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Archive for the ‘Black Sabbath’ Category

Robert Coover-“White-Bread Jesus” (Harper’s, December 2008)

Posted in Black Sabbath, Demons, Eric Clapton, Harper's, Jethro Tull, John Lennon, Marianne Faithfull, Marriage Trouble, Religion, Robert Coover, Short Story, Taj Mahal, The Beatles, The Dirty Mac, The Kids Are Alright, The Rolling Stones, Tony Iommi, Unreliable narrator, Wikipedia on April 2, 2009| 1 Comment »

harpersdecSOUNDTRACK:  ROLLING STONES-Rock and Roll Circus [DVD] (1968).

stonesProbably the most interesting thing about this DVD was seeing Tony Iommi, future guitarist for Black Sabbath playing guitar for Jethro Tull!  Let me repeat: the guy who played “Iron Man” was playing on a song with a flute solo!

Okay, with that out of the way, I’ll talk about the DVD.

The idea behind this event was to promote music in a new way, and the idea of a circus makes sense, so why not.  Wikipedia gives a pretty lengthy explanation of the whole thing, so I won’t bother with all of the details.

Anyhow, I had heard about this DVD in context of The Who.  I had read that The Who totally blew away the Stones at this event (apparently Mick Jagger agreed, which is why this was not available until 1996). Much of the Who’s performance is available in The Kids Are Alright movie.

But now with this DVD available, we get to see all of the acts in the circus:

Jethro Tull-“Song for Jeffrey.” Evidently they mimed their performance, but it’s still Tony Iommi.

The Who-“A Quick One While He’s Away.” Just amazing.  Fantastic rollicking, amazing.  It’s a crazy song, and it’s so full of energy.  Yes, they blow everyone else off the stage.

Taj Mahal, a band I’m not familiar with, plays “Ain’t That a Lot of Love.”

Marianne Faithfull sings a surprisingly quiet rendition of “Something Better.”  Her trademark voice hasn’t quite developed yet.

The Dirty Mac, who are John Lennon (vocals & rhythm guitar), Keith Richards (bass),  Eric Clapton (lead guitar) & Mitch Mitchell (drums).  They perform the Beatles song “Yer Blues” and then a jam called “Whole Lotta Yoko” which features Yoko Ono doing what she does best…caterwauling for what seems like much longer than 4 and a half minutes).

Then the Rolling Stones come out.  The story is that they had been up playing for hours, and their set was finally recorded at 5AM.  Whether or not that’s true, the set is really lackluster.  I’m not a huge Stones fan, but I do love many of their songs.  In fact, “You Can’t Always Get What You Want” and “Sympathy for the Devil” are two of my all time favorite songs.  Sadly, the versions on this DVD are totally substandard, especially compared to the originals.  Even “Jumpin’ Jack Flash,” a song that I don’t particularly love but which has a great opening riff sounds tired.  I don’t know if it’s the amps, the sound board, or if they’re just really tired, but the set just doesn’t have it.

So, yeah, there’s not much to see with this disc.  You do get Brian Jones jamming with the Stones.  And of course, “A Quick One” is great.  It’s also cool to see Tony Iommi, but since he’s not actually playing, it’s not that exciting.  And, in fairness, Mick Jagger is a very good host, and he keeps his spirits and excitement level up pretty high throughout the show, especially when goofing around with John Lennon and the fans.

As a curiosity, this DVD was okay…I actually enjoyed the talking bits in between songs rather than the songs themselves.

[READ: March 25, 2009] “White-Bread Jesus”

It has taken me a very long time to read this story.  I had been putting it off because it was kind of long.  Then I started it and put it aside, and then finally I read most of it but didn’t have a chance to finish it.  I found it again today under a pile of magazines and decided it was time to finish it up.  None of that reflects on the story, though, honestly.

I was very intrigued by the story right from the get-go.  In it, a preacher (Reverend Wesley Edwards) who is losing his faith, and really his mind, has something of a breakdown in church.  He begins a dialogue with Jesus in which Jesus admits that the Bible is nonsense, and that he, Wesley, is really a prophet. (more…)

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Charles Burns–Black Hole (2005)

Posted in Altoids, Bad Company, Black Mountain, Black Sabbath, Canadian Music, Charles Burns, Dungen, Fleetwood Mac, Funny (strange), Graphic Novel, Heavy Metal, Jefferson Airplane, Set at School, The Believer, YA Books, Yuck! on November 10, 2008| 1 Comment »

black-holeSOUNDTRACK: BLACK MOUNTAIN–In the Future (2008).

black-mountainAn ironically titled disc, surely.  Black Mountain is a Vancouver-based band that specializes in 70’s era psychedelia with a heavy dose of Black Sabbath.  Yet, like Dungen or other bands that tread this “revivalist” style, they don’t mimic the sound..they definitely sound contemporary, but the vibes of the 70s are constant.

Black Mountain features two singers: Stephen McBean and Amanda Webber.  Webber’s voice in particular harkens back to an amalgamation of Grace Slick of Jefferson Airplane, Nancy Wilson and the collective voice of Fleetwood Mac. McBean sounds like several singers of the era too.

“Stormy High” opens the album with the best Black Sabbath riff that Sabbath never wrote.  It sounds like something straight out of Sabotage.  “Angels” slows things down into a kind of Bad Company vibe, complete with trippy 70s keyboards in the middle of the song.  “Wucan” sounds more contemporary (the vocals in particular remind me of something, but I can’t place it) and “Stay Free” is a nice acoustic ballad.  “Queens Will Play” gives Webber the spotlight and the song in particular sounds like a wonderfully creepy take on Fleetwood Mac.

Although some of the songs are longish (6-8 minute), most of them are fairly brief.  Except, of course, for the 16 minute “Bright Lights”.  I think it’s fair to say that 8 minutes could be cut off of this song and it would still be great.  The middle riff-tastic part is really fantastic, but the opening and the noodley keyboard solo could easily be lopped off.

The disc also came with a bonus disc of 3 songs.  Each one adds to the mythos of this fascinating band.  I’m curious about their debut release as well.

[READ: November 8, 2008] Black Hole

My friend Andrew loaned me this book.  I had recently read an interview with Charles Burns in The Believer (and more abou that in a moment), which excerpted this book.  It looked really good, but then I promptly forgot about it.  And Andrew filled in the gap for me.

Charles Burns’ work appears in astonishingly diverse places.  I know him mostly because he is the cover heavy-metalartist for The Believer, (his interview in that magazine is pretty great) and his been since its inception. But I also know him from the early 80s when he was an artist with Heavy Metal magazine–when I did a search for this magazine, this was one of the results, and I distinctly remember it being in my magazine collection (gosh, some 25 years ago?). (more…)

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Gary Shteyngart–Absurdistan (2006)

Posted in Anya Ulinich, Black Sabbath, C.S. Lewis, Consumerism, Corporate skewering, Dystopia, Funny (ha ha), Gary Shteyngart, King's X, Meta, Military, Religion, Russia, Sex, The Beatles, Violence, War on September 5, 2008| Leave a Comment »

SOUNDTRACK: KING’S X: Out of the Silent Planet (1988).

I just got the newest King’s X CD XV a little while ago, and I really liked it.  I figured I’d go back to the beginning and see how much they’ve changed over the last twenty (!) years.

When I first heard Out of the Silent Planet, I was blown away.  I had never heard anything quite like it.  It had heavy heavy bass (I always said it was like Black Sabbath, but that’s not really accurate), but they also had beautiful harmonies like late-period Beatles.  Add to that Doug Pinnick’s amazing gospel/soulful voice.  And top it off with some great acoustic guitar playing and unusual instruments.  Amazing. The heaviness is more of a dissonant sound that has become more popular in the last few years: complex chords that are played very heavily.   I wouldn’t say that King’s X had anything to do with that popularity, but I heard it from them before I heard others do it.

The one thing that really struck me about the album was just how dissonant some of those chords are. I always think back on the album, which I’ve listened to hundreds of times, as being sweetly harmonic, and yet really the chords are quite aggressive.  And the riffs are in a dark, minor key.  Which is why those beautiful harmonies make such an impression.

The other thing that really struck me was how religious the record is.  Now, when it first came out I didn’t really think of the religious aspects of the disc.  There really weren’t any Christian metal bands back then, (except for Stryper) at least not on the cultural radar, and they didn’t proclaim their religiosity overtly, so I just didn’t see it.

But starting from the title: Out of the Silent Planet is a book by C.S. Lewis (of Narnia fame).  And much as Narnia is a thinly veiled Christian allegory, so is Out of the Silent Planet.  You can read Narnia and not see the Christianity in it, but once you know its there, it’s unavoidable.  Same with this album.  The lyrics are not overtly Christian, but there’s enough symbolism to tell that when he sings about You, it’s not romance, but God he’s singing about.  A verse like “Sometimes my cup is empty; I wish that it stay full; cause I am always thirsty; I can’t get enough of you” can be secular or religious depending on your point of view, and I think that makes the album great.

Plus, it’s got the fantastic “Goldilox” a beautiful song, no qualifications needed.  It’s a gorgeous ballad.  but lest you think that it’s all sweetness, the album closer “Visions” ends with an unqualified thrash out…which comes after the song should end properly.  Ty Tabor’s guitar work is pretty amazing.

Wow, it’s a great album.

[READ: maybe December 2006/January 2007] Absurdistan.

I read this book a couple years ago, certainly before I started keeping this blog, but while I was working at the library.  My memory of it was fuzzy.  But when I referenced it in the Petropolis write up I was sorry that I hadn’t written about it.  As I’m reading the details of the book in a book review, much of it is flooding back, so I feel comfortable saying a few words about it.  Plus, I just did a fascinating thing: I skimmed the book for details.  It was fun to “read” this entire book in about two hours.  I got lots of great details, remembered parts of it, and enjoyed re-reading some of the funnier parts. (more…)

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Paul Theroux–“Twenty-Two Stories” (Harper’s, April 2008)

Posted in Bathory, Black Sabbath, Digression, Eagles of Death Metal, Flash Fiction, Harper's, John Zorn, Led Zeppelin, Mastodon, Paul Theroux, Queens of the Stone Age, Short Story, The Believer, The Mars Volta, The Sword, Venom on July 25, 2008| Leave a Comment »

SOUNDTRACK: MASTODON-Blood Mountain (2006).

As I was in a metal/Black Sabbath kick, and Mastodon is always mentioned as a fantastic metal band, I figured I’d give them a try. As with The Sword, I saw no resemblance to Black Sabbath, and at first I was afraid it was just another sludgy death metal record.

[DIGRESSION]: I just read a great article in The Believer about the USBM (United States Black Metal) scene, and how it compares to the black metal in Norway and other European countries where the bands take the music seriously enough to burn churches and such. The article was really interesting. I knew some of the bands that he talked about, but the only ones I had heard were the “grandfathers” of the genre, like Venom and Bathory. Any of the new bands that he focused on, if I’d heard of them at all, I certainly hadn’t heard them. Regardless, it was a great read, and really got me hankering for a band like Mastodon, even though they’re not really in the genre at all.

Anyway, after two listens, I really got into the Mastodon album. I don’t know anything about their previous releases (except that they are heavy), but Blood Mountain is all over the map. It is a fascinating mix of thrash metal, hardcore, beautiful melodies, prog rock, and total chaos. In fact, the song “Bladecatcher,” is three and a half minutes of total insanity. I haven’t heard anything lie it since John Zorn’s Naked City. There’s a beautiful melody which progresses into a screaming guitar riff, which morphs into a headbanging thrash part which basically just unravels into a noisy spasm, wherein the high-pitched noises might be voices, or might by keyboards, or might just be the machine melting. (more…)

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Steven Millhauser–“The Next Thing” (Harper’s, May 2008)

Posted in Black Sabbath, Consumerism, Corporate skewering, Harper's, Iron Maiden, Judas Priest, Led Zeppelin, Short Story, Steven Millhauser, The Sword on July 25, 2008| 1 Comment »

SOUNDTRACK: THE SWORD-Gods of the Earth (2008).

So I used to be really into heavy metal. I’m not so much anymore, although I do enjoy the occasional bout of heaviness. However, I had been listening to some Black Sabbath recently, and I guess I was in the mood, because when I read some descriptions of The Sword, I was intrigued. Black Sabbath kept coming up as an obvious precurosr. So with that and the reviews saying they use silly middle earth swords and sorcery lyrics and they have screaming guitar solos, I had to get it. It sounded great.

And the first track, a fantastic instrumental, lived up to the hype. It’s fast, it’s furious, the guitars are totally something that I would have HAD to learn how to play back in high school. It was amazing. And then the second song kicked in, and it was great too. Finally I got to hear the singer, and when he started singing, the lead guitar played the vocal line in tandem and it was awesome. And then the lead guitar stopped and the voice was….where? It was mixed way way way in the background, sounding like he was in the next room. What was the point of all the weird fantasy lyrics is you couldn’t hear them?

And so it is with the bulk of the album. The music is first rate: excellent riffs, great harmonized guitar solos, Middle Eastern (by way of Led Zeppelin) atmospheres. The acoustic guitar even pops up in a couple of places too, showing a nice range of diversity. All kinds of things that make metal so wonderful. And yet, it’s so hard to get into the voice. It sounds kind of reedy and thin. If you crank it up really loud, it kind of works. His voice does creak through on occasion. And yet, with bombast like this, you expect the voice to be out there in front, leading the way like Bruce Dickinson or Rob Halford. I guess if you grew up listening to Iron Maiden and Judas Priest, you have a certain, if not standard, then expectation. Maybe if you grew up listening to some of the great stoner bands of the 90s, the muted voice is just par for the course, which is fine, but the guitar riffs don’t jibe with that. And, frankly, I just don’t hear Black Sabbath at all.

The album ends with two strong instrumentals. The 5 minute, powerful, chugging along, rifftastic “The White Sea” and then an untitled acoustic-jam-type ballad that is totally incongruous with the rest of the disc and yet seems to put a mellow calm over the whole proceedings.

Reviews of their first album suggest that the overall mix isn’t like this one. It has more Black Sabbathy. I can’t decide if it would be worth getting. I may have to just pull out We Sold Our Souls for Rock n Roll instead.

[READ: June 30, 2008] “The Next Thing”

This was a wonderfully subversive story. It is actually quite simple in scope: on the edge of a small community, a new shopping center called “The Next Thing” is being built and causing rumors to fly. (more…)

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