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Archive for the ‘Cibo Matto’ Category

[DID NOT ATTEND: October 12, 2023] Devandra Banhart / Miho Hatori

About ten years ago I was really into Devandra Banhart.  I enjoyed his weirdo folkie vibe and thought that he was a good deal of fun.

And then I seemed to lose track of him altogether.  I haven’t listened to him in ages.  I see that he’s cut his hair but he still looks like a wild, fun hippy.

His new album was produced by Cate Le Bon, whose sensibilities are wonderfully oddball.  The new album is pretty streamlined with lots of synth  I think it’s too mellow for me.

Miho Hatori was in Cibo Matto and worked with Gorillaz.  She has released some solo albums and I really like the bits I’ve heard from her new one.   Dead Grandma Blog says

Miho Hatori herself says that the album is inspired by the two different genres of anime- Isekai (basically meaning ‘other world’) and Slice of Life. The record eases you in relatively painlessly, with the understated, downtempo opener ‘Tokyo Story‘, which while being quite comforting also has a vague creepiness to it… Hatori characteristically plays and experiments with rhythm throughout the rest of the album (without ever losing pop sensibility), and ultimately manages to create a tight 29 minute package that feels meatier than albums twice it’s length.

Interestingly, I suppose, Back in December, Miho’s Cibo Matto partner Yuka Honda (under the name Eucademix) did a solo avant garde show–she uses a laptop to create interesting sounds–some pleasant, some not so much.

I’d really like to see Miho Hatori.

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dragonsSOUNDTRACK: THE NELS CLINE SINGERS-Tiny Desk Concert #78 (September 7, 2010).

nelsNels Cline has played guitar with Wilco for over a decade, but he has also played with punk rockers and jazz musicians.

The Nels Cline singers are an instrumental collective  that consists of Cline on guitar, upright bassist Devin Hoff and distinctly jazzy drummer Scott Amendola (he plays a lot of percussion including hitting a cymbal with what looks like a chopstick).  They also have special guest Yuka Honda from Cibo Matto on keyboards.

Cline gets some great sounds out of his old beat up guitar (I have genuinely never seen anyone play harmonics on the guitar in the manner that he does).

The music is airy and spacey (especially “B86 (Inkblot Nebula)” which features bowed bass and interesting sounds from Honda and a fascinating array of bell and cymbals on the drum set.

For “Thoughts on Caetano” he switches guitars.  Unfortunately the video seems to keep cutting out around this point so the rest of the show has to be on audio only.  But the sounds that they create are very cool and interesting.

The biggest surprise to me in these pieces is that they are mostly fairly short.  They seem like they could be side-long explorations, but “You Noticed” comes in around 4 minutes or so, and “B86” is only around 3 minutes as is “Thoughts on Caetano.”

The final song has a more jazzy feel.  Complete with a  bass solo and some very interesting drum sounds (I wish I could see how he’s doing them).  This last song is the longest it’s about 7 minutes.

I was really surprised by this Tiny Desk–I had no sense of what Nels Cline would play, and it was a real treat to hear.

[READ: August 19, 2015] Dragons at Crumbling Castle and Other Tales

Obviously death has never stopped anyone from releasing books.  So here is one of the first collections of posthumous stories from Sir Terry Pratchett.

Interestingly, these are stories from when Terry was a young lad.  This is a selection of children’s stories that were first run in the Bucks Free Press (he was a junior reporter).  They are simple but clever, with lots of ideas that Pratchett would explore in greater details as he got older.

There are 13 stories in the book, and they explore variations on Pratchett’s themes like that the unfamiliar is not the enemy (necessarily) and that people can and often will be surprised by how others react.  He also has some a story idea that would blossom into the carpet people stories later on.

“Dragons at Crumbling Castle” (1966) is a story of everyone overreacting when they find a dragon in the castle  (it proves to be a little baby dragon).

“Hercules the Tortoise” (1968) is the story of a brave tortoise who crosses his pond.

“The Great Speck” (1969) is an interesting story of huge worlds on tiny specks and how even they can be territorial

“Hunt the Snorry” (1966) is  a very funny story about brave hunters going in search of an elusive thing which proves to be something else entirely (and which they inadvertently catch).

“Tales of the Carpet People” (1965) is similar to the Speck story in that it talks about very small people living in a carpet and their adventures as they try to see the world beyond (the dreaded linoleum).  I actually found this first story to be kind of dull and confusing, but I can see how it became the basis for greater things.

“Dok the Caveman” (1966) invents all kinds of things but they usually go wrong–nevertheless the inventions themselves are pretty spectacular.

“The Big Race” (1968) differs from all the other stories in that it is about technology (although it is very Pratchettian in the end).  It proves to be a race between a gas-powered car and a steam-powered car (and anyone else who wishes to join the race and cheat if necessary).

“Another Tale of the Carpet People” (1967) was more successful perhaps because they actually got off of the carpet and met new people.

“The Great Egg Dancing Championship” (1972) was a funny story about how cheaters never win (and about dancing on eggs).

“Edwo the Boring Knight” (1973)  Sometimes boring people to sleep can be your greatest weapon.

“The 59A Bus Goes Back in Time”  (1966-67) This story was fun in its time travel (going to the major historical epochs) but more so because of the way the locals reacted to the bus.  And that the bus should always try to stay on schedule.

“The Abominable Snowman” (1969) had a lot of fun with the conventions of exploration and how easy it is to derail a planner.  It also works with the idea of a very tiny creature that everyone is searching for.

“The Blackbury Monster” (1968) is all about how fame may not be the best thing for a small town after all.

“Father Christmas Goes to Work” (1973)  How is Father Christmas supposed to make any money on the other 364 days of the year?  Get to work!  But what can he possibly do?  Not much it seems.  (There’s a happy ending of course).

The text is manipulated to make it very kid friendly (large print when people yell, different fonts, dark pages when it is a dark scene, that sort of thing.  It also has illustration by Mark Beech, but I found them to be really basic sketches.  I would have loved to see more by Pratchett artist Paul Kidby.

I tried to imagine my kids enjoying these stories, but I didn’t really think they would.  Perhaps because they aren’t British and it isn’t forty years ago.  But I enjoyed them.  And each one brought a smile to my face.

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SOUNDTRACK: CIBO MATTO-“Sugar Water” (1996).

We have been rewatching Buffy the Vampire Slayer.  In episode one of season two the (then) hip band Cibo Matto appeared, playing “live” at the Bronze.  It was the first time they had a “real” band on the show.  In season one there was an occasional live band, Sprung Monkey (they were in the first episode pretty prominently) but Cibo Matto were the first “national” band–with a hit single or two–to be on the show (and look, there’s Sean Lennon in a dress!).  The song works pretty well here for the atmospherics and moodiness.

I really liked Cibo Matto when they came out.  Sure, they were kind of a novelty, (two Japanese singers with an Italian band name who sung a bunch about food) but then the late 90s were all about novelty.  Of course, even within the realm of the alt rock 90s, a song called “Know Your Chicken” was pretty unusual (noisy and weird) .  “Sugar Water” on the other hand, is a moody piece.  It’s slow with delicate keyboards and a (very mildly) spooky verse.  But the overall feel is a kind of “space age” one for notes and tones.  It also has a kind of Stereolab-vibe (especially in the la las).   It’s a catchy song and I enjoyed hearing it again after all thee years.

Not to mention the video is suitably curious.

[READ: April 8, 2011] “Goo Book”

This is a strangely sentimental story for one that starts out with the sentence: “It was fucking hot.”  In fact, the story is strangely sentimental for a story about a gangster’s apprentice (and one which has so much cursing!).

The protagonist is a young man who is a petty thief.  Mostly he steals from tourists (I was pleased that when he took he thought was a wallet but which turned out to be a notebook, he then gave the book to a kid to make sure the tourist got it back–stealing money is one thing but returning the notebook showed a decency that I approved of).

But he also worked for Mishazzo as his driver. (And I have to admit that perhaps the one flaw of the story is that I couldn’t follow the timeline at all).  Mishazzo is a gentleman who owns a lot of businesses.  And the driver was told explicitly that he didn’t know anything.  At all.  He just drove.  And the driver was fine with that.  He asked no questions.  And the driving was fine–usually to one of Mishazzo’s coffee shops for an undetermined  length of time.  So he started carrying a bottle with him in case he had to pee (he wasn’t allowed to leave the car), and started smoking like a fiend.  But the money was good, and he honestly didn’t know what Mishazzo was up to (he assumed it wasn’t good, but he also assumed it wasn’t that bad either). (more…)

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sp5SOUNDTRACK: SONIC YOUTH-SYR 5: Sonic Youth Featuring Kim Gordon/DJ Olive/Ikue Mori (2000).

syr5The fifth SYR disc is rather different from the others in that the only SY member is Kim.  This is a sort of side project for Kim, Ikue Mori and DJ Olive. They’ve played shows together as well.

This disc is also different because it features a number of short songs rather than a couple of long ones.  It also features a lot of different instrumentation: turntables, keyboards, that sort of thing.  Most of the tracks are instrumental (more or less) although a few have Kim’s vocals on it.  And Yuka Honda from Cibo Matto does vocals on one track.

Kim’s side projects (like Free Kitten) are usually pretty abrasive. She lets her freak flag fly with her vocals.  And that in a nutshell will determine whether you like this or not.  Kim is playing mostly guitar, so the other instruments tend to take over a bit.

It’s always interesting when SY mixes it up with another band or solo artist.  But it doesn’t really make it a SY record, proper.

Oh, and all of the writing on the disc is in Japanese.

[READ: August 25, 2009] Scott Pilgrim vs the Universe

There’s a new Scott Pilgrim website which lets us know that Volume 6 will be out in 2010.  I can’t wait that long!

This 5th volume seemed a bit different from the other four.  The lines were crisper, it seemed like Ramona looked a little bit different (her eyes were bigger or something) and overall, the volume was a lot darker (in tone).

Today is Scott’s 24th birthday (he’s now the same age as Ramona, yup he finally asked her).

But at a party Steven Stills tells Knives that Scott had cheated on Knives with Ramona and on Ramona with Knives (which wasn’t true exactly), which sets Knives off again.  She violently confronts Ramona and when she says why, Ramona gets pissed too.

At this same party, Ramona’s evil ex-boyfriends (the twins Kyle and Ken Katayanagi) show up.  Scott prepares to fight them, but they send their robot after him instead.  The fight continues downstairs while everyone pretty much goes to other rooms, kind of bored with the whole escapade.

We also see a bit of Ramona and Scott’s domestic life (Ramona runs errands all day and Scott does, well, nothing). (more…)

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