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Archive for the ‘Trombone Shorty’ Category

solomonSOUNDTRACK: RYAN KEBERLE & CATHARSIS-Tiny Desk Concert #393 (October 4, 2014).

keberleWhen Trombone Shorty played the Tiny Desk I said that I was surprised to see that the leader of the band was a trombone player.  Well, perhaps it’s not that unusual as Ryan Keberle is a trombonist as well.  But unlike many recent jazz performers, Keberle & Catharsis aren’t showing off. As the blurb puts it, “he’s not after any high-concept framing. He’s just targeting the sweet spot where a nifty arrangement meets a solid groove.”

This band plays pretty traditional jazz (complete with upright bass solos and everything). Although, interestingly, their first song is a cover of  Sufjan Stevens song (turns out that Keberle toured with Stevens).  “Sister” is my favorite of their three songs.  I really enjoyed when the full band kicked in after the intro riff from Keberle.  The band has a vocalist, Camila Meza, who mainly does wordless vocal sounds.  As the song nears its end she does sing lead vocals, and it’s quite pleasant.

Her vocals work pretty well for this song, but I didn’t like it is much later.  That could be because “Sister” is a catchy pop song, where the other songs are jazzy.  And I find her singing style to be a little lite-Fm for my tastes.

“Gallop” is a bit faster than the first song.  It moves along at a nice clip and then stops for a bass and drum solo–very very jazzy.  There’s a trumpet solo in the middle of song too (no trombone solos which is interesting, I guess).  The other guys in the band are Michael Rodriguez on trumpet, Jorge Roeder on bass and Eric Doob on drums.

“Zone” opens with two contradicting three note riffs on both trombone and trumpet which is pretty cool.  Then the song settles down to just bass drums and voice and Keberle playing the melodica (beloved instrument of Tiny Desk Concerts) which works but sounds odd in the mix.  It seems like the song is going to end as the music fades to just bass, but it soon picks up again with anew trumpet solo.

I don’t love mellow jazz like this, but these players are excellent.

[READ: April 13, 2016] Solomon’s Thieves

I had this book on hold for quite some time.  When it finally came in, I thought, hey this art looks familiar.  And then hey, this book is about the Templar knights, what a strange thing that First Second would have two book about the Templar Knights.   And then as I flipped through it I realized the author and artists were the same.  And for a split second I though, they wrote two books about the Templar Knights?

And then it came to me that the first part of Templar was called “Solomon’s Thieves.”  And that this is indeed the First Part published long before Templar actually came out in full.

So even thought I had read the whole of Templar not too long ago, I decided to read this as well   As far as I can tell it is exactly the same as the first part of Templar.  Although it’s possible that there are some minor changes, I wasn’t sure if things that I didn’t remember were just because I can’t remember everything, you know?

Perhaps because I had read the full book not too long ago, I really enjoyed this run though again.  Since everything looked familiar, it was fun to pick up on things I missed the first time, and to see how things made a little more sense once I could tell who everyone was and what their roles were (there is something to be said for re-reading).

I’m including what I wrote about the first part of Templar here because it’s the same, but if you want more about the whole book or background about the Templar Knights check out the full post.

As the story opens we see Martin, a Knight, looking longingly at a woman, Isabelle.  We learn that he had been “dating” her (or whatever they called it back then) and then one day he found out that she left to be married to the brother of King Philip.  So he joined the Knights.  As they march through the city, we see that they are drunkards and carousers.  They get in all manner of trouble.  And one evening they were heading back to Paris when suddenly the above dictum was established–all Knights were to be arrested.  And Martin is one of them.

But through some excellent machinations (and good fighting) he escapes.  And he soon joins together with a very unlikely band of merry men, including Brother Dominic (a real priest with the tonsure and everything) and Brother Bernard, a loutish drunken man who is not above thieving from people.  Martin is offended at the thought of working with him, and they wind up at odds with each other from the start.  Before the end of the first book, we see that they have a letter revealing where all of the Templar gold and jewels are hidden.

There’s a great bit of accounting work done in which the bookkeeper shows on his ledger that rooms were empty when in fact it appears that the gold was taken out on hay carts.  The bookkeeper, even under torture, swears he knows nothing of the fortune’s whereabouts.

Mechner tells a really exciting story with humor and sadness.  The fact that it’s linked to history is just a bonus.  Another winner for First Second and their #1oyearsof01 anniversary.

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percy3SOUNDTRACK: TROMBONE SHORTY-Tiny Desk Concert #162 (September 29, 2011).

tromb Trombone Shorty is from New Orleans and his backing band is called Orleans Avenue.  I can’t think of too many bands that are fronted by a trombone player.

This is a super fun set.  It opens with “Dumaine St.” a short (just over 2 minutes) jazzy number that comes from his then recent album For True.  There’s some great rhythm in the low end–the baritone sax and bass guitar keep a great groove, especially during the trombone solo (!).  It’s short, but it’s great.

Dan “Uncle Potato Chip” Oestreicher, opens the second song with a great bass line on the baritone sax.  The song is called “Lagniappe which is “a little gift you get for buying something. It’s an especially common practice in certain corners of the world, including Louisiana, where the term originates.”  It’s an improvisational piece built around the great bass line.  It features a trombone solo and great tenor sax solo by Tim McFatter.  The song builds (for about 5 minutes) to an exciting  conclusion (“a light workout,” Shorty calls it).

The final song has lyrics sung by Shorty. It’s probably my least favorite of the three as the lyrics aren’t that great (although his voice is good).  It’s got a good funky rhythm, but it slows things down when he is singing.  And I just want to hear him play.  Once he picks up the trombone again, the song springs to life and is a super amount of fun–with another great melody.

I wasn’t sure I’d like this set but I enjoyed it a lot.

[READ: November 22, 2015] The Titan’s Curse

The good news was that I could get both the second and third graphic novels at the same time (both with art by Attila Futaki).  The bad news is that apparently the fourth (and fifth) books were never made!  I don’t know if there are plans for them to get made but as of right now, we’re stuck at a to be continued.

Of the three, I found this book to be the most confusing because so many characters looked alike.  There was also the addition of several new characters (and as with the previous book, there was very little in the way of introduction).

We don’t know why, but Percy and Annabeth have gone to a specific place to rescue two orphans, Bianca and Nico.  They are both half-bloods, unbeknownst to them.  Bianca is initially suspicious of the heroes, but Nico is right on board.

In terms of action, there’s quite a lot.  We meet Artemis, goddess of the hunt who has arrived with her hunters.  She speaks formally and is suspicious of men.

After careful consideration Bianca decides to join Artemis’ hunters (which gives her immortality–death may only come in battle–as long as she forswears romantic love, which she has no problem doing).  Meanwhile, Nico decides to return to the camp with the others.

Oh and Annabeth, while fighting a manticore, is thrown over the side of a cliff, presumably lost forever.  Percy is freaking out but they convince him to head back to camp for reinforcements.

A new quest is decided upon, but Percy’s first goal is to rescue Annabeth.  Although we soon see that she is not dead, she just has the weight of the world on her shoulders.  Literally.

And then Apollo shows up in his golden chariot (which is a sports car naturally).

Back at camp, the director has them don helmets for more training, this time hunter against half-blood.  The hunters win every time.  This was a hugely confusing scene since everyone is in battle gear. The book is also hugely confusing because several of the scenes are done with characters in close up and Zoe (whose origin I can’t even recall) and Percy look quite a lot alike

But there’s some really wonderful scenes, like when the horse speaks to Percy and later when Percy rescues the Ophiotaurus (which he calls Bessy).

I liked that the middle section takes place in the Museum of Natural History–which allows for some cool details.  The dinosaur teeth are actually dragon teeth and the lion is really the Nemean Lion.  And when the bad guys get some skeletons to rise from the earth, they are sent on a single mission–to destroy Percy.  And they cannot be stopped by half blood weapons.

There’ a great scene with a large flying statue and then a cool scene at the Hoover Dam.

I typically enjoy when the scenes turn mystical but I was confused a bit when Artemis returned to her sisters.  I think the character of Zoe perplexes me too much, even when she reveals her true identity.

And speaking of true identity, Nico’s reveal is pretty fantastic, too.

The final scene shows a meeting of the Gods again, which I liked.  Unfortunately it seems to set the stage for book four, which we won’t seem to ever get.

More reason to rad the actual novels, then, right?

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