SOUNDTRACK: SONIC YOUTH-Sister (1987).

It’s surprising how catchy Sister starts. “Schizophrenia” is wonderfully sing-songy. And “Catholic Block,” while noisy, is certainly single-worthy (and would likley be one if it were released today). Kim has two tracks, “Beauty Lies in the Eye” which is a spoken word piece ala “Shadow of a Doubt.” While “Pacific Coast Highway” is one of her scarier/noisier pieces.
Track #5, “Pipeline/Kill Time” is Lee’s first entry on the disc. It starts as an instrumental and continues into a raucous Lee track. “Kotton Krown” is a mellow mantra-like piece, while “White Cross” returns the band to its noisier roots. The disc ends with “Master-Dik.” It’s a noise fueled riotous song. It starts in something of a rap style (hard to call it actual rap). It features a Kiss sample (from “Strutter”) as well as some of the first references to Ciccone Youth.
Overall it’s a rocking, great album, and it contains everything from poppy singles to outright noise. It’s an excellent middle piece to the great triumvirate of EVOL, Sister and Daydream Nation.
[READ: July 20, 2009] Refresh, Refresh
Sarah received a copy of this book, and since it came from the very cool comics press First Second, I was very excited to read it.
I have to say right up front, the content of this book is just not my thing. It concerns teenaged boys whose fathers are in the Iraq war. Violence is all they know, and violence is what they do. I just don’t read this kind of book at all.
However, the story was very gripping. First, of course, because it could very well be real, but second because it is told so well.
The three boys of the story have started a fight club of sorts to toughen each other up. And despite the possibility of that being an overused premise, you can almost assume that the boys aren’t trying to copy the movie Fight Club. They are Oregon youths with virtually nothing to do. They’re not trying to be hip and cool like Brad Pitt, they’re just bored. And they’re angry. (more…)

SOUNDTRACK: THE REPLACEMENTS-Let It Be (1984).
This is the final album the Replacements made before they moved to the majors. This disc represents the culmination of their pre-major label sound and is one of my favorite “college albums” of the era.