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Archive for the ‘Rubblebucket’ Category

SOUNDTRACK: TŌTH-Tiny Desk Concert #967 (April 13, 2020)

For reasons I’m unclear about, I thought that Tōth was a heavy metal band.  Well, they aren’t.  At all.

The last time we saw Alex Toth at the Tiny Desk, he was standing against the shelves, trumpet to his lips. He performed in 2015 with Rubblebucket and his partner Kalmia Travers was singing lead. This time around, Alex sings about their relationship’s end in the song “Copilot.”

It’s a quiet song with gentle guitar and throbbing synths from Ben Chapoteau-Katz.  Alex Toth sings softly and drifts into a high falsetto during the chorus. There’s even some whistling.

“Copilot” is one of two songs Tōth performed at the Tiny Desk from his album Practice Magic and Seek Professional Help When Necessary. These songs are thoughtful, honest reflections on the end of his personal relationship with Kalmia Travers (although it continues professionally).

The arrangements here are spare but textured with bits of Alex on trumpet and touches from Ben Chapoteau-Katz on sax and electronics. The rhythm section of drummer Rebecca Lasaponaro and bassist Ryan Dugre pin it all together.

Rebecca Lasaponaro drums with And The Kids and she is fantastic.  Her drumming here is a bid more subdued, but she has a lot of electronics at her disposal which is fun.

“No Reason” is a slower song which features some mellow drums, but  also some lovely twinkling keys and Toth’s trumpet solo in the middle.

He says he’s thrilled to be drinking tea out of an NPR mug at NPR.

Up next is an excerpt from a new record:

The new tune “Turnaround (Cocaine Song)” is a funny/sad (and I’ll assume true) tale of poorly timed indulgence at his Aunt Mary’s funeral in New Jersey.

It’s a slow meandering (silly sounding) story about an embarrassing incident involving cocaine.  There’s a muted trumpet solo and a simultaneous sax solo from Chapoteau-Katz.

Toth says “Juliette” has an amazing and weird video starring Maya Hawke from Stranger Things.  There’s also audience participation which he’ll teach during the song.  Oh, he also has to take his beanie off.

The song begins with everyone shouting wha wha / wha wha ooh ooh. A simple bass line from Ryan Durge runs through the whole song as everything else is quietly performed (including more sax solos).  The song is sweet and odd but pretty catchy.

At the end, while everyone sings along, Toth recites a romantic scene

there’s a double rainbow and children dance all around us with ice cream cones and red balloons and lots and lots of puppies!

Sometimes I’ll see a band at my desk and wish I could jump in and join. That’s what happened when Tōth played the Tiny Desk. I felt a deep connection to both the fun and emotion in their music. Besides, I loved their outfits.

I’m not sure how memorable these songs are, but they are sure fun to listen to.

[READ: April 30, 2020] “Five Stories”

Here is yet another installment of microfiction from Diane Williams.

Every time I read stories from her I try to imagine how they were constructed.  I have considered that she takes pieces from other stories and jams them randomly together into short fiction.  But now I’ve decided that the way she writes her stories is that she writes a longer story and as she edits it, she accidentally deletes more than she meant to but then just leaves it.

Her stories just leave me going… huh? (more…)

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tomboySOUNDTRACK: RUBBLEBUCKET-Tiny Desk Concert #416 (January 20, 2015).

rubbleRubblebucket plays horn-infused music that is fun but not too crazy.  With a name like that I thought they’d be a bit more wild, but although they are fun (they asked if they could bring a confetti cannon–Bob was a killjoy on that front) their music is fairly traditional.  The trombone (I can’t believe how many trombones I’ve written about in the last week) even has a mute on it.

Singer Kalmia Traver is fun and bouncy (with a bizarre sweater).  And she is an engaging front woman.

The band plays 3 songs.  “Carousel Ride” has a some great lead trumpet (by Alex Toth) and some rather complicated rhythms.  For the second song, “On the Ground,” Traver straps a tambourine to her foot and also plays flute

“The Sound of Erasing” is a song about skinny dipping your pain way (in which Toth plays flute and trumpet as well), while Traver plays keyboard).

Her voice sounds a little weak (I don’t know if she normally hits some of those notes) but that seems to be a common problem with singers coming in during the day to these Tiny Desk Concerts.

While they won’t be a favorite band of mine, this set was really enjoyable.

[READ: January 28, 2015] Tomboy

I saw this at the library.  Between the simple cover and the intriguing premise, I had to check it out.

This is Liz Prince’s memoir of growing up as a tomboy–not a lesbian, not a cross dresser (well, maybe), just a girl who enjoyed playing with boys.  And the heaps of abuse she received all through school for it.

The story starts out simply enough with Liz being old enough to say she doesn’t want to wear dresses.  And it’s cute and her parents are cool with her decision–because really it doesn’t matter all that much when you’re little.  She had a younger brother who had long hair, what was the problem?  This was during the 80s, I believe.

But then she started going to school where wearing boy’s clothes would certainly cause some comments–especially from the older boys.  God, kids suck.

Liz learned early on that she liked “boy’s” toys more than “girl’s” toys–action figures rather than dolls, bugs rather than princesses.  And also that most of her heroes were the male heroes of movies–why be rescued when you can do the rescuing?  (The part where she hops in  time machine to yell at a “model” who claims to be a tomboy in a magazine article is hilarious). (more…)

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