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Archive for the ‘Watkins Family Hour’ Category

SOUNDTRACK: SARA WATKINS-Tiny Desk (Home) Concert #209 (May 13, 2021).

You never really know what you’ll get with Sara Watkins.  Well, that’s not true, you know you’ll get wonderful music in some variant of folk.  Whether she’s playing with Nickel Creek or her brother in Watkins Family Hour, there’s going to be harmonies and wonderful violin.  The big surprise for me for this concert was that she opened with “Tumbling Tumbleweeds.”  Yes, “Tumbling Tumbleweeds” by Sons of the Pioneers.  The trio of Sara Watkins, Alan Hampton and Davíd Garza’s voices sound fantastic together.

This is so enchanting. The painted scrim, the scenery trees are not only a setting for Sara Watkins and her bandmates, but we also discover a “magic desk.” And as Sara lifts the desk’s top, we hear a guitar playing an alluring melody; in fact, it’s Harry Nilsson’s dreamy song “Blanket For a Sail.”

Davíd Garza, [what’s he been up to?] plays the melody and then the rest join in, with Sara playing the violin like a guitar.  Then when Sara puts bow to violin she and Garza share some fun soloing.  Hampton’s upright bass is a perfect low end for these songs.

These songs are surprising to me, but I guess they shouldn’t.

The songs are from her new album, Under the Pepper Tree.  It’s a children’s record, largely inspired by thinking back on the music that meant so much to me as a kid,” she says. “I’ve got a daughter now, and so much of the music that I heard as a kid has stayed with me and served me well.”

One of music’s magical properties for Sara is the way it can ease transitions. Maybe it’s from childhood to adolescence, or falling in and out of love, or simply getting your child to sleep. For this Tiny Desk, we hear old cowboy tunes via the Sons of the Pioneers or Rogers and Hammerstein’s “You’ll Never Walk Alone.”

The album is called “Under the Pepper Tree” because she has had a pepper tree in every house she’s lived in in Southern California {I’ve never heard of pepper trees]. They have a lacey canopy like a willow tree like a fort.  The song is a delightful instrumental.

“You’ll Never Walk Alone” is an old standard and Sara sounds really impressive hitting those high notes at the end.

“Night Singing” is a song she wrote to her daughter, but she realized it was a song she needed to hear as well.  It’s for anyone who needs to feel that they are cared for.  It’s a beautiful lullaby.

A lot of musicians make children’s records after they become parents, and that’s no bad thing.

[READ: June 5, 2021] Have You Seen the Dublin Vampire?

I don’t post about children’s books very often.  But since this came across my desk at work (an even more rare occurrence!), I thought it would be fun to read it.

I’m not familiar with Úna Woods.  This is a rhyming picture book with really fun illustrations–I’m assuming assembled on Photoshop.  The lines are very smooth and consistent and the leaves are all the same with just different colors.

I don’t know if the Dublin Vampire is a thing.  Although Ireland is famous for its vampire creators.

Bram Stoker creator of the world’s most important male vampire in the world (Dracula) was born in Clontarf. Sheridan Le Fanu, creator of the pre-eminent female vampire (Carmilla), was born on Dominick Street.  [Thanks to Supernatural Dublin].

I don’t know Dublin well enough to know if there is a “moon-shaped park with a creepy old tree,” but that’s where the Dublin Vampire lives.

He rides a ghost bus (I’m ALMOST positive there isn’t such a bus in Dublin). (more…)

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[CANCELLED: July 31-August 2, 2020] Newport Folk Festival

Last year we took the whole family to two days of the Newport Folk Festival.  It was a fun experience for the most part.  Both kids were exhausted and my son decided he’d rather stay in the hotel than go on the second day.  However, this year he said he;d like to go again, so since the 2020 Festival was cancelled, maybe next year all four of us will go again.

I was not surprised that the Festival was cancelled. But it was still a shock when it happened on April 29th.

Here’s the formal message

Dear Folk-

This is the letter I was praying I wouldn’t have to write, feeling we need the healing powers of live music more now than ever. It is with the heaviest of hearts we announce the cancellation of the 2020 Newport Folk Festival. As devastating as it is to write those words, it’s balanced with a renewed sense of, well, HOPE. It’s Rhode Island’s motto for good reason and it’s also the feeling you, our festival family, constantly exudes when we come together in good times and perhaps more importantly, in difficult times as well. This community is truly unlike any other in music, and I believe we can emerge from this hardship stronger and more connected than ever before.

However, while your safety was at the core of the present decision, your support will be at the core of our future viability. Our ability to produce this festival in 2021 – and continue making a lasting difference in the lives of artists, students and music lovers like yourselves – is in your hands. Quite simply, we need your help.

Due to the financial and institutional uncertainties we find ourselves in, we believe the most trusting and direct course of action is to let the ticket holders decide where their ticket dollars should go. We have sent all ticket holders an email mapping out three options: 1) donate all or a portion of your ticket that will go directly towards ensuring our festival for 2021 while continuing our support for artists and educators; 2) apply your refund towards a 2021 Revival Membership – a new and one-time offer we’ve created specifically to ensure our future and provide these members with 3-day tickets to the 2021 festival (remaining memberships will be offered to the general public directly after the request period); and 3) receive a 100% full refund if desired.

For those of you who didn’t have tickets for this year, PLEASE consider making a tax-deductible donation. Help us continue these festivals, support year-round music education initiatives, and provide grants to artists in need.

I want to personally thank our founder George Wein, our staff, our Board of Directors, the City of Newport, and the DEM for their continued efforts. And, offer a personal note of gratitude to Rhode Island Governor, Gina Raimondo, for her leadership and counsel in prioritizing our well being in making the decision to cancel the festival.

Although we won’t be able to gather at the Fort this summer, rest assured we have invited ALL the announced artists to join us next year. In the meantime, we promise we will all commune one way or another on our festival weekend. As always, we have some secret surprises in store as well, so stay tuned for more details in the coming weeks. Until then, stay strong and folk on.

(more…)

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SOUNDTRACK: I’M WITH HER-Tiny Desk Concert #722 (March 28, 2018).

I’m with Her is a kind of a folk supergroup comprised of Aoife O’Donovan, Sarah Jarosz and Sara Watkins.  As the blurb notes:

The three singers who perform together as I’m With Her sound like sisters. It’s as if they’ve known each other all their lives and share common roots and musical memories… All three are brilliant players with an ever-shifting array of stringed instruments, guitars, ukulele, fiddle, mandolin and banjo. As I’m With Her, they know how to gather round a microphone and sing directly from their heart to yours. Purity is the brilliance behind I’m With Her.

They also share coming to the Tiny Desk:

Sara Watkins was here with Nickel Creek (2014), Watkins Family Hour (2015) and The Decemberists (2011). Sarah Jarosz was here in 2013 and Aoife O’Donovan came along with Yo Yo Ma and Chris Thile as part of the Goat Rodeo project back in 2011.

They play three songs from their debut album.

The first is “See You Around.” Sarah sings this first song.  Sarah and Aoife play guitar and Sara is playing an oversized ukulele.  At the end of each section their harmonies are wonderful.  It’s a really pretty song, with a great melody.  Then at around 2 minutes the song switches gears to the “shiny piece of my heart” section which changes the timbre and tone of the song.  Aoife takes over a bit and the song grows a bit darker and their voices sound more powerful.

For “Game to Lose” Sara switches to fiddle, Aoife plays Sarah’s guitar and Sarah is on mandolin.  I absolutely love the violin part and the way it plays off of the mandolin.  After a few measures, when they sing in three-part harmony from the get go….  Wow.  I love Aoife’s voice as she sings the end of the chorus, the mandolin is just fantastic and the fiddle trills are exquisite.

As they tune before the final song, Bob asks how many instruments they brought….  The answer is, a lot.  And they couldn’t leave without some banjo.  Then Aoife asks about the pink lemonade gummy bunny.  Bob says people leave random things.  You’re welcome to leave something too.  Aoife says, “I thought you were going to say I was welcome to eat it.”

Sarah says I feel like we’re just settling in, I wish we could play all day (and so do I!).

For the final song, “Overland” Sarah switches to banjo. Aoife has the same guitar and Sara is on guitar too.   Sara sniffs a few times and then deadpans, “Sorry I’ve got a coke problem, it keeps sneaking up on me.”  Everyone laughs and Sarah cracks up.  Bob says we’ll just have to loop that and Sara says, “we need some scandal.”

The song begins with Sara on lead vocals and Sarah’s banjo.  It is the most country sounding of the three (which surprises a bit since I don’t think of Sara’s voice as sounding like that).  But again, it’s the harmonies that are huge.

[READ: January 15, 2018] “Chicken Winchell”

This story was published in Vicky Swanky Is a Beauty, although as with most of William’s pieces I don’t remember it at all.

This story, which is half a page long, mentions three women characters and then uses “she” for the rest.  So I’m not sure which “she” is being spoken about.  There’s a waitress, a daughter and a mother.  The waitress wonders why the daughter never returned.  But apparently she did.

The mother confides in the waitress. (more…)

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olymmp SOUNDTRACK: WATKINS FAMILY HOUR-Tiny Desk Concert #471 (September 18, 2015).

wfhThe Watkins Family Hour began a dozen or so years ago as a way for a group of friends to get together and play old and new tunes. For Sean and Sara Watkins, it served as a monthly bit of magic: a musical variety show filled with extraordinary talent in the world of folk, bluegrass and beyond at L.A.’s famous Largo.

Sara and Sean Watkins took this fun on the road, with pianist Benmont Tench, drummer Don Heffington and bassist Sebastian Steinberg, and they made a stop at the Tiny Desk. They even brought along Fiona Apple to sing on “In the Pines” the old blues song.

The first song “Steal Your Heart Away” is sung by Sara (with violin melodies between verses) and Sean (on guitar).  It’s a bouncy folk song with a lovely piano added (which seems to move it out of the folk style a bit).  It’s a really catchy song with a great melody.

For “In the Pines” Fiona Apple sneaks out from behind the desk to sing.  Sean jokes that there’s some howling moments in this song and Fiona (who seems pretty nervous) jokes that she gets to be a dog.  I don’t know that I would have recognized Fiona’s voice as she puts on an accent and whoops (And Sean is a pretty good whoop-er, too).

The final song is “Hop High” another old song written by the hills–burbled up from the ground.   Sara and Sean take lead again on this slow brooding song.  Well, slow and brooding for the first verse, as the rest of the song takes off with Sara singing in her best gravelly voice the verse and Sean Sara and Fiona singing the chorus.

It’s a fun set full of great bluegrass-ish music

[READ: Summer 2015] Olympians 7-8

Last summer I read the first six book in the Olympians series. I’m not sure how many books he has planned for this series, although I see that he has another book planned for 2017.

Since I like what I wrote about the series for my previous post, I’m going to keep that here and then talk about each book.

George O’Connor is a massive geek and Greek scholar.  He has done lots of research for these books, including going to Greece and visiting sites and antiquities as well as comparing all manner of ancient stories to compile the most interesting pieces. He explains that since these stories were orally passed down, they were modified over the years.  He doesn’t change the myths, he merely picks the story lines that are most interesting to him.  And then he adds a lot of humorous modern touches (and dialogue) which keep it from being at all stuffy.

O Connor’s drawing style is also inspired by superhero comics, so his stories are presented in a way that seems much more like a super hero than a classical hero, which is also kind of fun.

Each book ends with an author’s note which is hugely informative and gives plenty of context.  It also has a bibliography, but more importantly, it has a list of notes about certain panels.  Do not skip these notes!  In addition to providing a lot of insight into the myths of the characters themselves, there are a lot of funny comments like “Greeks raced in the nude (point and laugh)” which really bring new depths to the stories. (more…)

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