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Archive for the ‘Surf Punks’ Category

SOUNDTRACK: WAVVES-King of the Beach (2010).

I feel like I shouldn’t like Wavves.  There’s os much to dislike about them (or him,  I should say, since it’s almost entirely the product of one guy). He’s bratty, fans seem to dislike him (do a search for Wavves live), and in the first live show that I downloaded, he seemed a bit disdainful of the audience.

And yet, I really like this album. It’s fast and punky and reminds me of some of the best summer punk music from my high school days (Surf Punks anyone?).

So Williams plays all the instruments (with a few exceptions), and the sound is consistent through: a trebly guitar (the perfect sound for surf music, although he doesn’t play surf music at all).  Fast punky drums and William’s voice which is not so much whiny as bratty–the lyrics play out this bratty idea too:

bet you laugh right behind my back/I won’t ever die/I’ll go surfing in my mind/I’m not supposed to be a kid/but I’m an idiot/I’d say I’m sorry/but it wouldn’t mean shit

or

My, my own friends/Hate my guts/So what? Who gives a fuck?

(from “Green Eyes,” which sounds like a ballad but soon rocks out).

Of course, it’s not all just punky tracks, “When Will You Come” has the drums of a 50’s doo wop song (no one would mistake it for a doo-wop song, though) including his falsetto’d voice.  And “Baseball Cards” has a similar inspiration–although again, sounding nothing really like that style of music.  Even “Mickey Mouse” opens with what sounds like the music from “Da Doo Ron Ron” (indeed it is a sample from the song, but manipulated slightly).

“Convertible Balloon” sounds like a quirky Japanese pop confection.  And, “Post Acid” which is a punky bratty song has a wonderful part where the song stops and they make crazy grunting sounds which I like very much.

It’s not smooth summer music by any means, but it is fun and energizing.  Perfect punk beach soundtrack.

[READ: July 11, 2011] “Married Love”

This story had me fooled from the outset.

Recently we listened to Judy Blume’s Fudge-a-mania.  In that story Fudge, who is 5, says that he is going to marry Sheila Tubman, his big brother’s arch nemesis.  Everyone laughs, and we ultimately learn why he wants to marry her (I won’t spoil it).  In this Tessa Hadley story, Lottie, a nineteen year old girl (who looks about thirteen) announces that she is going to get married.  As in Fudge-a-mania, the family is bemused by the idea and laughs about it, until Lottie reveals that she is quite serious.

Things get even “funnier” when the family learns who she is planning to marry: Edgar Lennox, a former teacher who is forty-five years older than her and who is currently married.  Ha Ha Ha, says her family until, Oh, she is serious.

The story surprises even further when they go through with the wedding (about half way through the story). (more…)

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rosewaterSOUNDTRACK: THE REPLACEMENTS-Pleased to Meet Me (1987).

pleasedMy friend Al introduced me to the Replacements with this disc way back in 1987.  He was so in love with the song “Alex Chilton” that he must have played it all summer.  And for me, this album is the soundtrack to our summer house at LBI (along with the Surf Punks’ My Beach).  As such, this is my favorite Replacements album.  Whether or not I would feel that way objectively, I can’t say.  But to me this disc is perfect, even without Bob Stinson (blasphemy I know!)

And I have to say that even without Stinson, there’s a lot of screaming guitar solos on this disc, presumably from Paul Westerberg, as I can’t find anyone else who they’re attributed to).  I’m only surprised by this because I thought of Westerberg as more of a rhythm guitarist.

It’s even hard for me to describe this record because it’s so a part of me.  “I.O.U” is a fast and furious opener.  “Alex Chilton,” has everything, rocking guitars, mellow bits and hooks galore.  “I Don’t Know” is a sloppy song, and yet it is a polished kind of sloppy, like they are trying to recreate their wild days.  And yet, it works–the opening drunken laughter and crashing noises, the call and response of disinterested “I dunno” after each line.  hey seemingly get lost during the chorus, but manage to pull it all together, of are pretty perfect.  Even the horns (!) really work on this track. “Nightclub Jitters” is a jazzy, slow song, it sounds a bit out of place, yet it foreshadows Westerberg’s slower pieces.  “The Ledge” is a catchy song about suicide (!).  Whoo hoo, but it’s a really powerful track.

“Nevermind” is a poppy little” number with a catchy chorus (of course they all have catchy choruses).  “”Shootin’ Dirty Pool is a dark and dirty track and “Red Red Wine” is a fun shout along.  “Skyway” is the tender song.  An acoustic guitar ballad that fits nicely on the disc after the raucousness of the last few tracks.  And of course, “Can’t Hardly Wait” is a fantastic closer.

There’s not a bad track on the disc, and I could listen to it over and over and over.  And heck, it’s barely over 30 minutes long.

[READ: June11, 2009] God Bless You, Mr. Rosewater

In Palm Sunday Vonnegut rates this book as one of his best, so I was pretty excited to read it.

I was surprised that while reading it that I didn’t fully enjoy it as much as I wanted to.  However, once I finished it, upon reflection, it was a very substantial book, and it will stay with me for a while.  I think that’s because the book deals with really heavy topics: wealth, greed, humanity, love.  And even though it is funny, it’s not as wacky as his other books.  In fact the opening chapters are practically genealogical, and you don’t really realize that the action has started until you’re in the throws of it.

Before I get to the plot, though, I’m going to mention the first appearance of Kilgore Trout, author of science fiction of dubious morality. (more…)

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