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Archive for the ‘The Melvins’ Category

SOUNDTRACK: HARVEY MILK-“I Did Not Call Out” (2010).

This album is #2 on Viking’s Metal and Outer Sound list of 2010 CDs (from NPR).  During the radio show when Viking revealed his Top Ten albums, he mentioned that Harvey Milk is his favoirte band of all time.  I’d never heard them before, so this was eye opening (confusing them with Harvey Danger is a big mistake).  This song comes from the album A Small Turn of Human Kindness.

The melody is dark (pretty but in a bleak sort of way), but the instrumentation is sludgy and menacing.  It is very slow-paced with occasional “riffs” that run through the “verses.”  It has a sort of Melvins meets Swans kind of vibe, but run through the menace of a black metal band.

The lyrics are sung/growled, but unlike a lot of growled vocals, there are only a few words and they are stretched and held for several beats.  It’s a weird thing to hear the demon voice hold notes and actually sound like it is singing!

Interspersed within the ponderous heaviness are some beautiful if not uplifting guitar melodies and soaring solos.  Until, that is, the very end when the song slows to a crawl… deep notes and ambient noise stretch out and the track ends with crackling silence.

It’s menacing, but after several listens, I’m hooked.

[READ: December 30, 2010] “Empire Records”

This is the second of the one page articles labelled “Something Borrowed.”  I have also never read anything by Mistry before.

A few months before leaving Bombay for Toronto, Mistry loaned a friend his LP of A Hard Day’s Night (this was circa 1975).  Albums were very important to him because his father ritualized the playing of the gramophone.  When they eventually progressed to 45s and LPs the family got into pop music and from there, obviously, The Beatles. (more…)

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wild thingsSOUNDTRACK: FANTÔMAS-Suspended Animation (2005).

fantomasIf you know Fantômas, then you know what you’re in for.  If you don’t, well, it’s a surprise!

Fantômas are the brain child of Mike Patton (Mr Bungle-era more than Faith No More with help from Buzz Osborne from The Melvins and Dave Lombardo from Slayer).  Suspended Animation is designed as a soundtrack to April, 2005.  There are thirty tracks, and each one corresponds to a calendar page.  The limited edition (which is apparently still in print as I got one last month) is a calendar with art by Yoshitomo Nara.  Nara’s work combines cuteness and menace, just like the CD.

A piece by Nara

A piece by Nara

Although, really the CD is more menace than cute.

This disc seems to combine Patton’s favorite things: cartoon music (many ‘toons are sampled here), death metal, short sharp blasts of noise and his fascinating vocal deliveries.

This write-up makes the disc sound very intriguing, but before you rush out to check it out, do know what you’re in for: short, noisy blasts of utter chaos.  It is not for the weak of heart or the queasy of stomach (or for the lover of melody).  It’s not even a case of , oh the songs are short, the next one will come along soon.  While there is diversity, it’s diverse within it’s own little world.  Of noise!

Be afraid.  But if you’re still interested after that caveat, then by all means check it out, if only for the calendar!

[READ: August 23, 2009] Where the Wild Things Are/”Max at Sea”

Because of Dave Egger’s story “Max at Sea” (which is basically a retelling of Where the Wild Things Are I felt I needed to re-read the original.  So thank you Dave Eggers for that.

The original is a fun story which seems to be more visually based than word based.  The drawings are sublime and indeed there are several pgaes with no words at all.  And, so, the filmmakers’ question remains: how to you make a film out of a 48-page book, many of which don’t even have words?  Stills from the movie do look pretty awesome.

And thus, Dave Eggers’ story was born.

I’m not actually going to reveiw Where the Wild Things Are, because, well, it’s a classic, and it’s  awesome.  What more can I say about it?  But I did want to reevaluate Egger’s piece having re-read Sendak’s.

It is quite clear that Eggers is in no way trying to re-write the story.  He has fleshed out a lot of details that are absent from the original (which the original in now way needs, but again, if you’re going to make a film, you need some kind of backstory). (more…)

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