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Archive for the ‘L’Rain’ Category

[ATTENDED: January 25, 2025] Soccer Mommy

I saw Soccer Mommy back in 2021 and was surprised that it sold out.  And this show, four years later, also sold out.

After seeing her last time I knew what was to expect.  The only bad part was that I didn’t know her new album that well.

Sophie Allison (who is Soccer Mommy) plays guitar and sings.  She has a standard four piece behind her–Rollum Haas: drums, Nick Widener: bass, Julian Powell: guitar and Rodrigo Avendano: guitar/keys.

As I said last time, the band is really good and they bring these songs to life live in a more powerful way than on the album.

The thing that most surprised me last time and surprised me this time is that she played her big hits pretty early in the set.  Last time, Circle the Drain was her big single and she played it second!  Well, she played it second this time as well.

And her song Driver, which is one of my favorite songs of 2024 she played third!  It sounded amazing–her voice is fantastic live.

Then after playing one more new song she played the other big song that she had out recently, Shotgun.  So that was the three biggest songs I know by her all done within the first five songs.

After that she played a bunch of songs from the new album. I didn’t know them very well, but they sounded great.  However, the show slowed down quite a bit during these songs as each one was more chill than the previous.

At some point Eagles fans started a chant (there are Eagles fans at Soccer Mommy shows?)  Sophie asked what that was all about and then said I don’t really care about football, which led to a huge cheer.  (more…)

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[ATTENDED: January 25, 2025] L’Rain

I saw L’Rain open for Animal Collective without knowing anything about them.  I was blown away.. I really liked the

extended jams that were full of everything–wild, weird guitars, drums that went from simple and gentle to thrash-worthy, and a saxophone that didn’t sound anything like a saxophone.   And Cheek’s voice.  Which she sampled in various ways, pitch shifting it, looping it on top of itself and creating an astonishing array of sounds.

But this show was a littkle different.

She started out with her first song (that comes from a soundtrack) and it was pretty quiet.  Cheek manipulated her voice and much, but it was mostly atmospheric.

The second song featured her on guitar playing an interesting rotating melody.  But it was also pretty quiet.  The keyboardist played some swirling saxophone solos.  I feel like both songs pushed the 6 minute mark.

The band took up about half of the stage and I was right in front of the drummer (no names were given).  During some of the songs, he went crazy, playing loud and fast while the rest of the band jammed and improvised.  He was my favorite player tonight.

The previous time, I was mesmerized by their guitarist because he was doing all kinds of interesting things [strange chords, or non-chords, making squeaking feedbacking sounds] but I didn’t really feel like he did that tonight.

Knead Bee and Uncertainty Principle showed that L’Rain largely plays an R&B base to her songs.  The songs were pretty chill and I was really missing the excitement of the previous show, although, again, I really like the way she manipulates sounds live.

And then she played a melody that was really familiar.  And once I realized that it was Portishead’s The Rip, I was ecstatic.  I’ve never seen Portishead live and although Beth Gibbons is coming to Philly, her solo stuff doesn’t interest me all that much.  But this version of The Rip was fantastic!  The guitar was perfect, the electronics kicked in exactly the right way and Cheek sang in the best Beth Gibbons style.  Hoy cow it was awesome.

So I was still in a good mood for the final song Two Face, a song she played last time that featured a little more of the chaos that I appreciated last time.

I actually had to wonder if L’Rain was crazier last time because they were opening for Animal Collective and contained themselves more for a less experimental headliner like Soccer Mommy.

 

2025 2022
Green Π Which Fork £
5 to 8 Hours a Day (WWwaG) A Toes (Shelf Inside Your Head) £
Knead Bee Find It
Uncertainty Principle Round Sun
The Rip [Portishead cover] Kill Self
Two Face Blame Me
Two Face
Take Two

£ L’Rain (2017)
€ Fatigue (2021)
⊗ I Killed Your Dog (2023)
Π I Saw the TV Glow soundtrack (2024)

 

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[DID NOT ATTEND: October 25, 2023] L’Rain / Flanafi

I saw L’Rain open for Animal Collective and loved her whole set.  She was charismatic and her band was incredible.

I would have liked to see her headline a show, but I already had tickets to see Les Claypool.

Her blurb says

L’Rain is the musical project of multi-instrumentalist, composer, performer, and curator, Taja Cheek. Alongside Andrew Lappin and Ben Chapoteau-Katz, she has developed L’Rain into a shape-shifting entity that blurs the distinction between band and individual. At once personal and collaborative, it mirrors the journey that brought L’Rain into being to begin with.
L’Rain’s sonic explorations interrogate instead how multiplicities of emotion and experience intersect with identity. The experimental and the hyper-commercial; the expectation and the reality; the hope and the despair. L’Rain is searching for balance in the obliteration of binary logic.

I had never heard of.  The blurb says

Flanafi is the musical nom de plume of songwriter and guitarist Simon Martinez. As a guitarist, Martinez has played with everyone from Jazmine Sullivan and Marsha Ambrosius to Derrick Hodge and Salami Rose Joe Louis. 3 years ago, Martinez debuted the Flanafi moniker with a barrage of releases that combined beautifully written indie-soul songs with intriguing electronic production.

Listening to a couple of songs, they are pleasant enough, soft and delicate.

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[ATTENDED: March 9, 2022] Animal Collective

We had seen Animal Collective open for Fleet Foxes back in 2017.  Their set was fin and weird and I came away thinking that they’re probably even more fun and weird when they are headlining.

This show made me realize how little I know about Animal Collective.  I couldn’t even have told you many song names before the show.  So I guess I didn’t really know what to expect.  Which is apparently good because I gather that every show is different, so no expectations are preferred.

For instance, I thought that each member of the band sang lead.  And while that is sort of true the majority of the songs were sung by Avey Tare, who stood up front and played guitar and bass and occasional keys.  But it was drummer Panda Bear who lead of the night with the vocals.  And to my left, behind a tie-dyed tapestry was Deakin, the keyboardist and occasional guitarist who sang back up and an occasional lead.  The only one who didn’t sing (I don’t think) was Geologist, who stood in front of his array of gear (including a hurdy gurdy) creating the foundation of most of the songs while the other three noodled.

Animal Collective songs tend to be weird… maybe or maybe not in a bad way.  At the same time, their live show tends to be a little weird too.  But it is  firmly controlled chaos.  You may not know what they are going to do next, but they certainly do.

As the one review (from The Key) notes:

Most of Animal Collective’s set was a will they or won’t they play “the hits” — namely “My Girls”, or even “Leaf House.” Several times in the set and the encore it felt like there were about to just fall into those songs but pulled back at the last second.

I knew in the back of my head that Animal Collective had “hits,” but I had no idea what they were.  So I was just there to kick back and enjoy the show.

Every song had a video projection behind it–each video was different and seemed to have something to do with each song.

They played five songs from their new album.  It was interesting to judge the popularity of each song by the reaction of the people around me.  There was one woman who sang along to every song (even the unreleased ones).  Some parts were super catchy, but just about all of the parts were danceable in someway.  I was especially intrigued by the songs that featured multiple backing vocals–often Panda Bear singing or almost yodeling.

The crowd reacted very positively to “In  the Flowers” (the only song from Merriweather), and as the song built to its super catchy midle section everyone, including the band, was bouncing around to the track.

I really enjoyed the visuals in back of Passer-By as well.

There was a big reaction for “Chores” a rather weird song from Sung Tongs that was a lot of fun.  Deakin came out from behind his keys to dance around with his guitar and even Geologist, who always seems too busy to dance was bopping his head around.

I really enjoyed their lengthy song “Defeat (Not a Suite)” which I gather is the new thing they are working on (or something).  It’s not available anywhere,   It started with Geologist playing the hurdy gurdy and Panda Bear playing drums with his hands rather than sticks.  It was slow and warbly as it built over fifteen minutes (!) and Panda Bear sang somewhat operatic lines behind Avey’s lead.   The middle had a church like feel to it from Deakin pipe organ effects, and towards the end, there was a part with just Avey and Panda singing wordless melodies while Geologist was making all kinds of cool spacey effects.  I wasn’t sure if it was one song or a bunch of songs (sometimes it’s hard to tell with this band). but it did feel like a cohesive piece and it was pretty wonderful.

They ended the set with “Applesauce” one of their more popular songs.  And then they took a break.

They came back and played two more unreleased songs and then the crowd went absolutely berserk for “The Purple Bottle.”  I didn’t know the song but I quickly caught on why this song was so much fun and such a great show ender. Any song that has a section that features a section like

Then I go and take some pills
Cause I can’t do all of my do’s and still feel ill
You get that, woo!
You get that, woo!
You get that, woo!
You get that, woo!
You get that, woo!
You get that, woo!
You get that, woo!

In which the audience gets to “woo!” is going to be a huge hit and boy was it a fun rollicking song.  What a fun night of music.

I happened to check the show they played in Sayreville–the other place I could have seen them and the setlist was almost entirely different.  I guess you never know what you;re going to get at an Animal Collective show.

 

2022 2017
Screens Lying in the Grass
Cherokee © Kinda Bonkers
Broke Zodiac ¢ Sweet Road ¥
Dragon Slayer © Bees ƒ
Genie’s Open ¢ 

(interpolation of Trains Across The Sea by SilverJews)
Daily Routine π
In the Flowers π Guys Eyes π
Passer-By © Water Curses ϖ
Chores § Summertime Clothes π
Strung With Everything ©
Car Keys ©
Defeat (A Not Suite) ¢
Applesauce
encore
King’s Walk ¢
Stride Rite ¢
The Purple Bottle ƒ

 

© Time Skiffs (2022)
‰ The Painters EP (2017)
¶ Painting With (2016)
≅ Centipede Hz (2012)
⊗ ODDSAC (video album) (2010)
π Merriweather Post Pavilion (2009)
ϖ Water Curses (2008)
§ Strawberry Jam (2007)
ƒ Feels (2005)
¥ Sung Tongs (2004)
¢ unreleased

 

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[ATTENDED: March 9, 2022] L’Rain

Up until the day of the show, I had mistakenly thought that the opening act for Animal Collective was L’Orange, a hip hop producer from North Carolina.  I listened to his stuff and really liked it.

I recalled that when this tour was announced, there was serious buzz about the opening act.  I could see how L’Orange worked with Animal Collective and was curious how he would do his show.

Then I read that it was L’Rain, and it changed everything.  L’Rain is the project of Taja Cheek.  She creates most of the music herself, playing (at least) guitar and bass and looping her voice.   After reading a few reviews, I was really intrigued to hear her. (more…)

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