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Archive for the ‘My Bloody Valentine’ Category

SOUNDTRACK: The 90’s Are Back, Or Whatever… NPR.  (2011).

This is a 90 minute podcast about the music of the 90s.  And, of course, it opens with “The Dream of the 90s” from Portlandia.

I don’t listen to too many full discussions on the All Songs Considered site, but since the 90s were definitely my favorite era of music, I thought it was worth a listen.  Incidentally, it’s funny that the 90s are so meaningful to me when, really I should be a child of the 80s.  But in reality, my 80s music was mostly heavy metal, because I hated all pop radio then.

This radio show (available for free download here) features four NPR music geeks talking about the music they loved during the 90s.  There are some obvious points (“Smells Like Teen Spirit,” “1979,” “Song 2,” “Loser”), but some unexpected songs as well: “Grace” (Jeff Buckley), “Long Snake Moan” (PJ Harvey).  And of course, probably the biggest surprise: Sebadoh’s “Soul and Fire as “song of the decade.”

The hosts have a lot of fun with bad songs (severe bashing on Collective Soul or hilariously cueing up “Can’t Touch This” to punk one of the speakers when they are talking about Missy Elliot–yup, it’s not all alt rock, Missy Elliott and Lauren Hill crop up along with Johnny Cash and Nusrat Fateh Ali Khan).

But let’s not forget my perennial favorite from Cornershop: “Brimful of Asha.”  And, yes, My Bloody Valentine.

These days, when I do listen to the radio, I find that the stations I prefer tend to play a lot of 90s songs, but it’s surprising to me how infrequently they play some of these really big artists (I hear a lot of Harvey Danger, but no My Bloody Valentine).  It’s funny that one of the songs they talk about, Len’s “Steal My Sunshine” I actually heard coming out of a radio at a pool while on vacation in Florida this past January (!?!).

It’s a fun segment and makes me think that although I do like a lot of new music, I’m a gonna hafta retire to Portland.

P.S. Stay till the end of the show for the hilarious impersonation of Trent Reznor.

[READ: February 17, 2011] 3 book reviews

Zadie Smith is an author whose output I fully intend to ingest one of these days.  So I figured why not read a few of her book reviews, too.

Smith reviews three new titles: Harlem is Nowhere: A Journey to the Mecca of Black America, by Sharifa Rhodes-Pitts; My Prizes by Thomas Bernhard; and While the Women are Sleeping by Javier Marías.

I’m intrigued by her review of Harlem is Nowhere.  She seemed to be rather critical of the author, especially of her mannerisms: like calling James Baldwin’s “habit of speaking to Harlem folk, having experiences, and deriving from these encounters “a metaphor about all of black existence”–“The Jimmy.”  (where others might have simply called it “writing”).  Or the fact that the author describes herself as a “single girl” as if that has anything to do with anything.

The second half of the review concedes that once you abandon wanting to known anything precise about historical Harlem, it’s a lovely book.  Smith revels in learning about James VanDerZee, Raven Chanticleer and Alexander Gumby (and her enthusiasm makes me want to investigate this book, if not their own works).

So, despite initial criticisms, she ends the review very positively and gives a thumbs up to the work. (more…)

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SOUNDTRACK: JEFRE CANTU-LEDESMA-“Stained Glass Body” (2010).

This album, Love is a Stream, came in at #8 on Viking’s Top Ten albums.  Viking references My Bloody Valentine in his description of this song, and it is an excellent frame of reference.

This song sounds like My Bloody Valentine if you removed the songs.  Take away the drums and the vocals and just leave the swirling, mesmerizing washes of sound, and you get this really cool and captivating song.

As you might expect, this is background music, and yet it is background music that draws you into it.  It has texture and depth and you can feel yourself getting enveloped in the music.

Often it seems like music like this is simple, almost inconsequential, yet there’s something about the way Cantu-Ledesma manipulates these simple washes of sound that make them something more than just notes on a keyboard. Cranking this up very loud in a snug room on a cold sunny day would be pretty awesome.

[READ: January 2, 2011] “Getting Closer”

This is a simple story about a boy trying to make a grand statement.  In fact, there’s very little to the story plotwise except for a boy psyching himself up to begin the summer.

Jimmy is nine, going on ten.  It’s summer time and his family has gone to Indian Cove for a summer vacation.  He has made a deal with himself that summer, or perhaps something more nebulous like “fun” would not begin until a certain point was reached.  He is excited at knowing that “this is it” and willfully wants to put that off as long as possible.

He inches closer and closer, metaphorically and literally, willing himself not to reach that moment when the day, the excitement, the summer, begins. (more…)

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SOUNDTRACK: TAME IMPALA-“Lucidity” (2010).

I heard this song on the NPR’s 5 Artists You Should Have Known in 2010.  The album, Innerspace, is only available in Australia (imported on Amazon for big bucks) but I guess that’s why people download music.

This song is really cool. It feels very My Bloody Valentine to me.  However, inevitable comparisons to The Beatles abound, but that’s mostly in the vocals (which is kind of funny since they are Australian).  But it’s really a very sixties British vocal sound–not unlike early Who).

The big difference comes in the music which is psychedelic and wild in ways that The Beatles never quite managed.  There are great big washes of noise, and the sound quality sounds retro, even though it obviously isn’t.  Comparisons to the great Swedish band Dungen are not misplaced either.

I’ve listened to a few more tracks by them on YouTube, and I think this album could easily be one of the best of 2010 if only more people could hear it!

[READ: January 3, 2010] The Return

With the completion of this collection of short stories, I have now caught up with all of the published works of Roberto Bolaño (in English of course).  [The next book, Between Parentheses, a collection of nonfiction, is slated for June].

So The Return contains the 13 short stories that were not published in Last Evenings on Earth.  That collection inexplicably took shorts stories from his two Spanish collections Llamadas telefónicas (1997) and Putas asesinas (2001) and combined them into one collection in English.  It wasn’t quite as evident in Last Evenings, but it seems more obvious here that the stories in Putas asesinas are grouped together for a stylistic reason.  So, to have them split up is a bit of a bummer.  And yet, having them all translated is really the important thing.  And, again, Chris Andrews does an amazing job in the translation

This collection of stories was very strong.  I had read a few pieces in Harper’s and the New Yorker, but the majority were new to me.  Bolaño is an excellent short story writer.  Even if his stories don’t go anywhere (like his novels that never quite reach their destination), it’s his writing that is compelling and absorbing.

This collection also had some different subject matter for Bolaño (it wasn’t all poets on searches). (more…)

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