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Archive for the ‘Pallbearer’ Category

[DID NOT ATTEND: June 16, 2024] Pallbearer / REZN / The Keening

I’m more or less done with going  to heavy metal shows.  There are still a few bands I’ll go to see, but overall, there’s not much left that I’m curious about.

Pallbearer are a doom metal band (a subgenre I find myself drawn to more than other subgenres), but they mix in elements of prog metal as well, which is a major draw for me.  I’ve never seen them, but I would very much like to.

I dithered about this show because I had a few other shows around it and wasn’t sure if I wanted to go out on a Sunday night.   Then about two weeks before the show I realized that this was Father’s Day, and I certainly wasn’t going to go to a metal show by myself on Father’s Day.

REZN is a band I didn’t know, but when I checked out a few songs I really liked them.  Angry Metal Guy describes

 an esoteric brand of psychedelic doom that finds unique ways to incorporate each member’s talents. Synth maestro Spencer Oulette boasts credits for piano, sax, and flute, and bassist Phil Cangelosi even busts out a rainstick to set the mood.

(more…)

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rexSOUNDTRACK: JASON VIEAUX AND YOLANDA KONDONASSIS-Tiny Desk Concert #443 (May 22, 2015).

yolandaTypically, the Tiny Desk doesn’t have performers back after they have played once.  But occasional exceptions are made, like when performers who played solo come back as a duo.  Like this.

Jason Vieuax was one of the first 20 people to play the Tiny Desk and Yolanda Kondonassis played back in 2010.  And here they are touring as a duo, which really helps to accentuate both of their skills.  And their music is beautiful together.

Vieuax is an amazing classical guitarist.  And Kondonassis plays an amazing harp that is more about singular notes than trills and “heavenly” sounds.  And in these songs, they work together doing harmony runs and fills–both instruments are lead instruments.

Apparently there aren’t very many pieces written for the combination of harp and guitar.  Kondonassis explains the origins of the Hovhaness piece (which gives some lovely context).

Vieaux explains the origins of the two movements of the Piejo suite.

The first piece is sweet, while the second one is a little more aggressive (but still lovely).  And the third one features some cool riffs and chords (especially on guitar) and percussion done on the instruments.

The three songs they play are

  • Gary Schocker: “Elysian” (from Hypnotized)
  • Alan Hovhaness: Fuga: Allegro – Andante grazioso, Canon: Allegro (from Sonata for Harp and Guitar, “Spirit of Trees”)
  • Máximo Diego Pujol: Vals, Candombe (from Suite mágica)

The pieces are familiar and yet quite different.  And 456+it is much fun to watch their fingers fly around their instruments.

[READ: January 24, 2015] Tommysaurus Rex

I brought this book home for Clark to read.  I wasnt going to read it myself but then I saw that I had read a book by TenNapel before and liked it.

But I did not care for this one.  Perhaps it was because it was marketed in my library as a kids book but I thought it was just too violent or something–the story turned me off.

Perhaps it was just that the story opens with the main character’s dog getting hit by a car and dying.  I mean, who needs that?  And the cover looks so fun, too. (more…)

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SOUNDTRACK: PALLBEARER-“Legend” (2012).

For the past several years, NPR has been one of my favorite resources for new music.  They feature a new song every day, they play first listens of new albums, they have downloadable concerts and much more.   And every year their best albums picks invariably feature and album or two that I hadn’t heard of which prove to be amazing.

But this first half of the year’s album picks are really kind of disappointing. It’s a diverse mix (Leonard Cohen, Sharon van Etten, Bobby Womack, fun., some rappers I don’t know, a little classical, Spiritualized).  I’m not saying these choices are bad, I actually haven’t heard most of them.  But there was nothing that made me jump up and say, how did I miss that?

But then there was this cut from Pallbearer.  It’s a dirgey death metal song, slow and heavy.  Lately I’ve enjoyed death metal but I’ve been disappointed by the vocalists.  Pallbearer has a guy who can sing and whose voice rings through the sludge.  And there is sludge–some of the notes sound like the guitar is completely de-tuned.  But what’s cool about the recording is that it doesn’t sound sloppy or mushy–you can hear the sludginess in all its clarity.  The guitar solo is interesting too.  It also soars above the sludge, but it’s not a shredding solo, it’s melodic and quite pretty.

I’ll check out more from Pallbearer.  I’m always excited to see NPR promoting death metal.  It’s as good juxtaposition as the parts of this song itself.

You can see the NPR choices here.

[READ: June 10, 2012] Ghostopolis

Sarah gave me this book after reading it quickly and raving about it (this after our friend Megan gave it to her and raved about it).  And I read it quickly and will rave about it now too.

The book opens with an airplane that is having engine trouble.  The airplane, it turns out, is being flown by a little boy name Garth Hale.  Because it’s a toy plane (the reveal is great).  He’s being gross (barf bags everywhere) until his mother can’t take it anymore.  But she has reason to be gentle with him.  She has just found out that her son’s disease is incurable.

Meanwhile Frank Gallows is a special agent whose job is to send ghosts back to the afterlife.  He has a cool handcuff-like device that he has to attach to the ghosts’ arms or legs.  He then pushes a button and poof, back they go.  His first assignment today is to get Benedict Arnold (who plays a big role later on) out of the world.  Then he goes after a horse–a skeletal nightmare horse–which is overpowers for him.  As it floats through a wall, Frank manages to shackle its legs and poof.  Only after the poof does he realize that the horse was on top of a little boy.  A boy named Garth Hale.   Frank is in big trouble. (more…)

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