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Archive for the ‘Trey Anastasio’ Category

Chang-Rae Lee–“Immovable Feast” (New Yorker, November 3, 2014)

Posted in Chang-Rae Lee, Essays, Food, New Yorker, Oysterhead, Set at School, Tiny Desk Concert, Trey Anastasio on January 22, 2015| Leave a Comment »

nov3SOUNDTRACK: TREY ANASTASIO-Tiny Desk Concert #414 (January 5, 2015).

treyI’m introducing this delightful little Tiny Desk Concert here because Trey Anastasio joined up with Les Claypool and Stewart Copeland for the band Oysterhead, coming up next.

Anastasio is the lead singer and guitarist of Phish (and several side projects).  Because I tend to hear him amid the noise and jamming of Phish, it’s easy to forget that Trey has a very nice, delicate voice.  It’s also easy to forget amid all of his jamming guitar solos that he plays a lovely acoustic guitar as well.

He plays 3 songs in 12 minutes and is as affable as ever.

“Sleep Again” is a really pretty song.  In introducing the second song he says that he and his wife lived in a farmhouse in Vermont and listened to NPR all the time–the radio was tuned to Vermont Public Radio 24 hours a day.  And he says that NPR entertained his family for so many years that it’s an honor to do something for them.  This song, “Summer of ’89”  is a tribute to his 20th anniversary of being married to his wife Sue.  It’s quite lovely and moving.

He ends with a sweet version of “Backwards Down the Number Line,” one of my favorite new Phish songs.  I don’t think I ever quite realized what the lyrics were before.  I prefer the album version (mostly because of the gorgeous backing vocals) but this is a really nice version.

As they say in the write up, it’s interesting to hear him in this very quiet setting rather than in big arenas or in collaboration.

Check it out here.

[READ: January 20, 2014] “Immovable Feast”

This week’s issue of the New Yorker was its semi-annual food issue.  As such there were four food-related essays by writers who I’ve written about before.  The section was called “Rations.”

The third was by Chang-Rae Lee.

Lee talks about eating in the dorms at Phillips Exeter and how the food was universally disgusting.  [When I was in school there were rumors that the meals were consistently labelled Grade D But Edible (this from our food provider: ARA (which we named American Retards of America–such is the cleverness of college)).  Of course, now that I work at Princeton, I can report that the food here is outstanding.]

He offers one of my favorite quotes about dining ever: “You could fix yourself a basic salad or a bowl of cornflakes, but I always wanted hot food for dinner, and still do.  A cold supper for me is like being dipped in a melancholy sauce.” (more…)

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Greg Prato–Primus: Over the Eletric Grapevine: Insight into Primus and the World of Les Claypool (2014)

Posted in 24-7 Spyz, Books about music, Buzz Osborne, Chuck D, Drinking, Drugs, Eugene Hutz, Fishbone, Geddy Lee, Greg Prato, Hank Williams III, James Hetfield, Kirk Hammett, Larry LaLonde, Les Claypool, Limbomaniacs, Matt Stone, Metallica, Mike Watt, Muse, Oysterhead, Possessed, Primus, Sausage, South Park, Stewart Copeland, Tim Alexander, Tom Morello, Tom Waits, Trey Anastasio on January 5, 2015| Leave a Comment »

primus bookSOUNDTRACK: PRIMUS-Suck on This (1990).

primus suckThis was the disc that introduced me to Primus–it was on a beach vacation with my friends Al, Joe and Rad.  Al made this the soundtrack of the drive and, man, it was weird and crazy and super cool and by the end of that trip I was hooked.

Actually I was immediately hooked when the band opened this live disc with a rough version of Rush’s “YYZ” which then launched into “John the Fisherman.”  What do you make of this band and this weird song?  Stomping bass which is doing all of the lead stuff, with guitars that are just noises and craziness but which really work with what the bass is doing (once you listen a few times, anyway).  The drums are mammoth and very prog rock.  And then there’s Les’ voice–cartoony and unconventional–sometimes deep, sometime really silly, sounds that work perfectly with the storytelling lyrics.

The quality of this recording is pretty poor, although I find that it sounds a bit better on smaller, less “good” stereos, where Ler’s guitars don’t get lost so much in the bass.  Most of these songs have been re-recorded for later albums, so perhaps the newer versions sound cleaner to me.  [Groundhog’s Day, Frizzle Fry, John the Fisherman, Pudding Time and Harold of the Rocks on Frizzle Fry and Tommy the Cat on Sailing the Seas of Cheese].

The best songs on this disc have really catchy parts: “John the Fisherman” (most of it) or the insane fast bass and wild soloing section of “Groundhog’s Day.”  Sometimes it’s just when the noise stops and Les gets a line, like “It’s Just a Matter of Opinion” (in “The Heckler”).  Although the noise there is really catchy too–listen to what Ler is playing during the funky bass section–it’s wild and amazing.

Of course “Tommy the Cat” is a major standout from all three guys.

The only song that doesn’t really work for me is “Pressman” which seems a bit too long without a lot of resolution (although the end is pretty cool).  I often get “Jellikit” (the other song that didn’t make it to a studio album) in my head, whenever I think, Did you like it?  There’s even a drum solo from Herb the Ginseng Drummer in that song

What’s fun is that the audience is totally into it and they know most of the songs–anticipating lyrics and even singing along.  And this is where “We’re Primus and we suck.” comes from.  It was a shocking debut when it came out, and it’s still pretty unusual, although not as unusual as some of their later songs would be.

[READ: January 3, 2015] Primus

As I said above, I’ve been a fan of Primus since near the beginning of their existence.  And yet, for all of my enjoyment of them, I didn’t really know all that much about their origins.  I didn’t know that the original line up was Todd Huth and Jay Lane (guitars and drums), and that the three of them wrote the songs that appear on Suck on This and much of Frizzle Fry.  Ler had to learn these unusual parts (Ler took lessons with Joe Satriani and is much more accomplished than his lack of flashiness indicates) and did so wonderfully. I also didn’t know that Les and Kirk Hammet were in the same class in high school (and that he’s the reason Les picked up a bass in the first place, even though they never formally played together).

The book is constructed as a series of quotes from a vast assortment of people.  The “cast” is two pages long and includes current and former members of the band and management as well as fans like Trey Anastasio, Matthew Bellamy (from Muse), Geddy Lee, Chuck D, Eugene Hutz, Tom Morello, Buzz Osborne, Matt Stone, Mike Watt, Hank Williams III, guys from 24-7 Spyz, Fishbone, Limbomaniacs and even Linda Perry (!).

It opens with Les talking about his high school years.  And what’s amazing is how many people who were involved in Primus are friends from when he was a kid.  If they didn’t play together, they were involved with art or management or something.  We also get the origin story of Bob Cock, which answers many questions.

Les had formed Primate (legal dispute with the band The Primates made them become Primus) with Todd and Jay.  They toured a lot and were gaining a following, but Les was always looking for something more.  He even auditioned for Metallica after Cliff Burton died (Kirk thought it sounded great but I guess James didn’t). (more…)

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