SOUNDTRACK: ERNEST RANGLIN-Tiny Desk Concert #382 (August 16, 2014).
Ernest Ranglin is a pioneer in ska, by mixing elements of reggae and jazz. And at 82, he still plays a great guitar. The solo at about 3 minutes in is really fun and interesting. What’s interesting about this concert is that Ranglin is playing with a group of very young (compared to him) people. The backing band is called Avila and they hold down the beat and the rhythms for the master, sounding like a perfect fit.
They play three songs in fifteen minutes: “Surfin'” and “Jones Pen” which are longish ska instrumentals (“Jones Pen” features a keyboard solo) and “Avila (Oscar’s Song),” which is a more mellow jazzy instrumental. Sometimes it’s nice to hear some good musicians jamming out with no vocals to complicate what they’re playing, and this is a good example of that.
It’s a lot of ska in one session, but if you like the genre, it’s hard to beat this concert.
[READ: August 1, 2014] Bandette
Sarah brought this book home and said I would like it and she was very much correct.
Bandette is a young thief living in Paris. She is adorable and sprightly, wearing a black mask, a red wig and a yellow and black cape. Even though she is a thief she is a good thief–stealing wonderful things but usually from bad people. But her charm comes mostly from her fun banter and delightfully light personality. The story is delightful and the art by Colleen Coover is fantastic–I need to see more from her (and I can, at her website).
As the story opens we see her sneaking into a fancy house where she is accosted by an adorable little doggie whom she asks “Want to come along with me on a robbery?” When the dog bounds off with her, she says “Really! You do you naughty dog! You are as bad as a cat” She easily finds the target–four small drawings. But she stumbles upon the owner in bed with a woman (the book just crosses the line out of kid-friendly territory). He calls for the guards to chase her. Her acrobatic escape is at once exciting and charming.
As she makes her escape, she calls on her cadre of helpers, assistants and urchins. These kids love Bandette and help her however they can. There’s the three ballerinas, there’s the group of street urchins and there’s Daniel, a delivery boy for the awesomely named Rad Thai. He has a huge crush on Bandette and will help her in any way.
We also see that Bandette is sort of working in league with the police. Inspector Belgique knows that Bandette is a thief, but he also knows that she can help him with more serious crimes. Like the one he is currently involved with–a group of men breaking into the bank (real thieving). The inspector asks Bandette for assistance and she helps in the most unlikely way she can.
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SOUNDTRACK: FUCKED UP-Couple Tracks: Singles 2002-2009 (2010).
I knew of Fucked Up from a cover shoot on
SOUNDTRACK: WALLER NOT WELLER blog.
WallerNotWeller
SOUNDTRACK: SISTERS OF MERCY-Floodland (1987).
Since I’m reviewing a goth book, why not talk about a goth record? Back in the day, I really liked Floodland (and still think it’s pretty cool). The album is over the top, but it’s quite apparent that I’m really drawn to theatrical music.
SOUNDTRACK: BARENAKED LADIES-Snacktime (2008).
The Barenaked Ladies have always been like naughty kids. So, it seems almost too obvious for them to make a kids’ album. But almost as if they want to continue being naughty, this kids album is quite smart, not just a collection of cute kids songs.
SOUNDTRACK: ARCADE FIRE Austin City Limits (2007).
Recorded in support of Neon Bible, this concert blew me away. I enjoyed Neon Bible quite a lot, but seeing the band in this concert setting was really amazing. The band was so exciting live.
SOUNDTRACK—DOWN AT THE SEA HOTEL (2007).
This has rapidly become one of my favorite CDs for our kids. It’s a collection of lullabies written by some great artists with performances by: Guy Davis, Lucy Kaplansky, John Gorka, Eliza Gilkyson, The Wailin’ Jennys and Lynn Miles. They play either solo or in groups to create a wonderful collection of tracks which maintains an overall cohesive sound.
SOUNDTRACK: KISS-Dressed to Kill (1975).
I feel like I used to give this disc short shrift because (horrors) its cover is in black and white. But, unlike the first two discs which were heavy (poppy, but heavy), Dressed to Kill is very anthemic and, well, a little wimpy. Despite these caveats, I still know every word to the disc, and I do rather enjoy it.