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Archive for the ‘Algernon Cadwallader’ Category

[DID NOT ATTEND: October 14, 2023] Algernon Cadwallader / Knifeplay / Church Girls / Huey, the Cosmonaut

Algernon Cadawallader announced two shows at Union Transfer last year.  I bought tickets to one and then couldn’t go.   I hadn’t even heard of them before the show, but I had since listened to them and thought they sounded pretty great.  My show sold out and the second night did so eventually as well, I believe.

When this night of Philly Music Fest was announced, I immediately grabbed a ticket assuming this would easily sell out.  But as of the night of the show there were still tickets left.  That seems very weird to me.

I was pretty psyched for this show mostly for the opening acts, but then my son came home from college and I stayed home to hang out with him and the fam.

Of course this means I didn’t go to any Philly Music Fest shows this year.

Knifeplay plays a kind of moody acoustic music.  The guitars feel acoustic but the songs are layered in washes of synths and feedback. There’s a  cool shoegaze feel and the vocals sound almost like he’s singing made up words (ala the Cocteau Twins) although he isn’t.

Knifeplay is a band that eludes definition, existing somewhere between the nihilistic detachment of shoegaze and the emotional honesty of folk songwriting. Originally a solo bedroom recording project of Tj Strohmer’s.

The whole vibe of the album is great.  I’d have liked to see them.

Church Girls play indie punk right in my sweet spot.

Church Girls write propulsive melodies and achingly vulnerable lyrics wrapped in the throbbing anxiety of post-punk and joyous aggression of pop-punk. Formed in 2014 by Mariel Beaumont.

The record sounds big and full with too many guitars and too many big vocals and it is glorious.  I absolutely wanted to see them.

Huey, the Cosmonaut plays in a variety of genres.  The first song of his that I heard I didn’t like. But the others I did.

I’d like to think that my music exists in the space between emo, R&B, bedroom pop, lofi hip hop and jazz. Some of the themes in my music include a focus on loneliness, traveling, nostalgia, melancholy, everyday sensations, black history, renewal, growth, cartoons, comic books, the cosmos and imaginary worlds. I feel that I’m constantly caught between different worlds in my personal life and musical aspirations.​ Through my music, I seek to unite some of those things. All of my music is produced from the bedroom. I’ve been playing with a band recently though.

Knowing that he plays with a band makes me want to see him more than if he was by himself.

Bummer that I missed the show but it was great seeing the college kid.

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[DID NOT ATTEND: October 24, 2022] Algernon Cadwallader / Sun Organ / Customer

Algernon Cadawaller is another show where I fell for the hype and then couldn’t go.

Since I couldn’t go to the Saturday show–King Gizzard–I could have tried to go to the Monday show.  However, I had been to a show on Friday and Saturday and had shows lined up for Wednesday, Thursday and Friday of the next week.  Something had to give.

Eight is the recording project of Mimi Gallagher, based in Philadelphia. Delight in Eight is the debut record, assembled from recordings done at home and at the Bunk with a revolving door of friends — anchored by the core trio of Mimi Gallagher, Cat Park, and Pat Brier.

I listened to a few songs from the album and I really like it.  It has a Julian Hatfield (circa 1995) feel–gentle vocals over some good old fuzzy guitar rock.  I really liked them.

Lizdelise opened for NNAMDÏ / Ghösh in May and was described by NPR as

Liz de Lise is a singer, songwriter and guitarist who writes alternative folk songs with jazz influences. She creates lush soundscapes with acoustic and electric guitar, vocals and a loop pedal.

Big Nothing is from Philly and have a very open feel about them–like you can hear all of the strings on the acoustic guitar strumming.  The lead singer sounds a lot like Bob Mould.  I’d say this is more Mould solo than Sugar.  Perhaps a little too poppy, but could be fun live.

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[DID NOT ATTEND: October 22, 2022] Algernon Cadwallader / Sun Organ / Customer

Algernon Cadawaller is another show where I fell for the hype and then couldn’t go.

I hadn’t heard of the band but apparently they were legendary.  I wouldn’t have bought a ticket without listening to them, of course, but seeing that they were an emo/math rock band was enough to pique my interest.

So I grabbed a ticket before it sold out.  Only to discover that it was the same night as my King Gizzard show (and of course, King Gizzard wins that).  So I’ll never know if it was worth the hype.

Sun Organ is a kind of shambolic noise band from Philly.  The first two songs on their album Candlelight Showertime are kind of slow and ponderous (as if the vocals are slowed down) and I was about to give up on them, but the third and fourth songs are more interesting both in tempo and sonic construction.  I’m sure they’d be fun live.

Customer is a New York based post punk / power indie pop band.  They have two songs out and they’re both really good.  All of the members have been in other bands and I love the way Nicola Leel sings in a slightly out of sync way.  Cool stuff.

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