Feeds:
Posts
Comments

Archive for the ‘Tramutanas’ Category

[ATTENDED: March 1, 2024] Soma

Soma is an acronym for Sacred Order of Mystic Apogees.  It’s unfortunate that they go by Soma as there are about a half a dozen bands named Soma.  They are a New Jersey based band that plays spiritual/religious music.

I will display my profound ignorance of Indian/Hindu culture by saying that I realized by the end of the set that they were singing mantras like Hare Krishna, but I don’t know if only the Hare Krishna movement (?) sings this refrain.

I did look up some information about the Hare Krishna movement and learned this (from NPR)

The Hare Krishna movement is a branch of Hinduism, formally known as Gaudiya Vaishnavism. Its name comes from its chant — Hare Krishna — which devotees repeat over and over. It was started in the 16th century by Sri Chaitanya of Bengal (1486-1533). He emphasized the worship of Krishna and believed that chanting the names of God was so powerful that in addition to one’s own meditation on them, they should also be chanted in the streets for the benefit of all.

So that’s nice.

The band’s instagram handle is soma_kirtan.  Kirtan is (according to wikipedia) a

genre of religious performance arts, connoting a musical form of narration or shared recitation, particularly of spiritual or religious ideas is a call-and-response or antiphonal style song or chant, set to music, wherein multiple singers recite the names of a deity, describe a legend, express loving devotion to a deity, or discuss spiritual ideas

There was no call and response at our set but there was a lot of chanting. (more…)

Read Full Post »

[ATTENDED: March 1, 2024] Tramutanas 

The only thing I could find out about Tramuntanas online (in addition to their Instagram page) is this cryptic statement on their website:

Tramuntanas, a new instrumental duo from Baltimore, features Asa Osborne (known for his work with Zomes, Lungfish, and the Pupils) and Canadian sound and video installation artist Shan Collis. The duo will release their debut album in 2024.

So imagine my surprise when Tramuntanas (which means the north wind, I believe), turned out to be a trio.  Asa Osborne was on bass (a great bass sound), Shan Collis played keys (and I assume triggered the amazing visuals) and a third person played sax.

I’m not usually one for saxophone, but this gentleman (whose name was never given) was great.  He played elliptical lines and sounds–solos but never lengthy guitar solo type solos.  He accented the otherwise simple music and his sax was haunting throughout.

Unlike Cementation Anxiety, Tramuntanas’ songs were all short–3 minutes or so.  Some were super catchy with great bass lines, others were pretty and meandering.

Of the three bands, I enjoyed their lights the most–they really synched up with the music nicely.

I’m really quite curious to hear what their recorded output will be like–they have a bandcamp page but there’s nothing on it.

Such a mystery!

Read Full Post »

[ATTENDED: March 1, 2024] Cementation Anxiety

This night of shows was curated by Luminous Abstract, “a production, design and artist collective” who do “audio visual events and projection mapping antics.”

It’s hard to find very much about them (aside from their instagram page, but they seem to occasionally curate a Sonic Mass (I believe this is the fifth one).  The events are listed as

Sonic Mass: An Audio Visual Experience to benefit the Trinity Church’s well being Program.

Donations were appreciated and they raised $500 for the Food Justice Program at Trinity Church, which strives to meet the immediate needs of hunger in Asbury Park and to organize within the community to prevent hunger and injustice in the future.

So that’s pretty awesome.

Cementation Anxiety was added to this bill just before the show started, so I didn’t have time check them out.

I have since discovered that the band is basically the solo project of Kyle Nelson from the punk band Bodiless (who I didn’t know).

Spotify says the band is a

sonic departure from the intensity of Bodiless, Cementation Anxiety still endeavors to explore the catharsis present in both genres—predominantly through guitar—but also field recordings, oscillators, noise machines, and hardware tools.

It was pretty bizarre not being able to see the musician at all.  Occasionally when the projections were more bright, you could see Nelson with his guitar, but I had no idea how the rest of the sounds were being generated.

So it was a kind of wall of sounds.  He played guitar (which may have been a tweak too loud, especially compared to the other bands) but it was really interesting to watch (when he was visible) because his strumming didn’t seem to directly relate to the music that we were hearing.  There must have been effects galore on his guitar because he would strum really hard and the you couldn’t hear the individual strums like you would in a punk show, it was like the intensity of the wave of music just got bigger.

He switched guitars a couple of times and that changed the timbre of the music.  It felt old school industrial, but not.  It was powerful, bordering on overwhelming.

I later chatted briefly on Instagram with Kyle and he told me that the first half of the set came from his EP Liminal Instability and the second half was from an unreleased album coming out in May.

It was a cool way to start the night and the visuals were a great accompaniment.

Much applause goes to Luminous Abstract and the three bands.

(more…)

Read Full Post »