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pumphouseSOUNDTRACK: RA RA RIOT-The Rhumb Line (2008).

raraI have a hard time describing this album.  It has a lot of ingredients that don’t make sense individually, yet which work very well. I would almost resort to calling them pretentious rock, but that seems so derogatory.  Vampire Weekend falls into this category of highly literate pop too, and we know how much  I love that album!

Ra Ra Riot play catchy indie pop, but their main instruments are cello and violin. And yet they’re not anything like Rasputina’s string-laden goth music.  Rather, they write catchy poppy songs that are punctuated with strings.  I even wanted to say they don’t have a  guitarist, (they do) but I guess that just shows how well his licks meld with the rest of the music. And, indeed, on some tracks, the guitar is up front and wonderful.

They also get labelled pretentious because one of their songs (and one of their catchiest) has lyrics from e.e.cummings, or rather, they use his poem “dying is fine)but Death” as the lyrics for the song “Dying is Fine.”  They also cover Kate Bush.  Now the Futureheads covered Kate Bush a few years ago, so perhaps Kate is the next go-to artist for covers.

Ra Ra Riot wins extra points for covering a fairly unknown, and utterly bizarre song, “Suspeneded in Gaffa.”  This happens to be one of my favorite Kate songs, so I’m a bit critical.  However, they do a very good job of making it a pop song (There’s enough weird stuff in Kate’s version to never give it mainstream acceptance).  And the strings work very well for it.

Ra Ra Riot was also featured on that paragon of good taste: the show Chuck [And since I have mentioned the  music of Chuck on many occasions, I would be remiss if I didn’t send a shout-out to this site which lists all of the songs in Season One–gotta update Season Two fellas].  Chuck played “Can’t You Tell” in a romantic scene, and it worked quite well.

So, after all that, what can I say about the band.  They may be too commercial for some, but I think their combination of strings, intelligent lyrics and good vocals is pretty great.  Incidentally, in case you were wondering, a rhumb line  (or loxodrome) is a line crossing all meridians at the same angle, i.e. a path of constant bearing. Following a rhumb line requires turning the vehicle more and more sharply while approaching the poles (thanks Wikipedia).

[READ: May 26, 2009] South of the Pumphouse

So this book is by Les Claypool, lead singer and bassist of Primus.

Claypool’s lyrics are typically stories, full of weird characters in weird situations.  Oh, and fishing.  Lots of fishing.  And that sums up this book pretty well.

The book is set in El Sobrante, California, a redneck haven that has not progressed along with the rest of the state.  Earl is a fisherman and meth addict.  In that order.  Fishing is Earl’s life.  His father fished every weekend, and Earl and his brother Ed went with him.  Rain or shine. (more…)

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SOUNDTRACK: VAMPIRE WEEKEND-Vampire Weekend (2008).

There’s some hype surrounding this record. And of course, I wouldn’t have heard about it without the hype. But I have to say this is my favorite record in a long, long time. It has everything! It’s got really tight, fun catchy songs…some as short as 2 minutes. It has wonderfully pretentious lyrics, and outrageous instruments, like the mellotron and harpsichord. And yet somehow, it manages to avoid all manner of pretension. Rather, it’s just catchy as all get out.

I can’t even pick a favorite song, as they are all great in their own way. I’ve heard that this album is compared to Paul Simon and that it’s being described as AfroPop. I only see the Simon comparison on one song, and I’m not sure what AfroPop is exactly, so I can’t address that. But I will say that it reminds me of many different genres as the record speeds by. There’s even a retro ska feel to a couple of songs, and I do loves me some ska! No song overstays its welcome, and it all seems so effortless and joyful. I finally got to listen to it in the car on a warm night and it was absolutely perfect.

Yet despite all the simplicity and brevity, the album has a lot going on underneath it. The rhythms are fairly complex, the basslines are fantastic–not show offy, just busy–and yet they perfectly propel the songs along. And, since I love smart lyrics, I love these guys for their great couplets. The songs are smart, without being cute and even though they do boil down to basic love/lost love themes, the words within are original and wonderful.

I absolutely love this album.

[READ: April 10, 2008] The Lunatic at Large

This book is from 1899 and was reissued by McSweeney’s in 2007. I bought this book without knowing…anything about it. I’d certainly never heard of it before. I had put it aside with low expectations.

The introduction indicated that this book is a missing link between the humor of Oscar Wilde and P.G. Wodehouse. That was a promising idea, and I’m delighted to say that it is quite true.

(more…)

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