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Archive for the ‘Magazines’ Category

aprilSOUNDTRACK: RHEOSTATICS-The Horseshoe Tavern Toronto (February 16, 2001).

horseshoeThere are seven live shows from 2001 on the Rheostatics Live website.  In this block, I’m going to talk about the first four shows because the final two of the four are drummer Don Kerr’s final shows with the band.

There is a lovely introduction by the club owner, who thanks the Rheostatics for playing there so much.  The sound quality is great and the crowd is really into it.  At one point someone shouts out “Californication” (which is a line from “California Dreamline”) and Martin says that the Red Hot Chili Peppers are playing down the street.  Another funny line is when someone shouts out “Jessie’s Girl” and Dave says that there’s a trend in shouting out bad songs.  Nobody wants to hear the “Rheos do Rick Springfield.”  That’s just bad energy.

“Fat” sounds great and it’s quite a long version.  The vocals for the next few songs are fun.  Martin is crazy on “CCYPA.”  “When Winter Comes” has a great and fun intro.

The notes say that song 12 is “We Went West” but it is actually a cover of a Celtic Blue song  “Heading Out West” with Alun Piggins (from Celtic Blue) on harmonica.  It works well with them.

“California Dreamline” has some funny banter.  Dave says he loves the way Martin says “Sowthern” California.  Martin says English is not his first language.  But that he is wearing an amazing shirt.

They have a lot of fun with “Legal Age Life” which they open with a “pa pa ooh mow mow” refrain and in the middle they throw in some “I Wanna Be Sedated.”  This show also has one of the best versions of “Claire” that I’ve heard.

This is the first version of “Mumbletypeg” that I’ve heard where it includes the spoken word part (like on the record).  And I love that they throw in “PROD” into the end of “Four Little Songs.”

This show was simulcast online (which is pretty high tech for 2001, no?).  You can also watch the simulcast on the Rheostatics live site.

[READ: April 20, 2015] “If You Cannot Go to Sleep” 

I enjoyed that this story was pretty much a fictionalized version of many people’s insomnia.  It opens, “First she tries counting.”  As it progresses through a series of nights, we encounter her fears, both reasonable and excessive.

But interestingly, before it even gets into her dream fears, she has a long unsleeping thought about the difference between working at a discount store and an upscale store–the discount store must be depressing, but the upscale store must be full of insufferable people–what would be worse?.

Then we learn a bit about her life.  She studied French and even lived in Paris for a time. Now she works translating technical manuals and she hates it.  Her husband finally quit the job that he hates–something she hoped he would do for years.  But now that he did that he has moved to France–without her. (more…)

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burnsSOUNDTRACK: ADAM ARCURAGI-Tiny Desk Concert #42 (January 10, 2010).

adamI had never heard of Arcuragi before this show and in the five years since I haven’t heard of him elsewhere.  Bob introduces the show by raving about Adam’s voice.

But I don’t really think there’s anything special about his voice.  It’s a good decent string voice, but nothing notably unique about it or anything.  So it was a bit of a set up for a let down.  Which is  shame because Arcuragi and his mates sing three delightful songs.

“She Comes to Me” features acoustic and electric guitars and mandolin.  “Steal People’s Medicine” uses the electric guitar a a slide guitar, which sounds remarkably different from the first song (no mandolin either).  “Bottom of the River” which switches the mandolin for a tambourine is the most fun of the three songs.  It’s a bit more upbeat, there’s some good harmonies and the crowd even starts clapping along.  And Adam does wail a few notes showing that his voice is better than I suggested.

Watch it here.

[READ: April 7, 2015] Handbook of World Domination

I was unaware of The Vault of Simpsonology Series.  This is the third book in the series, the other two being from Homer and Bart with future books from Lisa, Grandpa and Bartman.  I’m also not exactly sure why our library received this book,   But it’s a fun little addition to all things Simpson.

The book is 64 pages about 6 inches square and it is chock full of insights into Mr Burns.

On the first page is an envelope with a poster.  Given the incompleteness of the back, I assume that all the books have similar posters with which you would make one giant poster.

The introduction (by Mr Burns) explains that he just wants to entertain with this volume–not to give away secrets.   So we get Burns’ bucket list (#29–keep a meal down completely; 17- Buy the EPA and rename it the Environment Profit Administration) and Secrets to Burns’ long life (a bizarre medical contraption involving syringes, a small devil and a drooling baby). (more…)

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Popular-MechanicsSOUNDTRACK: THE MOUNTAIN GOATS-Tiny Desk Concert #41 (January 3, 2010).

mgI have talked about Tiny Desk Concerts off an on (more than 100, if I’m counting right), but I never really made a concerted effort to do them all.  So now I’ve decided to make the effort.  My plan is to post two old concerts a week and also mention new ones when they pop up.  Since there are nearly 450 concerts, this will take ages and ages.  But I’ve been really enjoying the bands I like and it’s been fun listening to the bands I didn’t know.  And two a week seems reasonable enough.

I know the Mountain Goats, although I don’t know them all that well–I keep meaning to listen to them more.  So this is a good place to start.  It’s just John Darnielle and his guitar.

These four songs are simple enough and yet they have s much passion and inventiveness.  Darnielle is known primarily for his lyrics, but he throws a good melody over his songs too.

He plays two (then) new songs, the quiet “Hebrews 11:40” and the loud “Pslams 40:2.”  His voice is instantly recognizable in either song–it more or less just sounds like him singing louder, and yet there’s something slightly different in his rollicking singing voice–a bigger intensity, perhaps.

He also plays two old songs.  The slow “Color in Your Cheeks” and the rollicking “Going to Georgia” (which he starts and then interrupts and then starts again).

While his lyrics are serious, his between song banter is charming and funny (“I am permanently a young man, no matter how old I get”).  I just saw that the Mountain Goats were on Seth Meyers’s show, I’ll have to check that out too.

Watch the Tiny Desk Concert here.

[READ: April 21, 2015] “Learning to Fly Part 1”

I was going to let my Popular Mechanics subscription lapse.  I enjoy it a bit, but don’t really read it all that much.  But this issue has some good articles and the start of this four part essay by an author I really like.  Who knew that authors wrote for such unlikely places?

I suspect that Popular Mechanics readers probably aren’t used to long form essays, because this first part, called “Takeoff” is only four pages long–this is not a Harper’s essay we’re looking at, here.  But the writing is still really good.

Ferris talks about the two things that contributed to his decision to take flying lessons.  The first was the death of his father and the second was his absolute fear of flying. (more…)

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onfgoingSOUNDTRACK: MUCCA PAZZA-Tiny Desk Concert #419 (February 10, 2015).

Evmucca2en though I said that the Dan Deacon Tiny Desk was the most fun to watch, it is a close tie with this one from Mucca Pazza.  Mucca Pazza are a 23 piece band comprised of a huge horn section, violins, guitars, percussion, an accordion and even cheerleaders.  The group dress like a marching band (but everyone with a different colored (often ill-fitting) outfit).  The cheerleaders use caution tape as pompoms and do prompts between songs.  They tip their hats when songs are done.

They have been around for ten years (and have four albums out).  For this cramped Tiny Desk, they play four instrumental tracks (23 people and no vocalist!): “Subtle Frenzy” “J’accuse” “Dirty Chompers” and “Holiday on Ice.”

The songs are fast and fun and while there is an obvious marching band feel, they aren’t really marching band songs.  The electric guitar and strings tends to undermine the machine band tendencies (even if the xylophone adds it back).   Indeed, the electric guitars add a cool and sometimes disconcerting sound, like the guitar solo on “J’accuse” which is done on a teeny tiny guitar with a slide.

I love the melody of “Dirty Chompers”–such a fun song.  And “Holiday on Ice” is chock of full of the mayhem you might expect from the description of this band. The middle section slows down somewhat and sounds a little demented (in a good way) It also really highlights the different components of the group–with different horns playing different scales and the trombones keeping the main somewhat menacing riff consistent.

mucca 1So there’s a kind of Balkan Brass band element underpinning all of this–but there’s also discord and rock and psychedelia.

I don’t know if I’ve ever seen so many people having so much fun before.  Their full stage show must be a riot.

You can watch the Tiny Desk here and listen to a full show (with a video of one song) here.

[READ: April 10, 2015] Ongoingness.

This book was excepted in Harper’s in December. I read the excerpt just a few weeks ago.  And then when I saw someone request it at work I found our copy and, since the book was short, decided to read it at lunch before sending it off to the requester (such power I wield!).

In my post about the excerpt, I said that I couldn’t imagine how there could be much more than the excerpt and that I wouldn’t want to read a lot more of the book.  Well, it turns out that the book itself is a brief 96 pages and the bulk of those pages are only a few lines.  So a rough count would suggest about 36 pages altogether–an easy to read at lunch request.  And that’s good, because if this book were 400 pages it would be either obnoxious or really tedious.

But at this length, it’s an interesting and enjoyable look at memory and life and how much we should be concerned about remembering. (more…)

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dec2014SOUNDTRACK: AURELIO-Tiny Desk Concert #424 (March 7, 2015).

aurelioAurelio is from West Africa.  He plays a nylon stringed guitar (finger picking and chords) and is accompanied by traditional Garifuna musicians and an electric guitar.  The Tiny Desk blurb says he “weaves together intricate layers of acoustic guitar to capture the polyrhythms of West African and the Caribbean.”

He sings in what I assume is Garifuna.  He is not young and his voice sounds like it.  From his chat, I believe he may also have been mayor once.

They play three songs: “Lándini,” “Funa Tugudirugu,” and “Nari Golu”  The guitar solos are (surprisingly to me) provided by the electric guitar while the acoustic keeps the rhythms.  The maracas and drum (box) keep the beat.  This is my introduction Garifuna music, which doesn’t sound too different from any other music (except the vocals of course).

[READ: March 22, 2015] “Keeping Time”

I’ve read somethings from Manguso before, in particular her McSweeney’s book of flash fiction.

This is an excerpt from a book called Ongoingness: The End of a Diary.  At first I found the entry a little annoying.  “I started keeping a diary twenty-five years ago.  It’s 800,000 words long.”  Manguso basically got into a frame of mind where she felt like she had to record everything–the perpetual loop of recording things as they happen and then recording how you feel about when you are recording them.

She says “I couldn’t face the end of a day without a record of everything that had ever happened.”  The fact that this was 25 years ago certainly predates the live bloggers and the daily diarists who tape everything. And it is interesting to see that her rather unhealthy obsession has been around longer than the technology allowed for it.

Manguso says she didn’t want to miss anything and by writing it down it was proof that she hadn’t.  She says that “the trouble was that there was so much I failed to record.” (more…)

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page_1_thumb_largeSOUNDTRACK: FANTASTIC NEGRITO-Tiny Desk Concert #425 (March 9, 2015).

fannegFantastic Negrito won the Tiny Desk Concert.  And now he gets a chance to play behind the desk for real.

He plays three songs (and looks amazingly dapper).  “Lost in a Crowd” is the song that won, and it sounds even better here–that live vibe really makes it shine.  I love that the drummer plays on a box, just like in the video.

He introduces this song by talking about the coma he was in (his life story is fascinating) and how everything was topsy turvy.  “Night Has Turned To Day” has a real soulful quality, with Negrito hitting some real James Brown wails.  I also like the way he gets the band to do “two times.”

“An Honest Man” is another great song with a fantastic blue chorus.  I also enjoyed the lyric: “I’m in love agin this time it’s not with my hand.”

The band sounds great–acoustic guitar, upright bass and keyboards, and yes, the drummer does get to move to the kit for the last two songs.

While I’m sure there were lots of other great bands deserving to win a Tiny Desk show, I think they made a good choice with Negrito.  he plays a style of music I wouldn’t normally listen to, and he does a great job with it.  I hope he gets a record out.

[READ: April 7, 2015] Five Dials Number 35

Five Dials Number 35 differs in many, many, many ways from the other issues.

First, it is almost entirely art.  Second it is devoted entirely to one artist.  In light of this, many of the pictures are full page sideways which means that the printing is different (this one is really best looked at online).

On page 54, there is an essay about the making of From Here to Here(more…)

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5dials34SOUNDTRACK: MATT HAIMOVITZ & CHRISTOPHER O’RILEY-Tiny Desk Concert #426 (March 14, 2015).

matthThere’s no introduction or fanfare for cellist Matt Haimovitz and pianist Christopher O’Riley’s Tiny Desk set.  They just start right in with a romping Beethoven piece.   I don’t know these two, but the notes say the duo has a new album out called Shuffle.Play.Listen., in which music by Stravinsky and Astor Piazzolla mingles with Cocteau Twins and Arcade Fire.  There’s no contemporary music in this set, but it’s very cool nonetheless.

The Beethoven piece sounds alive and wild and very modern.  The Glass piece is slow and beautiful  The final piece is lively and playful (with hints of darkness).  It introduced as reminding O’Riley of a scene in The Unbearable Lightness of Being when Daniel Day-Lewis gets a quickie.

It’s especially fun to watch how animated Haimovitz is.  The set list:

  • Beethoven: Cello Sonata No. 4 in C – IV. Allegro vivace
  • Philip Glass/Foday Musa Suso: The Orchard
  • Leoš Janáček: Pohádka – II. Con moto

[READ: April 6, 2015] Five Dials 33 Part II

After several themed issues of Five Dials we get back to the ones that I really like–random things thrown together under a tenuous idea.  It’s got some great authors and a surprising amount of large scale doodles–full page scribbles and some drawings that go from one page to the next (which works better online than in print).  Some of the giant illustrations also are fun–they are of jokey images like a memory stick that states I have only memories.  The art was done by JODY BARTON.

As with a previous issue there is a page of contributors and “The Unable to Contribute Page.”  These are journalists unfairly imprisoned (see more at cpr.org).  The Table of Contents is back, along with the FAQ: (more…)

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5dails33bSOUNDTRACK: PUNCH BROTHERS-Tiny Desk Concert #427 (March 16, 2015).

punchtinyIt is Chris Thile’s birthday and Bob and the gang brought him a cake, and Chris seems so genuinely touched, it is adorable.

Bob explains that they usually don’t invite artists back more than once but Chris has been on Tiny Desk four times by having five different “groups.” (Chris Thile And Michael Daves; Yo-Yo Ma, Edgar Meyer, Chris Thile And Stuart Duncan; Nickel Creek and now Punch Brothers).

I had heard of Punch Brothers, but didn’t know them.  I instantly became a fan after watching Chris’ great mandolin playing and his familiar but always interesting voice. The rest of the brothers provide great harmonies and lots and lots of strings (violin, bass, banjo and guitar).  They play four songs, “My Oh My,” a great, fun original and a traditional song “Boll Weevil” which is a rollicking fast fun bluegrass song.  “Magnet” is a “fairly debauched song,” which is even more rollick and more fun.  And Chris’ visuals during the song are very funny.

The final song is longer and much slower.  “Julep” is a mellow song with nice harmonies and delicate playing.  This Tiny Desk Concert really showcases how diverse this band is and I’m really interested to hear more.

[READ: April 5, 2015] Five Dials 33 Part II

Five Dials Number 33 Part 1 was dedicated to women and part II, the more substantial of the two, continues that theme.  And it features illustrations by Melanie Amaral.

The issue opens with a Centenary Appreciation of Marguerite Duras, the ultimate writer of euphoria and despair.  I don’t know much about her although I am familiar with her titles The Lover and Hiroshima mon Amour.

There are brief accolades from SUSANA MEDINA; OLIVIA LAING; DEOBRAH LEVY; AGATA PYZIK; JOANNA WALSH; CARI LUNA; ZOE PILGER; SUZANNE JOINSON; MARINA WARNER and EMMA WILSON all of which makes me think I should stop reading Five Dials and read Duras. (more…)

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5dails33SOUNDTRACK: ANONYMOUS 4 and BRUCE MOLSKY-Tiny Desk Concert #428 (March 28, 2015).

anon4I first heard about Anonymous 4 way back in 1990 when they started.  I even have their debut album of lovely classical a capella.  Now, twenty-five years and twenty-one albums later they are calling it quits.

Their final album is 1865, released to coincide with the 150th anniversary of the end of the Civil War. and containing songs from that era.

They sing three songs and, unusual as far as I’m concerned, they accompanied by Bruce Molsky, who plays banjo and violin and sings on “Hard Times.”  His voice mixes very well with their higher register–and they can hit some really high notes.

It’s unexpected to hear these singers whom I associate with classical music, singing these “traditional” songs.  But they do a wonderful job.

  • Listen to the Mocking Bird (Richard Milburn, Alice Hawthorne)
  • Hard Times Come Again No More (Stephen Foster)
  • Home, Sweet Home/Polly Put The Kettle On (Henry Bishop, John Howard Payne/Trad.)

As the site explains, the group is original members Ruth Cunningham, Marsha Genensky and Susan Hellauer, plus Jacqueline Horner-Kwiatek along with singer, banjo player and fiddler Bruce Molsky, who also appears on the album.

You can watch it here.

[READ: April 4, 2015] Five Dials 33 part I

This issue celebrates the Port Eliot Festival in Cornwall and features illustrations by: Cari Vander Yacht.  They are cool colorful colored pencil drawings sprinkled throughout the issue.  Most of them are vaguely alien creatures sitting around, shopping, doing a head stand (or break dancing).  You know, as aliens do.

Rather than a letter from the editor, we get a link entitled What’s this issue all about?  It is a link to a Guardian article about #readwomen2014 asking Will #readwomen2014 change our sexist reading habits?  Of course, it is now 2015 and I missed the whole thing.  I wonder if it did. (more…)

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5dials32bSOUNDTRACK: SYLVAN ESSO-Tiny Desk Concert #429 (March 30, 2015).

sylvanI haven’t really gotten into Sylvan Esso (NPR loves them), although there was something about the show that made these songs, which I’d heard before, gel for me.  Perhaps it was seeing Amelia Meath dance (or make that hilarious face).  Or her commenting about how quiet the room is and that maybe everyone could “move like the seaweed in Ursula’s cave.”  Maybe it was the preposterous shoes she is wearing.  Or maybe it was watching Nick Sanborn play around with this new to him equipment.

Or maybe it was just time for me to “get” them.  They have a  great chemistry in this setting, and Meath’s voice is really pure and beautiful.  I love that she often sings without moving the microphone to her face.

They play three songs: “Coffee,” “H.S.K.T.,” and “Come Down.”

It’s also hilarious that her dad sends her texts messages during the show (which she reads to us while Sanborn is trying to fix the equipment).

This is a great set and funny banter from this charming band whom I should listen to more.

[READ: April 3, 2015] Five Dials 32b

The email that accompanied this issue explains what those words in the title mean.

In Maori, there’s a word for the extra bit of time added at the end of a game, perhaps after the final minutes of a rugby match. Wā tāpiri is the noun. We’ve decided to make this our wā tāpiri issue. At the beginning of June we released an issue dedicated to new New Zealand writing.  Our wā tāpiri issue offers extra time for you to read some of the wonderful Janet Frame’s correspondence and look at a few untamed paintings from Shane Cotton. We’re pleased to be able to include them in our extended New Zealand special.

So there’s only two things in this extra issue.  Some letters and some art.  I enjoy these little extra issues, and this one is especially cool.

JANET FRAME-Correspondence: Camping in Our House
This is a series of letters passed between New Zealand author Janet Frame and poet Charles Brasch.  In 1963 and 1964, they share some nice compliments.  And then in 1969 they talk about what home (New Zealand) is like, while she is away at Yaddo.  First off, it’s interesting to hear that a) Yaddo was around in 1969, b) just how many famous people were in residence and c) the interesting details of residence there.  We also learn about some troubles in New Zealand but how they pale in comparison to the troubles in the States where “West Virginia has just passed a law which reads ‘police or mayors shall be guiltless if anyone is killed or wounded in an attempt to put down a campus disturbance even if this victim is only a spectator'” (Jesus!).  Meanwhile she is happily staying for free in Yaddo and getting a lot of work done.   There is also a facsimile typed letter from 1967 (which is fun to read and to see that people made mistakes back then and just fixed them with pen) in which she talks about first going to Yaddo.

JUSTIN PATON-“Shane Cotton’s The Haymaker Series”
Paton introduces Cotton’s Haymaker series which is indeed 5 panels on the wall of a gallery (each piece is presented in this issue too).  He describes how the New Zealand artist references other artists well as his own previous works in these panels.  He references the carved heads from his Tradition History & Incidents (from 2009), in addition to many other.  But this is not a retrospective piece.  This introduction really gives some great context for the works (which I talk about below before having read this introduction).

SHANE COTTON-The Haymaker Series
From Page 10 is the Haymaker series, mechanical and geometric prints in front of a gray foreboding background which looks like a storm.

The final page shows some photos from the launch of issue 32, including a link to a video by Lail Arad who was at the launch.  It’s a quirky video for her song “Everyone is Moving to Berlin.

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