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Archive for the ‘Devandra Banhart’ Category

[DID NOT ATTEND: October 12, 2023] Devandra Banhart / Soma

About ten years ago I was really into Devandra Banhart.  I enjoyed his weirdo folkie vibe and thought that he was a good deal of fun.

And then I seemed to lose track of him altogether.  I haven’t listened to him in ages.  I see that he’s cut his hair but he still looks like a wild, fun hippy.

His new album was produced by Cate Le Bon, whose sensibilities are wonderfully oddball.  The new album is pretty streamlined with lots of synth  I think it’s too mellow for me.

Soma is Soma Kirtan a New Jersey based musician.  It’s unfortunate that he goes by Soma as there are about a half a dozen bands named Soma.  It’s possible that this SOMA stands for Sacred Order of Mystic Apogees.  I can’t find much else about him/them.  Their music is beautiful traditional (I think) Indian music.  It would be fun to see this live too.

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[DID NOT ATTEND: October 12, 2023] Devandra Banhart / Miho Hatori

About ten years ago I was really into Devandra Banhart.  I enjoyed his weirdo folkie vibe and thought that he was a good deal of fun.

And then I seemed to lose track of him altogether.  I haven’t listened to him in ages.  I see that he’s cut his hair but he still looks like a wild, fun hippy.

His new album was produced by Cate Le Bon, whose sensibilities are wonderfully oddball.  The new album is pretty streamlined with lots of synth  I think it’s too mellow for me.

Miho Hatori was in Cibo Matto and worked with Gorillaz.  She has released some solo albums and I really like the bits I’ve heard from her new one.   Dead Grandma Blog says

Miho Hatori herself says that the album is inspired by the two different genres of anime- Isekai (basically meaning ‘other world’) and Slice of Life. The record eases you in relatively painlessly, with the understated, downtempo opener ‘Tokyo Story‘, which while being quite comforting also has a vague creepiness to it… Hatori characteristically plays and experiments with rhythm throughout the rest of the album (without ever losing pop sensibility), and ultimately manages to create a tight 29 minute package that feels meatier than albums twice it’s length.

Interestingly, I suppose, Back in December, Miho’s Cibo Matto partner Yuka Honda (under the name Eucademix) did a solo avant garde show–she uses a laptop to create interesting sounds–some pleasant, some not so much.

I’d really like to see Miho Hatori.

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