious or ironic (see also “TV Party”).  These two dopey songs are great to sing along to and are simply awesome.  (Fridays!)

The rest of the album turns away from the lighthearted tracks.  “What I See” is a really dark moment on this album.  And the negativity is unusual especially given Rollins’ later penchant for lyrics about fighting back.  True, Rollins didn’t write these lyrics.

“Thirsty and Miserable” is a blast of noise with some of Ginn’s first real guitar solos (which Guitar World says is as one of the worst guitar solos in history…and I say really? that’s the solo they pick?  Ginn has done some pretty outlandishly bad solos over the years…of course the whole list is questionable at best).  “Police Story” is a simple but effective description of the punks vs cops scene at the time.

“Gimme Gimme Gimme” seems childish, but that’s clearly the point.  “Depression” is a super fast track.  (Trouser Press considered Black Flag America’s first hardcore band).  “Room 13” is an odd musical track, with pretty much no bass.  It’s just some roaring guitars and drums and Rollins’s screams.  This track stands out because Chuck Dukowski’s bass propels most of the songs here.

“No More” sounds “typically” hardcore: very fast with the chanted chorus of “No More No More No More No More.”  “Padded Cell” is also fast (and is pretty hard to understand) except for the “Manic” chant, but the following track “Life of Pain” features what would become a signature Greg Ginn sound…angular guitars playing a riff that seems slightly off somehow.  Compelling in a way that’s hard to explain.

It’s funny that a band that plays as fast as they did also released some pretty long songs. “Damaged II” is almost 3 and a half minutes long.  It has several different parts (and a pretty catchy chorus).  And the final song “Damaged I” is a kind of crazed rant from Rollins;  It’s one of his scariest vocal performances; he sounds really deranged.  Especially when it sounds like he just cant think of anything else to say so he just screams maniacally.  But his vocals are mixed behind the music as if he’s trying really hard to get heard.  There’s very little else on record like it.

It’s a wonderful end to an intense disc, and the beginning of a brief but powerful career.

[READ: March 25, 2011] The Life of Polycrates

I’ve been reading Connell for a few years now.  In fact, the first time I posted about his work came with a blistering dismissal of his story “The Life of Captain Gareth Caernarvon” in McSweeney’s 19.  That story is included here, and upon rereading it, I learned two things:

  • One: context is everything.
  • Two: I was totally and completely wrong in that original review, and I take it back.

But before I explain further, some background about this book.  This is a collection of eleven stories, eight of which have appeared elsewhere.  Unfortunately there’s no dates of publication included so I don’t know how old any of these stories are.

The other thing I’m fascinated about is Connell himself.  I’m not the kind of reader who wants to know a ton of details about the author, but I like a little bit of bio (or a photo) when I read someone.  The only bio that is consistently presented about Connell is that he was born in Santa Fe, New Mexico.  I’m fascinated by this because so many of his stories are set in Europe.  So I have concocted a master biography about Connell’s life and how he has lived and toured extensively in Europe, studied theology (and found it wanting) and investigated all of the world’s darker corners.

It’s this latter aspect that really altered my perception of Connell’s writing.  I’ve liked the last few things that he’s written, but I fear that I was not looking at him through the proper lens.  And this relates back to bullet point one above.

Connell writes in a world not unlike H.P. Lovecraft–a world that is unconventional, dark and more than a little twisted.  And yet, unlike Lovecraft, there is very little of the fantastical in his stories.  Rather, his characters reside in our own world (with a little chymical help from time to time), but they are all real.  They’re just not characters most of us choose to associate with.  So, reading that first story in McSweeney’s, where it was so different from all those others, I found it really distasteful.  In retrospect, I’m not going to say that it is meant to be distasteful, although some of his stories are, but it was certainly not a pleasant story by any means.

The other fascinating thing to note about this book is that all of the stories are written in short, Roman Numeraled segments.  So the title story has 35 segments.  But even some of the shorter ones has twelve or thirteen segments (sometimes a segment is just a few lines long).    I actually enjoy this style (especially when the segments introduce something totally new into the story–which many of these do). (more…)

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Franz Kafka & Coleridge Cook–The Meowmorphosis (2011) [prepub]

Posted in Angst, Boredom, Coleridge Cook, Dreams, Fears, Franz Kafka, Funny (ha ha), Funny (strange), Futility, Humiliation, Joss Whedon, Mash-up, Quirk Books, Translation on March 24, 2011| Leave a Comment »

SOUNDTRACK: ANGST-“The Weather’s Fine” (1988).

I recently rediscovered the band Angst.  They were part of the second wave of SST bands (the ones who never went anywhere and were summarily dropped with no forwarding address).  I know of Angst from their song on The Blasting Concept Volume II (which I love).  I decided to investigate Angst a little further and my good friends at YouTube came through with a number of Angst tracks that I’d never heard.

Like this one.

Angst is a kind of jangly pop band.  This song in particular would not be out of place on the radio in 1992 or indeed now.  It has an early R.E.M. feel, but I think what makes it stand out somewhat is that the chorus feels kind of short–you kind of expect Peter Buck to sing a second part of the chorus, but that never materializes.

Angst is a band that could have been huge (SST was not much for marketing).  And as far as I can tell all of their discs are utterly out of print.  Pity.  This is some good stuff.

Tap your feet along!

[READ: March 22, 2011] The Meowmorphosis

I received this book as an Advance Reader’s Copy.  I absolutely loved Pride & Prejudice & Zombies.  I didn’t read Quirk Classics’ other mash-ups: Sense & Sensibility & Sea Monsters or Android Karenina (although I love the title of that one).  Nor did I read any of the other mash-ups that Quirk Press did not print.  It became rather passe after one great idea.

But this one seemed different somehow….  In part, Kafka.  But also, it’s not a classic novel plus horror.  It’s more horror plus…cats.  And the opening line is wonderful:

One morning, as Gregor Samsa was waking up from anxious dreams, he discovered that he had been changed into an adorable kitten.

Anyone who has read The Metamorphosis knows that it’s about 85 pages long.  So, how did Coleridge Cook (which is a pseudonym, FYI) get 200 pages out of it?  Well, it’s not simply The Metamorphosis.  It incorporates aspects of  The Trial and the short story “Little Woman” (and quite possible some other things as well).

And in that respect, it’s pretty neat.  He takes these three separate Kafka stories and interweaves them, all keeping with the same basic structure of The Metamorphosis with Gregor as a cat.

And so, as in the original, Gregor is abused by his family.  But unlike the original, he eventually escapes outside where he meets Josef K. and is put on trial.  He is eventually let go and returns home where he imagines the tearful return he will have with his sister.

But here’s the problem.  Unlike P&P&Z which made a whole new plot and added so much excitement to the original story, all that this mash-up does is to change him from a cockroach into a kitten.  So really, the story is exactly the same but instead of scenes with creepy, gross cockroach detail, we get scenes with cute and cuddly kitten details.  And as such, it’s hard to understand exactly why the family is so creeped out by him. (more…)

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Jane Austen and Seth Grahame-Smith–Pride and Prejudice and Zombies (2009)

Posted in 19th Century, Adventure, Art Brut, Dystopia, Funny (ha ha), Jane Austen, Marriage (Happy), Military, Neutral Milk Hotel, Portishead, Quirk Books, R.E.M., Seth Grahame-Smith, Supernatural, The Decemberists, U2, Violence, Wait Wait...Don't Tell Me, WRSU 88.7 FM--New Brunswick, NJ, WVPH 90.3 The Core--Piscataway, NJ, Zombies on May 21, 2009| Leave a Comment »

pride-zombiesSOUNDTRACK: The Core: WVPH, 90.3 FM.

coreThe Core is also from Rutgers University.  How do they have two radio stations?  Interestingly, the station is shared with Piscataway High School.  For several hours a day Piscataway High School takes over the airwaves.  Although I admit that I have not listened to any of the PHS stuff because the first block is at 6 in the morning, and the other block is from 1- 3PM.

The college folks, however, play a pretty excellent selection of alternative music.  They’re not quite as indie and out there as WRSU, but they’re not commercial either.  To me, they’re more of the kind of college station I’m used to from my days as music director at the University of Scranton.

In the few days that I listened, I heard a lot of familiar alternative artists, with a nice focus on new bands.  What I especially liked about the station was that they didn’t play too much in the way of commercial alternative (your U2s and R.E.Ms who were once alternative but are now mainstream).  Rather, they played bands like Art Brut, The Decemberists, Portishead and Neutral Milk Hotel: bands that many people have at least heard of, but that you won’t find anywhere else on the dial.

This is the station that I would turn to most if my CD player busted permanently.

The only thing I didn’t like about it, but which also reminded me of my days as a DJ, was that college DJs tend to talk A LOT.  We all think that we are imparting precious wisdom to the masses.  And often, that is true.  Although in this one case, the DJ said that the name of the band was Art Brut Vs Satan, which is in fact just the album name.  (See, I’m still a pretentious music snob!).   However, when I’m having dinner and reading a book, I don’t need a seven minute update about that last concert that you went to.

[READ: May 19, 2009] Pride and Prejudice and Zombies

When I first heard about this book (as a punchline on Wait Wait…Don’t Tell Me at my brother-in-law Tim’s house), I couldn’t believe it was real.  I was so intrigued by the concept, and then so impressed by the reviews, that I couldn’t wait to read it.

And this book does not disappoint.

For those out of the loop: Pride and Prejudice and Zombies is, as the title suggests, Jane Austen’s Pride and Prejudice with good old zombie action thrown in.  Elizabeth and Darcy… What?

Yes.  Zombies.

Seth Grahame-Smith has taken Pride and Prejudice, changed a few details and then added an entire…well, subplot is not right…more like an underlying condition to the story.  It turns it from a story of love and marriage into a story of love and marriage amidst zombie brain-lust. (more…)

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