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Archive for the ‘Tom Misch’ Category

SOUNDTRACK: BRAXTON COOK-Tiny Desk (Home) Concert #20 (May 8, 2020).

I thought I didn’t know who Braxton Cook was, but I have actually seen him as support in three different Tiny Desk Concerts: Christian Scott aTunde Adjuah in 2015, Tom Misch in 2018 and Phony Ppl in 2019.

Braxton Cook is a Juilliard-trained, genre-jumping artist whose music feels both contemporary and timeless. This time around, Cook takes the center seat, so to speak, from the comfort and safety of his sunny New Jersey home.

He plays four songs and all kinds of instruments in this concert.

Cook says he usually performs his original work with a full band, but obviously that isn’t an option in the time of social distancing. So instead, the ambidextrous talent uses loops to support his vocals, saxophone and guitar throughout the laidback set.

“Shooting Star” is set to a backing saxophone loop as Braxton plays guitar and sings.  It’s a smooth jazz song and he plays a sweet solo over the end while the loops slowly fade.

For “We Major” he starts a saxophone loop, lays down some keys and then plays a sax solo over the top.  It’s a pretty instrumental and the saxes intertwine nicely.  I love that he manages to get the whole song to stop abruptly on time.

For his Tiny Desk (home) concert, Cook jumped around his discography, performing tracks from his 2017 album, Somewhere in Between, all the way up to his latest project, 2020’s Fire Sign.

“Never Thought” is for his wife.  He’s got a looped guitar and a live guitar.  He sings a smooth R&B love song and then lays down a sax solo at the end.

Closing out this cozy session, Cook dedicates the stirring “Hymn (for Trayvon Martin)” to everyone affected by the current pandemic.

I feel like I have heard “Hymn (for Trayvon Martin)” somewhere before. It’s anj instrumental in essentially two parts.  It begins as a fast and pretty saxophone piece.  After a bit, he stands up and begins a lengthy looping section.  It’s slow and mournful and really lovely–the sax is the perfect instrument for it.    melody.  He loops a slow part and then plays a beautiful slow solo over the top.

[READ: May 14, 2020] Five Years #1

I loved Strangers in Paradise.  I started Rachel Rising, but now realize I never finished it.  I saw that Terry was creating Five Years, but I had no idea it tied in to the rest of the stories in any way.  Apparently it brings all of his different stories together.  So, I’m glad I discovered this just as he finished Issue 10.

I clearly need to start, if not the whole series, then at least the other two series to fill in some missing pieces, because this story went from vengeance and personal vendettas to global annihilation.

This issue opens with Katchoo, Francine and their two girls on a beach.  The voice over talks about nuclear bombs including the fascinating detail that there were so many nuclear explosions in the ’50s that two new isotopes are now in the atmosphere that didn’t exist before Hiroshima.  Oil paint made since the war contains these isotopes, It has become a foolproof way of testing for forgery in the art world.

That is fascinating. (more…)

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SOUNDTRACK: TOM MISCH-Tiny Desk Concert #749 (June 1, 2018).

Tom Misch sings music that I would classify as boring.  It’s kind of lite-jazz.

Misch has said before that he isn’t a jazz purist intrinsically, but the way he opens up a guitar solo or jams with saxophonist Braxton Cook, jazz music certainly runs through him.

His voice is interesting but “that soothing timbre of his voice” is more soporific than anything else.

The blurb certainly raves about him:

I first caught wind of this UK wunderkind in 2014. Crafting his own instrumental projects and remixing tracks by artists ranging from Busta Rhymes to Lianne La Havas, Misch steadily garnered a dedicated following on SoundCloud. From there, he collaborated with other London artists and released EPs of original music on the platform. Misch’s style doesn’t revel in what’s going on in pop music today; like a handful of other artists from the UK, his interpretation of hip-hop and R&B is a continuation of what the greats who came before him started.  In 2016, Misch — still just 21 years old at the time — decided to dabble more in songwriting.

He plays three songs (totaling 17 minutes) and I genuinely thought the second song was the same as the first.

“It Runs Through Me” has an enjoyable guitar solo and a long sax solo (Braxton Cook).  Although “I Wish” sounds like the first song at first, there is an interesting moment  midway through the song where they thrown in a riff and change the tempo a bit.  There’s also a long wah wah solo which is neat.

The final song “Movie” is a total smoky nightclub jazz song.  There’s a piano solo (the pianist (Joseph Price) even has a jazz hat on).  It’s got all the elements.  But I would never go into a smokey jazzy nightclub.

The rest of the band includes: Tobias Tripp (guitar/violin/vocals), James Creswick (bass), and Jamie Houghton (drums).

[READ: February 7, 2018] “Borscht”

Sergey has been living in the US for about a year.  His plan was to go to the States to work for a year and send money home to his wife.  But it had been a year and she felt that maybe he should stay longer and make more money.  They had enough for a house, but they’d need more for furnishings and the like.

He was sick of installing carpets.  He hated the feel and the smell and the stupid names of colors for ugly carpets : Morning Fog, Bay Fog, Autumn Leaves, he decided they should be called Moldy Bread or a A Pile Of Cow Dung On A Warm Day

He woke one morning with an erection and a headache.  He looked at the picture of his wife–he had only the one.  She didn’t look happy, and he no longer remembered what she looked like aside from the picture.

His roommate Pavel had a woman over.  She wasn’t Sergey’s type, but she was wearing next to nothing and she smelled good.

He found the paper under the couch and in the back were personal ads.  There was one that caught his eye : “A warm, sexy woman will tend to your needs. Affordable.” (more…)

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