Feeds:
Posts
Comments

Archive for the ‘Black Belt Eagle Scout’ Category

[ATTENDED: March 18, 2024] Sleater-Kinney 

This was my fifth time seeing Sleater-Kinney.  I saw them twice back at the turn of the century and then two more times in the last few years.

I wasn’t entirely sure I wanted to see them again, but I thought a show at TLA would be a great way to see them and when my wife said she wanted to come along too, I knew it would be super fun.

The band has a new album out and they played 9 of ten songs from it.  However, they played 24 songs in total so it’s not even a majority of tracks.   (Interestingly they barely played anything from the other records “from this century.”

The older songs definitely got the most love from the audience, but I think this new album is quite good and most of the new songs received appropriate accolades.

They opened with “Hell” and “Needlessly Wild” a chance for both Corin and then Carrie to sing lead.

The setlist was pretty varied from there, including a number of older songs that I hadn’t heard live before.   Like “Oh!” from One Beat, a super fun song with great harmonies from the rest of the band.

The band this time was similar to their 2019 band: Angie Boylan (drums), Katie Harkin (guitars/keyboards) and Toko Yasuda (keyboards). but Katie Harkin, who has played with them a lot was replaced by Teeny Lieberson.  Their backing vocals were terrific–something I never really thought about with S-K before, but their voices really fleshed out the overall sound. (more…)

Read Full Post »

[ATTENDED: March 18, 2024] Black Belt Eagle Scout

I was pretty excited to see that Black Belt Eagle Scout was going to open for Sleater-Kinney.  I’ve wanted to see her /them for a while and this was a great opportunity to see them.

I had heard a few songs by them a couple of years back but I had also heard that the live show was terrific.

The band came out–a trio.  There were two guitars and drums.   Singing was Katherine Paul, a Swinomish/Iñupiaq singer-songwriter and multi-instrumentalist based in Portland, Oregon.  Paul blends the vibe of Pacific Northwest rock with elements of Coast Salish traditional music

Her music is grungey in its tone, but it is also pretty slow, with Paul’s voice soaring in wonderful and at times unexpectedly places.  She is also an amazing guitar player, jamming out some killer solos as the songs (and the set) wrapped up.

I enjoyed the way “My Blood Runs Through this Land” got bigger and bigger, with her singing wordless lines (again, such a good voice) and cool lyrics like

I know you speak through me IFeel it in the sound of waterTouching all the rocks I feelNo one can takе this moment away ’causeMy blood runs through this land IFind it in the land and sеa

“Treeline” opened with Camas Logue playing big soft drum with mallets–yes it felt tribal, but not like a stereotype.  Fancy Dance followed and it was faster and much shorter (barely 2 minutes) which came as a but of a surprise after the first two five minute songs.

What was really interesting to me about their set is that there was no bass player.   It was like they took a page out of the Sleater-Kinney playbook: two guitars and no bass.  (apparently there is typically a bass player, but they were not missed in this set).  The second guitarist Claire Puckett mostly played chords, but also played lead lines and even soloed a bit with Katherine at the end.

The set seems to have moved through the band’s output, with only one song from the previous album.   And then three songs from the debut, which the crowd seemed  to really like.

She dedicated “Indians Never Die” to the Lenape Indians of New Jersey and Pennsylvania.  It had a simple but super catchy chord progression and they jammed the heck out of it at the end.

Sam, A Dream was my favorite song of the set.  After the song moves slowly along, it picks up in the middle and Paul plays a very cool hammered on riff that isn’t complicated but sounds great.  I love the way the band played around that riff and then returned to it at the end.

They ended with the fantastic “Soft Stud” and the recurring line “I know you’re taken/need you want you.”  Like many of her songs, the basics of the song are simple, but the way the song gets bigger and adds new elements (like the simple but catchy guitar riff that comes in halfway through) is really exciting, with Paul absolutely rocking out the guitar solo at the end of the show.

It was a great set.

  1. My Blood Runs Through This Land
  2. Treeline
  3. Fancy Dance
  4. My Heart Dreams
  5. Indians Never Die Ô
  6. Sam, a Dream Ô
  7. Loss & Relax %
  8. Soft Stud Ô
≅ The Land, the Water, the Sky (2023)
% 2019 single
∇ At the Party With My Brown Friends (2019)
Ô Mother of My Children (2017)

 

Read Full Post »

[DID NOT ATTEND: April 17, 2023] Black Belt Eagle Scout / Claire Glass & Adobo

When I first heard about Black Belt Eagle Scout back in 2018, I was really inrigued:

Katherine Paul grew up on a small Indian reservation in the Pacific Northwest. The singer, who performs as Black Belt Eagle Scout, identifies as a “radical indigenous queer feminist” and is influenced by Native American tradition as well as indie rock.

But when I listened to her song, I found it kind of bland.  Her voice is soft and pretty, but the indie rock component was pretty minimal and was, as I say, kind of bland.

It’s now five years later and the new Black Belt Eagle Scout album, The Land, The Water the Sky, ups everything that I found missing that first time around.

I rather wanted to go to this show and a friend of mine says it was really good.  But I have a birthday party to attend to coming up and I’m out tomorrow night so it was important to stay home.

Claire Glass Claire Glass is the solo project of Claire Puckett (of Hikes and Mother Falcon). This iteration highlights intricate classical guitar compositions overlaid with delicate vocals, with lyrical content prodding the deeper meanings of everyday wonders. Her newest release, “Dust”, explores themes of spiritual seeking after religion, alluding to Phillip Pullman’s ‘His Dark Materials’ trilogy. It blends classical guitar with airy synths to create an ethereal, otherworldly feel.

Adobo Adobo is the solo project of Filipinx naturalist Nay Mapalo (of Hikes); Adobo is a foray into patient, emotive songs that pull inspiration from pop composition and the intricacies of classical guitar technique.

The listing said Claire Glass and Adobo were performing together, but photos made that seem incorrect.

 

Read Full Post »